'Breaking glass' originally appeared on David Bowie's 1977 album Low. It was co-written by Bowie, bassist George Murray and drummer Dennis Davis in September 1976. A reworked version of the song was performed live and released as the lead track on a 7-inch EP to promote his second live album, Stage in 1978.
The EP reached number 54 on the UK singles chart in December 1978. In the US, the track "Star" was chosen as the lead track for the live EP (with 'What in the world' and 'Breaking glass' as B-sides), but failed to chart.
David Bowie is often praised for his pre-Eighties work, but during the Eighties I discovered the man, and personally I feel his best work was released during the Nineties. But from all I've read, most people think his Ziggy Stardust era was the best thing since sliced bread. Obviously I disagree.
As for comments that his Eighties work is sub-par, I disagree for the most part as well. Perhaps the album Tonight, released in 1984, is an exception. It wasn't a particularly inspired piece of work, with the title track made a little less enjoyable for the guest appearance by Tina Turner. I can't really stand her voice, but again, most people seem to be particularly fond of her cat wailing. So why buy this single, 'Tonight'? Well, it was missing from my collection, and it seems odd that I would miss just one of Bowie's Eighties singles.
Toy is a studio album by the English musician David Bowie, recorded from July to October 2000 in New York City and featured re-recordings of songs Bowie recorded between 1964 and 1971, along with a couple of new tracks. Bowie's intention for the project was to rehearse the tracks, record them live and release them as quickly as possible, predating the idea of the surprise album. Intended for release in March 2001, the album was shelved by EMI/Virgin, leading Bowie to depart the label and begin work on his next album Heathen (2002). Various Toy tracks saw release as B-sides and bonus tracks in the ensuing years; two were remade for Heathen and two appeared on the Nothing Has Changed compilation in 2014. The album was posthumously released in November 2021.
Then, in April 2022, this EP was released. The Toy E.P. features special versions of six of the tracks that appeared on Toy. Like the album, this EP features the ugliest sleeve artwork made in the history of mankind, but it was apparently conceived by Bowie while he was still alive. Whatever - it's still nice to have this EP for the reduced price I found it recently.
'Heroes' is undoubtedly one of the highlights of David Bowie's genre, perhaps bridging the gap between lovers of 'Seventies Bowie' and 'Eighties Bowie'. This particular single seems to be an unofficial released by Reel to Reel Records, featuring two different live versions of the track.
The first recording was made live at Montreal Forum on 13 July 1983, the second was recorded live at the Tokyo Dome, 16 May 1990. The two don't sound very different really, but it's a nice item for fans nonetheless. The added attraction of it being a picture disc drew me in - after all, there have been quite a few picture disc releases of Bowie during the last decade.
This 'cover to cover' single features two versions of the song 'Go now': the original by the Moody Blues and a live cover version by Tin Machine, the band featuring David Bowie, recorded at the Nippon Budokan in Tokyo on 17 February 1992. The Moody Blues version is actually also a live version, recorded during a radio session for the BBC in April 1965.
It has to be said: there is every reason to listen to the B-side, whereas the A-side is pretty awful. For some reason there are people who think that Tin Machine was one of the best things David Bowie ever did, but I can't for the life of me figure out why.
Another curiosity about this single: it was pressed on red vinyl and the number on the back sleeve reminds me that this is number 553 of a "limited edition of only 500". Right.
Just days after buying the 'Space oddity' box set, I found this picture disc of DJ in Parlophone's series of '40th anniversary' discs. I bought the 'Boys keep swinging' picture disc a few weeks ago in Antwerpen, so it's nice to have found this one in Paris. Like the one before, it is quite an expensive acquisition, but online prices have not been any lower.
What's most interesting about this disc - to me at least - is not the A-side, but the B-side, because it contains a version of 'Boys keep swinging' that was performed in a television show in 1979. Why Parlophone decided to include this instead of the original B-side 'Repetition' is therefore obvious to me.
Note: now that picosong has ceased existing I will have to link to other online files to offer sound and sometimes vision with the tracks that are on my singles. In this case, it's extra interesting because you get to see the full TV performance along with the sound that's on the single. Obviously the single fades out until 2'33.
It's hard to believe that it's already been 3½ years since David Bowie died. Since then, a shedload of new releases has seen the light of day. It's becoming more obvious every month that the record company and the rights holders are making the most of the neverending lust for new product that seems to exist.
Coinciding with the 50th anniversary of the moon landing which made 'Space oddity' such a big hit, Parlophone has now released a boxed set of two singles with two versions of 'Space oddity' and its B-side, 'Wild eyed boy from freecloud': the original mono versions and new 2019 mixes by Tony Visconti. The box comes with a poster, an insert detailing all the credits for the tracks and some background information and a photo card - plus of course both the singles in different picture sleeves. I used an official packshot for this post, because the glossy box can not be scanned properly!
