'Run to you' was released as the fourth single from Roxette's 1994 album 'Crash! Boom! Bang!'. The single reached number 27 in the UK singles chart and also reached the charts in Switzerland and Australia.
The melody at the opening of the song is sampled in Tommy Henriksen's hit song, 'I see the sun'.
My collection: 7" single no. 2226 Found: Record fair, Rotterdam, December 17, 1994 Cost: 10 guilders Tracks: 'Run to you' / 'Love is all (Shine your light on me)'
Yazoo made an impression in the pop world between 1982 and 1984. Their own singles and albums were successful, but there were also some acts that tried to profit from their success. The acapella group the Flying Pickets recorded a version of 'Only you', and this medley of Yazoo tracks is further proof of their influence at the time.
Oozay ('Yazoo' backwards) was an Italian outfit. The single 'Scratching situation' was a medley of 'State Farm', 'Situation' and 'Don't go', as performed by an Italian female singer (who has a problem pronouncing some of the lyrics), backed with cheaper synthesizers. 'The Lenny Twins' produced the single. It was not a hit in most territories, although I imagine it was still very popular in Italy and a proud possession of many Italo disco fanatics.
My collection: 7" single no. 4764 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'Scratching situation' / 'A non scratching situation'
'It should have been me' is the sad tale of a woman who witnesses the wedding of the man of her dreams with someone else. The song was written by Stevenson and Whitfield and originally recorded by Gladys Knight & the Pips in 1968.
The Dutch band I've got the bullets recorded a cover version of the song in 1986 on their self-titled debut album. The track was also released as a single, but this one failed to chart.
My collection: 7" single no. 4759 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'It should have been me' / 'Special one'
'Take my time' was the title of Sheena Easton's debut album, released in 1981. Produced by Christopher Neil, the album was a combination of pure pop songs and sentimental ballads. Besides the two hit singles Easton had already had in 1980, 'Morning train' and 'Modern girl', three more singles were taken from the album in 1981.
The title track was the penultimate single taken from the album. It reached number 44 in the UK singles chart but failed to chart in other territories.
My collection: 7" single no. 4753 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'Take my time' / 'Calm before the storm'
The lyric of 'Macho' by Doe Maar seemed to be a declaration of love to their main audience: girls. The singer declares that he never had many male friends, but played with girls instead. Basically, the members of Doe Maar declared that they were anything but macho.
In reality, the relationship with their audience was becoming strained. Although they didn't talk much about it at the time, it was becoming obvious that the audiences of screaming girls were becoming a trap for the men who just wanted to develop themselves musically. 'Macho' reached number 12 in the Dutch Top 40 and was in fact their last single before the band broke up - breaking many young girls' hearts.
My collection: 7" single no. 4744 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'Macho' / 'Grote broer'
After a few hit singles with 'Nothing rhymed' and 'Alone again (Naturally)', Gilbert O'Sullivan released 'Matrimony' in May 1972. The single was not released in the UK, but it was a big hit in the Netherlands, peaking at number 4.
O'Sullivan's self-created eye-catching visual image comprised a pudding basin haircut, cloth cap and short trousers. His manager reportedly hated the image, but O'Sullivan insisted on using it initially, until he assumed a more modern 'college-like' look in which he often wore a sweater bearing a large letter 'G' - as pictured here on the sleeve.
My collection: 7" single no. 4743 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'Matrimony' / 'January git'
Mike Barson wrote 'Grey day', which was performed for the first time by Madness in 1978 at Acklam Hall, while the band were still known as 'The North London Invaders'. The song was finally recorded in 1981, when it was released as a single in April, the first single from Madness's third album '7'.
The single reached number 4 in the UK singles chart and number 25 in the Dutch Top 40. The track was always my favourite Madness track, but back in 1981 I didn't buy the single due to lack of money.
My collection: 7" single no. 4745 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'Grey day' / 'Memories'
'Periscope life' was the title track from Kayak's 1980 album. The album yielded one hit single, 'Anne', but other singles taken from the album failed to reach the Dutch Top 40. This single is one of them.
