The fourth and final single taken from their 1992 album 'Chorus', Erasure's 'Breath of life' is written from the point of view of someone who is beginning to experience life on his own terms, finding love and making decisions without the control of outside influences.
This 7" single contains three versions of the song, including the original album version. The single reached number 8 in the UK singles chart. I bought my copy during a holiday in Austria.
My collection: 7" single no. 1682 Found: Deutschlandsberg, Austria, July 2, 1992 Cost: 54 Schilling Tracks: 'Breath of life (7" mix)' / 'Breath of life', 'Breath of life (Acapella dub remix)'
Laurent Voulzy was born on December 18, 1948 in Paris, France. After leading the English-pop-influenced band Le Temple de Vénus in the Sixties, he worked with Pascal Danel between 1969 and 1974. He started writing songs with Alain Souchon and released this debut single 'Rockollection' in 1977.
Long before the world came to know Stars on 45, he introduced the idea of mixing together wellknown classic songs - but in this case, interspersed with an original lyric by Souchon and himself. On the A-side you can hear him singing 'The locomotion', 'A hard day's night', 'I get around', 'Gloria' and 'Satisfaction', followed on the B-side by 'Massachussetts', 'Mellow yellow' and 'California dreaming'. The single was an international hit, although it did not chart in the Netherlands.
My collection: 7" single no. 2427 Found: Den Haag, August 19, 1995 Cost: nothing Tracks: 'Rockollection (part 1)' / 'Rockollection (part 2)'
Suzanne Vega originally wrote 'Tom's diner' as an acapella song in 1981. It was released on her album 'Solitude standing' in 1987. The acapalla track was then used by two British record producers in 1990 to create the DNA remix of 'Tom's diner' without Vega's permission. Rather than sue them, record company A&M decided to buy the track and release it as a single. It was a wise move: this version reached number 1 in Austria and Germany, and went top 10 almost everywhere else. A year later, Vega released 'Tom's album', a compilation of different versions of the song, in various different versions.
The original version of 'Tom's diner' (on the B-side of this single) was used by Karlheinz Brandenburg to develop the audio compression scheme known as MP3. He recalled: 'I was ready to fine-tune my compression algorithm...somewhere down the corridor, a radio was playing 'Tom's diner'. I was electrified. I knew it would be nearly impossible to compress this warm a cappella voice.'
My collection: 7" single no. 2287 Found: May 6, 1995 Cost: 1 guilder Tracks: 'Tom's diner' (DNA featuring Suzanne Vega) / 'Tom's diner' (Suzanne Vega)
Richenel was born as Hubertus Richenel Baars in Amsterdam in 1957. He forged a career in pop music in the Netherlands. In 1986 he scored his first big hit, 'Dance around the world', which also reached the top of the charts in Italy, Germany and Scandinavia.
Much was made of his 1989 single 'Are you just using me'. It was written by R. Phillips, which actually was a pseudonym for George Michael. Surprisingly, this didn't help: the single did not chart in the Netherlands - or anywhere else.
My collection: 7" single no. 812 Found: Free Record Shop, Den Haag, May 12, 1989 Cost: 6,5 guilders Tracks: 'Are you just using me' / 'Are you just using me (instrumental)'
I bought this single as soon as it appeared in the shops. Not because I liked the Portuguese entry of the 1990 Eurovision Song Contest so much, but because it was quite remarkable that so many Eurovision tracks were released as a single. I realised right away that this was a good opportunity to find more singles than ever before.
Nucha was sent to Eurovision with a song in the impenetrable Portuguese language (as prescribed by the rules of the Contest at the time), and reached 20th place in a field of 22 competitors.
My collection: 7" single no. 1232 Found: Melody Maker, Den Haag, May 18, 1990 Cost: 6,5 guilders Tracks: 'Há sempre alguém' / 'Together'
'HeyNicky Ryan, it's time for a new Enya single!' - 'Really? Already? We've just had that 'Caribbean blue' single.' 'Yeah I know, but it's almost December and people still want to buy this stuff. I thought this time we could do a track with a real lyric again.' - '(Sigh) Oh Lord, that's too much hard work. Do I have to? It's so difficult to piece together the words that woman has sung in the past.' 'Well, you could always ask her to sing a few new words...' - 'Are you serious? She's hiding in her dark castle, I haven't seen that woman in years.' 'Oh well, you'll figure something out. Make it sound like that 'Evening' song, that will really work come Christmas time.' - 'Okay, I'll try and glue together one new song. But the B-side will have to be that Christmas track. I don't want to work two days on this single.' 'No problem mate. I know you'll make something out of this.' - 'Yeah I think this one will go down great at funerals too.'
