Although this track sounds slightly rudimentary, it is the seventh single by UB40, released in 1982. 'Love is all is all right' is one of the most laidback reggae songs I ever heard in my life, which was part of the appeal.
The single reached number 29 in the UK singles chart and number 22 in the Dutch Top 40.
My collection: 7" single no. 2405 Found: Plaatboef, Rotterdam Cost: 1 guilder Tracks: 'Love is all is all right' / 'One-a-penny'
When you compare all the sleeves of All about Eve singles through the years, this one is a pretty dismal affair. It's almost a shoddy sleeve, a piece of work that could only have resulted from disinterest from the record company.
'Some finer day' was the final single by All about Eve, the second one from their album 'Ultraviolet' (1992). It reached number 57 in the UK singles chart during its one week in the chart. Soon after this, the band was dropped from their label MCA Records and the band disbanded not long after that.
My collection: 7" single no. 1865 Found: Wreckastow, Rotterdam, January 30, 1993 Cost: 10 guilders Tracks: 'Some finer day' / 'Moodswing'
'What if' is a track from Coldplay's third album 'X&Y'. It was released as a single to radio stations in France and the French speaking regions in Belgium and Switzerland. A cd-single was only released commercially in Belgium, whereas this 7" vinyl single is originally part of the Coldplay Singles box set. (I managed to buy a separate single from a dealer who was apparently splitting up his box set.)
This single features the Tom Lord-Alge mix of 'What if', which differs from the album version.
My collection: 7" single no. 3496 Found: eBay.com, received December 23, 2008 Cost: 4 euro Tracks: 'What if' / 'How you see the world (live)'
At 7 minutes and 30 seconds, the original version of New Order's 'Blue Monday' is one of the longest tracks ever to chart in the UK. It was released on 12" single only, which made it an even more unique charting track. The band claimed to have written the song in response to crowd disappointment at the fact that they never played encores. This song, they say, allowed them to return to the stage, press play on a synthesiser and leave the stage again.
The track was remixed in 1988 and released as a single. This remixed version was considerably shorter and peaked at number 3 in the UK singles chart (whereas the original reached number 9).
My collection: 7" single no. 2450 Found: Record fair, Leiden, September 2, 1995 Cost: 1 guilder Tracks: 'Blue Monday 1988' / 'Beach buggy'
Roger Hodgson was born on March 21, 1950 in Portsmouth, Hampshire, England. Between 1969 and 1983 he was a member of the legendary pop group Supertramp, lending the band his distinctive vocals and also writing some of their best known songs.
After he left Supertramp, Hodgson launched into a solo career, starting off with 1984's 'In the eye of the storm'. He was credited with playing nearly all the instruments as well as writing and producing the album. The single 'Had a dream' was released in October 1984 and reached number 39 in the Dutch Top 40.
My collection: 7" single no. 2417 Found: All that music, Leiden, July 22, 1995 Cost: 3 guilders Tracks: 'Had a dream' / 'Only because of you'
Young Vanessa Paradis followed up her debut album 'M&J' (1987) with a second album, 'Variations sur le même t'aime' in 1990. On this album, she had French music legend Serge Gainsbourg compose songs for her. The track 'Tandem' was released as one of the singles from the album.
I bought the single without having heard it, because sometimes I like to experiment a little. Even though the song did not touch me back in 1995, I have to say I quite like it now that I've heard it again. At only 18 years old, Paradis was making some very mature music.
My collection: 7" single no. 2275 Found: Record fair, April 23, 1995 Cost: 3 guilders Tracks: 'Tandem' / 'Ophelie'
'Careless memories' was the second single by Duran Duran, released in April 1981. The choice to release this song as a single was made by the record company. They must have been unpleasantly surprised when it stalled at number 37 in the UK singles chart, after the debut single 'Planet earth' had been a top 20 hit. Subsequent singles were chosen by the band - and became big hits.
This perhaps one of the least recognised Duran Duran tracks, and I admit I didn't know the track when I bought the single. Still, as I was collecting Duran Duran, I had to have this one as well.
My collection: 7" single no. 2639 Found: April 13, 1996 Cost: 3 guilders Tracks: 'Careless memories' / 'Khanada'
Kim Wilde left RAK Records in 1984 and signed a new recording contract with MCA Records. They launched Kim Wilde with a new image, courtesy of XL Design, who were also responsible for the images of Wham! and Frankie goes to Hollywood back then. Kim's new single 'The second time' sounded fresh and exciting, the video was vibrant and full of energy and the lyric of 'The second time' was quite daring.
Still, the audiences did not fall for it immediately. The single reached number 24 in the Dutch Top 40 and at number 29 in the UK singles chart. It was quite hard for Kim to come back with a bang. I for one still think this is one of the best singles of her career.
