'I'm your money' was released in 1981 as the second single by Heaven 17, the synthpop trio formed by Martyn Ware, Ian Craig Marsh and Glenn Gregory. After the success of their debut single '(We don't need this) Fascist Groove Thang', the chart result of this single came as a disappointment, as it didn't chart at all.
In recent years, Heaven 17 have started performing live, something they never did during the Eighties. In an interview in 2010 for the website Electricity Club, Martyn Ware said: "We weren't writing songs with the anticipation of playing them live so I'm Your Money is very... say for instance we waved a magic wand and it was exactly the backing track that we did... we can't do because we don't have the original tapes. But if it was exactly the same backing track as we did in the 1981, I think it would really jar on the ear! It's incredibly repetitive and monotonous but on record, it sounds great. "
My collection: 7" single no. 5401 Found: unknown Cost: unknown Tracks: 'I'm your money' / 'Are everything'
'Julia says' was released as the second single from Wet Wet Wet's sixth studio album, 'Picture this'. It was released on March 13, 1995 and peaked at number 3 on the UK Singles Chart.
Marti Pellow recorded his own version of the song for inclusion on his 2002 album 'Marti Pellow Sings the Hits of Wet Wet Wet & Smile'.
This 7" single was released as a limited edition on purple vinyl. The song is nice but it is quite unfortunate that the band decided to 'rock out' near the end, which kindof sours the mood.
My collection: 7" single no. 5414 Found: Record fair, 1995 Cost: 12 guilders Tracks: 'Julia says' / 'It's now or never'
EMI have always been excellent at recycling their music. Countless compilation albums and re-releases of old hits is what this big record company based a lot of its success on - in the past of course, because EMI isn't that successful anymore these days.
Case in point: this re-release of Talk Talk's 'Such a shame', released in 1990, was made in Germany and was different from the UK version. That one had a live version of 'Dum dum girl' on the B-side, whereas this one simply has the studio version. Confusing matters even more, the CD-single equivalents of these single had completely different track listings, the European one winning because it had the live version of 'Tomorrow started' as well as the rare track 'Another word' on it.
My collection: 7" single no. 5412 Found: unknown Cost: unknown Tracks: 'Such a shame' / 'Dum dum girl'
'Un train qui part' ('A departing train') was a song performed by French singer Marie, representing Monaco during the 1973 Eurovision Song Contest. The song is about people striking out on their own. Marie sings about a girl from rural France who is boarding a train to Paris in the hope that she will find work there, despite not knowing exactly what she will do. The departing train, she sings, 'is a bit like a home...For one who has never known home'.
The song was performed sixth on the night. At the close of voting, it had received 85 points, placing it eighth in a field of 17 competitors.
My collection: 7" single no. 5595 Found: Marktplaats.nl, August 2, 2014 Cost: 2 euro Tracks: 'Un train qui part' / 'Le géant'
'You ain't seen nothin' yet' was written by Randy Bachman. The chords of the chorus riff are very similar to the ones used by The Who in their song 'Baba O'Riley', and also, the stuttering vocal is reminiscent of 'My generation'. Randy insists that the song was performed as a joke for his brother, Gary, who had a stutter, with no intention of sounding like 'My generation'. They only intended to record it once with the stutter and send the only recording to Gary.
The first single from the Not Fragile album was 'Roll on down the highway', appearing here on the B-side. It performed well, reaching number 4 on the Canadian charts, but eventually stalled at number 14 on the US charts. 'You ain't seen nothin' yet', meanwhile, was becoming a hit as an album cut. Radio stations all over the USA were giving it a great deal of airplay. So much so that Bachman was embarrassed because he thought it was a stupid song, just something that he wrote as a joke.
Fach would regularly call him with airplay reports, asking for permission to release the track a single. Bachman says, 'And I refused for three weeks... I was producer, so I had final say on what went out. I woke up one day and asked myself, 'Why am I stopping this?' Some of my favorite records are really dumb things like 'Louie, Louie'... so I said to Charlie, 'O.K., release it. I bet it does nothing.' The song went on to become a charttopper and a rock classic.
