Love is the drug - Grace Jones

'Love is the drug' was originally recorded by Roxy Music and released in September 1975. Grace Jones recorded the song for her fourth studio album Warm Leatherette (1980). The track was released as the second single, following 'A Rolling Stone' in the UK, while it was the first single to be released in Germany. 

Bryan Ferry from Roxy Music has since spoken positively of Jones' version, commenting, "I really liked Grace Jones's 'Love Is the Drug' cover, produced by the great Alex Sadkin – she gave it such attitude."

My collection: 7" single no. 7422
Found: Record fair, Den Bosch, 9 November 2024
Tracks: 'Love is the drug' / 'Sinning'

Do or die - Grace Jones

'Do or die' was the first and in most parts of the world the only single release from Jones' Fame, her second disco album. On Fame it made up the first part of the A-side non-stop medley 'Do or die /Pride / Fame'. The 7" single featured a heavily edited version (3:22) with the French-language non-album track 'Comme un oiseau qui s'envole' as the B-side, included as a bonus track on the Canadian edition of the Fame album. 

'Do or die' reached number 13 in the Spanish chart but only reached dance charts in the USA and Canada. Eartha Kitt recorded a cover of the song for her 1989 album I'm Still Here. 

My collection: 7" single no. 7141
Found: Record fair, Den Bosch, 13 April 2024
Tracks: 'Do or die' / 'Comme un oiseau qui s'envole'

Pull up to the bumper - Grace Jones

When you talk about limited edition singles, the poster sleeve is another nice giveaway used by record companies to boost sales. Grace Jones is probably the most unlikely poster girl around. The photograph on the cover of this single is replicated as a 21" x 14" poster inside, and although it is a provocative pose, I wouldn't exactly choose this as a decoration on my wall.

The music, fortunately, is for listening, and listening well. Both 'Pull up to the bumper' and 'La vie en rose' have been big hits for Grace Jones in 1981 and 1977 respectively, and this package sought to capitalize on the big success of 'Slave to the rhythm' in 1985. The strategy worked: this single got to number 12, which was the exact same peak position as 'Slave to the rhythm' a few months earlier.

My collection: 7" single no. 5407
Found: unknown
Tracks: 'Pull up to the bumper' / 'La vie en rose'

Slave to the rhythm - Grace Jones

A deluxe cd version of her career-overshadowing album 'Slave to the rhythm' has still not been issued, so all we can do in the mean time is pick up all the releases and rip the tracks from vinyl. Such as this one, the 12" single of Grace Jones' album's title track. I couldn't find it for a long time, but I finally found a good copy today - and for a very reasonable price, too.

The sleeve doesn't give you much information about the tracks contained on this disc, so I turned to Discogs.com for help. Fortunately, there is a decent listing for this disc. The 'blooded' version on the A-side is probably the best version of 'Slave to the rhythm' I've heard in a long time, as it adds much interesting things to the all too familiar single version. As for the B-side... Well, experimentation can be fruitful sometimes.

My collection: 12" single no. 648
Found: Record fair, Utrecht
Cost: 1 euro
Tracks: 'Slave to the rhythm (blooded)' / 'Junk yard', 'Annihilated rhythm'

Sexdrive - Grace Jones

'Sexdrive' is a 1993 single by Grace Jones, which was due to be featured on her now shelved album, 'Black Marilyn'. It was released on September 23, 1993 by Island Records, and it is a cover version of the Sheep on Drugs song 'Track X'. The song was eventually included in a French version of Island Life, called 'Island Life 2' in the form of two remixes.

This American promotional 12" single was released on see-through red vinyl. The track reached number 82 in the UK singles chart.

My collection: 12" single no. 595
Found: Record Exchange, London, October 15, 2011
Cost: 50p
Tracks: 'Sex drive (Sex pitch mix)', 'Sex drive (Sexstrumental)' / 'Sex drive (Hard drive mix)'

Victor should have been a jazz musician - Grace Jones

Nile Rodgers and Grace Jones produced 'Victor should have been a jazz musician', a track taken from her 1986 album 'Inside story'. As the song title suggests, it saw Jones exploring new musical territories and the spoken opening line even refers to one of the late and greats of jazz: "I went to a Nina Simone concert...". The horns on the track were played by Lenny Pickett, Stan Harrison, Steve Elson, and Mac Gollehon under the collective name The Borneo Horns.

