After the success of their debut single 'Too shy', Kajagoogoo's follow-up single 'Ooh to be ah' was released quickly. Although not topping the chart like its predecessor, the single still reached a respectable seventh place in the UK singles chart.
The nonsensical title hides a lyric about the showbiz and glamour world in which appearance is all-important. It is still a very topical song, then.
My collection: 7" single no. 1307 Found: Record Exchange, London, October 15, 1990 Cost: 50p Tracks: 'Ooh to be ah' / 'Animal instincts'
'Smooth operator' was released as the third single from Sade's debut album 'Diamond life'. Ray St. John, who co-wrote the song with Sade Adu, was a member of Adu's former band Pride, although he was not a member of the band Sade. The pair had co-written the song in 1982 while still members of Pride, but they did not get around to recording it because St. John left Pride shortly after Sade joined.
The B-side of the single contained a non-album track, 'Spirit', whereas the A-side was an edited version of the album track. It reached number 5 in the US Billboard Hot 100 chart and number 19 in both the UK singles chart and the Dutch Top 40.
My collection: 7" single no. 1417 Found: April 7, 1991 Cost: 3 guilders Tracks: 'Smooth operator' / 'Spirit'
In 1992, All about Eve left their record company Phonogram and signed to MCA Records. They recorded a new album 'Ultraviolet', which was released in the autumn, with this EP preceding it. Well, it was... different. Gone was the romantic, goth-like All about Eve of the past: here was a modern, cold-sounding band, with Julianne Regan's vocals buried deep in the mix.
The Phased EP was a collection of two album tracks, one instrumental version of an album track and one non-album track ('Ascent/descent'). It barely caught on, but still managed to reach number 38 in the UK singles chart during its two week chart run.
My collection: 7" single no. 1726 Found: Tower Records, London, October 17, 1992 Cost: 2,3 pounds Tracks: 'Phased', 'Mine' / 'Infrared (instrumental version)', 'Ascent/descent'
'Set the fire to the third bar' was the third single taken from Snow Patrol's fourth album 'Eyes open'. It features guest vocals from Martha Wainwright, a Canadian-American folk-rock singer/songwriter. The lyric of the song is about a couple separated by a great distance and their longing to be together again. After their long journey to meet each they would settle down in front of an electric bar fire, hence the title, 'Set the fire to the third bar'.
The single reached number 18 in the UK singles chart and number 22 in the Irish chart.
My collection: 7" single no. 3580 Found: eBay, received February 2009 Cost: 3 euro Tracks: 'Set the fire to the third bar' / 'Chasing cars (live)'
Released in 1988, 'Fat' by Weird Al Yankovic is a parody of Michael Jackson's 1987 single 'Bad'. In a way, Yankovic continued the theme set out by his parody of 'Beat it', entitled 'Eat it'. The music video for 'Fat' was shot in the same subway set as the music video for 'Bad' and parodies a host of elements from that video.
Although the music video was shown numerous times on Dutch television, it did not chart. In the UK singles chart, 'Fat' reached number 80, whereas in the US Billboard Hot 100 chart it peaked at number 99.
My collection: 7" single no. 3998 Found: Marktplaats.nl, received August 12, 2009 Cost: 3 euro Tracks: 'Fat' / 'You make me'
Vocalist Nick Van Eede founded Cutting Crew along with Canadian guitarist Kevin Scott MacMichael in 1985, and the two made demos that led to a recording contract, before bassist Colin Farley and drummer Martin Beadle joined in 1986. They recorded the debut album 'Broadcast', which was released that same year. Their debut single '(I just) Died in your arms' was a worldwide hit, but after that they had some trouble coming up with a satisfactory successor.
'I've been in love before' was released two times: the original single appeared in later 1986. A different version of the single appeared a year later, featuring a shorter and slightly remixed version of the A-side. I bought the 1987 version (pictured below) in 1995, but depending on my photographic memory once again, I bought the 1986 version (pictured above) last week. At first, I thought I'd struck out, but listening more closely to the tracks made me realise these are actually two different singles.
