You don't hear it much on the radio nowadays, but George Michael's 'Faith' actually starts out with an organ intro, playing the Wham! song 'Freedom'. There were high expectations preceding the release of this solo single, since all of Michael's previous solo singles resulted in top three hits in the UK. This was the last single release before his debut album, also called 'Faith' saw the light of day one month later.
The single 'Faith' did not disappoint: it reached number 2 in the UK singles and topped the charts in Australia, Italy, New Zealand, the Netherlands and the USA.
My collection: 7" single no. 2452 Found: Record fair, September 2, 1995 Cost: 1 guilder Tracks: 'Faith' / 'Hand to mouth'
Gino Vanelli was born on June 16, 1952 in Montreal, Quebec. His career took off in the Seventies, when he signed to A&M Records, releasing his debut album in 1973. Although successful in Europe and America, Vanelli never had a hit in the UK.
He continued to be successful in the Eighties, with this ballad as a good example. 'Hurts to be in love' was released in December 1985 and reached number 6 in the Dutch Top 40. The single also reached number 57 in the US Billboard Hot 100 chart.
My collection: 7" single no. 1410 Found: Grammofoonwinkel, Utrecht, April 3, 1991 Cost: 3 guilders Tracks: 'Hurts to be in love' / 'Here she comes'
Ten Sharp were unable to release an album between 1985 and 1987, but they did release four singles on the CBS label. This one was the third and probably the best of them. 'Last words' was not a hit for the band, causing them to rethink their sound and come back in 1987 with a hardrock-esque track, 'Way of the west'.
The 12" single contains a good extended remix of 'Last words'.
My collection: 7" single no. 419 Found: Disco Market, Den Haag, June 28, 1986 Cost: 2 guilders Tracks: 'Last words' / 'White gold'
I've always been a fan of songs with a beautiful melody and deep, meaningful lyrics. I like to be touched by music, feel the passion and the warmth of the artist in it, that's also why I have a lot of singer/songwriters in my record collection. But every now and again, I have to buy a record because it does not fit the profile.
In the autumn of 1989, I was suddenly grabbed by the nonsensical track 'Pump up the jam' by Belgian producers act Technotronic. I suddenly felt the desire to write down the lyrics and take it all in. Until you do that, there's no way to pin down the utter vacuousness of it all. In the end, I bought the single because I laughed so hard at the track. It has been a top 10 hit around the world. Used to be a time when one had to actually be able to compose to achieve that. But in 1989, all you had to do was say 'Pump up the jam / Pump it pump it pump it pump it'.
My collection: 7" single no. 1178 Found: Free Record Shop, Den Haag, February 17, 1990 Cost: 3 guilders Tracks: 'Pump up the jam' / 'Pump up the jam (original mix)'
Although first released in 1992, Archer and her co-writers wrote 'Sleeping satellite' in the late Eighties, but it was only when Archer got a record deal that the song saw the light of day. Archer sings backing vocals on the track along with Tessa Niles and Carol Kenyon. Released on August 31, 1992, the single rose to the top of the chart in the UK, creating an instant media hype at the time.
The single was also a success in other countries. In the Netherlands, 'Sleeping satellite' became Archer's only chart hit, peaking at number 9 in November 1992.
My collection: 7" single no. 2482 Found: Record Exchange, London, October 29, 1995 Cost: 1 pound Tracks: 'Sleeping satellite' / 'Sleeping satellite (acoustic version)'
'Shadow in the wall' by Mike Oldfield was taken from his 1983 album 'Crises'. Vocals on this track were performed by Roger Chapman, formerly from the band Streetwalkers. The single had an aggressive sound, very different from the biggest hit from the same album, 'Moonlight shadow'.
The single was a number 1 hit in Austria, reached number 10 in the Netherlands and stalled at number 95 in the UK singles chart.
My collection: 7" single no. 218 Found: Studio Echo, Den Haag, 1983 Cost: 5,5 guilders Tracks: 'Shadow on the wall' / 'Taurus 3'
Gilbert O'Sullivan was born on December 1, 1946 in Waterford, Ireland. After scoring worldwide successes with songs like 'Alone again (naturally)' and 'Get down', he released the 1980 album 'Off centre', with 'What's in a kiss' as the first single from that album.
The single reached number 19 in the UK singles chart and number 21 in Japan. I got to know the song thanks to a compilation album released in the second half of the Eighties, and bought the single not long after that.
My collection: 7" single no. 846 Found: Disco Market, Den Haag, May 27, 1989 Cost: 1 guilder Tracks: 'What's in a kiss' / 'Down, down, down'
After the success of their debut single 'Too shy', Kajagoogoo's follow-up single 'Ooh to be ah' was released quickly. Although not topping the chart like its predecessor, the single still reached a respectable seventh place in the UK singles chart.
The nonsensical title hides a lyric about the showbiz and glamour world in which appearance is all-important. It is still a very topical song, then.