The single reached number 35 in the Dutch Top 40, but failed to chart in other territories.

My collection: 7" single no. 5176
Found: Chelsea Records, Antwerpen, June 9, 2011
Cost: 1 euro
Tracks: 'Victor should have been a jazz musician' / 'Crush'

Pull up to the bumper - Grace Jones

Making a meat sandwich, taking the 5 train, holding out the flag, putting it in there, going up and down... I'm always in awe of people who can creatively describe the act of making love and associated sexual acts. Back in 1981, my English wasn't good enough to appreciate the full meaning of 'Pull up to the bumper': I simply thought it was about cars.

Upon its original release, the single reached number 53 in the UK singles chart and number 20 in the Dutch Top 40. In the UK, 'Pull up to the bumper' was re-released in 1985, reaching number 12 on that occasion.

My collection: 7" single no. 2860
Found: August 9, 1997
Cost: 1 guilder
Tracks: 'Pull up to the bumper' / 'Feel up'

Victor should have been a jazz musician - Grace Jones

After all the sonic mayhem of the Trevor Horn-produced album 'Slave to the rhythm' (1985), Grace Jones returned in 1986 with the album 'Inside story', produced by Nile Rodgers and Grace Jones herself.

The single 'Victor should have been a jazz musician' is a far cry from 'Slave to the rhythm', as it's a slow jazz track. The single was successful in the Netherlands, where it reached number 26 in the Dutch Top 40, but it failed to chart in the UK.

My collection: 7" single no. 2625
Found: March 2, 1996
Cost: 2 guilders
Tracks: 'Victor should have been a jazz musician' / 'Crush'

La vie en rose - Grace Jones

I bought this 7" single of Grace Jones' 'La vie en rose' long before I bought the 12" single. At the time, I felt it was just a nice song, but since then, I have grown to appreciate this track as one of Grace's best.

Of course, 'La vie en rose' was a hit for French singer Edith Piaf first. Written by Piaf and Louis Gugliemi, her songwriting team did not think the song would be successful, but it turned out to be a favourite with audiences. The same goes for Grace Jones' version: it was released as a single in 1977 and 1982, and on both occasions it became a big hit in several countries.

My collection: 7" single no. 1626
Found: Disco Market, Den Haag, April 18, 1992
Cost: 1 guilder
Tracks: 'La vie en rose' / 'I need a man'

Jones the rhythm - Grace Jones

I wonder if there will ever be a deluxe re-release of Grace Jones' classic album 'Slave to the rhythm'. There's a plethora of remixes of the title track, but there aren't that many other bonus tracks.

It was quite interesting to find this single, the second one taken from the album. 'Jones the rhythm' is a less familiar single from 'Slave to the rhythm', primarily because it didn't chart. It features an edit of the album version, as well as a very interesting instrumental B-side track. 'Junkyard' is constructed in the same style as the album, and as such could easily be tacked on to the track listing. I do hope it happens someday.

My collection: 7" single no. 4287
Found: Record fair, Utrecht, November 21, 2009
Cost: 1 euro
Tracks: 'Jones the rhythm' / 'Junkyard'

I've seen that face before - Grace Jones

'I've seen that face before' was the third single taken from Grace Jones' 1981 album 'Nightclubbing'. The song combines 'Libertango', an Argentine tango classic written by bandoneonist Ástor Piazzolla, with a reggae arrangement en new lyrics by Grace Joes and Barrey Reynolds.

This version of the single, which I've only seen once (when I bought it), features not only a beautiful sleeve, but also a Spanish version on the B-side. It replaces the French spoken verse 'Tu cherches quoi ? À rencontrer la mort ? Tu te prends pour qui ? Toi aussi tu détestes la vie...' with a literal translation in Spanish. The single reached number 2 in the Dutch Top 40. Bizarrely, it did not chart in the UK.