Both singles actually made the UK singles chart: the 1986 version reached number 31, whereas the 1987 version reached number 24.
My collection: 7" single no. 2519 (1987 version) / no. 3997 (1986 version) Found: Record Exchange, London, November 1, 1995 / August 5, 2009 Cost: 60p / 1 pound Tracks: 'I've been in love before' / 'Life in a dangerous time'
'Human racing' was the fifth and final single from Nik Kershaw's debut album of the same name. Kershaw suddenly showcased a certain Stevie Wonderesque quality in his voice while singing this song. While initially this song bored me - probably because of the music video accompanying it - it has grown into my alltime favourite Nik Kershaw tracks.
The single became a hit in the UK only, peaking at number 19 in the UK singles chart. To this day I don't know why this didn't appeal to international audiences.
I bought a double single edition of this a decade ago, featuring a second single with two live tracks. The gatefold sleeve showed a rather funny playing board based on Kershaw's songs. On August 5, I found a picture disc of this single (pictured below) for 50p at Revival Records.
My collection: 7" single no. 3056 Found: Record fair, Utrecht, May 8, 1999 Cost: 5 guilders Tracks: 'Human racing' / 'Faces (remix)' // 'Cloak and dagger (live)' / 'Drum talk (live)'
'Real life' was released as the fourth single from the Simple Minds' 1991 album 'Real life'. Released in October 1991, it was the first time since 1984's 'Up on the catwalk' that a single by the band stalled outside the top 20 of the UK singles chart, reaching number 34 only.
That's not to say that this is a bad track, because it contains all the hallmarks of a good Simple Minds track. But perhaps it wasn't memorable enough. I mean, even I didn't know I already had the single and bought another copy last week in London. It cost me 10p, so I'm not complaining - but I already had it.
My collection: 7" single no. 3054 Found: Record fair, Utrecht, May 8, 1999 Cost: 1 guilder Tracks: 'Real life' / 'See the lights (live)'
The title track from Abba's last album 'The visitors' (1981) was released as a single in the USA, after the band participated in an American TV show, 'Let Poland Be Poland', broadcast via satellite around the world on January 31, 1982. The show, which also featured Frank Sinatra, Paul McCartney, Orson Welles, Henry Fonda and US President Ronald Reagan, was a public protest against the then-recent imposition of martial law in Poland. Abba performed this song, which is a protest against the mistreatment of political dissidents in the Soviet Union back then.
This promotional 7" single contains both the full length version of the song and an edit, which is 80 seconds shorter than the original.
My collection: 7" single no. 3996 Found: eBay.com, received August 6, 2009 Cost: 3 euro Tracks: 'The visitors' / 'The visitors (short version)'
'My love is for real' was the first single from Paula Adul's 1995 album 'Head over heels'. The middle-eastern sounding groove is given more depth by guest vocals performed by Israeli singer Ofra Haza. The single did not become as big a hit as expected, peaking at number 28 in the US Billboard Hot 100 chart and the UK singles chart. In the Netherlands, it didn't even make the Dutch Top 40.
This 7" single is another surprise for me: while I was ordering some other singles this one popped up in the list. I wasn't aware it had been released on this format, so I snapped it up.
My collection: 7" single no. 3995 Found: eBay.com, received August 6, 2009 Cost: 3 euro Tracks: 'My love is for real' / 'Didn't I say I love you'
'Stranger in Moscow' was the fifth and last single from Michael Jackson's album 'History'. While writing the song, Jackson used elements of Russian imagery and symbolism to help promote the concept of fear and alienation in the track. It concludes with a narrative, spoken in Russian, by a KGB interrogator. Translated into English he says, 'Why have you come from the west? Confess! To steal the great achievements of the people, the accomplishments of the workers...'. The single was a number 1 in Spain, and reached number 4 in the UK and the Netherlands.
