Frida Boccara was born on October 29, 1940 in Casablanca, Marocco. She started her singing career in the Sixties. In 1969, she represented France during the Eurovision Song Contest. Her monumental ballad 'Un jour, un enfant' was one of the four songs to win the Contest that year, since no rules were in place for a tiebreak.
This single was made in Holland and contains mono versions of the two tracks. It did not reach the charts in the Netherlands, which may be caused by the country's own victory by Lenny Kuhr. Frida Boccara died on August 1, 1996.
My collection: 7" single no. 3745
Found: Record fair, Den Haag, May 23, 2009
Cost: 4 euro
Tracks: 'Un jour, un enfant' / 'Belle du Luxembourg'
This is one of many singles by Jona Lewie that never made the UK singles chart. 'I think I'll get my haircut' was released in 1981, as always on the Stiff label. Lewie's music is basically always the same: a strong melody, funny lyrics and short songs. Always a safe bet when you buy a single by him.
I didn't actually remember the song when I bought this single, but playing it made me realise I have heard it before.... Although it may be a quarter of a century ago now.
My collection: 7" single no. 3727
Found: Record fair, Den Haag, May 23, 2009
Cost: 0,5 euro
Tracks: 'I think I'll get my haircut' / 'What have I done'
Although Belle and the Devotions were a threesome when they represented the United Kingdom in the 1984 Eurovision Song Contest, the band started out as a name for British singer Kit Rolfe. Under this name she released the singles 'Where did love go wrong?' and 'Got to let you know' in 1983.
Both singles failed to chart, but the tide turned - albeit briefly - with 'Love games'. It would be their only hit single in a short career.
My collection: 7" single no. 3742
Found: Record fair, Den Haag, May 23, 2009
Cost: 0,5 euro
Tracks: 'Got to let you know' / 'Reach out for love'
Sandra and Andres represented the Netherlands in the 1972 Eurovision Song Contest with 'Als het om de liefde gaat'. They also recorded two versions in other languages: the song was titled 'Was soll ich tun' in German and 'What do I do' in English.
It's a miracle that my friend Puck and I didn't buy the same singles on May 5. While he bought 'Als het om de liefde gaat' and this English single somewhere else in the country, I was back in my hometown buying the single 'Was soll ich tun'.
My collection: 7" single no. 3705 Found: May 5, 2009 Cost: - Tracks: 'What do I do' / 'Gypsy man'
The twin brothers Billy and Bobby Alessi were born on July 12, 1954 on Long Island, New York. In 1977 they hit it big with the single 'Oh Lori'. 'Sad songs' was released that same year, but that single did not chart.
I'd completely missed out on the Alessi brothers and only found out about them at the end of the Eighties, when my sister bought a compilation cd of their music. Some of their songs really impressed me, so I bought the singles. I never had a craving for an entire cd of their music, though.
Martin Brammer, Paul Woods and Dave Brewis met in 1982 and formed the trio The Kane Gang, naming themselves after the movie 'Citizen Kane'. They signed a record deal in 1983 and released their debut album 'Bad and lowdown world of the Kane Gang' in 1984.
The single 'Respect yourself', taken from that album, is a cover of The Staples Singers song. The song was written in 1970 by Luther Ingram, a Stax Records singer, and Mack Rice, a Stax house songwriter. Ingram, who was frustrated with the state of the world at the time, told Rice 'black folk need to learn to respect themselves.'
My collection: 7" single no. 2137 Found: Grammofoonwinkel, Utrecht, August 2, 1994 Cost: 2 guilders Tracks: 'Respect yourself' / 'Amusement park'
Owning the promotional version of 'Flowers in our hair' is one thing, but of course I needed to own the commercial version of that single as well. If only for the exclusive B-side, 'Paradise', that didn't appear anywhere else for a long time. I found the 12" single a long time before I found this 7" single.
My collection: 7" single no. 2651 Found: London, June 29, 1996 Cost: 2,5 pounds Tracks: 'Flowers in our hair' / 'Paradise'
Lindsey Buckingham was born on October 3, 1949. He joined Fleetwood Mac in 1972 and would be a prominent member of the band (on and off) between then and now. During the recording sessions of the Fleetwood Mac album 'Tusk' (1979) Lindsey started working on his first solo album, 'Law and order', released in 1982.
