'Hazard' tells the story of a relationship between Marx's character (usually considered the protagonist) and a woman named Mary. Mary is presumably murdered and Marx, shunned by many in the small town Hazard in Nebraska since his childhood, is immediately considered the main suspect. Marx, however, maintains his innocence throughout the song, and the question of such is left open to the listener's interpretation.
I got to know the song because of the music video being aired on television regularly in early 1992. The single peaked at number 3 in the UK singles chart, although it did not chart in the Netherlands.
My collection: 7" single no. 1593 Found: Melody Maker, Den Haag, March 21, 1992 Cost: 6 guilders Tracks: 'Hazard' / 'Big boy now'
Although I'm not exactly a fan of Italo disco music, the single 'We just' by Moses was an interesting one. Full of samples and beautiful synth solos, it was a memorable track, even if it seemed to be devilishly simple.
It was a hit in the Netherlands, peaking at number 3. The song was apparently the theme to the Italian music programme Discoring. At the time, synthesizer themes were all the rage, because the BBC's 'Top of the pops' used Paul Hardcastle's 'The wizard' at the time.
The band Raydio started in the second half of the Seventies and had a few hits with songs like 'You can't change that'. From 1980 onwards, they became known as 'Ray Parker Jr. & Raydio', giving more prominence to their lead singer.
'A woman needs love' was taken from their fourth album from 1981. It reached number 7 in the Dutch Top 40.
My collection: 7" single no. 2584
Found: Record fair, Rotterdam, December 23, 1995
Cost: 1 guilder
Tracks: 'A woman needs love (just like you do)' / 'So into you'
'Talk' was released as the third single from Coldplay's 2005 album 'X&Y'. A number one hit in the Netherlands, it also reached number 10 in the UK and number 4 in Canada.
The band received permission from the German band Kraftwerk to use the main riff from their song 'Computer love' from their 1981 studio LP 'Computer world' for 'Talk', replacing Kraftwerk's synthesizers with guitars. According to reports, Chris Martin from Coldplay sent a letter to Kraftwerk in basic German, which he'd learnt at school.
I wrote about 'I believe in you' before, but that was because of the promotional 7" single that I own. A few years after getting that one, I found a version of the commercially available single, featuring the B-side 'John Cope'. Since this single was made in Spain, it is a bit of a rarity as well.
The single failed to breach the charts in any country as far as I know. Tim Pope directed a music video for this track, featuring Mark Hollis sitting with his guitar, singing the lyrics. 'That was a massive mistake,' said Hollis afterwards. 'I thought just by sitting there and listening and really thinking about what it was about, I could get that in my eyes. But you cannot do it. It just feels stupid.'
My collection: 7" single no. 2613 Found: Record fair, Den Haag, February 10, 1996 Cost: 2 guilders Tracks: 'I believe in you (edit)' / 'John Cope'
Erasure released the 'Storm chaser' EP in September 2007. While the cd-single contained eight remixes of five different tracks plus a duet with Cyndi Lauper, the 7" single only had two tracks, making it a single, not an EP.
Released as a picture disc, the single still did not chart in the UK - or any other country for that matter.
My collection: 7" single no. 3577 Found: eBay, received February 2, 2009
Cost: 3 pounds
Tracks: 'Storm in a teacup (single version)' / 'Sucker for love (edit)'
'Dream Police' was the 1979 studio album by the band Cheap Trick. After their worldwide success with 'I want you to want me' the pressure was on to come up with good new material, and the band rose to the challenge. The album shows the band expanding into longer, more complex songs and incorporating orchestration on several tracks. It was Cheap Trick's most successful studio effort, being certified platinum within a few months of its release.
The title track was released as a single in October 1979, and reached number 37 in the Dutch Top 40.
Swing Out Sister was formed by Andy Connell and Martin Jackson with Corinne Drewery. They took their name from a 1945 movie starring Arthur Treacher, called 'Swing Out, Sister', and they claim they chose the name because it was the only thing the band could agree on, in that they all hated it.
