I've got 'Out of love again', the B-side of this single, as the B-side of another single, 'The runner'. And the A-side, 'Woman in love', is on another single I own, 'Giving up giving in'. But in January 1979, 'Woman in love' was released as a single in the UK, and it was a big hit, peaking at number 3. While the Three Degrees are famous for their disco tracks, this is a soulful ballad.
I bought this single not because I knew the song, but because of the beautiful sleeve and the record, which was pressed on blue vinyl. Fortunately, the song isn't bad at all!
'Road to our dream' was the second single from T'pau's second album 'Rage' (1988). This was the least successful of the three singles released from the album, peaking at number 42 in the UK, and not reaching the charts in other countries at all.
Truth be told, the track is a bit of a non-starter. I bought the cd-single before I bought the album and I almost lost the appetite to buy the 7" single - and subsequent singles. It's hard to pinpoint what is missing exactly, but for lack of a better word, I'll say that this song misses a 'soul'.
My collection: 7" single no. 714
Found: Free Record Shop, Den Haag, January 6, 1989
Cost: 6 guilders
Tracks: 'Road to our dream (edit)' / 'Time of our lives'
London Beat had already had some big hits with songs like '9AM' and 'I've been thinking about you' when they decided to compete in the United Kingdom's national final for the Eurovision Song Contest.
Their song, 'I'm just your puppet on a... (string!)' was an obvious reference to previous Contest winner 'Puppet on a string' by Sandie Shaw. While their song was funny and entertaining, the group lost out to the dull, hiphop-influenced (and, as a result, bad) song 'Love city groove' by a group of the same name. Not long after this, the group disbanded.
My collection: 7" single no. 2336
Found: HMV, London, June 26, 1995
Cost: 2 pounds
Tracks: 'I'm just your puppet on a... (string!)' / 'Unnecessary'
Toy Dolls are an English punk rock band formed in 1979. While much punk rock is political or angry, Toy Dolls expressed themselves mostly in a funny way, with songs such as 'Yul Brynner Was A Skinhead' and 'James Bond lives down our street'.
'Nellie the elephant' was originally written in 1956 by Ralph Butler and Peter Hart. It became a children's favourite thanks to the original rendition by child actress Mandy Miller, which was never a hit single but was played countless times on BBC national radio in the UK in the Fifties and Sixties. The Toy Dolls recorded their version just in time for Christmas 1984. The single peaked at number 4 in the UK singles chart.
My collection: 7" single no. 3619 Found: eBay, received April 16, 2009 Cost: 3 euro Tracks: 'Nellie the elephant' / 'Fisticuffs in Frederick street'
Taken from their 1984 album 'Hysteria' and released as its first single, 'The Lebanon' was a radical departure from what was accepted as the soft synthpop sound of the Human League. The lyrics were an attempt to make a political statement on the Lebanese civil war which had been exacerbated by Israeli invasion of southern Lebanon of 1982. The song tells the story of a man who joins a militia to help his community and ends up fighting in the civil war.
The single peaked at number 11 in the UK, which was considered to be a relative failure. Because the track is a very 'concert friendly' track it has been played by the band live frequently ever since its release and is nearly always on their set list to this day.
After the success of 'The circle and the square' and its singles in 1985, things went rather quiet for some time. Due to increasingly strained working relations between the band and the record company, Julian Close left to work in A&R and Simon Toulson-Clarke took time out from writing and recording in order to travel. In the late Eighties Toulson-Clarke was persuaded to record a second album. Together with new partner Alastair Gavin and producer David Motion he made the album 'Motive'.
'Train' was released as the first (and only) single from that album. The 12" single features four versions of the track, some even more eccentric than the original track.
