Confession - Mylene Farmer

Just by chance I found out that Mylene Farmer released a new single this month. There were no news items, nothing on social media as far as I could tell, but the single was just there while I was ordering some cd's on Amazon France.

'Confession', apparently, is an ode to David Lynch, who passed away early this year. Mylene sang this song at the Cannes film festival, where they gave the legendary director and creator all the attention that he should have also gotten at the Oscars (but America has lost the plot anyway this year). This is a lovely, almost understated song, with, as always, mysterious lyrics. 

My collection: 7" single no. 7765
Found: Amazon France, received 15 September 2025
Tracks: 'Confession' / 'Confession (instrumental)' 

What kind of fool - All about Eve

After the big success of their single 'Martha's Harbour', All About Eve released one last single from their debut album, titled 'What kind of fool'. Now several editions of that single have already been featured on this blog: the 7" single, this 12" single and this 12" single.

But there was also this 10" single. And not just any 10" single: it came in a gatefold sleeve with a booklet inside. The booklet contains the lyrics of 'What kind of fool' plus all the non-album tracks that were released as B-sides of several singles taken from the album. The B-side of the 10" single features an exclusive live track, recorded at the Astoria in London.

My collection: 10" single [unnumbered]
Found: Record fair, 1990
Tracks: 'What kind of fool', 'Gold and silver' / 'Every angel (live)' 

The name of the game - Abba

While I am still trying to catalogue several Abba singles that didn't yet make it to this blog while I've had them for years, I am also still buying different variations of Abba singles these days. And so, as luck would have it, I bought an Abba single yesterday which I can easily pair to one I've had much longer.

The single is 'The name of the game'. It's one of my favourite Abba songs (which, I will grant you, there are many of), but all too often the song has been butchered on CD releases. The vinyl singles presented here contain a version that almost reaches the five minute mark, but on various CD's the song skips an entire second verse. 

The German edition, pictured above, has a light blue stripe across the photograph. It is this version which is replicated in the CD singles box set, released in a tin box in 1999.  

When you compare it with the French edition, pictured here, it is easy to spot the difference. That edition was released on the Melba record label, as opposed to Polydor which was used in most of Western Europe.

You might find these differences trivial, but for me they are quite fascinating. I am a bit of a late adopter when it comes to collecting Abba singles, so I probably won't easily get the Australian, Hungarian and Yugoslavian editions, but once you dive in, it's hard to resist. 

My collection: 7" single no. 5891 / no. 7764
Found: Discogs.com, received 31 January 2018 / Rommelmarkt, Voorburg, 14 September 2025
Tracks: 'The name of the game' / 'I wonder (Departure)' 

 

Woodstock - Matthew's Southern Comfort

The song 'Woodstock' was originally written and performed by Joni Mitchell. It appeared on her 1970 album Ladies of the Canyon and on the B-side of her single 'Big Yellow Taxi'.The song's lyrics refer to the four-day Woodstock Music and Arts Festival held in August 1969, and tell the story of a concert-goer on a trek to Max Yasgur's farm in New York State to join in the "song and celebration".

A few months later, the song was recorded by Matthew's Southern Comfort. It became the best-known version of the song in the UK, where it topped the charts. Matthews recalled in 1000 UK #1 Hits by Jon Kutner & Spencer Leigh: "I had bought Joni Mitchell's album and we had to do four songs on a BBC lunchtime show. We worked up an arrangement for “Woodstock” and the response was so good that we put it out as a single."

I first became aware of the song when I was just a child. I had an EP featuring 6 Top Hits from England (which, incidentally, was also the title of that EP) and I played it a lot on my first ever record player. As far as I can recall, it was my favourite song of the six. I threw away the EP when I sanitized my record collection a few years later, but the memory remains. This became clear when I bought this single and played it again after all those decades. I have to say this version by Matthew's Southern Comfort is better than the version by the unknown artist on that EP though.

