A duet between two country singers, Dolly Parton and Kenny Rogers serves as the very definition of 'uncool' these days. But still, in some quarters, both these people are still revered as legends. Dolly Parton rocked Glastonbury earlier this year, and Kenny Rogers is still regularly touring the USA and Canada to sold out theatres. Apparently, he's also the owner of his own chain of chicken-based restaurants called Kenny Rogers Roasters (in California and, rather amazingly, Asia).
'Islands in the stream' was written by the Bee Gees, and reached number 1 in the USA, Canada and Australia. Rogers and Parton went on to record a Christmas album together, and had an additional hit with their 1985 duet 'Real Love'.
My collection: 7" single no. 5463 Found: unknown Tracks: 'Islands in the stream' / 'Midsummer nights'
Paul Young released his fourth solo album 'Other Voices' in 1990. The album peaked at number 4 in the UK albums chart, selling over 100,000 copies. The first single from the album was 'Softly whispering I love you', written by Roger Greenaway and Roger Cook in 1967. The song was originally recorded by the duo under the name of David and Jonathan. It was covered in 1971 by the Congregation and in 1972 by Johnny Farnham and Allison Durbin.
Paul Young's version was a hit in the UK, Ireland and the Netherlands, peaking at number 21, 16 and 44 respectively.
My collection: 7" single no. 5420 Found: unknown Tracks: 'Softly whispering I love you' / 'Leaving home'
Released in 1989, 'A bit of U2' is the debut single by Kiss AMC, featuring a sample of U2's 'New Year's Day'. This single was quite controversial because the title actually mentioned U2, something the band wasn't too happy about. Later copies would cut the word from the title, naming it 'A bit of...' instead. This is why I wanted to buy this copy, because it is a rarity in a way. And you know how much I like rarities.
Kiss AMC consisted of sisters Anne and Marie Copeland. They took a chance on using the sample but still got permission from the band to use it. Further singles by the duo were unsuccessful. Which really isn't much of a surprise if you listen to the B-side of this single.
My collection: 7" single no. 5432 Found: Music Exchange, London Tracks: 'A bit of U2' / 'The raw side'
'Ring Ring' was originally a 1973 single by ABBA, which gave the group their big break in several European countries (although the rest of Europe, North America and Australia would be introduced to ABBA the following year). It was originally written in Swedish by Benny Andersson and Björn Ulvaeus, along with their manager Stig Anderson, and the translation into English lyrics was helped by Neil Sedaka and Phil Cody.
This German single was actually released in 1974, after ABBA had won the Eurovision Song Contest with 'Waterloo'. It couples 'Ring Ring' with another previous single hit, 'Honey Honey'.
My collection: 7" single no. 5365 Found: unknown Tracks: 'Ring Ring' / 'Honey Honey'
Listening to this old single by Fleetwood Mac, you realise the band has got quite a history. You wouldn't recognise this as a Fleetwood Mac single if you grew up in the Eighties or later. There is a reason, of course, for this metamorphosis: in the Sixties, the band's blues rock guitarist and founder member Peter Green was a major member of the band, until he left in 1970, being diagnosed with schizophrenia and spending time in psychiatric hospitals.
The composition and its arrangement suggest a relaxing sea setting, with
cymbals imitating the sound of waves (Mick Fleetwood played his drum
kit using timpani mallets to give a muted sound) and a dreamy solo from
Green's guitar. It is often assumed that Green used his Les Paul but he said it was his Fender Stratocaster, as there is subtle use of the vibrato bar. The single, released in November 1968, went no. 1 in the UK singles chart and no. 2 in the Netherlands.The B-side, 'Need your love so bad', released as a single in its own right four months earlier, was similarly successful, reaching no. 31 and no. 4 respectively.
My collection: 7" single no. 5395 Found: unknown Tracks: 'Albatross' / 'Need your love so bad'
No, this is not the big - and sometimes very irritating - hit single by Pharrell Williams, but a song recorded in 1973 by Michael Jackson for the movie 'Lady sings the blues' (although it doesn't actually appear in that movie). According to Smokey Robinson, who wrote 'Happy', the song was inspired
by the film's melody, which was originally composed by Michel Legrand.