Prior to their debut album, they released the single 'Blue mood' in the UK in November 1985. This single did not chart. The first single from their debut lbum 'It's better to travel' was a big hit, however. It reached the number four position on the UK singles chart in November 1986 and number six on the US Billboard Hot 100 in November 1987. Meanwhile, in the Netherlands it peaked at number 30 in January 1987.
After ABC's success with their fourth album 'Alphabet city', Martin Fry and Mark White started experimenting with the hype of the year, house music. Released in 1989, their album 'Up' was their lowest charting album to that point, reaching number 57 during a one week chart run. The first single from the album, 'One better world', didn't do much better, peaking at number 32 in the UK singles chart.
After I bought the single on the strength of the band's name, I got one of the biggest musical disappointments of my life. The superficial music with equally superficial lyrics was a total breach of everything the band had done before. As an ABC fan I expected beauty and intelligence, but unfortunately I got something that merely flirted with the flavour of the week. House music is a thing of the past now, fortunately, but this painful single remains in my collection.
My collection: 7" single no. 874
Found: Melody Maker, Den Haag, June 3, 1989
Cost: 6 guilders
Tracks: 'One better world' / 'One better world (Percapella mix)'
Back in 1984, the music video of 'Infatuation' was a regular guest on television programmes. Rod Stewart posing as a voyeur had something, er, believable. After a very successful career in the Seventies, Stewart was struggling to have hit singles. In the UK, he only had four top 10 singles during the Eighties, one of which was this single, peaking at number 6.
These days Stewart is concentrating on singing American standards from the Thirties and Fourties. Hard to imagine now that the man was once a pop star...
The Babys second album, 'Broken heart' was released in September of 1977. The album spent two weeks at number one in Australia. The title track was released as a single, but it didn't chart in any country. Later single 'Isn't it time' was much more successful.
I'd never heard this track when I tried it out in 1988 when I got the opportunity to go through my brother's record collection. Apparently it made some impression because seven years later, I bought the single.
The group Kadanz was a continuation of the gay cabaret group Spitsroeden, from which band members Frans Bakker, Herman Schulte and Kees van den Berg came. Their debut single 'In het donker' ('In the darkness'; 1982) was an immediate hit: it reached number 23 in the Dutch Top 40.
Since then, the track has been re-recorded several times by the band, during their different incarnations between 1982 and 1998. This original version was also released as an edited and a full length track. The main difference between the two was a synthesizer solo in the middle of the song, which was cut from the edited version on the A-side of this single.
Stephanie Mills was born on March 22, 1957 in Brooklyn, New York. Her single 'Never knew love like this before', taken from the album 'Sweet sensation', shot her to international fame, whereas she had been in the music business for seven years.
In the UK, this single reached number 4, but in the Netherlands it did even better, peaking at the top of the chart in November 1980.
My collection: 7" single no. 2730 Found: September 7, 1996 Cost: 1 guilder Tracks: 'Never knew love like this before' / 'Still mine'
'Head over heels' was the fourth single taken from Tears for fears' second album 'Songs from the big chair'. The track was remixed for the single, because on the album the track segued from a studio recording of the track 'Broken' and into a live recording of that same track. Roland Orzabal commented about the song: 'It is basically a love song and one of the most simple tracks that Tears for Fears have ever recorded. It is a love song that goes a bit perverse at the end.'
The single performed well in the UK singles chart, peaking at number 12, but in the US Billboard Hot 100 it fared even better: it reached number 3. The music video is centered around Roland Orzabal's attempts to get the attention of a librarian (played by a Canadian model), while a variety of characters (many played by the rest of the band) take part in shenanigans in the library. The final scene shows Orzabal and the librarian as an older married couple. The video was filmed at the Emmanuel College Library in Toronto, Canada.