Parlophone continues with their series of '40th anniversary picture discs' of David Bowie singles. It is a lucrative series because the singles keep selling despite their decidedly inflative prices. It's hard to realise that you'd only pay a couple of pounds for a single like this 40 years ago, a price that has doubled a few days now in 2019. Shame on Parlophone.
This picture discs presents the 2017 mix by Tony Visconti of 'Boys keep swinging', along with a rare unreleased track 'I pray, Olé' - at least, it was unreleased in 1991 when it appeared as a bonus track on the Rykodisc reissue of the album 'Lodger'. Although the takes of the
instruments and vocals were recorded during the sessions of the 'Lodger'
album, the mix of the song was performed in 1990. It is unclear
whether overdubs were recorded later.
In my mind, only three singles were ever taken from David Bowie's 1983 album 'Let's Dance': the title track, 'China Girl' and 'Modern Love'. And then I saw this single yesterday: 'Without you'. The sleeve looked vaguely familiar - because of the Keith Haring artwork I bet - but otherwise I have no recollection of this ever being released.
Sure enough, the single only charted in the US Billboard Hot 100, reaching a lowly number 73. Both the A- and B-side appear on the album. And unusually, the guitar riff on 'Criminal World' sounds a lot like the one in Dutch band Frank Boeijen Groep's 'Doe iets'. Or was it the other way around? Probably...
My collection: 7" single no. 5975 Found: Top 2000 café, Circus, Den Haag Cost: 2 euro Tracks: 'Without you' / 'Criminal world'
I rarely buy new singles anymore, and that's not strange when you think that most vinyl singles these days are released by new indie bands, bands that I don't know and that I often am not interested in. My interests are, as you may have noticed, centered around Eighties artists (check out the impressive section of almost 3800 Eighties singles in this blog - more than half of the 6000+ articles on this entire blog).
David Bowie keeps releasing picture disc 7" singles at an alarming rate. The 40th anniversary picture discs are lost on me because of their staggering price (10 pounds each is a little bit much for me, considering it's all old music) but this release is interesting. 'Zeroes (2018)' is a reworked track from Bowie's 'Never let me down' album. So it's old, but still new. Just like I like it, I guess.
When it was announced that the German magazine Rolling Stone would have a cover 7" single of David Bowie's 'Helden' in October, I despaired a little. It sounded like a great item to have, but it would probably be impossible to get a hold of it for a reasonable price, because of the collectability of such an item.
As it turned out, it wasn't so hard to get this single after all. The magazine was offered for sale on Ebay and it was simple enough to order a copy. The single brings together an '89 remix of 'Helden' and a live version taken from the album 'Stages'.
Parlophone started the '40 year anniversary' picture disc single releases a few years ago, when David Bowie was still alive. It's strange to think that this campaign will last well into the 2020s at least - and hopefully they will continue until 'No plan' is 40 years old (although I'm not holding my breath).
I skipped all the releases until now, but 'Heroes' was an attractive package. Not only did it come in a rather well designed A-side, but the B-side features a previously unreleased version of 'Heroes': as performed in the Marc Show on September 7, 1977. The recording is in mono, alas, but it's still worth a spin.
My collection: 7" single no. 5868 Found: Amazon.co.uk, received October 7, 2017 Cost: 10 pounds (which is outrageous, I know!) Tracks: 'Heroes [edit]' / 'Heroes (Marc Show version)'
I started this year with an entry about David Bowie, so I thought it would be appropriate to end the year with Bowie as well. He surprised everyone - again - with his latest offering, 'Sue (Or In a season of crime)'. The single was released on 10" vinyl only, so no cd-singles, 7" or 12" at all. The track also appeared on his latest compilation, 'Nothing has changed'. But does the world really need yet another Bowie compilation album? I guess record companies still like to cash in with old stuff.
'Sue' is a weird offering, as it sounds a lot like jazz and it can seem a bit tedious, being such a long track. But repeated listening is rewarding. Bowie keeps changing, even if nothing much has changed.
My collection: 10" single [unnumbered] Found: Record fair, Utrecht, November 23, 2014 Cost: 8 euro Tracks: 'Sue (Or In a season of crime)' / ''Tis a pity she was a whore', 'Sue (Or In a season of crime) (edit)'
Another single from David Bowie's most recent album 'The next day', 'Valentine's day' was released as a picture disc in a partly transparent sleeve with the lyric of the song printed on it. This single actually comes with a B-side, although 'Plan' is just a short instrumental piece.
What's on the picture disc? I was wondering about that for a while, but then I realised: the album sleeve of 'The next day' uses the artwork of Bowie's album 'Heroes', and the picture disc here shows the right and left hand from that album artwork. Another clever design.