My collection: 12" single no. 263 Found: Record Exchange, London, 1995 Cost: 2 pounds Tracks: 'Train (Fantasy Island)', 'Train (Traveller fare)' / 'Train (Mr. Chandra is upstairs)', 'Train (7" version)'
'Get the message' was the first single taken from Electronic's self-titled debut album, but not their debut single: that was 'Getting away with it', released a year before. Electronic consisted of Bernard Sumner from New Order and ex-Smiths guitarist Johnny Marr. During recording, Primal Scream backing singer Denise Johnson added a vocal at the end of the song. The single featured a non-album track as its B-side: 'Free Will', a sample-heavy dance track.
'Get the message' peaked at number 8 in the UK singles chart. I didn't know the song when I bought this single, however I did know a few of Electronic's singles and hoped that this one would be equally good. And it was.
I bought this 'golden' single during the first record fair I ever went to. I thought it was a great find, because it featured 'Goodbye Lucille', which I thought was an earlier version of the single 'Johnny Johnny', which I'd bought a couple of years before. As it turned out, it was pretty much the same as that single, only the title was different.
Still, this is an interesting little EP, because of the colour of course, but also because of the great selection of hit singles. Although 'hit singles' might be stretching that term a bit: none of these tracks made the UK top 40.
Another track I've featured on this blog before, but now in the shorter single version, as opposed to the long 12" version. 'Go west' peaked at number 31 in the Netherlands in the summer of 1979. At the same time, it made number 15 in the UK.
At the time, I was spending my weekly allowance of 3 guilders in the local record shop. While chart singles cost 6 guilders, the shop discounted them once they left the Top 40. I went round that shop almost every week, hoping for something good to be available. I seem to recall that this catch was a relative disappointment, since more singles had left the chart, but they were already sold out. So I made do with this one. I'm glad I have it now, because of course it is the original version of the Pet Shop Boys' 1992 cover version. But how was I to know?
As written before, 'Doot doot' was Freur's debut single and only hit. The 7" single was a revelation for me, I bought almost as soon as it hit the Dutch 'bubbling under' chart. The single didn't make the Dutch Top 40, which at the time I saw as a big injustice.
Earlier editions of the single didn't have the explanatory '(Freur)' in the upper left corner. I've always searched for a copy of that, but so far, without luck.
Buried under too much breathy vocals and hiphop influences, here's a nice tune. Mariah Carey's 'Honey' was released in 1997, as the first single from her album 'Butterfly', the last album before the disastrous 'Glitter' project. This single made number one in America, number 3 in the UK and number 15 in the Netherlands.
The track uses two samples: 'Hey DJ', originally performed by the World Famous Supreme Team, and 'The Body Rock' by the Treacherous Three.
Released as the first single from their 1991 remix album 'The Mix', Kraftwerk's 'The Robots' was a big success in the UK, peaking at number 20. 'The robots', remixed by the band, was originally released in 1978 as a single from their seventh album 'Man machine'.
The lyrics reference the revolutionary technique of robotics, and how humans can use them as they wish. The Russian lines "Я твой слуга" (Ya tvoi sluga, I'm your servant) and "Я твой работник" (Ya tvoi rabotnik, I'm your worker) appear repeatedly both in the original version and in this remix.
My collection: 7" single no. 2354
Found: Marlyn Music, Eastbourne, June 28, 1995
Cost: 2 pounds
Tracks: 'The robots (single edit)' / 'Robotronik (single version)'
After the release of 'That's what they say about love', the band Flip tried once more with the remixed single 'Nightmares'. It was even less of a success than the debut single. It must have eventually led to the end of the band in 1987.
The additional single 'Plague of hearts' does exist, but until now I haven't been able to locate a copy. I'm especially looking for the 12" single. Well, here's hoping they will turn up someday...
My collection: 7" single no. 655
Found: V&D, Leiden, September 23, 1988
Cost: 3 guilders
Tracks: 'Nightmares (Big Drum 7")' / 'Dark on the water'
Midge Ure released his third solo album 'Pure' in 1991. It was a collection of traditionally influenced songs. 'Cold cold heart' was the first single released from the album, which managed to get to number 17 in the UK singles chart. It was also the last single by Ure to make the top 40 in the UK.