My collection: 7" single no. 302
Found: LP Top 100, Den Haag, 1985
Cost: 5,5 guilders
Tracks: 'Head over heels' / 'When in love with a blind man'
'In between days' (sometimes listed as 'Inbetween days' or 'In-between days') was released as the first single from the Cure's 1985 album 'The head on the door'. In the UK, it was the band's ninth chart single and their fourth consecutive Top 20 hit, peaking at number 15. In the US it was their first single to reach the Billboard Hot 100 when it peaked at number 99.
The music video that accompanied the single, directed by Tim Pope, was an interesting one: it featured a camera on a string, which was pushed forward and back by members of the band.
Mr. Mister was formed in 1982 by Richard Page, Steve George, Pat Mastelotto and Steve Farris. Their debut album 'I wear the face' was released in 1984. A year later, their second album 'Welcome to the real world' yielded the hits 'Broken wings' and 'Kyrie'. They were under pressure to come up with an equally successful third album.
The band's third album was 'Go On...' (1987), which the band said was "some of the best stuff we ever did," showing a much more mature band and a sound that hinted at progressive rock. The track 'Healing waters' was released as the second single from that album, but despite its catchy refrain and compelling lyric, it did not chart.
The Tarney-Spencer Band was an Australian rock band composed of Trevor Spencer and Alan Tarney in the late Seventies. The band recorded three albums: 'Tarney and Spencer' (1976), 'Three's a crowd' (1978) and 'Run for your life' (1979). In 1979, the band was released from their contract with A&M Records after the release of the non-album single 'Cathy's clown' . It peaked at number 31 in the Netherlands in early 1980.
Trevor Spencer left the UK and returned to Perth to help start Sh-Boom studios with Gary Taylor. Alan Tarney began working as a producer in 1979 and was largely responsible for masterminding Cliff Richard's resurgent chart career in the late 1970s and mid-1980s with world-wide-hit 'We don't talk anymore'. He also produced A-ha's first three albums.
'Loreen' was the third single release from Sandra's second album 'Mirrors'. It was the first time that she released a ballad as a single, marking a slight change from the upbeat pop songs that had started to sound so alike.
The change was not especially rewarded: it was the lowest charting single by Sandra in Germany, peaking at number 23. Still, in Sweden the single peaked at number 4.
Kandiah Kamalesvaran was born in Malaysia on November 13, 1934. He grew up as Kandiah Kalamesvaram (King of Lotus flowers) in Kuala Lumpur. In 1953 he moved to Adelaide, Australia with his family. It is where he got to know pop and classical music. During a concert by Nat King Cole he had the opportunity to meet the singer. It made him determined to start his own career as a singer.
He debuted in 1959, but only achieved fame in the Netherlands in 1975 thanks to 'The Elephant song'. The track appeared in a TV documentary about the World Wildlife Fund. The song was written by Dutch producer Hans van Hemert with lyricist Gregor Frenkel Frank. The single topped the Dutch Top 40 for five weeks in the summer of 1975. The B-side is an English version of a song that was a hit for Conny van den Bos the year before as 'Ik geef je 'n roosje m'n roosje'.
My collection: 7" single no. 2722 Found: Record fair, September 2, 1996 Cost: 1 guilder Tracks: 'The elephant song' / 'A daisy a day'
'Only women bleed' was written by Alice Cooper and Dick Wagner. It is a ballad about a woman in an abusive marriage. It became one of Alice Cooper's biggest hits, reaching number 12 on the US Billboard Hot 100 singles chart in 1975. It was the first of several ballads by Cooper that got into the top 20.
Julie Covington recorded her cover version for her 1978 self-titled album. It reached number 12 in the UK singles chart. In the UK, Cooper's version did not chart while Covington's version did not chart in the USA.
My collection: 7" single no. 861 Found: All that music, Leiden, June 2, 1989 Cost: 3 guilders Tracks: 'Only women bleed' / 'Easy to slip'
After the success of 'Building a bridge to your heart', Wax released the title track of their second album 'American English' as the second single from that album. While the single was just as upbeat and a little more dynamic than the previous one, it did not make a dent in the charts anywhere.
