I'm not in love / Dreadlock holiday - 10CC

'I'm not in love' was originally written around a bossa nova style beat and tempo. Lol Creme suggested slowing it down, while Kevin Godley suggested replacing the beat with a built-up wall of voices. The ethereal sound was created by laboriously building up multiple overdubs of the voices of Stewart, Graham Gouldman, Godley and Creme singing a single note in unison. This multi-track was then mixed down and dubbed down onto 16-track tape. This process was repeated across all sixteen tracks to create a lush 256-voice "virtual" choir that could "sing" chromatic chords. A number of these prepared multi-tracks were then cut into several endless loops, each of which contained the basic notes of the main chords used in the song. The chorus loops could then be played by using the mixing desk rather like a keyboard. Each chord could be sounded by bringing up the fader for that loop. The instrumental break featured the repeated spoken phrase: "Be quiet, big boys don't cry...", which was spoken by Kathy Warren, the receptionist of the Strawberry Studios where the band recorded the track.

Released in May 1975, it became the band's second number 1 single in the UK. In the US Billboard Hot 100 chart it peaked at number 2 and in the Dutch Top 40 it reached number 5.

My collection: 7" single no. 553
Found: London, October 1987
Cost: 2 pounds
Tracks: 'I'm not in love' / 'Dreadlock holiday'

Abacab - Genesis

If you're wondering what 'Abacab' means: you're not alone. In an interview, Genesis guitarist Mike Rutherford explained in an interview that the band labeled various sections of the song with letters of the alphabet, and at one point the sections were ordered A-B-A-C-A-B. Rutherford commented that the completed song no longer followed this format, but the name was kept nevertheless.

The song was the title track of the 1981 album by Genesis. It was released as a single in August 1981. It peaked at number 26 in the US Billboard Hot 100 chart, number 9 in the UK singles chart and number 26 in the Dutch Top 40.

My collection: 7" single no. 978
Found: Disco Market, Den Haag, August 29, 1989
Cost: 1 guilder
Tracks: 'Abacab' / 'Another record'

Junger Tag - Gitte

As bad as this year's Dutch entry for the Eurovision Song Contest is, there is still hope, as history tells us there have been many dreadful songs competing. Although for the really embarrassing ones you would have to go back a decade or three. Take for instance Gitte, the pride of Germany in 1973.

Gitte Hænning was born on June 29, 1946 and quickly rose to fame as a child star in Fifties. After she moved to Sweden, she had a hit with 'Tror du jag ljuger' in 1961. A year later she tried to enter the Eurovision Song Contest for Denmark, but she was disqualified because the composer Sejr Volmer-Sørensen had whistled the song in the canteen of the DR. In 1973 she competed for Germany in the Eurovision Song Contest with the song 'Junger Tag'. As nondescript as the song was, it still finished eighth in a field of 17 competitors.

My collection: 7" single no. 4456
Found: Fun Records, Berlin, received January 28, 2010
Cost: 4 euro
Tracks: 'Junger Tag' / 'Hallo, wie geht es Robert'

Ever fallen in love - Fine Young Cannibals

'Ever fallen in love' was written in 1978 by Pete Shelley and recorded by his group the Buzzcocks. It was a fastpaced, urgent song which reached number 12 in the UK singles chart when it was released.

The Fine Young Cannibals recorded a cover version of the track for the soundtrac kof the movie 'Something wild' in 1986. Their version reached number 9 in the UK singles chart and number 35 in the Dutch Top 40 (where the Buzzcocks version hadn't charted at all).

My collection: 7" single no. 909
Found: Parkpop, Den Haag, June 25, 1989
Cost: 2 guilders
Tracks: 'Ever fallen in love' / 'Couldn't care more'

Let me be the one - Five Star

'Let Me Be the One' was the fourth single taken from Five Star's debut album 'Luxury of life', released in the summer of 1985.

It became the group's second UK Top 20 single of the year, peaking at number 18. It also reached number 11 in the Dutch Top 40 that autumn.

My collection: 7" single no. 1723
Found: Disco Market, Den Haag, October 3, 1992
Cost: 1 guilder
Tracks: 'Let me be the one' / 'Beat 47'

Money for nothing - Dire Straits

Bizarrely, Mark Knopfler from the Dire Straits wrote 'Money for nothing' during a visit at a New York appliance store. At the back of the store, there was a wall of TV's which were all tuned to MTV. A man working there, dressed in a baseball cap, work boots, and a checkered shirt was watching them. As he was standing there, Knopfler remembers the man coming up with classic lines such as 'what are those, Hawaiian noises? That ain't workin'' etc. Knopfler asked for a pen to write some of these lines down and then eventually put those words to music. According to Knopfler: 'He's singing the song. I wanted to use a lot of the language that the real guy actually used when I heard him, because it was more real...'

Sting contributed backing vocals to the track, and the classic line 'I want my MTV'. Knopfler modelled his guitar sound for the recorded track after ZZ Top guitarist Billy Gibbons' trademark guitar tone, as ZZ Top's music videos were already on heavy rotattion on MTV. Gibbons later told an interviewer in 1986 that Knopfler had solicited Gibbons on how to replicate the tone, adding, 'He didn't do a half-bad job, considering that I didn't tell him a thing!'.