Personally I lost track of Midge Ure after his excellent 1989 album 'Answers to nothing'. I picked up this single in 1995 on the strength of his name, but I didn't think it was one of his better songs. Hearing it again, I have to say I like it better now.
Timo Kojo was born in Helsinki, Finland on May 9, 1953. He started his recording career in 1977 when his band, Madame George, released their only album: 'Madame George: what's happening?'. He then proceeded to release three solo albums. The last of these three albums was not a commercial success. He then decided to represent Finland with the song 'Nuku pommiin' ('Bomb out'). The rock song was a protest against nuclear bombs and the potential danger of a nuclear war in Europe during the cold war, which was in its heyday at the time.
Despite its pacifist message the song received no points. However it revived Kojo's career in Finland. He remains not so well known in that country, but his performance in Eurovision is a landmark in Finnish Eurovision Song Contest history. I was eleven years old when Kojo performed his song, and I remembered it vividly as well. I was very glad when I finally found the single 'Bomb out' in 1998.
For a little while in 1985, I thought Propaganda was the best thing since sliced bread. After the success of Dr. Mabuse, the band fell silent for a while before releasing 'Duel'. I vaguely recalled 'Dr. Mabuse', but this new single was total genius in my book. Especially the frantic piano solo was something I really marvelled at.
The single peaked at number 5 in the Dutch Top 40, while it only managed number 21 in the UK. When this single was followed up by the less remarkable 'Machinery', my interest faded pretty quickly, although I did like that song as well.
Janis Ian's biggest international hit must be 'Fly too high', released as a single in the autumn of 1979. Ian contributed the song to the soundtrack of the Jodie Foster movie 'Foxes', and also included it on her own album 'Night rains'. The track was produced and co-written by famous producer Giorgio Moroder and as such is a bit of a strange entity in Janis Ian's body of work.
The single peaked at number 44 in the UK, but was a top 5 hit in the Netherlands. At the time I felt the song was 'too dull', but a decade later I still bought it.
My collection: 7" single no. 894 Found: All that music, Leiden, June 23, 1989 Cost: 3 guilders Tracks: 'Fly too high' / 'Night rains'
You might assume from seeing the picture of this sleeve that I bought this single for the package alone. And you would be almost right. See, the free poster was also a good incentive. But of course, Sheena Easton is an interesting artist anyway so I would be lying if I said I didn't like the song.
'Days like this' is another single from Sheena's 1988 album 'The lover in me'. The single peaked at number 43 in the UK singles chart, but failed to chart in other territories.
My collection: 7" single no. 2180
Found: House of Rhythm, London, September 27, 1994
Cost: 1,5 pounds
Tracks: 'Days like this' / 'Days like this (instrumental)'
Before he became John Mellencamp and, before that, John Cougar Mellencamp, he made a name for himself as John Cougar. The single 'Jack & Diane' was released in 1982 and became his first international breakthrough.
According to John, 'Jack & Diane' was written after watching 'Splendor in the Grass', a 1961 movie starring Natalie Wood and Warren Beatty. The song's tone and lyrics are evocative of a nostalgia for the novelty of youth, influenced in part by Mellencamp's own life experiences.
John also stated that the clapping wasn't supposed to be included in the finished song. It was recorded with the clapping in order to help keep tempo and then it was to be removed. However, he realized the song didn't work without it.
After the success of the beautiful ballad 'With you I'm born again', Billy Preston enlisted Syreeta Wright's help once again for the next single, 'It will come in time'. This time, they performed a very upbeat, up-tempo track. They had another top 10 success in the Netherlands, peaking at number 8 (where 'With you I'm born again' made it to number 4). The single didn't do as well in the UK, peaking at number 47.
My collection: 7" single no. 3282
Found: February 9, 2001
Cost: 1 guilder Tracks: 'It will come in time' / 'Sock-it, rocket'