He explained, "I was looking at the movie one day, and I was listening
to that melody, and I thought it was just such a beautiful melody, until
I wanted to write some words for that melody, which I did, and I went
and I sang them for Berry Gordy, and he was really upset because I
didn't write them before he finished the movie so they could've been in
the movie." Jackson continued to perform the track in concert as late as 1977, citing it as one of his favorite songs.
Record companies are always eager to cash in on success, and so Motown re-released this track in 1983 when Jackson hit it big with the many hit singles from his album 'Thriller'. 'Happy' appeared as a regular single, a limited edition in a poster sleeve and this, a picture disc.
My collection: 7" single no. 5645 Found: Alan's Records, London, September 9, 2014 Cost: 3,5 pounds Tracks: 'Happy' / 'We're almost there'
'I close my eyes and count to ten' was written by Clive Westlake. Recorded June 1, 1968 at Chappel Studios in London, Dusty Springfield's version was released that August to reach number 4 in the UK singles chart, where it ranks as one of Springfield's biggest hits: only 'I just don't know what to do with myself" (number 3) and 'You don't have to say you love me' (number 1) fared better.
It is quite rare to find such a good copy of one of Springfield's singles, so when I did, I jumped at the chance. It is one of very few 'early' Dusty Springfield singles in my collection. Well, there's always the CD box set 'Dusty', of course.
My collection: 7" single no. 5410 Found: unknown Tracks: 'I close my eyes and count to ten' / 'No stranger am I'
Described as "a record about the person I am now and the people around me... about real life after forty", Tracey Thorn (ex-Everything But The Girl) released 'Love and its opposite' in 2010. 'Oh, the divorces!' was released as the first single from that album, as a free digital download on February 17, 2010.
Fortunately, that wasn't all there was to it: 'Oh, the divorces!' - which by the way is a beautiful song - was also released on a 7" single, pressed on clear vinyl no less. The B-side, 'Taxi cab', was not included on the album and is exclusive to this release.
My collection: 7" single no. 5646 Found: Music Exchange, Greenwich, London, September 11, 2014 Cost: 4 pounds Tracks: 'Oh, the divorces!' / 'Taxi cab'
'Chance of a lifetime' was the Irish entry in the Eurovision Song Contest 1968, performed by Pat McGeegan. It was written by John Kennedy.
The song is a ballad, with McGeegan reminiscing about the first time he saw his lover. He tells her that he thought her appearance in his life was "the chance of a lifetime", and goes on to explain that he doesn't want to lose such a chance.
The song was performed fourteenth on the night. At the close of voting, it had received 18 points, placing 4th in a field of 17. Subsequently, the song went to the top of the Irish singles chart.
My collection: 7" single 5596 Found: Marktplaats.nl, received August 2, 2014 Cost: 2 euro Tracks: 'Chance of a lifetime' / 'Don't laugh at me (if I cry)'
'Wild and Lonely' was the last album released by the Associates in 1990. It may have been an accurate description of the state of affairs at the time, since Billy MacKenzie, the sole member of the band by then, had seen band mate Alan Rankine leave, and his previous album, 'The Glamour Chase', unreleased as the record company deemed it not commercially viable.
The first single from this album, 'Fever', had flopped, and 'Fire and Ice' had to face the same fate. After the release of a third single, 'Just can't say goodbye', which also didn't chart, the Associates name was finally put to rest. That's not to say that the material from the 1990 album was necessarily bad: this single is a good example of nice, melodic pop.
My collection: 7" single no. 5449 Found: unknown Tracks: 'Fire to ice' / 'Green tambourine'
In 1983, Thompson Twins released their third album 'Quick Step and Side Kick', featuring the singles 'We are detective' and 'Watching'. The album reached number 2 in the UK albums chart and number 34 in the USA.
The latter of the two singles is featured here. It peaked at number 33 in the UK singles chart. Even in 1984, this was still a regularly rotated video on satellite TV channels like Music Box.
My collection: 7" single no. 5468 Found: unknown Tracks: 'Watching (you watching me)' / 'Dancersaurus (Even Large Reptiles Have Emotional Problems)'
'Busy doing nothing' was released in 1983 as the fourth single by Dave Stewart and Barbara Gaskin. It was quite a whimsical song, originally written by Jimmy Van Heusen and Johnny Burke, and recorded by Bing Crosby in 1949.