My collection: 7" single no. 5368 Found: unknown Cost: unknown Tracks: 'You ain't seen nothin' yet' / 'Roll on down the highway'
'Talking in your sleep' is a chart-topping hit song by Detroit rock band The Romantics. It appeared on the Romantics' 1983 album 'In heat' and was the Romantics' biggest chart hit, garnering substantial radio airplay and a million in U.S. 45 RPM single sales. The song reached number 3 - where it held for three weeks - on the Billboard Hot 100 in February 1984.
The song's music video, widely aired at the time on MTV and elsewhere, featured the band performing while surrounded by standing, but seemingly sleeping women who were dressed in lingerie, pajamas, and other sleepwear. The song was unsuccessful in the UK, but went on to reach number 15 in the UK singles chart when it was covered by Bucks Fizz.
My collection: 7" single no. 5464 Found: unknown Cost: unknown Tracks: 'Talking in your sleep' / 'Rock you up'
If You Don't Know Me by Now" is a song written by Kenny Gamble and Leon Huff and recorded by Harold Melvin & the Blue Notes.
The song was originally written for Labelle (a trio led by Patti LaBelle) but they never recorded it.
The song was later covered by the English band Simply Red, also becoming their best-known hit after reaching number 1 on the US Billboard Hot 100 in July 1989. It peaked at number two in the UK Singles Chart. The B-side was recorded live in Manchester on February 22, 1989.
My collection: 7" single no. 5447 Found: unknown Cost: 2 pounds Tracks: 'If you don't know me by now' / 'Move on out (live)'
Although "Weird Al" Yankovic refuses to use parody ideas from other people, Madonna is partly responsible for 'Like a surgeon'. Madonna asked one of her friends how long it would take until Yankovic satirized her song 'Like a virgin' as 'Like a surgeon'. This friend was a mutual friend of Al's manager, Jay Levey. When word got back to Yankovic, he decided it was a good idea and wrote the song. This is the only known time that Yankovic has gotten a parody idea directly from the original artist.
The music video, which takes place in a hospital, can be considered an extension of the parody. Several features of the 'Like a virgin' music video — famously set in Venice - are mimicked: shots of Yankovic singing on a moving gurney are substituted for footage of Madonna on a canal boat, and both videos feature a lion at the beginning.
My collection: 7" single no. 5416 Found: unknown Cost: unknown Tracks: 'Like a surgeon' / 'Slime creatures from outer space'
'Love her madly' is a song by The Doors that was released as a single in March 1971. Composed by guitarist Robby Krieger, it served as the lead single from L.A. Woman, their final album with frontman Jim Morrison. Session musician and TCB Band member Jerry Scheff played bass guitar on the song. The single became one of the highest-charting hits for The Doors. It peaked at No. 11 on the Billboard Hot 100 singles chart and reached number 4 in the Dutch top 40.
The B-side of the single is one of only three non-album B-sides by The Doors. 'Don't go no further' was subsequently released on the album 'Weird scenes inside the gold mine', a compilation album from 1972.
My collection: 7" single no. 5391 Found: unknown Cost: unknown Tracks: 'Love her madly' / 'Don't go no further'
"Hyperactive!" is a single by British musician Thomas Dolby, taken from his second album 'The flat earth', released in 1984. Additional vocals were provided by Louise Ulfstedt.
According to Thomas Dolby, he initially composed the song for Michael Jackson, whom he met in 1982. He decided to record it by himself since he never got any feedback from Jackson after sending him a demo tape.
It was the first single to be taken from the album and peaked at number 17 on the UK singles chart, but only reached number 62 on the US Billboard Hot 100. A remix was also done of the song, which became quite popular in clubs and on dance charts.
My collection: 7" single no. 5384 Found: unknown Cost: unknown Tracks: 'Hyperactive' / 'White city'
It doesn't happen very often that a Eurovision artist chooses to re-record their song in Dutch. Nicole did it with her 'Ein Bisschen Frieden', and there's a Dutch version of Carola's 'Främling', but aside from a few lesser known releases, that's about it.