Although before this year I assumed there were no 7" singles released after 'Scream' and 'You are not alone', now I find myself owning 'They don't care about us' and 'Stranger in Moscow'. So now, obviously, I'm after 'Earth song'. Where can I find that one?
My collection: 7" single no. 3992 Found: eBay.com, received August 6, 2009 Cost: 3 euro Tracks: 'Stranger in Moscow (radio edit)' / 'Stranger in Moscow (Tee's radio mix)'
The last of three Depeche Mode singles, and indeed the last single I bought in London on August 5. 'John the revelator' and 'Lilian' were two tracks from the band's 2005 album 'Playing the angel', released as a double A-side. On the 7" there were two remixes not available on any other (commercial) format. It was the first double A-side from Depeche Mode since 1984's 'Blasphemous Rumours/Somebody'.
The single became another number 1 hit for the band in Denmark, reaching number 18 in the UK singles chart. This picture disc 7" single is a numbered limited edition; this is number 2162.
This concludes my chronological listing of every single I bought in London on August 5. I hope you enjoyed looking in my heavy bag - without you having to carry it back to the airport and back home!
My collection: 7" single no. 3991 Found: Sister Ray, London, August 5, 2009 Cost: 6 pounds Tracks: 'John the revelator (UNKLE dub)' / 'Lilian (Robag Wruhme slomoschen kikker)'
'Suffer well' was the third single from Depeched Mode's 2005 album 'Playing the angel'. It was released in March 2006. It is the first Depeche Mode single whose lyrics are written by David Gahan. It is also the first Depeche Mode single that's not written by Martin Gore since 'Just can't get enough' in 1981, which was written by Vince Clarke. Finally, this is the first Depeche Mode single ever to be co-written with non-members of the band (Andrew Phillpott and Christian Eigner wrote the music).
The single reached number 1 in Denmark and went top 10 in Finland, Italy and Spain. In the UK, the single peaked at number 12. This picture disc 7" single was released as a numbered limited edition; this is number 3477.
My collection: 7" single no. 3990 Found: Sister Ray, London, August 5, 2009 Cost: 6 pounds Tracks: 'Suffer well (Metope vocal remix)' / 'The darkest star (Monolake remix)'
Although the meaning of almost all of Depeche Mode's songs are not revealed because Martin Gore prefers people to find their own meanings for each song, he made an exception with 'Precious', explaining that the song is written about his children and what they must have been going through when he was getting a divorce from their mother.
Released as the first single from their 2005 album 'Playing the angel', it was a number 1 hit in four countries, peaking at number 4 in the UK singles chart and number 11 in the Dutch Top 40. This picture disc 7" single was released as a numbered limited edition; this is number 4535.
My collection: 7" single no. 3989 Found: Sister Ray, London, August 5, 2009 Cost: 6 pounds Tracks: 'Precious (album version)' / 'Precious (Michael Mayer Ambient mix)'
'Paris is burning' was the second single by Ladyhawke, taken from her debut self-titled album. Originally this track reached number 61 in the UK singles chart, however when it was re-released in March 2009 as a digital download and limited 7" vinyl, it improved on this chart placing and peaked at number 47.
What's a bit strange about this 7" single, is that it doesn't contain any 'regular' version of the track, just a remix and a French language version.
My collection: 7" single no. 3988 Found: Sister Ray, London, August 5, 2009 Cost: 2 pounds Tracks: 'Paris is burning (Peaches remix)' / 'Paris s'enflamme'
Officially this is a double A-side single split evenly between the bands Arcade Fire and LCD Soundsystem, but I have to say that I think Arcade Fire's cover version of 'Poupée de cire poupée de son' is the superior track here.
Arcade Fire played this song, originally performed by France Gall, during their 2007 tour in support of their second album 'Neon Bible' and recorded a studio version especially for this limited edition 7" single. LCD Soundsystem's 'No love lost' is a cover of a New Order track.