'Money for nothing' was not a hit in the Netherlands (which is quite remarkable in fact!) but reached number 4 in the UK singles chart and was a number 1 hit in Canada and the USA.

My collection: 7" single no. 320
Found: LP Top 100, Den Haag, 1985
Cost: 6 guilders
Tracks: 'Money for nothing' / 'Love over gold (live)'

Fantasie - Frank Boeijen Groep

For a long time, I didn't even know this single existed. It didn't chart and no mention of it was made in any of the music publications at the time. It must have been bad promotion, then, that caused this single to go down so badly.

'Fantasie' ('Fantasy') is an unusually light-weight pop song for the Frank Boeijen Groep, urging the listener to use his fantasy to make life a little less difficult. The B-side is a bit more gloomy, about love in the then-separated city of Berlin. Both tracks were taken from the band's second album 'Twee' ('Two').

My collection: 7" single no. 1225
Found: Record fair, Den Haag, April 22, 1990
Cost: 5 guilders
Tracks: 'Fantasie' / 'Liebling'

The biggest fool of all - Cock Robin

You could wonder if it's a good idea to re-release a song that was not successful the first time around, years later on the occasion of a compilation album, but without any promotion or even any new tracks or remixes to go with it. But that's exactly what happened with this single. 'The biggest fool of all' was originally released in 1987 as the second single from Cock Robin's second album 'After here through midland', but it flopped in most territories.

When the record company released 'The best of Cock Robin' in 1992, the track was re-released - and failed to chart yet again.

My collection: 7" single no. 1652
Found: Melody Maker, Den Haag, May 9, 1992
Cost: 6,5 guilders
Tracks: 'The biggest fool of all' / 'Coward's courage'

When we were young - Bucks Fizz

'When we were young' was a change in direction for Bucks Fizz. The production was heavy and the song had an ominous tone, far removed from the group's usual pop sound. It was the first and only single to feature lead vocals by Jay Aston. Aston's vocals were notably different from her solo appearances on previous Bucks Fizz songs Aston herself has said that she was adopting an effected voice, similar to Hazel O'Connor. She has since stated, despite the song's success, her vocal affectation wasn't a good idea, although has rated it her favourite Bucks Fizz song, while member Cheryl Baker has commented that she never liked the song due to its downbeat tone.

Reaching number 10 in the UK singles chart, this was to be Bucks Fizz's last top 10 hit for three years. In the Dutch Top 40, the single reached number 14 and they wouldn't have any chart hits until three years later.

My collection: 7" single no. 1088
Found: Disco Market, Den Haag, October 27, 1989
Cost: 1 guilder
Tracks: 'When we were young' / 'Where the ending starts'

She bop - Cyndi Lauper

'She bop' was, for some, a controversial song as the lyric was full of allusions to masturbation, such as 'They say I better stop / or I'll go blind'. Lauper said she wanted little kids to think the song was about dancing, and to understand the real meaning as they got older. This is probably why the lyric is quite oblique.

The single was a top 10 hit in most countries where it was released, although there were exceptions: in the UK it only reached number 46 and in the Dutch Top 40 it only got to number 34.

My collection: 7" single no. 469
Found: Disco Market, Den Haag, October 20, 1986
Cost: 2 guilders
Tracks: 'She bop' / 'Witness'

That was yesterday - Foreigner

'That was yesterday' was the second single from Foreigner's album 'Agent provocateur'. The song was written by Lou Gramm and Mick Jones and was remixed for the single release.

The single reached number 12 in the US Billboard Hot 100 chart, number 28 in the UK singles chart and the Dutch Top 40.

My collection: 7" single no. 277
Found: LP Top 100, Den Haag, 1985
Cost: 6 guilders
Tracks: 'That was yesterday' / 'Two different worlds'

A better love - London Beat

'A better love' was the second single taken from London Beat's second album 'In the blood'.

The previous single 'I've been thinking about you' was a number 1 hit in the US and the Netherlands, but this single was not as successful: it peaked at number 18 in the US and number 14 in the Netherlands. In the UK, this single stalled at number 52.

My collection: 7" single no. 1359
Found: Den Haag, December 5, 1990
Cost: - (present)
Tracks: 'A better love' / 'K.I.S.S.'

L.A. Woman - Billy Idol

It was quite a brave move for Billy Idol to record a cover version of the Doors' famous track 'L.A. Woman', the title track of the band's last album before Jim Morrison died. But his version turns out surprisingly well, adding a lot of power to the track that was already fast paced to begin with.

It was released as the second single from Billy Idol's fifth album 'Charmed life'. It reached number 70 in the UK singles chart and number 52 in the US Billboard Hot 100 chart. I bought the album not so long after I bought the single, because an edit is always too short.