The song was written by Ton Scherpenzeel, one of the main composers of the band. The single, like the album, sounded a lot poppier than Kayak's earlier work, which was more rock-oriented.
My collection: 7" single no. 4740 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'Periscope life' / 'Astral aliens'
I always regretted the fact that I discovered Yazoo too late to buy their debut single, 'Only you'. After their second single 'Don't go' became a hit, that debut was re-released, but with flipped sides: the B-side 'Situation' reached number 16 in the Dutch Top 40 in November 1982.
It took me 28 years to find the original single. 'Only you' reached number 2 in the UK singles chart but flopped in the Netherlands. Despite that fact, the single was impossible to find for all this time.
My collection: 7" single no. 4763 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'Only you' / 'Situation'
'Thunder in my heart' was the title track of Leo Sayer's 1977 album. It was released as a single in the autumn of 1977 and reached number 22 in the UK singles chart and number 11 in the Dutch Top 40.
The song found fame once more when it was remixed by Meck in 2006. Entitled 'Thunder in my heart again', the track reached number 1 in the UK and number 7 in the Dutch Top 40. According to Leo Sayer: 'It wasn't just because it was a hot tune, it was all because [people thought] 'Oh my God, it's Leo Sayer!''. Still, nothing beats the original.
My collection: 7" single no. 4761 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'Thunder in my heart' / 'Get the girl'
Intaferon was a short-lived Eighties band, consisting of Simon Fellowes and Simon Gillham. Their only claim to fame was this 1983 single, 'Steamhammer Sam', which failed to reach the UK singles chart but did reach number 36 in the Dutch Top 40 that year.
Their song 'Get out of London' was featured in the 2001 Mary-Kate and Ashley Olsen movie 'Winning London'. Their singles were often featured on the Channel Four television show 'Max Headroom'.
My collection: 7" single no. 4760 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'Steamhammer Sam' / 'The continuing story of Steamhammer Sam'
According to co-producer Tony Visconti, 'Fashion' was the last song completed in the sessions for David Bowie's 1979 album 'Scary monsters'. The song borrowed some elements from the past: the bassline and some of the melody were inspired by Bowie's 1975 hit 'Golden years'. A phrase in the lyric that Bowie borrowed from his past was 'People from bad homes', the title track of a 1973 album he recorded with his proteges The Astronettes, which went unreleased until 1995.
The song was released as the second single from 'Scary monsters'. The single version was an edit of the album version. The single reached number 5 in the UK singles chart and number 70 in the US Billboard Hot 100 chart.
My collection: 7" single no. 4750 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'Fashion' / 'Scream like a baby'
The Dutch band I've got the bullets formed in 1985. The name of the band was taken from the movie 'Rebel without a cause' in which James Dean exclaims these words in the final scene. The band changes personnel regularly, which isn't strange with nine members . Lead vocalist Fréderique Spigt is the face of the group with her raw voice and dynamic stage persona.
Their single 'In the middle of the night' is released in 1986 and is a modest hit in the Netherlands, peaking at number 36 in the Dutch Top 40.
My collection: 7" single no. 4758 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'In the middle of the night' / 'Sheet of rain'
'The crying game' was written by Geoff Stephens and first recorded by Dave Berry in July 1964. Then-unknown session guitarist Jimmy Page played rhythm guitar in this song while Big Jim Sullivan played the solo.
In 1965, Brenda Lee recorded a cover version of the song. Boy George followed suit in 1992. His version was produced by the Pet Shop Boys. Both the Brenda Lee and Boy George versions were used in the Neil Jordan movie, 'The crying game' (1992). The single turned out to be Boy George's last major hit single, peaking at number 22 in the UK singles chart and number 15 in the US Billboard Hot 100 chart. It topped the singles chart in Canada.
My collection: 7" single no. 4756 Found: Record fair, Rijswijk, April 5, 2010 Cost: 3 euro Tracks: 'The crying game'
'The sound of the crowd' was the fifth single by the Human League and represents the band's commercial breakthrough, reaching number 12 in the UK singles chart in May 1981.