Throughout his forty year career, Van Heusen received 10 Oscar Nominations for Best Song in a Motion Picture, 4 Academy Awards for Best Song in a Motion Picture, 1 Emmy Award for Best Musical Contribution and 6 Golden Laurel Nominations for Best Music in a Motion Picture. He died on February 7, 1990, just under two weeks after his 77th birthday.
My collection: 7" single no. 5467 Found: unknown Tracks: 'Busy doing nothing' / 'The world spins so slow'
Orange Juice formed in the Glasgow suburb of Bearsden as the Nu-Sonics in 1976. Edwyn Collins formed the Nu-Sonics (named after a cheap brand of guitar) with his school-mate Alan Duncan and was subsequently joined by James Kirk and Steven Daly, who left a band called The Machetes. The band became Orange Juice in 1979. They are best known for the hit 'Rip It Up'.
This limited edition features a colour poster and a free second single. The single was taken from the band's second album, also entitled 'Rip it up', and peaked at number 8 in the UK Singles Chart in February 1983, the band's only UK Top 40 hit.
My collection: 7" single no. 5460 Found: Marktplaats.nl, received July 23, 2014. Cost: 1 euro Tracks: 'Rip it up' / 'Snake charmer' // 'Lovesick (live)' / 'A sad lament'
'Sneaking out the back door' was the second single by Matt Bianco, taken from the band's debut album 'Whose side are you on'. Released in April 1984, this single reached number 44 in the UK singles chart and number 22 in Ireland.
The single is considered a double A-side, since the instrumental 'Matt's Mood' was used a lot on the radio in the Eighties. When you play the track (below), you will almost certainly recognise it.
My collection: 7" single no. 5622
Found: Chelsea Records, Antwerpen, August 10, 2014
Cost: 1 euro
Tracks: 'Sneaking out the back door' / 'Matt's Mood'
'Love fire' is a single taken from Simply Red's second album 'Men & women'. The single was only made in Germany and Spain, although this probably implies a Europe-wide release. However, this did not earn them any chart success.
Only three of the six singles released from 'Men & women' had some substantial (international) chart success, which was surprising in light of the sales of the album. The band's third album 'A new flame' would yield four hit singles and remains their biggest success.
My collection: 7" single no. 5445 Found: unknown Cost: unknown Tracks: 'Love fire' / 'Love fire (dub mix)'
Most people would consider Mory Kante a one hit wonder, as his only hit was 'Yé ké yé ké', released in 1987. Fair enough, I suppose. However, this single is evidence that the man produced some more music. 'Tama' was taken from the same album, and even managed to reach number 44 in the German singles chart.
It is even more stunning to realise that Mory Kante has released more than ten albums during a career that began in 1981. So is this single worth a spin? It is, even if the B-side is a bit wordy.
My collection: 7" single no. 5427 Found: unknown Cost: unknown Tracks: 'Tama' / 'Inch'Allah'
David Soul was best known for his acting, starring as Ken Hutchinson on the American TV series Starsky & Hutch, when he embarked on a singing career. His debut single, 'Don't give up on us' was a smash hit, as was the follow-up, 'Going in with my eyes open', but subsequent releases weren't as successful.
'It sure brings out the love in your eyes' was his last hit in the UK, peaking at number 12. For some reason, the B-side of this single appears in Mono sound only.
My collection: 7" single no. 5466 Found: unknown Cost: unknown Tracks: 'It sure brings out the love in your eyes' / 'A friend of mine'
'Love will tear us apart' was written in August 1979, and debuted when the band supported Buzzcocks on their UK tour in September and October 1979. It is one of the few songs in which singer Ian Curtis played guitar (albeit somewhat minimally). The lyrics reflect the problems in Ian Curtis's marriage to Deborah Curtis, as well as his general frame of mind in the time leading up to his suicide in May 1980.
The song was first released in June 1980 and became the band's first chart hit, reaching number 13 in the UK Singles Chart. The band postponed their US tour after Ian Curtis's death, performed a few short sets as The No-Names, then finally renamed the group as New Order. 'Love Will Tear Us Apart" was re-released in 1983 and reached number 19 on the UK charts.