I don't even remember how I got to hear this track, but I do know I liked it so much that I bought it quickly.
While all the singles from Tori Amos' 1996 album 'Boys for Pele' were not released on 7" vinyl, I was very surprised to find this 7" single in 1998. 'Spark' was the first single taken from Tori Amos' fourth solo album 'From the choirgirl hotel'. The single was also released on cd-single and a promotional 12" single in America, which is where this single also was made.
'Spark' reached number 16 in the UK singles chart and number 49 in Australia.
While elsewhere in Europe the single 'Live your life' was released, French-speaking countries preferred the track 'Fleurs du mal' as a single. It was a hit in France, peaking at number 16.
Meanwhile, the album 'Besoin' sold more than 2,5 million copies. That same year, Stephanie released the single 'Young ones everywhere' to benefit UNICEF.
Isabelle Aubret was born as Thérèse Coquerelle on July 27, 1938 in Lille, France. Before starting a career in music, she won the French national gymnastics championship in 1952. Ten years later, she represented France during the Eurovision Song Contest, singing 'Un premier amour'. With sixteen countries participating, she was the one who won the competition with 26 points. The runner-up only had 13 points, so it was a convincing win.
When I decided I wanted to have all the winning songs of Eurovision as a single, the early years were of course the hardest to find. I'm still searching for 'Refrain' (1956) for instance....
My collection: 7" single no. 3771
Found: eBay.fr, received June 17, 2009
Cost: 3 euro
Tracks: 'Un premier amour', 'La-bas' / 'Petit bonhomme', 'Ces deux la'
While never released as a single in their native Sweden, Abba's 'Mamma Mia' (1975) was the band's first song to make a breakthrough in Australia, even reaching number one for no less than 10 weeks. At the time, it was rumoured that every third citizen of the country owned an Abba record.
It was almost entirely due to this overwhelming success that the single was subsequently released in the UK and other territories. It took the single nearly two months after it was released to top the UK charts. "Mamma Mia" also reached No.1 in Ireland, Switzerland and West Germany. In 1999 the musical 'Mamma Mia', featuring songs by Abba opened in London's West End. Since then, production has spread to many other countries, with over 1500 performances on Broadway alone.
'All for a reason' sounds a bit like a telephone conversation set to music - although you can only hear one side of the conversation and the other one hanging up at some point. Besides this technical innovation, the rest of the song sounds a lot like other Alessi songs: in other words, laidback Seventies fare.
In the Netherlands, this was the Alessi brothers' second and last hit, peaking at number 22. The track was taken from the album of the same name, which reached number 27 in the albums chart.
Although the music video of 'Libertine' cannot be found on YouTube, I'm certain there is one. It was one of the videos that made me interested in the Canadian-born singer in the first place. When she had a hit in the Netherlands with 'Désenchantée', I started buying her records and I was glad to find 'Libertine' quite quickly.
I have no record of its chart position of France, but I am pretty sure that this one was her first big hit there. After this, her superstar status continued to rise.
Roger Kitter is a British actor and comedian. He is best known for his role as Captain Bertorelli in the seventh season of the comedy series ''Allo 'Allo'.
In 1982, Kitter released a single as The Brat, entitled 'Chalk dust (The umpire strikes back)'. In the track, he parodied John McEnroe, who was famous for his verbal fights with umpires during tennis matches. 'The ball's in, everyone can see that the ball's in! Chalk dust!' was one of the most famous expressions of the year 1982, when this single reached third place in the Netherlands. In the UK, the single reached number 19.
My collection: 7" single no. 1094
Found: All that music, Leiden, November 11, 1989
Cost: 2 guilders
Tracks: 'Chalk dust (The umpire strikes back)' / 'Moody mole'
'Rattlesnakes' was the title track of Lloyd Cole and the Commotions' debut album, released in 1984. While it only peaked at number 65 in the UK, the single was the band's only hit in the Netherlands, peaking at number 31.