My collection: 7" single no. 2995
Found: London, May 27, 1998
Cost: 1 pound
Tracks: 'I've seen that face before' / 'I've seen that face before (Spanish version)'

La vie en rose - Grace Jones

'La vie en rose' was one of French singer Edith Piaf's most famous songs. The lyrics were written by Piaf, with music composed by Louis Gugliemi. It became a favourite with audiences in 1946. Owing to its popularity, Piaf would include it on many of her albums.

Grace Jones recorded a cover version of this track in 1977 as part of her debut album 'Portfolio'. The radical bossanova/disco interpretation of the track became Jones's first international hit single, even if the single version was heavily edited. The original album version was included on this 12" single, lasting over seven minutes.

My collection: 12" single no. 318

Found: Record fair, 2002

Cost: 1 euro

Tracks: 'La vie en rose' / 'I need a man'

Download: Album 'Island life', including both tracks

Slave to the rhythm - Grace Jones

'Slave to the rhythm' was originally intended to be the second single of Frankie goes to Hollywood, as a follow-up to their number one hit 'Relax'. The song was assembled and produced by Trevor Horn after he worked on 'Two tribes', but the project was finally given to Grace Jones. The song did not reach number one but is still a favourite among fans of Grace Jones and Trevor Horn. The single version of 'Slave to the rhythm' is a version of the album track 'Ladies and Gentlemen: Miss Grace Jones', the closing song of the album. The B-side 'G.I. Blues' on this single is alternatively known as 'Annihilated Rhythm'. The single was re-released in 1994 and there were several different 12" singles and remixes available of that release.

I bought my copy of this single in fact today, as part of a collection of 18 singles in a second hand shop in my hometown. Sometimes all a man needs is a good stack of vinyl to perk up his mood.

My collection: 7" single no. 3485

Found: Empire Records, Den Haag, December 11, 2008

Cost: 0,5 euro

Tracks: 'Slave to the rhythm' / 'GI Blues'

Download: here

I've seen that face before / Pull up to the bumper - Grace Jones

Before I bought this record, I left it standing in the shop for months and months. I didn't think it would contain longer versions of the two songs listed, and that was reason enough not to buy it. I think I was right, because when I finally did buy it, this record contained the regular versions of the songs. Still, after all that time, the price had dropped, so the financial damage was limited.

Grace Jones is an icon, and 'I've seen that face before' is her best song, in my opinion at least. If only for that one line: 'toi aussi, tu déteste la vie'. There's only one woman who can snarl like that.

My collection: 12" single no. 325

Found: Disco Market, Den Haag, 1995

Cost: 2 guilders

Tracks: 'I've seen that face before' / 'Pull up to the bumper'

Download: Disc 2 of album 'Ultimate Collection', including both tracks

Victor should have been a jazz musician - Grace Jones

Grace Jones has recently released a new album, entitled 'Hurricane'. I was quite surprised when I found about that last month, because I figured she'd just stopped making music years ago. The last Grace Jones record I bought, only a couple of years ago, was the 12" vinyl of 'Victor should have been a jazz musician'. There were really two reasons: it was cheap (only 1 euro), and both the A-side and the B-side - 'I'm not perfect (but I'm perfect for you)' - were remixed by Ben Liebrand. And Ben Liebrand was responsible for many interesting remixes in the 1980's.

I was less impressed with the tracks themselves when they were released. To me, Grace Jones peaked with 'Slave to the rhythm', and then faded into obscurity. But I have to admit I was wrong. 'Victor should have been a jazz musician' is not only a great title (it's up there with 'You will always find me in the kitchen at parties' and 'I don't know what you want but I can't give it anymore'), but also a classy, cool track. The remixes, then. Ben Liebrand did a reasonable job on 'Victor', but the remix of 'I'm not perfect' is slightly too manic for me.

My collection: 12" single no. 274
Found: 1996
Cost: 2,5 guilders
Tracks: 'Victor should have been a jazz musician (Jazz club million minute mix)' / 'I'm not perfect (but I'm perfect for you) (C + VI minimix)'
Download: Victor should have been a jazz musician, I'm not perfect (But I'm perfect for you).