Written jointly by lead singer Philip Oakey and keyboard player Ian Burden, the song was recorded at Genetic Sound Studios, Reading, in March 1981. It was the first Human League song to feature female vocals from new band members Susan Ann Sulley and Joanne Catherall, interacting with Philip Oakey's baritone lead vocals. Originally released as a stand-alone single in April 1981, it was subsequently re-recorded and incorporated into the studio album 'Dare', later in the year.
My collection: 7" single no. 4751 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'The sound of the crowd' / 'The sound of the crowd (Add your voice)'
The third single from Elton John's 1983 album 'Too low for zero' was 'Kiss the bride'. Released in this limited edition double pack, a second disc included the old classic 'Song for Guy' from 1978 and another single from the same year, 'Ego'. Curiously, this package was not housed in a gatefold sleeve; the two discs were crammed into one sleeve instead.
The single reached number 20 in the UK singles chart, with lower chart placings in Australia, Canada and the USA (number 25, 37 and 25 respectively).
My collection: 7" single no. 4747 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'Kiss the bride' / 'Dreamboat' // 'Ego' / 'Song for Guy'
Spandau Ballet released the second single from their second album 'Diamond' in November 1981. 'Paint me down' managed to reach number 30 in the UK singles chart, which was their lowest chart placing up to that point.
It has to be said that 'Paint me down' sounds a bit rough and sketchy, and is certainly not up to the standards of previous hits 'Muscle bound' and 'Chant no. 1'.
My collection: 7" single no. 4749 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'Paint me down' / 'Man with guitar'
Carmel was born as Carmel McCourt on November 24, 1958 in Wrawby, England. Together with Jim Parris and Gerry Darby she formed the band Carmel in Manchester. Their debut single 'Storm' reached number 1 in the UK independent chart and they were signed to London Records as a result.
'It's all in the game' was taken from Carmel's fourth album 'Everybody's got a little... soul'. The B-side was recorded live at Ronnie Scott's in London on June 28, 1987.
My collection: 7" single no. 4757 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'It's all in the game' / 'More more more (live)'
In 1986, the Frank Boeijen Groep switched record labels before they released their sixth album, 'In natura'. The first single from the album was 'De beloning' ('The reward'), a track that sounded a bit like their second biggest hit, 'Kronenburg park'. Like that single, this track featured a group of black women on backing vocals, while the instrumentation relied less on synthesizers and more on acoustic instruments.
The new sound paid off: 'De beloning' reached number 24 in the Dutch Top 40. The album version was considerably longer than the single version, which faded out at 5 minutes.
My collection: 7" single no. 406 Found: Free Record Shop, Den Haag, 1986 Cost: 6 guilders Tracks: 'De beloning' / 'Volle maan'
When I bought this single I wasn't sure whether I already had it or not. But I thought what the hell, it's a limited poster sleeve edition, and that alone warranted this acquisition. So I was really happy to find that I didn't actually have this single, which means that this is a genuine addition to my collection.
Jody Watley was hot in 1987. Her self-titled debut solo album was a smash hit and this, the second single from the album saw her singing in a deep lower register. The single only reached number 56 in the US Billboard Hot 100 chart and did not chart in the UK, where this limited edition was made.
My collection: 7" single no. 4762 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'Still a thrill' / 'Looking for a new love (acappella)'
The fact that Dutch pop was at its highest artistic level in the first half of the Eighties is proved once more with this single, released by Toontje Lager in September 1982. 'Ben jij ook zo bang' ('Are you so afraid too') is a fast-paced, almost manic track in which a sombre image of the future is painted.
The B-side is even better: a tale of sexual escapades set to great music. The guitar solo at the end is a treat. It's weird that this single didn't even manage to get into the Dutch Top 40.