My collection: 7" single no. 244 Found: LP Top 100, Den Haag, 1984 Cost: 6 guilders Tracks: 'The second time' / 'Lovers on a beach'
The second single from the Blue Nile's second album 'Hats' was a remixed version of 'Headlights on the parade'. The remix was made by Bob Clearmountain, who previously mixed tracks by artists like Bruce Springsteen, the Rolling Stones and Bryan Adams. Not the most obvious person to handle a Blue Nile track, but the remix turned out quite reasonable.
It didn't help the success of the single much: it spent one week in the UK singles chart at number 72. But the Blue Nile was always an 'albums act' anyway.
My collection: 7" single no. 1295 Found: HMV, London, October 15, 1990 Cost: 2 pounds Tracks: 'Headlights on the parade (Bob Clearmountain remix)' / 'Headlights on the parade (album version)'
'Straight up' was the third single from Paula Abdul's debut album 'Forever your girl', but the first one to be a worldwide success. The single spent three weeks at number 1 in the US Billboard Hot 100 chart, peaked at number 2 in Australia and number 3 in the Netherlands, Germany and the UK.
I bought the single within months of its release, since I liked this song as it played on the radio. In later years, I learned to appreciate it less for its synthetic sounds and the thin voice of Abdul. But now I have to say my judgement lies somewhere in the middle: despite its flaws it's still a nice song. I bought a poster edition of the single in the UK, but only just realised that the B-side of the poster edition is different. Hence, here's the last addition from my London shopping spree.
My collection: 7" single no. 871 / no. 3999 Found: Free Record Shop, Den Haag, June 2, 1989 / Record Exchange, London, August 5, 2009 Cost: 6 guilders / 50p Tracks (1): 'Straight up' / 'Cold hearted' Tracks (2): 'Straight up' / 'Straight up (Power mix)'
When I was introduced by a friend to the music of Sandra (he kept nagging me to listen to it until I finally gave in), he gave me the cd of 'Into a secret land'. It was the title track that grabbed my attention, and it is probably the track you can single out as the creative peak of Sandra and Michael Cretu. A great synth hook, an interesting lyric and a nice, glossy Eighties production.
The song is an adaptation of a Hubert Kemmler-produced song called 'Trenchcoat man', released as a single by an unknown German band named Fabrique in 1987. 'Secret land' reached number 1 in Israel, peaking at number 7 in Germany and number 9 in Switzerland.
My collection: 7" single no. 2094 Found: Record fair, April 16, 1994 Cost: 3 guilders Tracks: 'Secret land' / 'Into nobody's land'
Oh dear. Whenever the song 'You keep me hangin' on' is mentioned, the cover version by the Sixties band Vanilla Fudge comes up. I guess at the time it was quite an innovation to record a song in a different style than the original (in this case, slower and in a rock fashion), but when you listen to it now, you can't help but noticed the dated sound of it all and the terrible lead vocals by Mark Stein. This is even more obvious in the B-side, which sounds like an amateur band at best.
Still, the band managed to reach number 18 in the UK singles chart and number 13 in the Dutch Top 40. After this one hit, they disappeared from the charts until their breakup in 1970. But like in bad horror movies, the band keeps being reanimated - they have reformed in various lineups three times already.
My collection: 7" single no. 2980 Found: Record fair, Amsterdam, April 16, 1998 Cost: 5 guilders Tracks: 'You keep me hanging on' / 'Take me for a little while'
After 'It's my life' and 'Such a shame', here's the third and - as far as I know - last of three singles taken from the compilation album 'Natural history'. As far as re-releases go, this single is probably the most interesting of the three. Not only does it feature a live recording of the track on the B-side, the A-side features a new edit of 'Living in another world'. Although I'm not a fan of edits per se, it is always interesting to hear a new version of a track.
It was an unsuccessful release: the single did not chart, and the record company EMI turned their attention towards the following step in their 'milking the Talk Talk catalogue' operation. More about that later.
My collection: 7" single no. 2725 Found: September 7, 1996 Cost: 5 guilders Tracks: 'Living in another world (edit)' / 'Living in another world (live)'
Jody Watley's debut album 'Looking for a new love' yielded five hits, of which 'Don't you want me' was the second. It reached number 6 in the US Billboard Hot 100 and number 55 in the UK singles chart.
Even though I am really impressed with the album as a whole and all the hit singles as well, I do wonder why Jody Watley posed on the sleeve of this single in such a lack of clothes. It doesn't look particularly classy...