'Trouble' was the first single from that album, released in December 1981. The single went number 1 in Australia, peaked at number 9 in the USA and number 31 in the UK. In the Netherlands, it did not chart.
By the time 'Walk on air' was released as a single, my faith in T'pau had been restored. After the disastrous second album 'Rage', the third one, 'The promise' was a lot better and I would buy all the singles without hesitation. The only problem was, that after 'Whenever you need me' no further singles seemed to appear. Until I finally spotted 'Walk on air' during a record fair in early 1992, I wasn't aware that a second single had come out.
I couldn't have known. The single only managed a number 62 placing in the UK singles chart and I think it wasn't even released in the Netherlands. I do have a German pressing, with a press info sheet in German.
Paul Carrack was born on April 22, 1951 in Sheffield, England. He's been a member of Squeeze, Mike & the Mechanics and Roxy Music, but he's also had a successful solo career. 'Don't shed a tear' was one of them. It could be described, if nothing else, as a radio hit. It was played almost continually in 1987.
Despite this, it didn't become his biggest hit: it stalled at number 60 in the UK, whereas in the Netherlands it only made number 21.
The members of the band Champagne were brought together by producer Martin Duiser in October 1976. Trudy Schell, Bert van der Wiel, Jan Vredenburg and Paulette Bronkhorst recorded their debut single 'Rock and Roll Star' that month, written by Duiser with ex-Outsiders singer Wally Tax. The single reached the Dutch Top 40 in December 1976 and reached number 2 the following year. Subsequent singles all failed to match this level of success.
The band stayed together for five years before disbanding in 1981. Bronkhorst released 2 singles with another female singer as the duo Chica and Vredenburg made a single in 1981 with the group Shampoo.
Released as the fourth and final single from their album of the same name, 'Hunting high and low' became an unexpected hit for A-ha. While 'Train of thought' didn't make the charts in a lot of countries, no-one really thought this song would do better. But the tide turned. The single peaked at number 5 in the UK and number 15 in the Netherlands.
Of course, 'Hunting high and low' had been remixed. The album version was produced by Tony Mansfield and was performed with synthesizers, while the single remix produced by Alan Tarney features an orchestra.
My collection: 7" single no. 435
Found: Paris, July 12, 1986
Cost: nothing (present)
Tracks: 'Hunting high and low (remix)' / 'The blue sky (demo)'
'Dead from the waist down' was released as the first single from Catatonia's fourth album 'Equally cursed and blessed'. The decision had been taken by the band quite early on that 'Dead From The Waist Down' would feature a string arrangement. Paul Jones and Owen Powell of the band previously decried the gratuitous use of strings to make a track sound 'posher' by simply plastering them over a perfectly good arrangement, and so the band were keen to find something which truly complemented what they had already recorded.
It was a good choice: the single peaked at number 7 in the UK singles chart, making it the last of their three UK top 10 hits. The single was pressed on yellow vinyl and also included a large poster featuring the cover artwork.
My collection: 7" single no. 3113
Found: HMV, London, May 14, 1999
Cost: 2,5 pounds
Tracks: 'Dead from the waist down' / 'Branding a mountain'
Ami Aspelund was born on September 7, 1953 in Vaasa, Finland. While her sister Monica represented Finland during the 1977 Eurovision Song Contest with 'Lapponia', Ami followed in her footsteps in 1983 with the song 'Fantasiaa'. Monica finished on 10th place, Ami did only slightly worse, finishing on 11th place.
The single 'Fantasy dream', released in Germany, features both the English and Finnish versions of the song. It's a great upbeat track, and one of the better Finnish contributions to the Contest during the Eighties.
Hard to imagine now, but there was a time when no-one knew the band ABC. They even had to release their debut single 'Tears are not enough' in 1981 to try and catch the public eye. The single version of 'Tears are not enough' was different from the album version. While the album version was produced by Trevor Horn, the single version was produced by one Steve Brown.
As far as debuts go, the band did well. The single peaked at number 19 at the end of 1981. The next year the debut album 'Lexicon of love' would be released - it would become a classic album of the Eighties.
During the Seventies Aart Mol, Geertjan Hessing, Erwin van Prehn, Cees Bergman and Elmer Veerhoff were members of the successful group Catapult. When success eluded them they decided to start over as Rubberen Robbie, a group specializing in Dutch music, and The Monotones, making new wave music.