My collection: 7" single no. 4765 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'Ben jij ook zo bang' / 'In gedachten'
I was pretty surprised when I found this single. I thought it was a very obscure item, released possibly before Howard Jones' debut single 'New song'. Two live tracks recorded at the Marquee, of which one - the A-side, 'What can I say', written by Howard Jones and William Bryant - I didn't know at all.
As it turns out, this was the 7" single that was included in a limited edition package of the 12" single of Howard Jones' second single, 'What is love'. Since I'm not likely to find that 12" single, I'm glad to have bought this single on its own.
My collection: 7" single no. 4755 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'What can I say (live)' / 'Bounce right back (live)'
'Goodnight tonight' began as an instrumental track which Paul McCartney had recorded in 1978. Needing a single for Wings to accompany the album 'Back to the egg', he took out the track and brought it into the studio, where the full Wings lineup completed it. Since the track was over seven minutes long, an edited version was used as the single, with the full version available as a 12" single.
The single reached number 5 in the US Billboard Hot 100 chart and the UK singles chart and number 21 in the Dutch Top 40. McCartney's former songwriting partner John Lennon later commented that he didn't care for the song, but enjoyed McCartney's bass guitar on the single.
My collection: 7" single no. 4746 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'Goodnight tonight' / 'Daytime nighttime suffering'
'(Feels like) Heaven' is one of the big pop standards of the eighties. It was released by Fiction Factory in early 1984. It was the band's only big hit, reaching number 6 in the UK singles chart, and number 12 in the Dutch Top 40.
I also have the 12" single in my collection, but whenever I came across the 7" single I always thought I already had it. There was some doubt when I bought it this time, but I finally managed to pull it off and buy the damn thing.
My collection: 7" single no. 4748 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: '(Feels like) Heaven' / 'Everyone but you'
'Love's Theme' is an instrumental piece recorded by Barry White's Love Unlimited Orchestra and released in 1973. It is one of the few instrumental and purely orchestral singles to reach number 1 on Billboard's Hot 100 chart in the United States, in early 1974. In the Dutch Top 40, the single reached number 6 in March 1974. The recording, with a large string orchestra and wah-wah guitar, is considered to be an influence to the disco sound, which would become popular the following year.
In May 1993, Orchestral Manoeuvres in the Dark released their single, 'Dream of me (Based on Love's Theme)' on which they sang their own lyrics over a sample of this Barry White's composition.
My collection: 7" single no. 4741 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'Love's theme' / 'Sweet moments'
The Dutch band Kayak was famous in the Seventies and early Eighties, but still their singles are very hard to find. So whenever I see one these days, I pick it up. In this case, I didn't even know the song - but I wasn't disappointed. Kayak makes very beautiful rock songs, sometimes with a hard edge, and sometimes it's just all peachy.
'We are not amused' was released in May 1975 and failed to reach the Dutch Top 40.
My collection: 7" single no. 4739 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'We are not amused' / 'Serenades'
'Love is an ocean' was another single taken from Earth & Fire's 1981 album 'Andromeda girl'. The song was written by Bert Ruiter and lead singer Jerney Kaagman.
The single, released in February 1982, failed to reach the Dutch Top 40.
My collection: 7" single no. 4738 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'Love is an ocean' / 'You'
'Treat me like a lady' was recorded in Five Star's new high-tech studio in the grounds of their family home, Stone Court in Ascot, Berkshire. The studio reportedly cost them £2.5 million. It was their first single for their new record label, Epic.
The single was released in a limited edition envelope pack, including five square 7" photographic prints. It reached number 54 in the UK singles chart.
My collection: 7" single no. 1196 Found: Free Record Shop, Den Haag, 1990 Cost: 8 guilders Tracks: 'Treat me like a lady' / 'Don't stop'
When Daryl Hall & John Oates released the compilation album 'Rock 'n Soul part 1' in 1984, 'Adult education' was a new track on that album, and released as a single to promote the compilation.
Someone thought it would be a good idea to do the same in 1991, when the compilation 'Looking back' was released. Of course, this single flopped.