My collection: 7" single no. 1960 Found: Record fair, Amsterdam, September 25, 1993 Cost: 3 guilders Tracks: 'How can I keep from singing?' / 'Oiche Chiun (Silent night)'
In 1973, the Dutch offshore radio station Veronica broadcast their annual Top 100 of all times, compiled by listeners. For the first time, it featured Alice Cooper's 'Halo of flies', from his 1971 album 'Killer'.
His record company was quick to recognise the commercial potential, and released a single of this track. A lengthy single: the A-side clocked in at 8'21 minutes. Quite impressive, given that it was still a 45 rpm disc. The single was only released in the Netherlands, where it reached number 5 in the Dutch Top 40 in the summer of 1973.
My collection: 7" single no. 2947 Found: Record fair, Leiden, January 31, 1998 Cost: 10 guilders Tracks: 'Halo of flies' / 'Under my wheels'
One of the presents I got for my birthday was the dvd of 'Quantum of solace', the most recent James Bond movie. I didn't see this one in the cinema. When I watched it yesterday, I really enjoyed it, but I also realised that a lot had changed since the Eighties. This movie had been stripped of everything that makes it a James Bond movie, which I think is a shame. Some cliches should never be lost.
The same goes for the theme song: 'Another way to die' by Jack White and Alicia Keys is a tuneless, soulless affair, while Gladys Knight's 'License to kill' from twenty years ago is still spot on. It was Gladys Knight's last hit, peaking at number 6 in the UK singles chart and number 2 in the Dutch Top 40.
My collection: 7" single no. 926 Found: Free Record Shop, Den Haag, July 1, 1989 Cost: 6 guilders Tracks: 'License to kill' (Gladys Knight) / 'Pam' (Michael Kamen)
'No señor, Don Quichotte y Sancho Panza no están aqui' is the most important message in this song. When you enjoy thoughtful lyrics, this song will not exactly oblige you. But this message is one I used quite frequently, together with a friend, while we were following Spanish classes almost 20 years ago. A few years ago I decided I wanted to have the track.
Magazine 60 is a French synthpop trio consisting of Jean-Luc Drion, Dominique Régiacorte and Véronique Oliver. Although this single did not chart in most European countries, it was a modest hit in America.
My collection: 7" single no. 3297 Found: Disco Market, Den Haag, February 24, 2001 Cost: 1 guilder Tracks: 'Don Quichotte' / 'Circonvolution'
'Near a tree by a river there's a hole in the ground / Where an old man of Aran goes around and around / and his mind is a beacon in the veil of the night / For a strange kind of fashion there's a wrong and a right'. What does it mean? These lyrics caused so much confusion that the record company MCA decided to run a competition to work out the meaning. However, according to Nik Kershaw himself, the lyic had no meaning at all: '[it was] nonsense, rubbish, bollocks, the confused ramblings of an 80s popstar'.
Despite all this, it gave Kershaw a considerable hit. It reached number 3 in the UK singles chart in December 1984, his biggest hit up to that point. In the Netherlands, the single reached a more modest number 19.
My collection: 7" single no. 2767 Found: Record Exchange, London, October 29, 1996 Cost: 40p Tracks: 'The riddle' / 'Progress'
A sticker on the sleeve of this single announces that Jody Watley was a Grammy Award winner in the category Best New Artist in 1987. Which in fact is a bit strange, since Watley had been active in the music business all through the decade, first as a member of Shalamar, and then solo.
'Some kind of lover' was released as the fourth single from her self-titled debut album. The single only reached number 81 on the UK singles chart.
My collection: 7" single no. 2189 Found: Record Exchange, London, September 29, 1994 Cost: 1 pound Tracks: 'Some kind of lover' / 'Some kind of lover (dub)'
Released as the fourth and last single from Sam Brown's debut album 'Stop', 'Can I get a witness' was a cover version of Marvin Gaye's 1963 hit song written by Holland, Dozier, Holland. Other cover versions were recorded previously by Dusty Springfield, the Rolling Stones and Steampacket (with Rod Stewart).
Sam Brown's version was a hit in the UK only, peaking at number 15. The single was available in a limited edition poster sleeve, which of course I own.
My collection: 7" single no. 839 Found: unknown, 1989 Cost: unknown Tracks: 'Can I get a witness' / 'Walking after midnight'
'Take me to your heart' was released as the second single from Rick Astley's second album 'Hold me in your heart'. The single reached number 8 in the UK singles chart and number 13 in the Dutch Top 40. It was also a top ten hit in Germany and Ireland.
When the American band Inner City released 'Big fun', it met with some controversy, as the music was very similar to 'Take me to your heart'. Stock Aitken & Waterman alleged that the band stole their music, but it is not known whether this led to any lawsuits.
