It's a live version of 'Notorious', recorded at the Ahoy in Rotterdam in 1987. No date is given on the sleeve, and since the band played there twice in 1987, it could have been recorded on 7 or 8 May. The track also appears on the rare 12" Duran Goes Dutch, released in the USA in 1987.
My collection: 10" single [unnumbered]
Found: 1990
Tracks: 'Do you believe in shame?', 'The Krush Brothers LSD edit' / 'Notorious (live)'
I didn't know back then that the UK edition came in three varieties, that together would make up a collectable set. When I did find out, about eight years ago, those singles were hard to get. Online no dealer would have all three and the combined shipping costs would make collecting these singles quite an expensive experience.
Part one comes with a sleeve in which you can house all three singles, whereas the actual single features the band's frontman Simon Le Bon. Nick Rhodes and John Taylor appear on the cover of parts 2 and 3 respectively.
A successful legal challenge over the close resemblance of the melody of 'Do you believe in shame?' to that of the Dale Hawkins classic 'Suzie
Q' (more famously covered by Creedence Clearwater Revival and The
Rolling Stones), means the three writers of 'Suzie Q' were added to the
official ASCAP credits for royalties on 'Do you believe in shame?'.
Duran Duran always denied intentionally copying any other works, and
that the similarity of the two songs was based on a "basic blues
progression".
My collection: 7" single no. 7072, 7073 and 7074
Found: Record fair, Den Bosch, 11 November 2023
Tracks: 'Do you believe in shame?' / 'The Krush Brothers LSD edit' // 'Do you believe in shame?' / 'God (London)', 'This is how a road gets made', 'Palomino' // 'Do you believe in shame?' / 'Drug (It's just a state of mind'
When the cd-single became the preferred format in the late Eighties, vinyl was quickly pronounced dead by the record companies, not realising they were digging their own graves at the time. But before they did, there were some efforts made to sell vinyl discs, for instance with exclusive tracks.
Finding the debut single of Duran Duran has become something of a nightmare for me in recent years. I think I have all of their 7" singles, but this one eluded me - until this weekend. It's not that I never saw a copy, it's just that I wasn't prepared to spend double digits in any western currency for it.
'We were so turned on: A tribute to David Bowie' was released worldwide on September 6, 2010 as a charity for War Child UK. It is the only tribute album that has been approved by David Bowie and his management.
This limited edition 'scratch 'n' sniff' sleeve still works after 15 years: there is a sweet strawberry/cherry smell coming from the front when you rub it. It's a good gimmick, but fortunately the music on the disc is very good too.
Duran Duran's guitarist at the time, Warren Cuccurullo, is credited with developing the instrumentation for 'Come undone', most importantly its guitar hook, which he developed while trying to do a re-interpretation of 'First Impression' from their 1990 album Liberty. The lyrics were written by vocalist Simon Le Bon as a birthday gift for his wife, Yasmin le Bon.
'Ordinary world' was written by Simon Le Bon as the second of a trilogy of songs for his late friend David Miles; the others being 'Do you believe in shame?' (1988) and 'Out of my mind' (1997). The song can be credited for bringing back Duran Duran into the public eye after the commercial failure of their 1991 album 'Liberty' and associated singles.
In 1993, the 7" vinyl format had become so rare that it was impossible for me to find this single on vinyl. In 1995, I suddenly found a jukebox promo copy, which I bought immediately. Two years after that, I finally saw a commercial copy (with picture sleeve) of the 7" single. It had been sold in the UK all along, I just didn't know about it.
By the time 'Serious' was released as the second single from Duran Duran's 1990 album 'Liberty', interest in the album had already waned. Poor promotion, including a decision not to tour in support of the album, led the single to stall at number 48 in the UK singles chart. This was the band's worst charting single up until then.
After the compilation album 'Decade', Duran Duran found themselves in a period of less commercial success, with a new album and a new line-up. The first single from the new album 'Liberty' was 'Violence of summer', a simple rock song.
When Duran Duran's compilation album 'Decade: Greatest hits' was released in 1989, 'Burning the ground' was released as the accompanying single (although the track did not appear on the album). It is essentially a megamix of Duran Duran hits, created by producer John Jones.
'Do you believe in shame?' was dedicated to three of the band's fallen friends: record producer Alex Sadkin, artist Andy Warhol, and Simon Le Bon's childhood friend David Miles. Le Bon later commented that the song is the first part of a trilogy of songs written as a tribute to Miles, the other songs being 'Ordinary world' and 'Out of my mind'.
The title of the second single from Duran Duran's 1988 album 'Big Thing' is 'All she wants is'. It doesn't become obvious during the course of this track what it is exactly 'she' wants, but from the panting and high-pitched screaming, the listener does get some kind of idea.
Duran Duran released 'I don't want your love' as the first single from their 1988 album 'Big thing'. The single version was a remix by Shep Pettibone.
The title 'Skin trade' was derived from the Dylan Thomas book 'Adventures in the skin trade'. The music for the song was written long before Simon Le Bon wrote the lyrics. They reflect on how everyone is selling themselves, and 'there's a little hooker in each of us'. The single was quite a departure for the band. Not only was Simon LeBon singing in a Prince-style falsetto, but a horn section played a prominent role in the track, as played by The Borneo Horns.
The idea for 'The wild boys' came from Duran Duran's video director Russell Mulcahy, who wanted to make a full-length feature film based on the 1971 novel 'The wild boys: a book of the dead' by William S. Burroughs. He suggested that the band might create a modern soundtrack for the film. Singer Simon Le Bon began writing some lyrics based on Mulcahy's quick synopsis of the book, and the band created a harsh-sounding instrumental backdrop for them.
After a break for a year during which one half of Duran Duran formed Arcadia and the other half formed the Power Station, the group came back together. However, Roger and Andy Taylor left the band by the time the new album 'Notorious' and the lead single of the same name were released.
Duran Duran had the biggest hit of their career in 1984 with 'The reflex'. It was the third and last single from their album 'Seven and the ragged tiger'. Originally the band wanted it to be the lead single, but the record company was afraid that the warbling singing during the 'Why don't you use it' segments would hinder its success as a single. How wrong they were! The single hit number 1 in the UK, America and the Netherlands.