My collection: 7" single no. 1749 Found: Record Exchange, London, October 19, 1992 Cost: 60p Tracks: 'Don't you want me' / 'Don't you want me (radio remix)'
'I don't like Mondays' was written by the lead singer of the Boomtown Rats, Bob Geldof after he read a telex report at Georgia State University's campus radio station, WRAS, where he was giving an interview. The report was about Brenda Ann Spencer, aged 16 at the time, firing at children playing in a school playground across the street from her home in San Diego, California. She killed two adults and injured eight children and one police officer. Spencer showed no remorse for her crime, and her full explanation for her actions was 'I don't like Mondays, this livens up the day'.
Geldof had originally intended the song as a B-side, but changed his mind after the song went down well with audiences on the Boomtown Rats' US tour. Spencer's family tried unsuccessfully to prevent the single from being released in the United States. It reached number 73 in the US Billboard Hot 100. In the UK, it was a number 1 hit, and in the Netherlands the single reached number 2. The single was one of two singles I got from my parents as a birthday present.
My colection: 7" single no. 27 Found: present, August 31, 1979 Cost: nothing Tracks: 'I don't like Mondays' / 'It's all the rage'
When an artist records two versions of a song, one in French and one in English, it's quite easy to make an extended remix: you just use the verses of both versions and before you know it the song is about seven minutes long.
That's what happened with Stephanie's 'Irresistible', which she also recorded in French as 'Ouragan', on this 12" single. Fortunately, there are also a few interesting instrumental passages, but the whole thing is not very imaginative. Still, like all the material from Stephanie's debut album, it's pleasant enough to listen to.
My collection: 12" single no. 511 Found: ? Cost: 5 guilders Tracks: 'Irresistible (extended)' / 'Irresistible', 'Ouragan'
Such is the nature of beautiful music, that these days even people with not an inch of artisticity in their body recycle it to make their own filth. Bruce Hornsby's 'The way it is' fell victim to Tupac Shakur when he made the track 'Changes', which for reasons that are still a mystery to me became a worldwide hit.
'The way it is' itself is a thing of rare beauty. I've always been attracted to keyboard-based songs and the way the piano is used in this track is truly phenomenal. The lyric tends a bit towards the preachy side, but with a Christian Scientist upbringing, Hornsby probably couldn't help himself. The single was a number 1 hit the Netherlands and the USA. And in this case, that's not a mystery to me.
My collection: 7" single no. 915 Found: Parkpop, Den Haag, June 25, 1989 Cost: 1 guilder Tracks: 'The way it is' / 'The red plains'
Adamski was born as Adam Tinley on December 4, 1967 in the New Forest, England. In the late Eighties, at the time of acid house, Adamski made a name for himself in the club circuit, touring with Daddy Chester and later with Seal. With the latter, he wrote 'Killer', which would become Adamski's breakthrough single, but is better known as the track that launched Seal's career.
The single reached number 1 in the UK singles charts and peaked at number 2 in the Netherlands and Germany. While Adamski had no more notable hit singles, Seal started a solo career that would see him reach the charts around the world with hits like 'Crazy', 'Kiss from a rose' and many others.
My collection: 7" single no. 1405 Found: Grammofoonwinkel, Utrecht, April 3, 1991 Cost: 1 guilder Tracks: 'Killer' / 'Bassline changed my life'
I bought this single of 'It would take a strong strong man' in 1995. I didn't know it had been released as a single, but since this was an American pressing I assumed it was only released over there. I was right, to a degree: this single reached number 10 in the US Billboard Hot 100, but it also reached number 2 in Canada and number 4 in Ireland.
The real treat here is the B-side: just like 'It would take a strong strong man', 'You move me' was taken from Astley's debut album 'Whenever you need somebody'. But 'You move me' is the best track on the album, a bouncy, soulful track that is still fresh two decades later. And the lyric is very appropriate for these times of crisis and people losing their jobs.
My collection: 7" single no. 2317 Found: Record fair, June 3, 1995 Cost: 2 guilders Tracks: 'It would take a strong strong man' / 'You move me'
'Advice for the young at heart' was the third single taken from the 1989 Tears for Fears album 'The seeds of love'. The song was written by Roland Orzabal and keyboardist/singer Nicky Holland. The lyric 'Love is a promise, love is a souvenir once given, never forgotten, never let it disappear' is a quote from John Lennon. The lead vocal on the song was sung by Curt Smith; the only track he sang on the whole album. The single peaked at number 36 in the UK singles chart and number 22 in the Dutch Top 40.
In the UK, this single was released in a limited edition box set (pictured below) including four postcards. The front of the box set states that it's 'part one', but I've never seen 'part two'.
The music video for this single was the last Tears for Fears video to feature both Roland Orzabal and Curt Smith before their acrimonious split in the early Nineties. It would be 15 years before they made a video together again ('Closest thing to heaven' in 2005).
My collection: 7" single no. 1230 Found: Esprit Mail Order, received July 1990 Cost: 5 pounds Tracks: 'Advice for the young at heart' / 'Johnny Panic and the bible of dreams'