My collection: 7" single no. 4742 Found: Record fair, Rijswijk, April 5, 2010 Cost: 0,5 euro Tracks: 'Adult education' / 'Rich girl'
The song 'I want to break free' is more famous for its music video than for its music. Directed by David Mallet, the video was a parody of the northern British soap opera 'Coronation Street'. In it, the band members of Queen dressed in drag, as mildly similar characters found in the soap at the time. The video also featured a ballet piece with the Royal Ballet.
The single reached number 1 in Austria, Belgium, New Zealand, Finland and the Netherlands and peaked at number 3 in the UK singles chart. In the USA, the single only reached number 45. Again, this is explained by the music video, as many people in the USA failed to see the soap-opera connection and interpreted the video as an open declaration of transvestitism and Mercury’s homosexuality. The narrowmindedness of these people prevented all of Queen's singles to reach the top 40 in the USA until 'The show must go on' reached number 2 in 1991.
My collection: 7" single no. 4737 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'I want to break free' / 'Machines (or 'Back to humans')'
The lyric of 'Rag doll' was primarily written by Steven Tyler and Jim Vallance. The song was originally titled 'Rag time' but when Holly Knight was called in to help change the lyric, she suggested 'Rag doll'. This was actually another title Steven and Jim thought of, but Holly ended up getting credits just for two words. Steven was horrified about this and often complained to his manager.
The single peaked at number 17 in the US Billboard Hot 100 chart, number 42 in the UK singles chart and number 19 in the Dutch Top 40.
My collection: 7" single no. 721 Found: Free Record Shop, Den Haag, January 21, 1989 Cost: 6 guilders Tracks: 'Rag doll' / 'St. John'
'Baggy trousers' was included on Madness' 1980 album 'Absolutely' and released as a single in September 1980. Written by lead singer Suggs, the lyric of the song reminisces on school days. The band first began performing the song at live shows in April 1980.
The single reached number 3 in the UK singles chart and number 4 in the Dutch Top 40. In the UK, it was the eleventh best-selling single of 1980.
My collection: 7" single no. 4736 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'Baggy trousers' / 'The business'
Heaven 17 recorded 'Tempation' in 1983 on their album 'The luxury gap'. Carol Kenyon provided backing vocals on this track as well as lead vocals in the bridge and chorus. The song also featured an orchestra, arranged and conducted by John Wesley Barker.
The single reached number 2 in the UK singles chart and number 27 in the Dutch Top 40 - their first hit abroad.
My collection: 7" single no. 4752 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'Temptation' / 'We live so fast'
I guess you could call this the Find Of The Day: during a record fair I found this single today, and it is one that I was aware of, but never found until now. 'Brave new world' was the third single taken from Jeff Wayne's impressive 'War of the worlds' album, released in the autumn of 1978.
The album version of this track clocks in at 12 minutes, and so it has been edited down to 5 minutes and 24 seconds, omitting mostly non-singing parts in the track. The single reached number 55 in the UK singles chart.
My collection: 7" single no. 4754 Found: Record fair, Rijswijk, April 5, 2010 Cost: 1 euro Tracks: 'Brave new world' / 'Streetfight'
The second single from Maarten Peters' third and most successful album 'White horses in the snow' was the ballad 'Heart of stone (Leave me alone)'. Although the single did not chart, it certainly gave him some exposure, as he played in many television shows at the time.
This single brings together two of the longest tracks on the album, and also the most accomplished ones. Although Maarten Peters' pronunciation and diction is most certainly Dutch, the songs could almost have been made by a British singer/songwriter.
My collection: 7" single no. 1130 Found: Free Record Shop, Den Haag, December 8, 1989 Cost: 6 guilders Tracks: 'Heart of stone (Leave me alone)' / 'Prince of darkness'
'Here we are' was the third single from the album 'Cuts both ways' by Gloria Estefan. It was one of her successful ballads that followed the fomula of previous ballads and was rewarded with the same amount of commercial success.
The single reached number 6 in the US Billboard Hot 100 chart, number 23 in the UK singles chart and number 14 in the Dutch Top 40.