In January 1980 the Monotones release the single 'Mono', a track that sounds a bit like 'Popmuzik' and 'Video killed the radio star'. They are rewarded with a number 15 placing in the Dutch Top 40.
Taken from the debut album 'Little earthquakes', Winter was Tori Amos' third single for Atlantic Records. It was released in 1992. Amos wrote the song about her relationship with her father, who is a minister.
The single became Tori's first UK top 40 hit, peaking at number 25. It was released in a variety of formats, but the UK was the only country where this song was released on 7" vinyl.
The title track of the Alan Parsons Project album 'The turn of a friendly card' was released as a single in the autumn of 1980. On the album, the track was divided into two parts of 2'44 and 3'22. The single version lasts 3'20 but is not the same as part two.
The single appeared in the Dutch Tipparade, the 'bubbling under' chart for the Top 40, but did not reach the top 40 itself. Still, it made enough of an impression on me to still want to have it a decade later.
My collection: 7" single no. 1461
Found: Grammofoonwinkel, Utrecht, June 27, 1991
Cost: 2 guilders
Tracks: 'The turn of a friendly card' / 'Snake eyes'
This limited edition double single features not one, but two hit singles. Although 'hit' singles may be overstating things a bit. 'Hero takes a fall' was originally released in 1984 and only managed a number 96 placing in the UK singles chart. 'If she knew what she wants' was a bit more successful, reaching number 31 in the UK and Australia, but also number 30 in Austria, number 29 in the USA, number 20 in Switzerland and number 17 in Germany!
'If she knew what she wants' was the second single taken from the Bangles' 1986 album 'Different light', the album that would later bring forth the biggest hit of the group's career: 'Walk like an Egyptian'.
My collection: 7" single no. 3165
Found: House of Rhythm, London, January 18, 2000
Cost: 1,5 pounds
Tracks: 'If she knew what she wants' / 'Angels don't fall in love' // 'Hero takes a fall (remix)' / 'James'
The Dutch band Focus was formed in 1969. After their debut album the line-up changed to Jan Akkerman, Cyril Havermans, Pierre van der Linden and Thijs van Leer. Their 1971 album 'Moving waves' included the song 'Hocus pocus', which would achieve international fame. The instrumental rock classic consists of Akkerman's guitar chord sequence used as a recurring theme, with interludes that include alto flute riffs, accordion, guitar, and drum solos, whistling, nonsensical vocals, falsetto singing, and yodeling.
Their third album 'Focus III' (1972) included the track 'Sylvia', written by Van Leer, which became a major hit in many countries including the UK, where it reached number 4. This single contains both tracks, which made number 9 in the Netherlands.
'Forbidden colours' is the vocal version of the track 'Merry Christmas mr Lawrence'. The lyrics were written and performed by David Sylvian, who had worked with Riuichi Sakamoto once before on the single release 'Bamboo houses'. This single peaked at number 16 in the UK singles chart.
Since the release of this single, both Sakamoto and Sylvian have recorded several interpretations of the song, both instrumental and vocal. An orchestral version featuring vocals by Sylvian was included on Sakamoto's 1999 album 'Cinemage'.
My collection: 7" single no. 2879
Found: House of Rhythm, London, October 28, 1997
Cost: 40p
Tracks: 'Forbidden colours' / 'The seed and the sower'
Riki Sorsa, born December 26, 1952, represented Finland in the 1981 Eurovision Song Contest with a song about that typically Finnish music style: 'Reggae OK'. It surprised the international juries so much that they forgot to vote for it. The song ended up in 16th place (with 20 countries participating).
Sorsa started his music career in 1975 in the band ZOO. Despite his poor placing in the Contest, he continued his career in Finland, releasing more than a dozen albums between 1981 and now.
More than anything else, I've always considered 'Dancing with tears in my eyes' a soundtrack to the music video Ultravox made in 1984. I can't imagine the music without that video anymore. I thought bringing down the enormous theme of a nuclear holocaust to the story of one man and woman was incredibly moving.
'Dancing with tears in my eyes' was the second single from 'Lament', Ultravox's seventh studio album, released in 1984. The single effectively put Ultravox back on the map, peaking at number 3 in the UK single charts, and reaching the top 10 in many European countries. In the Netherlands, it peaked at number 6.