My collection: 7" single no. 1307 Found: Record Exchange, London, October 15, 1990 Cost: 50p Tracks: 'Ooh to be ah' / 'Animal instincts'
'Smooth operator' was released as the third single from Sade's debut album 'Diamond life'. Ray St. John, who co-wrote the song with Sade Adu, was a member of Adu's former band Pride, although he was not a member of the band Sade. The pair had co-written the song in 1982 while still members of Pride, but they did not get around to recording it because St. John left Pride shortly after Sade joined.
The B-side of the single contained a non-album track, 'Spirit', whereas the A-side was an edited version of the album track. It reached number 5 in the US Billboard Hot 100 chart and number 19 in both the UK singles chart and the Dutch Top 40.
My collection: 7" single no. 1417 Found: April 7, 1991 Cost: 3 guilders Tracks: 'Smooth operator' / 'Spirit'
In 1992, All about Eve left their record company Phonogram and signed to MCA Records. They recorded a new album 'Ultraviolet', which was released in the autumn, with this EP preceding it. Well, it was... different. Gone was the romantic, goth-like All about Eve of the past: here was a modern, cold-sounding band, with Julianne Regan's vocals buried deep in the mix.
The Phased EP was a collection of two album tracks, one instrumental version of an album track and one non-album track ('Ascent/descent'). It barely caught on, but still managed to reach number 38 in the UK singles chart during its two week chart run.
My collection: 7" single no. 1726 Found: Tower Records, London, October 17, 1992 Cost: 2,3 pounds Tracks: 'Phased', 'Mine' / 'Infrared (instrumental version)', 'Ascent/descent'
'Set the fire to the third bar' was the third single taken from Snow Patrol's fourth album 'Eyes open'. It features guest vocals from Martha Wainwright, a Canadian-American folk-rock singer/songwriter. The lyric of the song is about a couple separated by a great distance and their longing to be together again. After their long journey to meet each they would settle down in front of an electric bar fire, hence the title, 'Set the fire to the third bar'.
The single reached number 18 in the UK singles chart and number 22 in the Irish chart.
My collection: 7" single no. 3580 Found: eBay, received February 2009 Cost: 3 euro Tracks: 'Set the fire to the third bar' / 'Chasing cars (live)'
Released in 1988, 'Fat' by Weird Al Yankovic is a parody of Michael Jackson's 1987 single 'Bad'. In a way, Yankovic continued the theme set out by his parody of 'Beat it', entitled 'Eat it'. The music video for 'Fat' was shot in the same subway set as the music video for 'Bad' and parodies a host of elements from that video.
Although the music video was shown numerous times on Dutch television, it did not chart. In the UK singles chart, 'Fat' reached number 80, whereas in the US Billboard Hot 100 chart it peaked at number 99.
My collection: 7" single no. 3998 Found: Marktplaats.nl, received August 12, 2009 Cost: 3 euro Tracks: 'Fat' / 'You make me'
Vocalist Nick Van Eede founded Cutting Crew along with Canadian guitarist Kevin Scott MacMichael in 1985, and the two made demos that led to a recording contract, before bassist Colin Farley and drummer Martin Beadle joined in 1986. They recorded the debut album 'Broadcast', which was released that same year. Their debut single '(I just) Died in your arms' was a worldwide hit, but after that they had some trouble coming up with a satisfactory successor.
'I've been in love before' was released two times: the original single appeared in later 1986. A different version of the single appeared a year later, featuring a shorter and slightly remixed version of the A-side. I bought the 1987 version (pictured below) in 1995, but depending on my photographic memory once again, I bought the 1986 version (pictured above) last week. At first, I thought I'd struck out, but listening more closely to the tracks made me realise these are actually two different singles.
Both singles actually made the UK singles chart: the 1986 version reached number 31, whereas the 1987 version reached number 24.
My collection: 7" single no. 2519 (1987 version) / no. 3997 (1986 version) Found: Record Exchange, London, November 1, 1995 / August 5, 2009 Cost: 60p / 1 pound Tracks: 'I've been in love before' / 'Life in a dangerous time'
'Human racing' was the fifth and final single from Nik Kershaw's debut album of the same name. Kershaw suddenly showcased a certain Stevie Wonderesque quality in his voice while singing this song. While initially this song bored me - probably because of the music video accompanying it - it has grown into my alltime favourite Nik Kershaw tracks.
The single became a hit in the UK only, peaking at number 19 in the UK singles chart. To this day I don't know why this didn't appeal to international audiences.
I bought a double single edition of this a decade ago, featuring a second single with two live tracks. The gatefold sleeve showed a rather funny playing board based on Kershaw's songs. On August 5, I found a picture disc of this single (pictured below) for 50p at Revival Records.
