'Hail hail rock 'n' roll' is a tribute to Chuck Berry, Gene Vincent and many other stars of the early rock & roll days. Garland Jeffreys recorded the track, which is named after the Chuck Berry album from 1987.
'Sticky George' was the title track from the Korgis' third studio album. It was released as a single in 1981. Like with the single 'Dumb waiters', the artwork department had an easy week, as again the album sleeve was used for this single.
'Will you be there (in the morning)' was written by songwriter and producer Robert John 'Mutt' Lange, who also wrote Heart's 1990 chart hit 'All I wanna do is make love to you'. Personally, I much prefer this song.
'So lonely' was originally released as a single from the album 'Outlandos d'Amour' in November 1978. The single did not chart at first, but when it was re-released in February 1980 it reached number 6 in the UK and number 31 in the Dutch Top 40.
Janet Jackson fans may want to have this 12" single, as it samples her track 'Nasty'. Besides, the lyric of 'When I think of you' is quoted by singer Jon Marsh. 'Forever dancing' was released in 1987 during a stage in the Beloved's career when all their records failed to reach the charts in the UK.
'Almost seems (too late to turn)' is a track on Clannad's 1985 album 'Macalla' and, to me, a standout track on their compilation album 'Pastpresent' released a few years later. The song was used as the official Children in Need charity single for 1985 in the UK.
Not only do I have the 7" single of 'Can't stop running', I've also got the 12" single. This contains an extended remix of the song, entitled the 'Powerblast mix'. It's not the most stunning remix ever, but it's a longer version of this very energetic Eighties track, and that's good enough for me.
This six track EP of the Manhattans was released in 1983 by Pickwick International, a UK label specialising in re-releasing old material. 'Kiss and say goodbye', track one on this EP, is their best known hit, reaching number 4 in the UK singles chart and number 1 in the Dutch Top 40 in the summer of 1976.
'I feel for you' was originally written and recorded by Prince in 1979 on his self-titled album. In 1984, Chaka Khan recorded a cover of this song for her album which was also called 'I feel for you'. The repetition of Khan's name by rapper Melle Mel at the beginning of the song was originally a mistake made by producer Arif Mardin, who then decided to keep it. Khan's version featured an all-star supporting cast, with rapping from Melle Mel, keyboard and guitar by The System, and harmonica playing and sampled vocals by Stevie Wonder.
'Red guitar' was David Sylvian's biggest solo hit, peaking at number 17 in the UK singles chart. It was a track on Sylvian's debut solo album 'Brilliant trees', which featured guest musicians Danny Thompson, Ryuichi Sakamoto and Holger Czukay.
Stevie Nicks had a brief relationship with Rupert Hine, who produced her fourth solo album 'The other side of the mirror', released in 1989. According to Nicks, ''Rooms on fire' is about a girl who goes through a life like I have gone through, where she finally accepts the idea that there never will be those other things in her life. She will never be married, she will never have children, she will never do that part of life'.
Frankie goes to Hollywood were confronted with the 'difficult second album syndrome' after the phenomenal success of their debut album 'Welcome to the pleasuredome' and its accompanying singles. They recorded their second album 'Liverpool' in Amsterdam, and released 'Rage hard' as the first single from the album.
'Miss you' is the only Rolling Stones single in my collection. That's not to say they didn't make any good music: I am certainly looking for one or two more - but that's about it.
If a Depeche Mode single would be released these days, it's hard to imagine that the sleeve would look like this one here. 'The meaning of love' was released in 1982 as a single from their second album 'A broken frame'. It's obvious that their much was much more simple and upbeat back then.
Benjamin Earl Nelson was born on September 28, 1938. After a music career as a member of the Five Crowns and the Drifters, he went solo in 1960, taking on the stage name Ben E. King. That same year, he wrote 'Stand by me', originally intended for use by the Drifters, but they passed on the chance to record it.
'Moments in love' was a beautiful electronic track by Art of Noise, released in the spring of 1987. Although it wasn't their biggest hit in the UK, where it peaked at number 51, it did reach number 10 in the Dutch Top 40, making it their biggest hit up to that point - surpassed only when they released 'Kiss' with Tom Jones a few years later.
Kingdom Come formed in 1987 after frontman Lenny Wolf's band Stone Fury broke up. He recruited Pittsburgh-based lead guitarist Danny Stag, Louisvillians Rick Steier and James Kottak and Northern Californian Johnny B. Frank on bass. The band's debut album, 'Kingdom Come' was their only international hit. The musical style was very close to the early blues-rock style of Led Zeppelin.
'DJ culture' was a new track on the Pet Shop Boys compilation album 'Discography', released in 1991. It was released as a single to promote that compilation. According to the singer Neil Tennant, the lyric of the song was about the insincerity of President George H. W. Bush's speeches at the time of the First Gulf War, utilising Winston Churchill's wartime rhetoric, in a manner similar to how artists sample music from other artists.
In 1980, just like previous years, Luv's career is going well. They are successful in various countries around the world, such as Mexico where a Spanish version of 'Ooh, yes I di' ('Si que si') reaches the top of the charts. In the Netherlands, meanwhile, the single 'One more little kissy' is released, reaching number 9 in the Dutch Top 40.
Paul Simon wrote 'Bridge over troubled water' in the summer of 1969 while Art Garfunkel was filming 'Catch-22' in Europe. When the duo got together to record what was to be their last album together, Garfunkel liked Simon's falsetto voice on the demo and suggested that Simon sing. He and producer Roy Halee also thought the song needed three verses and a 'bigger' sound towards the end. Simon agreed and penned the final verse, though he felt it was less than fully cohesive with the earlier verses.