My collection: 7" single no. 3987 Found: Sister Ray, London, August 5, 2009 Cost: 12 pounds Tracks: 'Poupée de cire, poupée de son' (Arcade fire) / 'No love lost' (LCD Soundsystem)
Unlike 'The eve of the war', this second single taken from Jeff Wayne's musical version of 'War of the worlds' did not come with a beautiful picture label. Still, this is the way the single was released in the UK, and I thought it would be a nice addition to my collection. Unfortunately, this particular copy proved to be pressed on pretty bad quality vinyl. I saw some spots in the shop, but I assumed it was dirt which I could wipe from the record. But it's actually engrained in the vinyl itself! Well, kindof another collector's item, I guess.
'Forever autumn' was a huge hit for Justin Hayward, peaking at number 5 in the UK singles chart and number 22 in the Dutch Top 40.
My collection: 7" single no. 3986 Found: Sister Ray, London, August 5, 2009 Cost: 1 pound Tracks: 'Forever autumn' / 'The fighting machine'
'...And that's no lie' was originally the 10 minute closing track of Heaven 17's 1984 album 'How men are'. When released as a single, the track was heavily edited to appeal to radio DJ's and music video stations. The problem was, the edit made the track kindof a jumbled mess and left nothing intact of the tension of the original track.
As a result, '...And that's no lie' became the first Heaven 17 single since 1982's 'Let me go' not to reach the top 40 in the UK. It stalled at number 52.
My collection: 7" single no. 3985 Found: Sister Ray, London, August 5, 2009 Cost: 50p Tracks: 'And that's no lie' / 'The fuse'
In 1990, both Siobhan Fahey and Marcella Detroit became pregnant. Their band Shakespear's sister was put on hold for a year. They returned in late 1991 with the release of the single 'Goodbye cruel world', which peaked at number 59 in the UK singles chart.
The single would be included on their second album 'Hormonally yours', which would also include their biggest success, 'Stay'.
My collection: 7" single no. 3984 Found: Sister Ray, London, August 5, 2009 Cost: 1 pound Tracks: 'Goodbye cruel world' / 'Moonchild'
Although I have a considerable record collection - as you can tell from this blog - I've never come across a 6" single before. Imagine my surprise when I saw this little treasure. The sleeve cheekily suggests that if your record player does not play this disc, you should 'invest in the seven inch version'.
Well, fortunately my record player is not fully automatic and I was able to play this disc. It's just as well, since I did pay more than 60p for it. 'Big shot - Momentarily' was a hit for Jona Lewie in Germany, but in the UK, where this 6" single was released, it did not chart. I guess not everyone is into gimmicks as much as I am.
My collection: 6" single no. 3983 Found: Sister Ray, London, August 5, 2009 Cost: 1 pound Tracks: 'Big Shot - Momentarily' / 'I'll get by in Pittsburgh'
The last stop in my tour around London (bar the obligatory visit to HMV, but I haven't bought a 7" single there in a long time!) was Sister Ray in Berwick Street. Almost closed last year, I was happy to hear that the shop was saved, and even happier to see that they still stocked an attractive amount of 7" singles. I ended up buying 10 pieces, most of them recent ones, such as this one.
Adele's 'Chasing pavements' was released in January 2008 as her second single. The song refers to an incident that occurred at 6am one day after a fight with a former boyfriend during which Adele was running down the street alone. The single peaked at number 2 in the UK singles chart and number 9 in the Dutch Top 40.
My collection: 7" single no. 3982 Found: Sister Ray, London, August 5, 2009 Cost: 2 pounds Tracks: 'Chasing pavements' / 'That's it, I quit, I'm moving on'
This is the debut single by Lady Gaga, released in April 2008. 'Just dance' was co-written by Lady Gaga herself, and she commented: 'I was very hungover. I wrote the song in about 10 minutes with [producer] RedOne. And it was my first time being in a Hollywood studio. Very pristine, big huge room with giant speakers.' Not surprising that the lyric of the song is about being intoxicated at a party.
