Until recently I didn't even know that this single was missing from my collection. When I wrote about the twelve inch single recently, I came to realise this omission. It's one of those occasions where you think: 'Oh, I'll find that one for cheap someday'. And of course, I did. I think I have all the relevant Chas Jankel singles now.
Loose Ends formed in 1980 in London, with members Carl McIntosh, Jane Eugene and Steve Nichol. They achieved their first success with 'Hangin' on a string (Contemplating)' in 1985, which reached number 13 in the UK singles chart. It was also a minor hit in the Netherlands, reaching number 32 in the Dutch Top 40.
Culture Club were at the height of their popularity when they released 'Karma Chameleon'. It was a number one hit all over Europe, Canada, USA, Australia and New Zealand. According to the band's frontman Boy George, 'The song is about the terrible fear of alienation that people have, the fear of standing up for one thing. It's about trying to suck up to everybody. Basically, if you aren't true, if you don't act like you feel, then you get Karma-justice, that's nature's way of paying you back.'
The national finals for the 1983 Eurovision Song Contest in the Netherlands were pretty exciting. There were five acts competing for the honour to represent the country during the year's Contest in Germany. While Vulcano was the audience favourite, the honour went to Bernadette in the end. She sang 'Sing me a song' and ended up being seventh.
Doug Fieger, Berton Averre, Prescott Niles and Bruce Gary formed the Knack in 1978. They hit it big almost immediately with their single 'My Sharona' (1979), which became a chart hit in various countries.
'Face the face' was taken from Pete Townshend's 1985 solo album 'White City: a novel'. The title refers to a story (called a "novel" in the album title) that accompanies the album, and which takes place in a low-income housing estate in the West London area of White City, near where Townshend grew up. The story tells of cultural conflict, racial tension and youthful hopes and dreams in the Sixties.
A couple of weeks ago, when I visited my friend Puck, he showed me a 12" single he'd bought. It was Mr. Mister's 'Broken wings', which according to the sleeve contained an extended version of that track. I was interested to hear it, but alas, he didn't have a record player to let me hear it. I had no choice but to wait. I thought I might bump into this record myself anyway, and if it was cheap enough, I would buy it.
Herwig Mitteregger, Reinhold Heil, Manfred Praker, Bernhard Potschka and Alf Klimek were already playing together when Nina Hagen 'adopted' them as her band. They recorded two albums together as the Nina Hagen Band before continuing as Spliff when Hagen went solo.
In 1986, France was represented in the Eurovision Song Contest by a group of four women who called themselves Cocktail Chic. They were Catherine Bonnevay, Francine Chanterau, Martine Latorre and Dominique Poulain. Written by George and Michel Costa, 'Europeennes' was about travelling to various European destinations, living a carefree lifestyle. The song must have been an attempt to appeal to the international juries, but ironically, most of the destinations were pronounced in French and thus couldn't be made out by most of those international juries.
'You spin me 'round (like a record)' was taken from Dead or Alive's 1985 album 'Youthquake'. When it was released, it was a slow starter in the UK: it lingered outside the singles top 40 for two months. After this long period, it still rose into the top 10 and then even made number 1. The single also was a top 3 hit in Australia and Italy, peaking at number 6 in the Netherlands.
The Steve Miller Band has received some criticism for this song. True, 'Abra, abracadabra / I wanna reach out and grab ya' isn't one of those lyrics you have to praise for its eloquence, but it's still a good pop song. Selling the way it did (a number one hit in America, peaking at number 2 in the UK and number 18 in the Netherlands) the audiences in various countries certainly made up their own minds.
Producer and booking agent Dick Griffey put together Shalamar after the first single 'Uptown festival' (1977), performed by session singers, was a hit in America. Vocalists Jody Watley, Jeffrey Daniel and Howard Hewett were brought together in 1978. Their first international hit in this line-up was 'Take that to the bank'. They followed this up in 1979 with 'The second time around', which peaked at number 45 in the UK singles chart and number 28 in the Dutch Top 40.
'Walk into the wind' was the third single taken from the album 'Vegas' by the duo of the same name. Terry Hall and David A. Stewart (of Eurythmics fame) worked together on this album, which failed to make any chart impact. The singles fared comparatively better, although 'Walk into the wind', the last single of the three, only made it to number 65 in the UK singles chart.
After Teach-In won the 1975 Eurovision Song Contest with 'Ding-a-dong', the 1976 edition was organised in Den Haag, the Netherlands. Sandra Reemer was chosen to perform that year's song, which was written in English for the first time. 'The party's over' proved to be a reasonable success, finishing on ninth place in the Contest.
Besides the 7" single 'Saskatchewan' there was also a 12" single. The buyer got his money's worth, because he didn't just get an extended remix, but also an alternative 7" mix.
The original single of 'Radioactivity' was released in 1976. In 1991, Kraftwerk released the album 'The mix', which contained remixed versions of some of their most popular tracks. The album included a remix of 'Radioactivity'. For the single, 'Radioactivity' was remixed by François Kevorkian and William Orbit.
Latin Quarter formed in the early Eighties. The line-up changed through the years, but in their 1986 heyday it was Steve Skaith, Richard Wright, Michael Jones, Greg Harewood, Yona Dunsford, Carole Douet, Martin Lascelles and Dave Charles.Their biggest hit was 'Radio Africa' (1985), which was shown regularly on music television channels like Sky Channel and Music Box during that time. It peaked at number 19 in the UK singles chart in February 1986. It reached the Dutch Top 40 a couple of months earlier, peaking at number 37 in October 1985.
My collection: 7" single no. 2530
Found: Beanos, East Croydon, London, November 1, 1995
Cost: 2 pounds
Tracks: 'Radio Africa' / 'Voices inside'
After all the craziness of 'Girls just wanna have fun', Cyndi Lauper's next single 'Time after time' made be breathe a sigh of relief. Indeed, the woman was capable of making a beautiful song as well. She was rewarded with a number 1 in America, while the single peaked at number 3 in the UK and number 5 in the Netherlands.
Toto Coelo had a very short career in pop business, this single being their only hit. Released in August 1982, 'I eat cannibals' peaked at number 8 in the UK singles chart. The single was followed by 'Dracula's Tango (Sucker For Your Love)', which only made it to number 53.
Mike Roberts founded the Mike Flowers Pops, a British easy listening band, known for lounge music covers of both older and contemporary pop music. They first came to prominence in 1995 when they released a cover version of Oasis's hit song 'Wonderwall'. DJ Chris Evans heard the song and made it 'single of the week' on his Radio 1 Breakfast show, telling listeners that this was the original version of the song. The single was released while the Oasis original was still in the charts. It peaked at number two in the UK Singles chart.