My collection: 7" single no. 1128 Found: Free Record Shop, Den Haag, December 8, 1989 Cost: 6 guilders Tracks: 'Here we are' / '1, 2, 3 (live)'
I hated the song 'Nikita' by Elton John. I thought it was a sentimental piece of drivel with a much too repetitive chorus. This made it hard to like 'Cry to heaven', released a few months later. Still, I did buy the single a few years later, realising that this song actually had an interesting melody.
'Cry to heaven' reached number 12 in the Dutch Top 40 and number 47 in the UK singles chart. It was less successful than 'Nikita', which inexplicably became a top 10 hit almost everywhere.
My collection: 7" single no. 656 Found: Leiden, September 23, 1988 Cost: 1 guilder Tracks: 'Cry to heaven' / 'Candy by the pound'
'I wish it would rain down' was released in 1989 as the second single from Phil Collins' album 'But seriously'. Phil Collins commented that it was as close as he had ever gotten at the time to writing a blues song. He asked Eric Clapton to provide the guitar playing throughout the song. As Collins recalls, 'I said 'Eric, have I never asked you to play? Come on, I've got a song right up your street'.
The song was a top ten hit in many countries, including Canada where it topped the chart. In the USA and the Netherlands, the single reached number 3, while peaking at number 7 in the UK singles chart.
My collection: 7" single no. 1174 Found: Free Record Shop, Den Haag, February 17, 1990 Cost: 6 guilders Tracks: 'I wish it would rain down' / 'Homeless (Another day in paradise - demo)'
From the information I could gather online, the Tiptops were a Belgian group. This single, 'Ducks', was their first release in the summer of 1962. I bought this single in Denmark on the strength of the title: I am not a duckophile for nothing.
This is the kind of music you might hear on radio shows at the time, as background music. It's not been a hit in Europe, although I imagine it could have been a hit in Belgium.
My collection: 7" single no. 3426 Found: Esbjerg, June 17, 2006 Cost: 10 Danish crowns Tracks: 'Ducks' / 'Little Sally'
Not to be confused with the Madonna track that was released four years later, 'Who's that girl' was released by the Eurythmics in 1983. The music video featured Annie Lennox appearing in a male and female version. She appeared as a nightclub singer performing the song and also as a man who is a member of the audience. The video features cameo appearances by Bananarama, Cheryl Baker and Jay Aston of Bucks Fizz, Kiki Dee, Hazel O'Connor, Kate Garner of Haysi Fantayzee, Thereza Bazar of Dollar and Marilyn. In the end of the clip, the female-Lennox is shown kissing the male-Lennox.
The single reached number 3 in the UK singles chart, number 21 in the US Billboard Hot 100 chart and number 28 in the Dutch Top 40.
My collection: 7" single no. 208 Found: LP Top 100, Den Haag, 1983 Cost: 5,5 guilders Tracks: 'Who's that girl?' / 'You take some lentils... and you take some rice'
'How am I supposed to live without you' was originally recorded in 1983 by Laura Branigan. The song was written by Michael Bolton. He wrote several songs for various artists, during a gap of seven years in which he didn't release records of his own. His first two albums, 'Michael Bolton' (1975) and 'Everyday of my life' (1976) had failed to chart, but after he wrote some hit singles for others, his own career started once more from 1983 onwards.
In 1989, he released the album 'Soul provider', on which he recorded 'How am I supposed to live without you' himself. It turned out to be a good choice: it was his first international hit, peaking at number 3 in the Dutch Top 40 and the UK singles chart. From then on, he remained popular in various countries for inexplicable reasons: these days I find his voice particularly grating.
My collection: 7" single no. 1262 Found: Disco Market, Den Haag, July 14, 1990 Cost: 2 guilders Tracks: 'How am I supposed to live without you' / 'Forever eyes'
In 1986 Frank Boeijen and his group left his old record company Telstar to sign with BMG. Around that time, the old label decided to released the fourth and final single from the fifth album 'Foto van een mooie dag'.