My collection: 7" single no. 5425 Found: unknown Cost: unknown Tracks: 'Love will tear us apart' / 'These days', 'Love will tear us apart'
'Quédate esta noche' ('Stay this night') was the Spanish entry in the 1980 Eurovision Song Contest, performed in Spanish by Trigo Limpio, a popular trio in Spain during the Seventies and Eighties, consisting of Amaya Saizar, Iñaki de Pablo and Luis Carlos Gil. During their performance in Eurovision, however, Amaya Saizar was replaced by Patricia Fernández.
The song is a romantic up-tempo number with influences from disco, in which the trio sings 'If perhaps I made a mistake / I want to say I'm sorry'. They go on to sing 'Put away the keys / and put the suitcase back in its place again' and the chorus is a direct invitation to the other part; 'Sleep beside me tonight / Stay beside me tonight / Love me a lot tonight / I'll be yours tonight...' The B-side is a French translation of the song.
My collection: 7" single no. 5606 Found: Chelsea Records, Antwerpen, August 10, 2014 Cost: 1 euro Tracks: 'Quedate esta noche' / 'Viens rever'
Some would argue that this music blog could never be a music blog when there isn't a single mention of "The King", Elvis Presley. I would reply in turn that rock & roll isn't the focus of my collection - aside from the occasional Marty Wilde gems, of course - but now that I finally have an Elvis single in my possession, there is no need for controversy.
'Wooden heart' was re-released just after Elvis died. Perhaps that's why this song is such a powerful childhood memory, as I vividly recall seeing a video of this song on television around that time. The song was originally a hit in 1961, when it was number 1 for six weeks in the UK singles chart. Upon its re-release in the Netherlands in August 1977, it reached number 2.
My collection: 7" single no. 5439 Found: unknown Cost: unknown Tracks: 'Wooden heart' / 'Tonight is so right for love'
Some time ago, I bought a compilation cd of Earth & Fire's greatest hits, and it came with a remix of their biggest hit 'Weekend'. I didn't realise - although I probably should have - that this remix version was released as a single at the time of that album release.
The remix sounds decent enough, it certainly updates the sound to the year 1988, but it wasn't a chart success for the band. Not that they were still together: Earth & Fire disbanded in 1983. After this single release the band regrouped a year later, releasing just one more album: 'Phoenix'.
My collection: 7" single no. 5393 Found: Disco Market, Den Haag Cost: 3,5 guilders Tracks: 'Weekend (Remix '88)' / 'Weekend'
The single 'Another kind of loving', which I described four years ago, is an English version of 'E' de' det här du kallar kärlek', the Swedish entry of the 1986 Eurovision Song Contest. That song appears on this single as the A-side, coupled with another Swedish track. The title actually means 'Is this what you call love?'.
During the 2010 Swedish national final of the Eurovision Song Contest, this song was performed by Timo Räisanen and Hanna Eklöf.
My collection: 7" single no. 5642 Found: eBay, received September 2, 2014 Cost: 2 euro Tracks: 'E' de' det här du kallar kärlek' / 'En kärleksmagi'
The second single from Blondie's self-titled debut album, 'In the flesh' was written by Deborah Harry and Chris Stein. It was released in 1976 in the USA by Private Stock records, the last single for Blondie on that label. It appeared in Australia on Chrysalis a year later.
This single is a different kettle of fish: it was released by Chrysalis in the Netherlands in 1981, to fill up the silence caused by the lack of new material between the release of 'AutoAmerican' (1980) and 'The Hunter' (1982).
My collection: 7" single no. 5373 Found: unknown Cost: unknown Tracks: 'In the flesh' / 'One way or another'
Music doesn't always have to be serious. The psychobilly rock band King Kurt specialised in wild and funny singles, such as the hilarious cover version of Mack the knife which I described previously.
In August 1984, they followed up that single with 'Banana banana', a 2'38 minute piece of fun that reached number 54 in the UK singles chart.
My collection: 7" single no. 5430 Found: Disco Market, Den Haag
Only in the UK you would have double single packages, sometimes at the price of a single 7", featuring extra tracks that made the purchase of a certain future hit that much more attractive. This 'two record set' of INXS's 'This time' is a great attractive, as it features two extended versions of previous singles plus a glossy gatefold sleeve. What's not to like?
'This time' was taken from INXS's fifth studio album 'Listen like thieves' (1985). The album was a charttopper in Australia and did fairly well in Canada and the USA, as well as peaking at number 46 in the UK albums chart.
