After the success of '(I'll never be) Maria Magdalena', Sandra and her producer Michael Cretu had to come up with a successor. They chose to stick to the success formula: synthesizers, a melodic chorus and male backing vocals.
The follow-up to the first single from their self-titled debut album was Aurora's 'The day it rained forever'. A dynamic dance track, which was remixed by no less than five remix teams. Most of the remixes were again unreleased on cd-single.
When Janet Jackson released 'Design of a decade' in 1996, 'Runaway' appeared on the cd as a new track. This new track was released as the first single from the album. The first cd-single at the time featured three remixes of 'When I think of you', whereas the second one featured four remixes of 'Runaway'.
Composed by Vangelis and Jon Anderson and produced by Quicy Jones, 'State of independence', released in 1982 was a glorious piece of pop music. Layered with synthesizers and not too far removed from the aforementioned duo's own version, it was a massive hit for Donna Summer that year.
America was still in shock after having seen (part of) her tit when Janet Jackson's 2004 album 'Damita Jo' was released. It meant that the album did relatively worse than previous albums because the sight of all that flesh meant that no-one could listen to music anymore - of course!
I recently wrote about a promotional 12" single of Aurora's 'Dreaming', and here's the other one. This 12" single features three remixes by Love To Infinity, a UK-based remix, production and songwriting team consisting of Andy, Pete and Dave Lee.
In 1996 Janet Jackson released her first major compilation album 'Design of a decade'. The release was promoted by the new single 'Runaway', but also by elusive 12" singles with remixes of previous hits. This double 12" package of 'The pleasure principle' is an example of one such releases.
'We might as well be strangers' was the fifth single to be released from their 2004 debut album 'Hopes & fears'. It was a bit of a strange release, as it was only released on 10" single. It featured a remix of the track by a certain DJ Shadow.
The nice thing about music is that there's always something new to explore. In 50 years of pop music there's always a song you've never heard and an artist that needs further exploration. Although I own much of Diana Ross's Eighties output, her old work passed me by as I was too young to appreciate it back then.
The British electronic dance music group Aurora formed in 1999 and made it to the charts in the UK that year with the song 'Hear you calling'. After a top 10 hit in 2000 with a cover of the Duran Duran track 'Ordinary world', they recorded their only album, which was released in 2001. 'Dreaming' was the first single lifted from that track, a breezy pop track which was remixed by Love to Infinity, Goldtrix and Stella Browne.
Following on from this one, here's another promotional 12" single of Janet Jackson's 'All for you'. This release comprises two heavyweight vinyl discs, featuring one remix on every side.
Simply Red rose to prominence with this beautiful ballad in 1985. 'Holding back the years' would turn out to be a classic. Taken from their debut album 'Picture book', it launched a career that was ended only last year when front man Mick Hucknall did a farewell tour with Simply Red.
Tori Amos released 'From the choirgirl hotel' in 1998. It was one of her last great albums - subsequent efforts became ever less engaging. The biggest hit from the previous album, 'Boys for pele', was a remix - or should we say a full-on butcher job? - of 'Professional widow'. No wonder that the record company kept releasing remixes of Tori Amos tracks in subsequent years.
After leaving the girl group Arabesque, Sandra Ann Lauer teamed up with Michael Cretu. Their first recording was a German version of Alphaville's big hit 'Big in Japan', entitled 'Japan ist weit'. Apparently, only 125 copies of the single were ever sold.
'Da fliegt mir doch das Blech weg' has become one of my favourite quotes in German, and it's down to this record.
This 12" single of Strawberry Switchblade's biggest hit 'Since yesterday' features three tracks - and no extended version of the title track as one would expect in 1984.
The spacey track '1000 years from today' was robbed of its shimmering beauty and transformed into a dancefloor stomper on this promotional 12" single. Three different remixers went to work on this with varying levels of success.
Janet Jackson released 'All for you', the title track of her 2001 album, as the second single from that album. As far as I know there was no release on 7" vinyl, but there are several 12" single floating around, and this promotional 12" single is one of the more interesting ones.
The Beloved released 'Your love takes me higher' in 1989, before they became famous with similar dancepop tracks. This American 12" single features four remixes of the track that sound, I have to say, a lot like the PWL pop that was so popular just two years before.
With Kim Wilde releasing an album of covers on August 27, it's inevitable that I went searching for the original versions of the songs featured on that album - at least, the ones that weren't already in my collection!
'Rock to the rhythm of love' was featured on this blog very recently, but yet again I've bought a 12" single of this track. And that's because this version contains different mixes!
'I promise, I'll be worth the wait', said Janet Jackson back in 1986 when 'Let's wait awhile' hit the airwaves. We know now that she didn't lie: the many photographs and sexually charged songs she's released since then are evidence of the fact that Janet has left her prude days far behind.
The Beloved's 'Sweet harmony' was a big hit in 1992, and since the track was quite danceable it was no surprise that there were a few dance mixes. Except they turned out to be more than just 'a few'.
Listening to the 12" single of Janet Jackson's 'Control', the title track of her 1986 album, you can't help but notice how dated it all sounds. The big drums, the synthesized music, and even the vocal: here's something at work that needs some more maturity.
'Rock to the rhythm of love' was a track on the Beloved's 1993 album 'Conscience'. Whereas other singles were released on 7" and cd-single, this one was released on 12" singles only. This copy is a 12" single made in the USA, featuring five mixes of the track.
