Released in 1985, this EP features three singles of the band and one B-side. At the time, O.M.D. were at the height of their popularity, although personally I still prefer their earlier work.
My collection: 7" single no. 7278
Found: Marleen Records, Fulda (Germany), 24 July 2024
Tracks: 'Talking loud and clear', 'Apollo' / 'Tesla girls', 'Locomotion'
The word 'kleptocracy' is used to describe a society or system ruled by people who use their power to steal their country's resources. McCluskey's lyrics deal directly with such subjects. Institutions such as Deutsche Bank, the Kremlin, the KGB, the GOP, as well as the assassinated Saudi journalist Jamal Khashoggi, are all name-checked. There is also veiled reference to UK Prime Minister Boris Johnson "The narcissist (who) stole the exit."
My collection: 7" single no. 7191
Found: OMD webstore, received 4 May 2024
Tracks: 'Kleptocracy' / 'Silver cloud'
Andy McCluskey went on alone but the three albums he released couldn't really compare with the artistic highlights that OMD released before. 'Call my name' only made it to number 50 in the UK singles chart and number 28 in Germany, but failed to reach the charts everywhere else.
My collection: 7" single no. 6325
Found: Discogs.com, received September 24, 2020
Cost: 2 pounds
Tracks: 'Call my name' / 'Walk tall'
This 12" single features the so-called '312 mm version' of 'Genetic engineering', a single released by the band as the first single from their fourth album 'Dazzle ships'. The single was a commercial disappointment for the band, as it peaked at number 20 in the UK singles chart, thus ending a run of four consecutive Top 10 hits in the UK.
'Red frame/White light' is the second single of the synthpop group Orchestral Manoeuvres in the Dark. The song is about the red telephone box that was used by the band to make calls to organise their gigs. The single reached number 67 in the UK singles chart.
When I visited the record fair in Utrecht a year ago, I saw the single 'Never turn away' and thought I already owned it. I was very dismayed upon my arrival home to find that I didn't. So a year later, back at the record fair, I found that same single with a different dealer... and snapped it up.
By 1991, the cd-single had become a dominant format in the record industry. The 12" single was quickly losing ground, and this problem was tackled by including exclusive tracks on them. This record of Orchestral Manoeuvres in the Dark's 'Pandora's box' is a good example: it features one remix that was not released on cd, the 'Abstract mix'.
'Everyday' was the third and last single from Orchestral Manoeuvres in the Dark's 1993 album 'Liberator'. It was also their last to be released on the 7" vinyl format. Although Paul Humphreys was no longer a member of the band, he was still one of the writers of this song.
'Love's Theme' is an instrumental piece recorded by Barry White's Love Unlimited Orchestra and released in 1973. The recording, with a large string orchestra and wah-wah guitar, is considered to be an influence to the disco sound, which would explode in popularity the following year.
'Stand above me' was released as the first single from Orchestral Manoeuvres in the Dark's 1993 album 'Liberator', the second album recorded by Andy McCluskey without Paul Humphreys. It was the last single that also appeared on a 12" single.
'Then you turn away' was the third single taken from Orchestral Manoeuvres in the Dark's 1991 album 'Sugar tax'. It peaked at number 50 in the UK singles chart.
'Pandora's box' was the second single taken from OMD's 1991 album 'Sugar tax'. The song was inspired by silent film actress Louise Brooks and is named after one of the films she starred in. The phrase 'Pandora's box' does not appear in the lyric of the song.
Paul Humphreys left Orchestral Manoeuvres in the Dark in 1989 when the band's success in America forced them to make creative compromises. Other members of the band soon left as well, leaving founder member Andy McCluskey to go on solo under the OMD banner.
I bought a European pressing of Orchestral Manoeuvres in the Dark's 1981 single 'Souvenir' just last month, but when I saw this UK pressing, I just couldn't resist buying this one too. And for good reason, too: the picture label is so beautiful that the sleeve was made to fit the label.
'(Forever) Live and die' was released as the first single from Orchestral Manoeuvres in the Dark's 1986 album 'The pacific age'. Lead vocals were performed by Paul Humphreys, unlike most OMD singles.
'Shame' was released as the third single from Orchestral Manoeuvres in the Dark's 1987 album 'The pacific age'. The band had suggested another track, 'Stay', as a possible single from the album, but label Virgin thought 'Shame' had more potential. The band relented, although feeling the album version was a bit slow, they re-recorded the track with producer Rhett Davies.
Orchestral Manoeuvres in the Dark formed in 1978, when childhood friends Paul Humphreys and Andy McCluskey, who had been in a few bands before, decided to play as a duo, using a Teac 4 track tape-recorder as backing.
'If you leave' was recorded in 1986 by Orchestral Manoeuvres in the Dark for the soundtrack of the movie 'Pretty in pink'. The song was featured prominently during the final scene of the movie.
When the compilation album 'The best of OMD' was released in 1988, the new track 'Dreaming' was released as the accompanying single. Produced by OMD and mixed by Tom Lord Alge, it was an uncharacteristically uncomplicated lovesong.
'We love you' was released as the second single from Orchestral Manoeuvres in the Dark's 1986 album 'The pacific age'.