Daniela Simons, who represented Switzerland in 1986 with the song 'Pas pour moi', did it with 'Nee voor mij' ('No for me'). Hilariously, she pronounces the word 'man' ('man') as 'maan' ('moon'). Still, she speaks Dutch better than I do French, so I won't make too much a fuss about it. However, the single didn't chart in the Netherlands and I have no info about any other artist attempting to release a Dutch cover of their Eurovision entry after 1986.
My collection: 7" single no. 5625 Found: Marktplaats.nl, received August 28, 2014 Cost: 2 euro Tracks: 'Nee voor mij' / 'Pas pour moi (instrumental)'
Scottish folk singer Mary Sandeman recorded the song 'Japanese boy' in 1981. Realising that the name didn't fit the song, they decided to come up with a name to put to the single. Leafing through the telephone directory, they came upon the name of Aneka. This was then released as a single and Sandeman came up with a Japanese image under which to perform the song. To their surprise, the song became a major hit when it eventually reached No. 1 in August 1981. The song went on to become a hit all over Europe and beyond, although according to Sandeman, it failed to chart in Japan itself because 'they thought it sounded too Chinese.'
The success of the single proved to be a problem however, as Sandeman was left with a dilemma of what to do as a follow-up, now that her image was so firmly associated with one song. She modified her image and kept the Aneka name, but future single releases failed to chart highly in the UK, although she did score two follow-up hits in many countries in Europe. 'Japanese boy' sold almost half a million copies in the UK, making it one of the best-selling singles of 1981, and the second-best seller by a solo female artist (behind Kim Wilde's 'Kids in America').
My collection: 7" single no. 5366 Found: unknown Cost: unknown Tracks: 'Japanese boy' / 'Ae fond kiss'
The cheap production, the loud synths... this single has Eighties written all over it, but not the good part of that decade. Released in 1986, Ryder's 'Runner in the night' was the UK entry for the Eurovision Song Contest. The purpose-made pop group led by Maynard Williams were criticised in the media for being a particularly weak and unsuitable entry.
As a result, the song failed to reach the UK top 75 singles chart - the first to do so since 1964. Still, they managed to get 72 points during the Contest, ending up at number 7 in a field of 20 competitors. It was the year Sandra Kim won, after all...
My collection: 7" single no. 5630 Found: Fun Records, Berlin, received August 29, 2014 Cost: 2 euro Tracks: 'Runner in the night' / 'Runner in the night (Ballad)'
In 1991, Kravitz produced the self-titled album 'Vanessa Paradis' for French singer and actress Vanessa Paradis. He played most of the instruments and co-wrote most of the songs on the album. He also released his second album, 'Mama Said', which was his first album to reach the Top 40. The songs on the album were about his ex-wife, actress Lisa Bonet and dedicated to her, documenting his depression over their breakup.
'What Goes Around Comes Around' was released as the album's seventh and final single. It failed to chart in all territories, just like the previous single, 'Stop draggin' around'.
My collection: 7" single no. 5435 Found: unknown Cost: unknown Tracks: 'What goes around comes around' / 'When the morning turns to night'
Internal conflicts led to rhythm guitarist and keyboard player Michael Corby being removed from the band by Chrysalis on August 28, 1978. The three remaining members of the Babys - John Waite, Wally Stocker, and Tony Brock - completed the album 'Head first' for a January 1979 release.
'Love don't prove I'm right' was a single taken from that album, the one that spawned their signature hit 'Every time
I think of you'. The title track was also released as a single, but
didn't fare as well and this one, released exclusively in the
Netherlands - as far as I could find out - did even worse, as it failed
to chart everywhere.
My collection: 7" single no. 5367 Found: Disco Market, Den Haag Cost: 1 guilder Tracks: 'Love don't prove I'm right' / 'I was one'
'Judy, min vän' ('Judy, my friend') was the Swedish entry in the Eurovision Song Contest 1969, performed by Tommy Körberg. The song was composed by Englishman Roger Wallis, living in Sweden since the early Sixties, originally with English lyrics and entitled 'Dear Mrs. Jones'. Lyricist Britt Lindeborg subsequently translated and re-wrote the Swedish lyrics specifically for the Swedish pre-selections, and then changed the title to 'Judy, min vän'.