The repeated mention of Simone de Beauvoir in the lyric gave the band their literary, slightly geeky image. Cole cites Bob Dylan and Booker T. & the MGs as major influences, but also notes the impact of his studies in English and philosophy on both the album's title, a reference to the novel 'Play it as it lays' by Joan Didion.
My collection: 7" single no. 3360 Found: Record fair, Utrecht, 2002 Cost: 1 euro Tracks: 'Rattlesnakes' / 'Sweetness'
'What kind of fool' was the last single to be released from All about Eve's self-titled debut album. It was a new version of the track, backed with a version of 'Gold and silver', a track that would reappear on All about Eve's second album 'Scarlet and other stories', released a year later. The single did worse in the UK singles chart than 'Martha's harbour', peaking at number 29.
I bought this single while on holiday in London. I wasn't aware of its release, so it was a happy find. I was very impressed with the beautiful sleeve, but only became a real All about Eve fan when I bought the new single that same week... It was 'Road to your soul'.
Noiseworks formed in Sydney in 1985. The original lineup of Noiseworks was Jon Stevens, Stuart Fraser, Steve Balbi, Justin Stanley and Kevin Nicol. Their self-titled debut in 1987 had a series of successful singles, such as 'No lies', 'Take me back' and 'Welcome to the world.' The album sold more than 200,000 copies in Australia.
The band's second album, 1988's 'Touch', proved to be another big hit going Top 10 on debut. From this album, the title track was released as a single. It peaked at number 9 in Australia. The video was televised in Europe, and when I saw it, I decided to buy the single. However, I can't say I've played it often since then... The single was not a hit in Europe.
Back in the Eighties, I used to buy the UK music magazine Smash Hits regularly. One of the features of that magazine was the song lyrics from recent singles. Some of them weren't successful in the Netherlands at all, but mostly I did hear them despite that fact. In the case of the Human League's 1986 single 'I need your loving', I didn't hear the track until I bought the single in 1989.
Why did I buy the single? Mostly because the Human League released more than a few good singles during their career. But also because the song lyric I read in Smash Hits intrigued me. The whole lyric was basically a repeat of 'I need your loving / I need your kissing baby'. I'm pretty sure this is why the single only had a one week chart run in the UK, at number 72.
My collection: 7" single no. 848
Found: Disco Market, Den Haag, May 27, 1989
Cost: 2 guilders
Tracks: 'I need your loving' / 'I need your loving (instrumental)'
'Don't come around here no more' is a track from Tom Petty and the Heartbreakers' 1985 album 'Southern accents' and one of Tom Petty's biggest hits. The track was co-written and co-produced with David A. Stewart of Eurythmics. The original inspiration was a romantic encounter that Stewart had with Stevie Nicks of Fleetwood Mac.
The single peaked at number 13 in the US Billboard Hot 100 and number 50 in the UK singles chart.
My collection: 7" single no. 2764
Found: House of Rhythm, London, October 29, 1996
Cost: 40p
Tracks: 'Don't come around here no more' / 'Trailer'
A very recent release for a change. 'Did you see me coming?' was released on June 1, 2009 as the second single from the Pet Shop Boys' tenth studio album 'Yes'. It entered the UK singles chart at number 21 a week later - only the third Pet Shop Boys single ever to miss the top 20 in Britain.
The single was released on two different cd-singles and this 12" single, which featured two remixes not on the cd-singles.
My collection: 12" single no. 498
Found: Recordstore.co.uk, received June 16, 2009
Cost: 2 pounds
Tracks: 'Did you see me coming? (PSB Possibly more mix)', 'Did you see me coming? (Unicorn Kid mix)' / 'The way it used to be (Richard X mix)'
After the phenomenal international success of Soft Cell's 'Tainted love', the band struggled to find equal success. While they continued to be a hot act in the UK and Ireland, they would never revisit the charts in most other countries.
That's not to say that their singles were bad. The follow-up 'Bedsitter', for instance, is a beautiful melancholic synthpop song. The single peaked at number 4 in the UK and number 10 in Ireland.