My collection: 7" single no. 749 Found: V&D, Den Haag, February 17, 1989 Cost: 3 guilders Tracks: 'Take me to your heart' / 'I'll be fine'
Today I'm celebrating my birthday. So I thought I'd better pick one song that would be sort of appropriate. The title certainly is. 'Happy Birthday' was released by Stevie Wonder in 1981 as part of his campaign to have the birthday of Dr. Martin Luther King, Jr. become a national holiday in the USA. The single bizzarrely didn't reach the US Billboard Hot 100, but reached number 2 in the UK singles chart and number 10 in the Dutch Top 40.
Wonder used the song to popularize the campaign, and continued his fight for the holiday. President Ronald Reagan approved the creation of the holiday, signing it into existence on November 2, 1983. The first official Martin Luther King, Jr. Day was held on January 20, 1986, and was commemorated with a large-scale concert, where Stevie Wonder was the headlining performer.
My collection: 7" single no. 2818 Found: Record fair, Amsterdam, February 1, 1997 Cost: 2 guilders Tracks: 'Happy Birthday' / 'Happy Birthday (instrumental)'
'New moon on Monday' is the tenth single by Duran Duran, released in January 1984. It was released as the second single from the band's 1983 album 'Seven and the ragged tiger'. In February 1984, the single reached number 9 on the UK singles chart; a month later the single peaked at numebr 10 in the US Billboard Hot 100. In the Netherlands, the single stalled at number 26.
I have the European pressing of the single, which has a different sleeve compared to the original UK version.
My collection: 7" single no. 2151 Found: Concerto, Amsterdam, September 1, 1994 Cost: 1 guilder Tracks: 'New moon on Monday' / 'Tiger Tiger'
In 1984, the Kane Gang released 'Closest thing to heaven', arguably the most beautiful song of their career. It was certainly their most successful: it reached number 12 in the UK singles chart during an 11 week chart run.
In the Netherlands, the single didn't reach the Dutch Top 40. I waited two years and then bought the single for almost nothing.
My collection: 7" single no. 493 Found: Disco Market, Den Haag, 1986 Cost: 1 guilder Tracks: 'Closest thing to heaven' / 'Mighty day'
'Am I right?' was the third single released from Erasure's 1991 album 'Chorus'. It is a ballad in which the protagonist is wandering through the city streets after a romantic separation, while his lover contemplates whether or not (s)he is really in love and wants to return to the relationship.
The single was released as a four track EP, featuring three bonus tracks. It reached number 15 in the UK singles chart. Another EP, featuring new songs and alternate versions, also called 'Am I right', was released a month later and reached number 22. However, that EP was not released on 7" vinyl.
My collection: 7" single no. 2192 Found: Big Company Records, London, September 29, 1994 Cost: 2 pounds Tracks: 'Am I right?', 'Carry on clangers (edited)' / 'Let it flow', 'Waiting for sex (edited)'
So I've got 'Ein Bisschen Frieden', 'La paix sur terre', 'Een beetje vrede' and 'En smule fred'. No wonder that I've also got the English version: 'A little peace'. This is the only single released on the CBS label and with a different sleeve (although I do believe another version does exist with the same sort of sleeve as the other four).
It's rather unusual for any Eurovision winner to reach the UK singles chart, let alone reaching the top position. But that's exactly what Nicole did in May 1982. It may well have been the first time in a long time that any German captured the hearts of UK citizens.
My collection: 7" single no. 3572 Found: eBay.com, received February 2, 2009 Cost: 3 pounds Tracks: 'A little peace' / 'Thank you, merci, danke'
'So in love' was the last song written for OMD's album 'Crush'. It was originally dropped until band member Martin Cooper persuaded Andy McCluskey and Paul Humphreys to make a demo for the song. Andy McCluskey said it was about the painful end of a relationship.
Released as the first single from the album, it was a good success for the band. For years they tried to make it in the USA, and with this single, they did: it peaked at number 26 in the US Billboard Hot 100. In the UK singles chart it reached number 27, while in the Netherlands, it reached number 7. This limited edition double single features two extra tracks.
My collection: 7" single no. 2743 Found: Record fair, Amsterdam, September 21, 1996 Cost: 5 guilders Tracks: 'So in love' / 'Concrete hands' // 'Maria Gallante' / 'White trash (live)'
Quite frankly, I still think that this song is a bit naff. The title 'G.L.A.D.' is an abbreviation for 'Good lovin' and devotion', as is explained in the song lyric, but why would anyone come up with such an abbreviation? It seems to me that Craig Logan and Mel and Kim Appleby were a bit short on inspiration when they came up with this song.
Still, since I'd bought every Mel & Kim single and the one Kim Appleby single that came before this one, I felt an obligation to own this one as well. I bought it after it left the Dutch Top 40, where it reached number 13 during a six week chart run. The UK audience was even less critical: they made it go to number 10.
My collection: 7" single no. 1435 Found: Free Record Shop, Den Haag, April 26, 1991 Cost: 3 guilders Tracks: 'G.L.A.D. (7" remix)' / 'G.L.A.D. (instrumental)'