My collection: 7" single no. 5452 Found: unknown Cost: unknown Tracks: 'This time' / 'Original sin (extended version)' // 'Burn for you (extended remix)' / 'Dancing on the jetty'
'The Honorary Consul' was originally a book written by Graham Greene, published in 1973. The book was subsequently made into a film, directed by John Mackenzie in 1983, featuring Richard Gere and Michael Caine.
The soundtrack of the movie featured a theme which was composed by Paul McCartney and performed by John Williams. It's true, when you listen to the recording of this single you'll notice that it's had better days, but this single is pretty hard to find these days. So I guess I'm lucky to have found it at all.
My collection: 7" single no. 5408 Found: unknown Cost: unknown Tracks: 'Paul McCartney's theme from The Honorary Consul' / 'Clara's theme' (Quimantu)
Bobby Goldsboro was born in Marianna, Florida. In 1941, Goldsboro's family moved 35 miles north from Marianna to Dothan, Alabama. He graduated from Dothan High School in 1959 and later enrolled at Auburn University. Goldsboro left college after his second year to pursue a musical career. He played guitar for Roy Orbison from 1962 to 1964, then started a solo career.
'Summer (The first time)', a reminiscence about a 17-year-old boy's first sexual experience with a 31-year-old woman, was a Top 20 hit in the U.S. and reached number 9 in the UK singles chart. Using a repeating piano riff, 12-string guitar, and an orchestral string arrangement, the song was suggestive enough to spark some controversy at the time.
My collection: 7" single no. 5397 Found: Beanos, London Cost: 1,5 pounds Tracks: 'Summer (The first time)' / 'Childhood - 1949'
The Colourfield were a British band formed in 1984 in Manchester when former Specials and Fun Boy Three frontman Terry Hall joined up with ex-Swinging Cats members Toby Lyons and Karl Shale. Despite the fact that all three of them hailed from Coventry, they made their homebase in Manchester.
In January 1984 The Colourfield released their debut single, 'The colour field', which just missed making the Top 40 in the UK Singles Chart, peaking at number 43.
My collection: 7" single no. 5379 Found: unknown Cost: unknown Tracks: 'The colour field' / 'Sorry'
'I'm your money' was released in 1981 as the second single by Heaven 17, the synthpop trio formed by Martyn Ware, Ian Craig Marsh and Glenn Gregory. After the success of their debut single '(We don't need this) Fascist Groove Thang', the chart result of this single came as a disappointment, as it didn't chart at all.
In recent years, Heaven 17 have started performing live, something they never did during the Eighties. In an interview in 2010 for the website Electricity Club, Martyn Ware said: "We weren't writing songs with the anticipation of playing them live so I'm Your Money is very... say for instance we waved a magic wand and it was exactly the backing track that we did... we can't do because we don't have the original tapes. But if it was exactly the same backing track as we did in the 1981, I think it would really jar on the ear! It's incredibly repetitive and monotonous but on record, it sounds great. "
My collection: 7" single no. 5401 Found: unknown Cost: unknown Tracks: 'I'm your money' / 'Are everything'
'Julia says' was released as the second single from Wet Wet Wet's sixth studio album, 'Picture this'. It was released on March 13, 1995 and peaked at number 3 on the UK Singles Chart.
Marti Pellow recorded his own version of the song for inclusion on his 2002 album 'Marti Pellow Sings the Hits of Wet Wet Wet & Smile'.
This 7" single was released as a limited edition on purple vinyl. The song is nice but it is quite unfortunate that the band decided to 'rock out' near the end, which kindof sours the mood.
My collection: 7" single no. 5414 Found: Record fair, 1995 Cost: 12 guilders Tracks: 'Julia says' / 'It's now or never'
EMI have always been excellent at recycling their music. Countless compilation albums and re-releases of old hits is what this big record company based a lot of its success on - in the past of course, because EMI isn't that successful anymore these days.
Case in point: this re-release of Talk Talk's 'Such a shame', released in 1990, was made in Germany and was different from the UK version. That one had a live version of 'Dum dum girl' on the B-side, whereas this one simply has the studio version. Confusing matters even more, the CD-single equivalents of these single had completely different track listings, the European one winning because it had the live version of 'Tomorrow started' as well as the rare track 'Another word' on it.