My collection: 7" single no. 3056 Found: Record fair, Utrecht, May 8, 1999 Cost: 5 guilders Tracks: 'Human racing' / 'Faces (remix)' // 'Cloak and dagger (live)' / 'Drum talk (live)'
'Real life' was released as the fourth single from the Simple Minds' 1991 album 'Real life'. Released in October 1991, it was the first time since 1984's 'Up on the catwalk' that a single by the band stalled outside the top 20 of the UK singles chart, reaching number 34 only.
That's not to say that this is a bad track, because it contains all the hallmarks of a good Simple Minds track. But perhaps it wasn't memorable enough. I mean, even I didn't know I already had the single and bought another copy last week in London. It cost me 10p, so I'm not complaining - but I already had it.
My collection: 7" single no. 3054 Found: Record fair, Utrecht, May 8, 1999 Cost: 1 guilder Tracks: 'Real life' / 'See the lights (live)'
The title track from Abba's last album 'The visitors' (1981) was released as a single in the USA, after the band participated in an American TV show, 'Let Poland Be Poland', broadcast via satellite around the world on January 31, 1982. The show, which also featured Frank Sinatra, Paul McCartney, Orson Welles, Henry Fonda and US President Ronald Reagan, was a public protest against the then-recent imposition of martial law in Poland. Abba performed this song, which is a protest against the mistreatment of political dissidents in the Soviet Union back then.
This promotional 7" single contains both the full length version of the song and an edit, which is 80 seconds shorter than the original.
My collection: 7" single no. 3996 Found: eBay.com, received August 6, 2009 Cost: 3 euro Tracks: 'The visitors' / 'The visitors (short version)'
'My love is for real' was the first single from Paula Adul's 1995 album 'Head over heels'. The middle-eastern sounding groove is given more depth by guest vocals performed by Israeli singer Ofra Haza. The single did not become as big a hit as expected, peaking at number 28 in the US Billboard Hot 100 chart and the UK singles chart. In the Netherlands, it didn't even make the Dutch Top 40.
This 7" single is another surprise for me: while I was ordering some other singles this one popped up in the list. I wasn't aware it had been released on this format, so I snapped it up.
My collection: 7" single no. 3995 Found: eBay.com, received August 6, 2009 Cost: 3 euro Tracks: 'My love is for real' / 'Didn't I say I love you'
'Stranger in Moscow' was the fifth and last single from Michael Jackson's album 'History'. While writing the song, Jackson used elements of Russian imagery and symbolism to help promote the concept of fear and alienation in the track. It concludes with a narrative, spoken in Russian, by a KGB interrogator. Translated into English he says, 'Why have you come from the west? Confess! To steal the great achievements of the people, the accomplishments of the workers...'. The single was a number 1 in Spain, and reached number 4 in the UK and the Netherlands.
Although before this year I assumed there were no 7" singles released after 'Scream' and 'You are not alone', now I find myself owning 'They don't care about us' and 'Stranger in Moscow'. So now, obviously, I'm after 'Earth song'. Where can I find that one?
My collection: 7" single no. 3992 Found: eBay.com, received August 6, 2009 Cost: 3 euro Tracks: 'Stranger in Moscow (radio edit)' / 'Stranger in Moscow (Tee's radio mix)'
The last of three Depeche Mode singles, and indeed the last single I bought in London on August 5. 'John the revelator' and 'Lilian' were two tracks from the band's 2005 album 'Playing the angel', released as a double A-side. On the 7" there were two remixes not available on any other (commercial) format. It was the first double A-side from Depeche Mode since 1984's 'Blasphemous Rumours/Somebody'.
The single became another number 1 hit for the band in Denmark, reaching number 18 in the UK singles chart. This picture disc 7" single is a numbered limited edition; this is number 2162.
This concludes my chronological listing of every single I bought in London on August 5. I hope you enjoyed looking in my heavy bag - without you having to carry it back to the airport and back home!
My collection: 7" single no. 3991 Found: Sister Ray, London, August 5, 2009 Cost: 6 pounds Tracks: 'John the revelator (UNKLE dub)' / 'Lilian (Robag Wruhme slomoschen kikker)'
'Suffer well' was the third single from Depeched Mode's 2005 album 'Playing the angel'. It was released in March 2006. It is the first Depeche Mode single whose lyrics are written by David Gahan. It is also the first Depeche Mode single that's not written by Martin Gore since 'Just can't get enough' in 1981, which was written by Vince Clarke. Finally, this is the first Depeche Mode single ever to be co-written with non-members of the band (Andrew Phillpott and Christian Eigner wrote the music).
The single reached number 1 in Denmark and went top 10 in Finland, Italy and Spain. In the UK, the single peaked at number 12. This picture disc 7" single was released as a numbered limited edition; this is number 3477.
My collection: 7" single no. 3990 Found: Sister Ray, London, August 5, 2009 Cost: 6 pounds Tracks: 'Suffer well (Metope vocal remix)' / 'The darkest star (Monolake remix)'