So it's a bit vacuous, this song. Usually, pop songs are. The single still ended up a number 1 hit in the UK, USA and Ireland. The single initially didn't chart in the Netherlands, but when re-released in January 2009, it still reached number 1.
My collection: 7" single no. 3981 Found: Record Exchange, London, August 5, 2009 Cost: 2 pounds Tracks: 'Just dance' / 'Just dance (HCCR's Bambosa main mix)'
In 1982, the popularity of synthpop was rising in the UK. Numerous bands were riding the wave, including the Associates, who had been struggling since 1979 for some recognition. Their single 'Party fears two' became the first and biggest hit of their career, peaking at number 9 in the UK singles chart.
In 2006, the Divine Comedy recorded a cover version of 'Party fears two' on their album 'Victory for the comic muse'. It was through this cover version that I got to know the song. The original track features rather preposturous by Billy MacKenzie.
My collection: 7" single no. 3980 Found: Record Exchange, London, August 5, 2009 Cost: 1 pound Tracks: 'Party fears two' / 'It's better this way'
In 1984, Heaven 17 released the album 'How men are'. It featured some acoustic instruments for the first time in addition to their usual digital samples, synthesizers and drum machines. The vocal group Afrodiziak also appeared on four track on the album.
'Sunset now' was released as the first single from the album, and also its most successful. The single peaked at number 24 in the UK singles chart.
My collection: 7" single no. 3979 Found: Record Exchange, London, August 5, 2009 Cost: 50p Tracks: 'Sunset now' / 'Counterforce'
'I want you back' was the first single by Bananarama after the departure of Siobhan Fahey. She was replaced by Jacquie O'Sullivan. 'I want you back' was featured on Bananarama's fourth studio album 'Wow!' and originally recorded with Fahey. For the single release, the track was re-recorded with O'Sullivan. No further singles from 'Wow!' were released.
The audience responded well to this release, as it peaked at number 5 in the UK singles chart.
My collection: 7" single no. 3978 Found: Record Exchange, London, August 5, 2009 Cost: 50p Tracks: 'I want you back' / 'Bad for me'
After the band Hot Chocolate disbanded in 1987, lead singer Errol Brown attempted a solo career. His debut solo single was this one, 'Personal touch', produced by Tony Swain and Steve Jolley. Released in July 1987, the single peaked at number 25 in the UK singles chart.
What's interesting is that the B-side of this single is actually more engaging than the A-side. Based around a gimmicky sound of a ringing telephone, it demands your attention throughout the song. In my opinion, this is a double A-side.
My collection: 7" single no. 3977 Found: Record Exchange, London, August 5, 2009 Cost: 50p Tracks: 'Personal touch' / 'Why don't you call me'
Released in October 1987, 'Love in the first degree' was the second single from Bananarama's fourth studio album 'Wow!'. Like the rest of the album, the track was produced by Stock, Aitken & Waterman and includes many of their trademark sounds. The lyrics were written by Siobhan Fahey and built upon by SAW and the other two Bananarama members Sara Dallin and Keren Woodward.
The single was the band's biggest selling single in the UK, peaking at number 3 (like two other singles by them). As one of their final performances with Fahey, the group performed the song at the BRIT Awards with a large entourage of male dancers dressed only in black bikini briefs. The song was nominated for best British single at the BRIT Awards, but lost to Rick Astley's 'Never gonna give you up'.
I bought this single together with three others in the basement of the Berwick Street branch of the Music & Video Exchange in London.
My collection: 7" single no. 3976 Found: Record Exchange, London, August 5, 2009 Cost: 50p Tracks: 'Love in the first degree' / 'Mr. Sleaze'
I took the bus (oh, how I miss those open double deckers from the old days!) from Notting Hill Gate to Oxford Street, in order to get to Berwick Street, where my record hunting would continue. I was aware of one more Music & Video Exchange down the road, but I stopped underway for a new shop, where I eventually found three singles, although two of them I already had - but these were picture disc editions (more about that later on this blog).