My collection: 7" single no. 5412 Found: unknown Cost: unknown Tracks: 'Such a shame' / 'Dum dum girl'
'Un train qui part' ('A departing train') was a song performed by French singer Marie, representing Monaco during the 1973 Eurovision Song Contest. The song is about people striking out on their own. Marie sings about a girl from rural France who is boarding a train to Paris in the hope that she will find work there, despite not knowing exactly what she will do. The departing train, she sings, 'is a bit like a home...For one who has never known home'.
The song was performed sixth on the night. At the close of voting, it had received 85 points, placing it eighth in a field of 17 competitors.
My collection: 7" single no. 5595 Found: Marktplaats.nl, August 2, 2014 Cost: 2 euro Tracks: 'Un train qui part' / 'Le géant'
'You ain't seen nothin' yet' was written by Randy Bachman. The chords of the chorus riff are very similar to the ones used by The Who in their song 'Baba O'Riley', and also, the stuttering vocal is reminiscent of 'My generation'. Randy insists that the song was performed as a joke for his brother, Gary, who had a stutter, with no intention of sounding like 'My generation'. They only intended to record it once with the stutter and send the only recording to Gary.
The first single from the Not Fragile album was 'Roll on down the highway', appearing here on the B-side. It performed well, reaching number 4 on the Canadian charts, but eventually stalled at number 14 on the US charts. 'You ain't seen nothin' yet', meanwhile, was becoming a hit as an album cut. Radio stations all over the USA were giving it a great deal of airplay. So much so that Bachman was embarrassed because he thought it was a stupid song, just something that he wrote as a joke.
Fach would regularly call him with airplay reports, asking for permission to release the track a single. Bachman says, 'And I refused for three weeks... I was producer, so I had final say on what went out. I woke up one day and asked myself, 'Why am I stopping this?' Some of my favorite records are really dumb things like 'Louie, Louie'... so I said to Charlie, 'O.K., release it. I bet it does nothing.' The song went on to become a charttopper and a rock classic.
My collection: 7" single no. 5368 Found: unknown Cost: unknown Tracks: 'You ain't seen nothin' yet' / 'Roll on down the highway'
'Talking in your sleep' is a chart-topping hit song by Detroit rock band The Romantics. It appeared on the Romantics' 1983 album 'In heat' and was the Romantics' biggest chart hit, garnering substantial radio airplay and a million in U.S. 45 RPM single sales. The song reached number 3 - where it held for three weeks - on the Billboard Hot 100 in February 1984.
The song's music video, widely aired at the time on MTV and elsewhere, featured the band performing while surrounded by standing, but seemingly sleeping women who were dressed in lingerie, pajamas, and other sleepwear. The song was unsuccessful in the UK, but went on to reach number 15 in the UK singles chart when it was covered by Bucks Fizz.
My collection: 7" single no. 5464 Found: unknown Cost: unknown Tracks: 'Talking in your sleep' / 'Rock you up'
If You Don't Know Me by Now" is a song written by Kenny Gamble and Leon Huff and recorded by Harold Melvin & the Blue Notes.
The song was originally written for Labelle (a trio led by Patti LaBelle) but they never recorded it.
The song was later covered by the English band Simply Red, also becoming their best-known hit after reaching number 1 on the US Billboard Hot 100 in July 1989. It peaked at number two in the UK Singles Chart. The B-side was recorded live in Manchester on February 22, 1989.
My collection: 7" single no. 5447 Found: unknown Cost: 2 pounds Tracks: 'If you don't know me by now' / 'Move on out (live)'
Although "Weird Al" Yankovic refuses to use parody ideas from other people, Madonna is partly responsible for 'Like a surgeon'. Madonna asked one of her friends how long it would take until Yankovic satirized her song 'Like a virgin' as 'Like a surgeon'. This friend was a mutual friend of Al's manager, Jay Levey. When word got back to Yankovic, he decided it was a good idea and wrote the song. This is the only known time that Yankovic has gotten a parody idea directly from the original artist.
The music video, which takes place in a hospital, can be considered an extension of the parody. Several features of the 'Like a virgin' music video — famously set in Venice - are mimicked: shots of Yankovic singing on a moving gurney are substituted for footage of Madonna on a canal boat, and both videos feature a lion at the beginning.