My collection: 7" single no. 5357 Found: Head, Bristol, December 18, 2013 Tracks: 'Valentine's day' / 'Plan'
The surprise comeback of David Bowie at the beginning of 2013 was something that took hold of the 'serious' music press all through the year. Bowie didn't do many interviews, there were some music videos but that was about it. Oh, and of course: the Japanese edition of the album had four bonus tracks whereas the European one had only three. Having ordered the Japanese edition from Europe, the end of the year came with the announcement of a "special edition" with all the tracks included and more. Nice going...
Anyway, the title track was released as a single on a white square disc. The transparent sleeve featured the title and credits, so the disc was indeed completely white. Clever design. Just a shame that the disc features the same track on both sides.
My collection: 7" single no. 5356 Found: Head, Bristol, December 18, 2013 Tracks: 'The next day' / 'The next day'
Now that everybody's in awe of the new album by David Bowie, I thought it would be fun to showcase on of his less critically acclaimed moments. So I dug out this 12" single of 'Magic dance', released in the USA in 1986. Bowie recorded this song, as well as a handful of others, for the soundtrack of the Jim Henson movie 'Labyrinth', in which he also played the role of the Goblin king, wearing a strange wig and performing magic tricks. Even on the sleeve of this record he appears to be doing a silly walk.
The remixes of the track are typical mid-Eighties fare: lots of drums and sampled sounds. Some people would argue that Bowie wasn't at his creative peak in the Eighties, personally I do prefer his work during this decade over his acclaimed early Sixties rock. But each to their own...
'Scary Monsters (and Super Creeps)' is the title track from David Bowie's 1980 album. It was also issued as the third single from that album in January 1981. The single didn't do as well as the previous two singles, 'Ashes to ashes' and 'Fashion', and peaked outside the UK top 10 at number 20.
Musically the track was notable for its lead guitar work by Robert Fripp and distinctive synthesized percussion. The lyrics, sung by Bowie in a mock-cockney accent, charted a woman's withdrawal from the world and descent into madness ('When I looked in her eyes they were blue but nobody home ... Now she's stupid in the street and she can't socialise'). Personally I prefer the B-side, also taken from the album, 'Because you're young'.
My collection: 7" single no. 5298 Found: Record fair, Utrecht Cost: 3 euro Tracks: 'Scary monsters (and super creeps)' / 'Because you're young'
Having sworn off disguises and alternate identities for his 1983 album 'Let's dance', it was a bit odd to see the music video for David Bowie's 'Blue Jean' in 1984. Again using loads of make-up on his face, the video distracted a bit from the music. The album 'Tonight', released that year, is seen as an artistic failure, although there were a few nice songs on it.
The extended version of 'Blue Jean' is interesting enough, I'd say. However, the B-side, containing two remixes, is the kind of music I've played only once - but never more. Quite excruciating.
My collection: 12" single no. 372 Found: Plaatboef, Rotterdam, 2000 Cost: 5 guilders Tracks: 'Blue Jean (extended dance mix)' / 'Dancing with the big boys (extended dance mix)', 'Dancing with the big boys (extended dub mix)'
'Never let me down' was released as the third single from David Bowie's album of the same name in the summer of 1987. The song is about Bowie's long-time personal assistant, Coco Schwab. Bowie described their relationship, saying 'It's platonic. But there is a romance in it, I guess, inasmuch as it's hard for two people to feel totally at ease in each other's company for that period of time and not expect too much from each other. Always being prepared to be there if the other one needs someone, you know? There's not many people you find in life that you can do that with, or feel that way with.'
This 12" single features an extended remix of the track, as well as a dub and acapella version.
My collection: 12" single no. 352 Found: Record fair, 1999 Cost: 5 guilders Tracks: 'Never let me down (extended dance remix)' / ''87 and cry', 'Never let me down (dub)', 'Never let me down (acapella)'
Back in the Nineties, there was a record fair in Leiden every six months. During that record fair, they used to always play a remix of David Bowie's 'Underground'. It was quite an obscure remix, because as it turned out, that remix does not appear on the 12" single of 'Underground' that was released in 1986. I've never been able to track down that remix. (Any tips are welcome below.)
Meanwhile, I did buy this disc, a Spanish pressing of 'Underground' on 12". That was not a deliberate choice: I just happened to find this copy for a low price, so I bought it. Perhaps some David Bowie fans out there are hunting down this version, I wouldn't know... Anyway, it contains the same tracks as other pressings of this disc: remixes created by Steve Thompson and Michael Barbiero.
My collection: 12" single no. 269 Found: Record fair, 1996 Cost: 5 guilders Tracks: 'Underground (Extended dance mix)' / 'Underground (dub)', 'Underground (instrumental)'