I bought the single as soon as it came out. It was the German pressing with tour dates on the front cover (pictured above). A few years later I found a UK limited edition of the single with a booklet sleeve, pressed on clear vinyl (pictured below).
My collection: 7" single no. 235 Found: LP Top 100, Den Haag, 1984 Cost: 5,5 guilders Tracks: 'Dancing with tears in my eyes' / 'Building'
Released as the first single from the compilation album 'A life of surprises: the best of Prefab Sprout', 'The sound of crying' was the biggest success Prefab Sprout had in the UK since 'The king of Rock 'n' Roll' reached number 7 in the UK.
'The sound of crying' was also more successful than the four subsequent singles taken from the compilation album. This single peaked at number 23, but it was only the first time in four years that the band cracked the top 30 again.
My collection: 7" single no. 1674
Found: Melody Maker, Den Haag, June 27, 1992
Cost: 6 guilders
Tracks: 'The sound of crying (edit)' / 'The sound of crying (full version)'
Like I mentioned here, it's a miracle that Puck and I didn't buy the same singles on May 5. While he bought 'Als het om de liefde gaat' and its English version (soon on this blog) somewhere else in the country, I was back in my hometown buying this single: 'Was soll ich tun', the German version of 'Als het om de liefde gaat'.
Part of the charm of Eurovision collections is owning different language versions of entries. They are often collectable, because Eurovision artists usually don't have a lot of success abroad. As was the case with this one: it did not chart anywhere.
My collection: 7" single no. 3696
Found: Empire Records, Den Haag, May 5, 2009
Cost: 2 euro
Tracks: 'Was soll ich tun' / 'Wenn der Zigeuner lacht'
Released in February 1983, 'Change' was a number 3 hit for Tears for Fears in the UK. The song also gave the band their first charting single in America when it cracked the Billboard Top 75 in August 1983. Roland Orzabal commented about the song: 'It's not really about much. It's just one of those cheap pop lyrics.'
The real rarity on this single is the B-side. 'The conflict' was never released on cd as far as I know. It describes a conflict between two individuals. Sung by Curt Smith, this is one of the few songs in the Tears for Fears catalogue on which he shares a writing credit.
The second single from Paula Abdul's 1991 album 'Spellbound' was the upbeat 'The promise of a new day'. A number one hit in the USA, it fared less well in Europe. Probably because this part of the world is less vulnerable to hollow phrases like 'Tides are turning bringing winds of change'.
Despite the tacky lyric, I did like the song and had no qualms about buying this single. 'Spellbound' was one of my favourite albums of 1991 but it has not aged so well, unfortunately.
My collection: 7" single no. 1512 Found: Free Record Shop, Den Haag, August 23, 1991 Cost: 6 guilders Tracks: 'The promise of a new day' / 'The promise of a new day (West Coast 7 inch edit)'
The band Steely Dan broke up in 1981 after nine years. Founder member Donald Fagen didn't sit on his laurels: he recorded a solo album instead. 'The Nightfly' (1982) became a critical and commercial success and yielded a few hit singles, of which 'I.G.Y.' was the biggest. It peaked at number 30 in the Netherlands.
Synthpop wizard Howard Jones recorded a cover version of this song as a new track for his 1993 compilation album 'The best of Howard Jones'.
My collection: 7" single no. 1810 Found: Record fair, Amsterdam, January 4, 1993 Cost: 2 guilders Tracks: 'I.G.Y.' / 'Walk between raindrops'
'Love' was written by John Lennon and originally appeared on his 1970 album 'John Lennon/Plastic Ono Band'. The Dream Academy recorded their cover version of the song in 1990 and released it as a single. Although it sounded very contemporary (or perhaps because of that), it did not chart in any territory.
The song did appear on their third and last album 'A different kind of weather' (1991). The cd-single of 'Love' featured six remixes of the track, with other remixes appearing on other formats. Perhaps they overdid it a bit.