My collection: 7" single no. 5416 Found: unknown Cost: unknown Tracks: 'Like a surgeon' / 'Slime creatures from outer space'
'Love her madly' is a song by The Doors that was released as a single in March 1971. Composed by guitarist Robby Krieger, it served as the lead single from L.A. Woman, their final album with frontman Jim Morrison. Session musician and TCB Band member Jerry Scheff played bass guitar on the song. The single became one of the highest-charting hits for The Doors. It peaked at No. 11 on the Billboard Hot 100 singles chart and reached number 4 in the Dutch top 40.
The B-side of the single is one of only three non-album B-sides by The Doors. 'Don't go no further' was subsequently released on the album 'Weird scenes inside the gold mine', a compilation album from 1972.
My collection: 7" single no. 5391 Found: unknown Cost: unknown Tracks: 'Love her madly' / 'Don't go no further'
"Hyperactive!" is a single by British musician Thomas Dolby, taken from his second album 'The flat earth', released in 1984. Additional vocals were provided by Louise Ulfstedt.
According to Thomas Dolby, he initially composed the song for Michael Jackson, whom he met in 1982. He decided to record it by himself since he never got any feedback from Jackson after sending him a demo tape.
It was the first single to be taken from the album and peaked at number 17 on the UK singles chart, but only reached number 62 on the US Billboard Hot 100. A remix was also done of the song, which became quite popular in clubs and on dance charts.
My collection: 7" single no. 5384 Found: unknown Cost: unknown Tracks: 'Hyperactive' / 'White city'
It doesn't happen very often that a Eurovision artist chooses to re-record their song in Dutch. Nicole did it with her 'Ein Bisschen Frieden', and there's a Dutch version of Carola's 'Främling', but aside from a few lesser known releases, that's about it.
Daniela Simons, who represented Switzerland in 1986 with the song 'Pas pour moi', did it with 'Nee voor mij' ('No for me'). Hilariously, she pronounces the word 'man' ('man') as 'maan' ('moon'). Still, she speaks Dutch better than I do French, so I won't make too much a fuss about it. However, the single didn't chart in the Netherlands and I have no info about any other artist attempting to release a Dutch cover of their Eurovision entry after 1986.
My collection: 7" single no. 5625 Found: Marktplaats.nl, received August 28, 2014 Cost: 2 euro Tracks: 'Nee voor mij' / 'Pas pour moi (instrumental)'
Scottish folk singer Mary Sandeman recorded the song 'Japanese boy' in 1981. Realising that the name didn't fit the song, they decided to come up with a name to put to the single. Leafing through the telephone directory, they came upon the name of Aneka. This was then released as a single and Sandeman came up with a Japanese image under which to perform the song. To their surprise, the song became a major hit when it eventually reached No. 1 in August 1981. The song went on to become a hit all over Europe and beyond, although according to Sandeman, it failed to chart in Japan itself because 'they thought it sounded too Chinese.'
The success of the single proved to be a problem however, as Sandeman was left with a dilemma of what to do as a follow-up, now that her image was so firmly associated with one song. She modified her image and kept the Aneka name, but future single releases failed to chart highly in the UK, although she did score two follow-up hits in many countries in Europe. 'Japanese boy' sold almost half a million copies in the UK, making it one of the best-selling singles of 1981, and the second-best seller by a solo female artist (behind Kim Wilde's 'Kids in America').
My collection: 7" single no. 5366 Found: unknown Cost: unknown Tracks: 'Japanese boy' / 'Ae fond kiss'
The cheap production, the loud synths... this single has Eighties written all over it, but not the good part of that decade. Released in 1986, Ryder's 'Runner in the night' was the UK entry for the Eurovision Song Contest. The purpose-made pop group led by Maynard Williams were criticised in the media for being a particularly weak and unsuitable entry.
As a result, the song failed to reach the UK top 75 singles chart - the first to do so since 1964. Still, they managed to get 72 points during the Contest, ending up at number 7 in a field of 20 competitors. It was the year Sandra Kim won, after all...
My collection: 7" single no. 5630 Found: Fun Records, Berlin, received August 29, 2014 Cost: 2 euro Tracks: 'Runner in the night' / 'Runner in the night (Ballad)'