As a result, 'Geef niet op' ('Don't give up') was not promoted by the band and sunk without a trace.
My collection: 7" single no. 397 Found: Disco Market, Den Haag, 1986 Cost: 2 guilders Tracks: 'Geef niet op' / 'Nachtportier'
Black faced the 'difficult second album' syndrome in 1988. After a very successful 1987, it was time to come up with a second album that would match the success of his debut 'Wonderful life'. 'Comedy' certainly met all the artistic demands, but commercially it was less fortunate.
The first single from the album was 'The big one', in comparison the weakest track from the album. As such it may not have been the best choice. The single was released in a limited edition poster sleeve in the UK, but this didn't help much: it only reached number 54 in the UK singles chart.
My collection: 7" single no. 678 Found: Disco Market, Den Haag, 1988 Cost: 3,5 guilders Tracks: 'The big one' / 'You are the one'
'The dreaming' was released in July 1982 as the second single from Kate Bush's fourth album of the same name. The first single, 'Sat in your lap', had been released thirteen months earlier, but was still included on the album as well. The song is about the destruction of Aboriginal homelands by white Australians in their quest for weapons-grade uranium. Musical guest Rolf Harris plays the didgeridoo on the recording. Bird impersonator Percy Edwards provided sheep noises.
The single reached number 48 in the UK singles chart, which was quite disappointing in a way, as all of Kate's single up to that point had reached the UK top 40 (with the exception of 'Hammer horror', which peaked at number 44). The single was not released in Europe, where the track 'Suspended in gaffa' was preferred.
My collection: 7" single no. 548 Found: HMV, London, October 1987 Cost: 2 pounds Tracks: 'The dreaming' / 'Dreamtime'
Clouseau were already big in their native Belgium, but their international career took off in early 1990 when they released 'Daar gaat ze' ('There she goes') as a single from their debut album 'Hoezo'. It rocketed up the charts in the Netherlands, peaking at number 2 in the Dutch Top 40 in March. From then on, they became almost as popular in the Netherlands as they already were in Belgium.
'One vision' was released as the first single from Queen's 1986 album 'A kind of magic', released in 1985. Queen were inspired to write and record this song because of the euphoric feeling that came from their performance at Live Aid. The track contains mysterious and distorted beginning vocals, most prominently the vocals retained in the single version. The reversed vocals at the start of the song relay new lyrics when played forwards—they say, 'God works in mysterious ways... mysterious ways...'.
The final line of the song is 'fried chicken', although the printed lyrics say 'one vision'. This was a result of a prank that Freddie Mercury played in the studio, as the band had fried chicken for dinner that day. Jim Hutton, Freddie Mercury's lover, says in his book, that the singer was not sure whether to include it in the final cut or not. Hutton encouraged him, saying 'You are big enough' (to get away with this).
My collection: 7" single no. 1573 Found: Record fair, January 25, 1992 Cost: 2 guilders Tracks: 'One vision' / 'Blurred vision'
'Fireworks' was released as the third single from Roxette's 1994 album 'Crash! Boom! Bang!'. The song was written by Per Gessle and used all the now familiar trademark Roxette sounds.
The single achieved moderate success in various European countries, and made number 30 in the UK Singles Chart.
My collection: 7" single no. 2162 Found: HMV, London, September 26, 1994 Cost: 2 pounds Tracks: 'Fireworks' / 'Dangerous (from MTV Unplugged)'
After Rubberen Robbie discovered chart success with 'De Nederlandse sterre die strale overal', the band decided to make a sequel. For the second time, they glued together bits and pieces of famous Dutch songs and wrote their own funny lyrics for these songs.
After the previous single hit number 1, this one still did quite well, peaking at number 8 in the Dutch Top 40 in October 1981. The best track of the two is, however, the B-side: a melodramatic piece about an alcoholic who wonders why his Marie left him.
My collection: 7" single no. 116 Found: Disco Market, Den Haag, 1982 Cost: 1 guilder Tracks: 'Meer Nederlandse sterre' / 'Marie'