Barry Ryan was born as Barry Stephenson on October 24, 1948 in Leeds, UK. Barry and his twin brother Paul started performing at the age of fifteen. As Paul & Barry Ryan they released several singles. When Paul couldn't cope with all the stress involved with showbusiness, the two brothers decided that Barry would go solo, while Paul wrote songs for him. The biggest success they had was 'Eloise', a dramatic and heavily orchestrated track, released in 1968. The single peaked at number 2 in the UK and topped the chart in the Netherlands.
I couldn't find the original single so I settled for this 'Old Gold' re-release from 1984. The B-side is Jim Stafford's 'Spiders and snakes', a far more modest hit from 1973. It peaked at number 13 in the UK and did not chart in the Netherlands.
My collection: 7" single no. 1413 Found: Grammofoonwinkel, Utrecht, April 3, 1991 Cost: 4,5 guilders Tracks: 'Eloise' (Barry Ryan) / 'Spiders and snakes' (Jim Stafford)
In February 1988, Supreme Records released what would become Mel & Kim's last single, 'That's the way it is'. Mel Appleby had been diagnosed with cancer and was undergoing treatment in a specialized hospital. Pete Waterman later explained: 'Mel had to check herself out of the cancer hospital in order for her to lay vocals down for that track. The doctors said that it would be at least twelve months before Mel would be able to record material again, so we put the second album on hold and prayed that she'd get better soon. Tragically that never happened.'
'That's the way it is' was promoted with a music video that didn't feature Mel & Kim, just dancers. Still, the single was a success, peaking at number 10 in the UK and number 8 in the Netherlands.
My collection: 7" single no. 588
Found: Free Record Shop, Den Haag, February 13, 1988
Cost: 6 guilders
Tracks: 'That's the way it is' / 'You changed my life'
It would be fair to say that the band Animal Nightlife made music very much like the band Sade: funky, jazzy, soulful music with good melodies and catchy choruses. The band formed in the early Eighties, its members were vocalist 'Flid', Leonardo Chignoli, Billy Chapman, Paul Waller and Andy Polaris.
The music video for 'Mr. Solitaire' was a regular on music channels in 1984. It caused me to get a bit sick of it in the end. That summer, it peaked at number 25 in the UK singles chart. Years later, I realised I wanted to have this song - and then spent ages trying to find it.
In late 1985, Propaganda's management introduced the group to the London based music lawyer Brian Carr of Compton Carr, who studied both contracts Propaganda have been given to ZTT Records and Perfect Songs, contracts which had been signed by the band members without legal advice. He came to the conclusion that under these contracts, the members of the group could go on making records for the rest of their lives and never make any money from them.
This was the point where everything ended between Propaganda and ZTT Records/Perfect Songs Ltd. Claudia Brücken left Propaganda to pursue a solo career. In 1988, the band signed to Virgin Records, and began recording new material. Alongside Michael Mertens were the new line-up of vocalist Betsi Miller, Derek Forbes and Brian McGee. The result was a new album, released in 1990 called '1234'. The single 'Heaven give me words', co-written by Howard Jones, was not a huge success, perhaps in part due to MTV dropping the video for 'Heaven give me words' after only very few plays. The single peaked at number 36 in the UK singles chart.
My collection: 7" single no. 1254 Found: Free Record Shop, Den Haag, June 26, 1990 Cost: 6 guilders Tracks: 'Heaven give me words' / 'Count zero'
In 1991 Claudia Brücken released her solo album 'Love: and a million other things'. In the United Kingdom two singles were released from this album: 'Absolut(e)' in 1990, and 'Kiss like ether' in 1991.
While 'Absolut(e)' was released in a limited edition box set, 'Kiss like ether' was released in a gatefold sleeve. I was lucky enough to find this one as well, so both Claudia Brücken singles I own are actually quite special items.
I discovered 'A forest' a few years after its original release in the Top 100 of all times, the annual chart compiled by listeners of Veronica radio in the Netherlands. It was the only single taken from the Cure's album 'Seventeen seconds', and also their first charting single in both the UK and the Netherlands. In both countries it reached number 31.
The lyrics tell a vague story about a man looking for a girl in a forest. He hears her calling for him, and as he chases her, he suddenly stops and realizes that he is lost and that the girl is not there. The song is fairly upbeat compared to the other material on the album, and Lol Tolhurst's machine-like steady beat together with Simon Gallup's minimalistic bassline gives this nervous chase more depth and keeps the song on the edge of a frantic groove until the end.