The one new title I found was 'Who needs love like that', the debut single by Erasure. Whereas Vince Clarke had a lot of success with Depeche Mode and Yazoo, this single was considered a flop, as it only reached number 55 in the UK singles chart. It was 1985. More than two decades later, we know how successful Erasure turned out to be...
My collection: 7" single no. 3975 Found: Revival Records, London, August 5, 2009 Cost: 50p Tracks: 'Who needs love like that' / 'Push me shove me'
After Mari Wilson reached the UK top 10 with 'Just what I always wanted', the next single was this one, 'Beware boyfriend', released in a limited edition with a free postcard. The sleeve photograph was taken by Dutch photographer Anton Corbijn, who was becoming one of the hottest photographers of the year, with his work for Joy Division, Kim Wilde and many others.
This single did not follow in the footsteps of its predecessor, stalling at number 51 in the UK singles chart. It was the last of nine singles I found on the first floor of the Notting Hill Gate branch of the Music & Video Exchange on August 5.
My collection: 7" single no. 3974 Found: Record Exchange, London, August 5, 2009 Cost: 3 pounds Tracks: 'Beware boyfriend' / 'It's happening'
The music video of Tom Tom Club's Suboceana was a very strange one, one that caught my attention the very first time I saw it. I always wanted to have the single, but it was never available. In fact, I never even saw the single until I found this one.
And so it came to pass that I had the 12" single before I found the single. Much to my delight, this single features an instrumental version of the track that is not included on the 12".
My collection: 7" single no. 3973 Found: Record Exchange, London, August 5, 2009 Cost: 4 pounds Tracks: 'Suboceana (Boom boom chi boom boom)' / 'Suboceana (instrumental)'
The cycling mania of some of the band members of Kraftwerk has been well documented. Ralf Hütter and Fritz Hilpert have been known to take part in cycling events. The track was originally recorded with the intention of being included on the subsequently abandoned album 'Techno pop'.
The single was remixed by François Kevorkian in New York and reached number 24 in the UK singles chart. In 2003, Kraftwerk would release a new album 'Tour de France Soundtracks', featuring a new recording of this track.
My collection: 7" single no. 3972 Found: Record Exchange, London, August 5, 2009 Cost: 2 pounds Tracks: 'Tour de France (remix)' / 'Tour de France'
'I second that emotion' was originally a hit for Smokey Robinson & the Miracles in 1967. Written by Smokey Robinson and Al Cleveland, the title of the song came to Robinson when his friend and Motown colleague Al Cleveland mispronounced the phrase 'I second that motion' as 'I second that emotion' while the pair were Christmas shopping in late 1966.
Japan recorded a cover version of the song as a standalone single released in 1980. This remixed version was released two years later, reaching number 9 in the UK singles chart.
My collection: 7" single no. 3971 Found: Record Exchange, London, August 5, 2009 Cost: 1 pound Tracks: 'I second that emotion' / 'Halloween'
In 1991, Mike Oldfield suddenly called himself Michael Oldfield and released his final album for Virgin Records, 'Heaven's open'. At a time of friction with his record company, Oldfield included some veiled attacks on Richard Branson on the album.
The single 'Heaven's open' featured lead vocals from Oldfield himself for the first time. The single did not chart.
My collection: 7" single no. 3970 Found: Record Exchange, London, August 5, 2009 Cost: 1 pound Tracks: 'Heaven's open' / 'Excerpt I from Amarok'
I was really surprised when I saw this single in the racks of the Music & Video Exchange in London. I wasn't aware this single was even released on 7" vinyl, and it was an even more pleasant surprise when I saw that it was pressed on pink vinyl. Obviously, this one was a keeper.
'In my arms' was a single from Kylie's latest album 'X', released in February 2008. It reached number 15 in the UK singles chart and number 20 in the Dutch Top 40.