My collection: 7" single no. 1281
Found: Melody Maker, Den Haag, August 23, 1990
Cost: 6,5 guilders
Tracks: 'L.A. Woman (edit)' / 'License to thrill'

Who is wrong and who's right - Kirsten and Søren

Kirsten Siggard (born September 7, 1954) and Søren Bundgaard (born March 4, 1956) were no strangers to the Eurovision Song Contest when they represented Denmark in 1988: they first entered in 1984 as Hot Eyes with the song 'Det' lige det'. They returned in 1985 with the song 'Sku' du spørg' fra no'en?'. They reached 4th and 11th place respectively.

In 1988 they got another shot at Eurovision fame with the song 'Ka' du se, hva' jeg sa'?'. No longer named Hot Eyes but simply Kirsten & Søren, they had their best result, reaching third place in the Contest. This single, featuring the English and French versions of the song, was released in various European countries, but did not chart outside Denmark.

My collection: 7" single no. 4395
Found: Second Life Music, Amsterdam, December 30, 2009
Cost: 1 euro
Tracks: 'Who is wrong and who's right' / 'Ecoute moi mon amie'

Follow you follow me - Genesis

I didn't hear 'Follow you follow me' until the second half of the Eighties, and I couldn't believe this was a song from 1978. The track was taken from Genesis's ninth studio album 'And then there were three...', a title to reflect the departure of band member Steve Hackett, reducing the band to a trio. This lineup would last until 1996, and give them their biggest mainstream successes.

The slow, sentimental ballad was composed by the band with lyrics by Mike Rutherford. The band had concluded that their music was attracting mainly male audiences, and this song was a deliberate attempt to attract female audiences as well. The strategy worked: they had their first top 10 hit in the UK (peaking at number 7) and their first top 40 hit in America (peaking at number 23). It was also their first single hit in the Netherlands, where it peaked at number 17 in the Dutch Top 40.

My collection: 7" single no. 816
Found: Disco Market, Den Haag, May 13, 1989
Cost: 1 guilder
Tracks: 'Follow you follow me' / 'Ballad of big'

Blue Monday - New Order

'Blue Monday' has often been named as the best selling 12" single of all times. It was never released as a single (although a 1988 remix of the track was) and sold over one million copies when it was released. In an interview the band claimed to have written the song in response to crowd disappointment at the fact that they never played encores. This song, they say, allowed them to return to the stage, press play on a synthesiser and leave the stage again.

The 12" single's die-cut sleeve, which looks like a floppy disk, was designed by Peter Saville. A popular story about the sleeve is that it cost so much to produce it that the record company lost money on each copy sold. Although this seems very unlikely, it is probably true that New Order saw little profit from the single's success, since an investment in the Haçienda nightclub swallowed much of the money they made from their hit.

My collection: 12" single no. 157
Found: Disco Market, Den Haag, 1993
Cost: 2,5 guilders
Tracks: 'Blue Monday' / 'On the beach'

RSVP - Five Star

'R.S.V.P.' was the sixth single release from Five Star's debut album 'Luxury of life'. A limited edition poster bag was released to boost sales, featuring not only two photographs of the band but also a fact file on all five members. Apparently a cassette with dub mixes was included in the package, but I didn't get that when I bought my second hand copy years after the release.

The single peaked at number 45 in the UK singles chart, but failed to chart in other territories.

My collection: 7" single no. 3102
Found: London, May 13, 1999
Cost: 1 pound
Tracks: 'R.S.V.P.' / 'Say goodbye'

Music and lights - Imagination

Even if their music was a bit formulaic, Imagination were masters of the soulpop genre. Or rather, their producers Tony Swain and Steve Jolley knew how to create a sound that the lead singer Leee John's voice thrived in.

'Music and lights' was another example of their brand of music, and successful it was too: it reached number 12 in the Dutch Top 40 and number 5 in the UK singles chart.

My collection: 7" single no. 2876
Found: London, October 28, 1997
Cost: 50p
Tracks: 'Music and lights' / 'Music and light (instrumental)'

Everyday - Orchestral Manoeuvres in the Dark

'Everyday' was the third and last single from Orchestral Manoeuvres in the Dark's 1993 album 'Liberator'. It was also their last to be released on the 7" vinyl format. Although Paul Humphreys was no longer a member of the band, he was still one of the writers of this song.

It reached number 59 in the UK singles chart and number 60 in the German singles chart.

My collection: 7" single no. 2005
Found: HMV, London, October 18, 1993
Cost: 2 pounds
Tracks: 'Everyday' / 'Every time'

This is the right time - Lisa Stansfield

Released in August 1989, 'This is the right time' was Lisa Stansfield's first solo success, reaching number 13 in the UK singles chart. The single was released after Stansfield had a hit with the dance combo Coldcut in March that year. 'People hold on' reached number 11 in the UK singles chart and was a Europe-wide hit.

'This is the right time' was included on Stansfield's debut album 'Affection', the same album that would give her her breakthrough single, 'All around the world'.

My collection: 7" single no. 2033
Found: Sounds Familiar, London, October 19, 1993
Cost: 1 pound
Tracks: 'This is the right time' / 'Affection'