Both versions of the song were released as singles in Sweden. 'Judy, min vän' was performed ninth on the night. By the close of voting, it had received 8 points, placing it in shared 9th place in a field of 16 competitors.
After four countries won the Contest in 1969, Sweden - as all the other Scandinavian countries - withdrew from the 1970 contest, in protest of the voting system.
My collection: 7" single no. 5584 Found: KEG Records, Sweden, received August 1, 2014 Cost: 2 euro Tracks: 'Judy min vän' / 'Din tid är förbi'
Although my English wasn't as good as it is these days, even when this single was released I had a sneaking suspicion that the title was supposed to have a 'c' where the last 'n' was included. Somehow it seemed appropriate, because all I knew about clubbing at the time was that it seemed to involve drinking and... well... that other thing.
The dance song was recorded by American recording artist Sylvester. It was produced by Patrick Cowley, who incidentally died the same year. 'Do you wanna funk' was mostly successful in Europe, especially Switzerland, Netherlands, Norway (where it became a top 10 hit) and even in the United Kingdom where it made the top 40. It also made the Top 30 in Australia.
My collection: 7" single no. 5380 Found: unknown Cost: unknown Tracks: 'Do you wanna funk' / 'Do you wanna funk (instrumental)'
Although I would love to own the box set of Beatles singles with the green sleeves, it is quite impossible to get for a reasonable price. These re-releases from the Eighties, however, pop up for a more reasonable price every now and again. And so I settled with this re-release of 'Penny Lane' and 'Strawberry fields forever', simply because they're two of the best tracks recorded by the fab four IMHO.
This single came with a piece of paper informing the buyer that the albums 'Rubber soul', 'Help' and 'Revolver' were soon to be released on compact disc. It wouldn't be the last time these albums were released on the format: since then, there have been remasters, box sets and what not. Still, no-one seems to have caught on to the idea that Beatles tracks are not the most attractive in their current state. A stereo remix wouldn't be too bad an idea in an age where music is usually listened to with in-ears.
My collection: 7" single no. 5369 Found: unknown Cost: unknown Tracks: 'Strawberry Fields forever' / 'Penny Lane'
The dodgy lyrics of the man's later work may make you forget just how good his songs were at the height of his popularity. A song like 'Dancing on the ceiling' can't hold a candle to a great pop track like this one, 'Running with the night'.
It was the second single from his multi-platinum album 'Can't slow down'. The electric guitar solo was played by Steve Lukather, best known as a member of the rock band Toto. Lukather sat down in the studio and the engineer played the basic tracks of the song, for him to hear for the first time, so he could plan his part. As the music played, he jammed along on his instrument. At the conclusion of tune, he said to the engineer, "okay, I'm ready for a take." The producer replied, "That was a take." Singer Richard Marx added backing vocals on the track as a session singer; he had also lent his vocals to Richie's 'All Night Long (All Night)' and 'You Are'.
My collection: 7" single no. 5474 Found: Kringloop Hebbes, Den Haag, July 25, 2014 Cost: 1 euro Tracks: 'Running with the night' / 'Serves you right'
Fehlfarben is a German post-punk band from Düsseldorf, Germany. The band name is from a German printing term referring to erroneous colors in prints: singer Peter Hein was in this line of work at Xerox while in the band. Its founding members were Peter Hein (vocals), Thomas Schwebel (guitar), Michael Kemner (bass), Frank Fenstermacher (saxophone), Markus Oehlen and Uwe Bauer (drums).
'Magnificent obsession' was released as a single in 1983, but didn't register in any charts I know. Still, the single was picked up by radio stations, which is how I found out about it at the time. I also forgot about the song for a long time, until I finally got this single a few years ago.
My collection: 7" single no. 5394 Found: unknown Cost: 1 euro Tracks: 'Magnificent obsession' / 'Das Buschgespenst'