My collection: 7" single no. 3969 Found: Record Exchange, London, August 5, 2009 Cost: 2 pounds Tracks: 'In my arms' / 'Can't get you out of my head (Greg Kurstin remix)'
'Invisible touch' was the title track of Genesis' 1986 album and released as its first single. The song came about during a jam for the second parts of another album tracks 'Domino/The last domino', Mike Rutherford apparently playing a riff while Phil Collins improvised the line 'She seems to have an invisible touch'. It was recorded at the band's studio Fisher Lane Farm during 1985 and 1986.
This limited edition version of the single came in a foldout sleeve with a clear vinyl record. While not a hit in the Netherlands, the single reached number 15 in the UK singles chart and number 1 in the US Billboard Hot 100 chart.
My collection: 7" single no. 3968 Found: Record Exchange, London, August 5, 2009 Cost: 2 pounds Tracks: 'Invisible touch' / 'The last domino'
Here's another obscure favourite from that magical year 1984; the year in which I forgot all about doing homework and spent hours on end watching music videos on television. 'Seven seas' reached number 16 in the UK singles chart and thus was shown on TV countless times, but the band remained virtually unknown in the Netherlands.
The B-side recording of the Beatles' 'All you need is love' was performed by the band at Liverpool Cathedral for the programme 'Play at home' for Channel Four (UK).
My collection: 7" single no. 3967 Found: Record exchange, London, August 5, 2009 Cost: 1 pound Tracks: 'Seven seas' / 'All you need is love'
After scouring the basement of the Music & Video Exchange in Notting Hill Gate and finding over 40 singles, I went up to the first floor, hoping to find some more. This is the 'expensive' part of the shop, stocking mainly collectors items, but sometimes you come across some interesting bargains. Such as this one: the debut single by Culture Club!
Most people assume that their first hit 'Do you really want to hurt me' was also their debut single, but that's not true: they released two singles prior to that one. 'White boy' did not chart in any territory, although it already showcases their signature sound. You don't see this single a lot, so I was glad to find it.
My collection: 7" single no. 3966 Found: Record Exchange, London, August 5, 2009 Cost: 50p Tracks: 'White boy' / 'Love twist'
'Pretty in pink' was originally recorded as a track on Psychedelic Furs' 1981 album 'Talk Talk Talk'. When John Hughes made his movie 'Pretty in pink' in 1986, it was named after the Psychedelic Furs track.
The song was re-recorded by the band for the movie and released as a single. In this version, it became their biggest hit in the UK, peaking at number 18.
My collection: 7" single no. 3965 Found: Record Exchange, London, August 5, 2009 Cost: 50p Tracks: 'Pretty in pink' / 'Love my way (US Remix)'
'Bad boys' was a 1983 hit single for Wham!, taken from their debut album 'Fantastic'. The lyric of the song was written by George Michael from a teenager's perspective, but also including the concerns of parents, ultimately asking 'Why do you have to be so cruel?'.
The single reached number 2 in the UK singles chart, number 14 in the Dutch Top 40 and number 60 on the US Billboard Hot 100 chart. George Michael later denounced 'Bad boys' as a song he hated, stating it was 'like an albatross round my neck'. The song was omitted from the 1997 compilation album 'If you were there (The best of Wham)', despite the album including tracks that weren't even released as singles.
My collection: 7" single no. 3964 Found: Record Exchange, London, August 5, 2009 Cost: 30p Tracks: 'Bad boys' / 'Bad boys (instrumental)'
Released in December 1982, Wah! scored the biggest hit of their career with 'The story of the blues', which reached number 3 in the UK singles chart. The track was produced by Mike Hedges and written and arranged by Pete Wylie, who was the core member of Wah! and its subsequent incarnations (Say Wah!, the Mighty Wah! etcetera).
During a live performance of this track in 1983 for BBC Radio, Colin Vearncombe from Black guested on backing vocals. Unfortunately, his fine voice is not included on this single version.