Following the original 12" single of 'Nasty', A&M records released the 'Cool summer mix' of 'Nasty'. The remix consisted of two parts of roughly eight and ten minutes. If you weren't sick of the track by then, you would be playing it until you were, because it actually is a nice remix.
'Nasty' was released as the second single from Janet Jackson's 1986 album 'Control'. There were actually two 12" singles for that release, of which this one was the first. Featuring three remixes, it was a pretty standard package for that point in time: an extended version, an instrumental version and an a capella version made up this disc.
The beautiful folk-inspired track 'Bright new morning' was lifted from the Adventures' third album 'Trading secrets with the moon' and released as its second single. If there was any justice in the world, this single would have become a massive hit, but like the album it sunk without a trace.
'Diamonds', a single from Chris Rea's 1979 album 'Deltics', sounded a bit crude, not at all like the polished songs he would release during much of the Eighties. Still, it didn't totally put off the record-buying public: the single reached number 44 in the UK singles chart.
Released in February 1980, 'Kool in the kaftan' became B.A. Robertson's third chart hit in the UK. The single reached number 17 in the UK singles chart, but didn't reach the chart in other territories.
The uplifting dance music from The Beloved went mainstream when they had a hit with 'Sweet harmony'. Shortly thereafter, they went back underground, as the follow-up singles 'You got me thinking' and 'Outer space girl' didn't get the same kind of treatment from the fickle audience.
Janet Jackson shot to fame when she released 'What have you done for me lately', the first single from her third album 'Control', in 1986. Although I liked the song, it took some time for me to buy the 7" single because by the time it finished its chart run, I was pretty sick of it.
Next week my friend Puck is celebrating his birthday. On his wish list was a cd by Five Star, so I thought that would be a good occasion to dig out this 12" single with versions of one of their lesser known hits, 'R.S.V.P.'
'Let it loose' was recorded by Chris Rea for the soundtrack of the movie 'Cross country'. The track also appeared on his 1983 album 'Water sign'.
'Tokyo nights' was released as the third single from the Bee Gees 1989 album 'One', but in Europe only. In America, the track 'Bodyguard' was released as a single instead.
'One' is the second international single (and lead single in the U.S.) from the Bee Gees' 1989 album of the same name. This was the song that returned the Bee Gees back to American radio and would turn out to be their biggest US hit in the 1980s. It peaked at number 7 on the Billboard Hot 100 chart in 1989, and it stayed in the Top 40 for ten weeks.
Some single releases are just ill-advised. Take for instance this single by the Belgian Bunker Boys. Released in 1979 on the unknown (and probably self-financed) Velpia Records label, it was a cover of that year's Eurovision winner 'Halleluja'. It's a beautiful song with a beautiful melody, but this instrumental version does not do any justice to it.
In 1979, Andy Gibb performed along with the Bee Gees, ABBA, and Olivia Newton-John at the Music for UNICEF Concert at the United Nations General Assembly, which was broadcast worldwide. After this, he returned to the studio to begin recording sessions for his final full studio album, 'After Dark'.
Besides the Dutch version 'Ik zie een ster', Mouth & MacNeal also released the English version of their 1974 Eurovision Song Contest entry as a single in Europe. In the case of the Belgian pressing, the sleeve was a variation on the Dutch one, making it quite a beautiful set.
'Ik zie een ster' is the original Dutch version of the 1974 Eurovision entry by Mouth and MacNeal, 'I see a star'. Although they performed the song in English during the Contest - as a result of relaxed language rules - this single contains a version entirely in Dutch.
'Sussudio' was released as a single from Phil Collins' 1985 album 'No jacket required'. The main lyric came about as Collins was improvising lyrics to a drum machine track he had programmed: 'Suss-sussudio' was a wording that scanned improperly. After trying to find an alternative word to fit the rhythm, the singer decided to keep 'Sussudio' as the song title and lyric. The song is about a normal crush that a schoolboy may have on a girl and that by saying 'suss-sussudio' may raise speculations about the boy having a stutter.
'Massachusetts' is a song written, recorded, and released by the Bee Gees in 1967 and later appearing on their 1968 album, 'Horizontal'. It was their first Number 1 hit in the UK and eventually became one of the best selling singles of all times.
'Une petite française' was the Monegasque entry in the Eurovision Song Contest 1977, performed in French by French singer Michèle Torr. The song was composed by Olivier Toussaint and Paul de Senneville, a very successful team whose compositions were recorded by major French singers such as Michel Polnareff, Christophe, Dalida, Petula Clark, Claude François and Mireille Mathieu all through the 60s and 70s.
'Eyes' is the third and final single from the album 'Cats without claws' by Donna Summer. Edited in length from the original version on the album, the single did not achieve chart success.
'I've gotta get a message to you' is a song recorded by the Bee Gees in 1968, which became their second number 1 single in the UK singles chart. The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife.
'Let your love flow' was written by Larry E. Williams, a former roadie for Neil Diamond, and made popular by the American country music duo The Bellamy Brothers. It was offered to Neil Diamond first, but he turned it down.
'I won't let the sun go down' was Nik Kershaw's debut single, released in 1983. The song was written during the latter part of the Cold War period when nuclear war between the two superpowers of the USSR and USA was still a very real concern, and the lyrics reflect a satirical view of politics and the threat of war with lines such as: 'old men in stripey trousers, rule the world with plastic smiles', and: 'forefinger on the button, is he blue or is he red?'