My collection: 7" single no. 3963 Found: Record Exchange, London, August 5, 2009 Cost: 50p Tracks: 'The story of the blues (part 1)' / 'The story of the blues (part 2)'
'New sensation' was released in early 1988 as the second single from INXS's 1987 album 'Kick'. The song features a sax solo by Kirk Pengilly and lyrics about a partying lifestyle. The first line 'Live, baby, live' was later referenced in the title of the bands's 1991 release 'Live baby live'.
The single reached number 25 in the UK singles chart, number 3 in the US Billboard Hot 100 chart and number 18 in the Dutch Top 40. I never bought the single in 1988 because I bought the cd-single. It's strange how I never think I really have a single until I have the 7" single.
My collection: 7" single no. 3962 Found: Record Exchange, London, August 5, 2009 Cost: 30p Tracks: 'New sensation' / 'Do wot you do'
Released in 1984, 'The very first video kiss' by Imajinca is a mystery. You would think that in this age of internet nothing can remain a secret, but there is no information about this band or its members anywhere. All I can gather from the sleeve of this single is that the track was produced by Chris Andrews.
The tracks were written by S. Burton, D. Lief and H. Pistolas, who were probably members of this band. An they were signed to 'A Record Company', presumably a small independent record company around at that time. 'The very first video kiss' did not chart, despite its glossy Eighties production values.
My collection: 7" single no. 3961 Found: Record Exchange, London, August 5, 2009 Cost: 30p Tracks: 'The very first video kiss' / 'All in a moment'
Art of Noise had a hit with 'Paranoimia' in 1986, a track featuring the vocals of the computer generated television personality Max Headroom. When the band released a greatest hits compilation in 1988, the album was promoted with several singles.
One of them was 'Paranoimia '89', a remixed version omitting Max Headroom's vocals and based wholly on the music by Art of Noise. The remix was made by Dutch remixer and DJ Ben Liebrand. The single did not chart in any territory.
My collection: 7" single no. 3960 Found: Record Exchange, London, August 5, 2009 Cost: 10p Tracks: 'Paranoimia '89' / 'Locus classicus 1'
Emma Louise Booth was born in 1974 in Bridgend, Wales. She represented the United Kingdom during the 1990 Eurovision Song Contest with 'Give a little love back to the world', written by Paul Curtis. The lyric of the song had an environmental them, leading to several platitudes and a rather cringable chorus.
Emma finished sixth in the Contest, then went on to release one more single in 1991, 'Dance all night', which failed to chart.
My collection: 7" single no. 3959 Found: Record Exchange, London, August 5, 2009 Cost: 10p Tracks: 'Give a little love back to the world' / 'I don't wanna be around'
'Goodbye stranger' is a single taken from Supertramp's 1979 album 'Breakfast in America'. The single reached number 57 in the UK singles chart. The B-side of the single is the title track of Supertramp's previous album, 'Even in the quietest moments'.
It's always a bit of a shock when you buy a single and it turns out to be so faulty you can't even play it. This single is so crooked that frankly I'm amazed the shop dared to ask 50p for it. Oh well, you win some, you lose some.
My collection: 7" single no. 3958 Found: Record Exchange, London, August 5, 2009 Cost: 50p Tracks: 'Goodbye stranger' / 'Even in the quietest moments'
Stevie Wonder has this uncanny knack of creating timeless melodies. 'Lately' is a title that may not seem familiar to you but I bet when you hear the track, you will think 'O right! I remember that!'. The single was taken from Wonder's 1980 album 'Hotter than July', and reached number 3 in the UK singles chart.
The track was later covered by acts like S Club 7 and Jodeci. Not that those versions could compete with the original, of course...
My collection: 7" single no. 3957 Found: Record Exchange, London, August 5, 2009 Cost: 10p Tracks: 'Lately' / 'If it's magic'
After the success of their debut single 'Too shy', Kajagoogoo's follow-up single 'Ooh to be ah' was released quickly. Although not topping the chart like its predecessor, the single still reached a respectable seventh place in the UK singles chart.