My collection: 7" single no. 7763
Found: Rommelmarkt, Voorburg, 14 September 2025
Tracks: 'Woodstock' / 'Scion' 

Driving in my car - Madness

While the foldout sleeve edition of the single 'Driving in my car' is an amusing way to package a 7" single, there was also a picture disc released at the same time, no doubt to make the single go higher in the UK charts. 

The strategy must have worked, because the single ended up peaking at number 4, which was just slightly lower than the charttopping 'House of fun', which preceded this single release a few months earlier, also in 1982. Then again, Madness routinely released picture disc 7" singles at that time - and now, over four decades later, I am still hunting them down.

My collection: 7" single no. 7762
Found: Discogs.com, received 12 September 2025
Tracks: 'Driving in my car' / 'Animal farm' 

Life's what you make it - Talk Talk

In 1991, a remix version of 'Life's what you make it' by Talk Talk was released in Europe. The single featured an arty sleeve with a cover painting by James Marsh, as per usual. However, a year earlier the same sleeve was used for a UK re-release of the original song.

This single may have a similar sleeve, but both the A-side and B-side are different. On the A-side, there was the original version of 'Life's what you make it', and on the B-side there was a live recording of that song. The single was released to promote the album Natural history, a 'greatest hits' collection put together by EMI. They followed this up with the remix album History revisited, which is why the other single was released in 1991.

My collection: 7" single no. 7761
Found: Discogs.com, received 12 September 2025
Tracks: 'Life's what you make it' / 'Life's what you make it (live from Hammersmith Odeon)' 

Deshojada - Simone

In 1969 Simone de Oliveira represented Portugal at the Eurovision Song Contest with 'Desfolhada Portuguesa'. In a year when the contest had four winners, Simone landed in penultimate place with her song. 

The event took place in Spain, and it was perhaps logical that Simone also recorded her song in Spanish. 'Deshojada' was released in French as well, but the EP with that version requires a buyer to shell out 750 euros. I wouldn't pay that much for a vinyl disc in 750 years.

My collection: 7" single no. 7760
Found: Discogs.com, received 9 September 2025
Tracks: 'Deshojada' / 'Cinco pedras, cinco quadras'

Ascension day - Talk Talk

After three very successful albums with EMI Records, the band Talk Talk delivered their fourth, Spirit of Eden to baffled record company executives and enthusiastic critics. Decades later the album is appreciated as their masterpiece, but it meant the end of their recording contract with EMI.

The fifth album, Laughing Stock, was released on the Verve label and took the approach of Spirit of Eden to another level. For decades I couldn't get into that album myself, until I read Mark Hollis's biography A perfect silence last year. I played the album numerous times and finally heard the beauty of that unstructured music with those unintelligible lyrics. 

However, I never thought that there was actually a 7" single taken from that album! And in fact, there was no commercial 7" release. All that happened in 1991 was this promotional 7" single from Spain, featuring the second track from the album with a fade out ending. It is a unique release from a unique band. 

My collection: 7" single no. 7758
Found: Discogs.com, received 9 September 2025
Tracks: 'Ascension day' / 'Ascension day' 

Que daria yo - Alan Sorrenti

Alan Sorrenti represented Italy at the Eurovision Song Contest in 1980 with the song 'Non so che darei'. Due to the success of his song at the contest, he decided to record several versions of the song. The English version, 'If you need me now', was released in several countries, and the Spanish version was released in Spain and South America. 

My copy of 'Que daria yo' is a promotional disc, meaning that the label is white and says 'disco promocional - prohibida su venta'. That's always a bonus in my book.

My collection: 7" single no. 7753
Found: Discogs.com, received 2 August 2025
Tracks: 'Que daria yo' / 'Todo es magico de noche'

Every angel - All about Eve

All about Eve were promoted heavily by their record company when their debut album looked like it was going to be a big success. They didn't yet have their big hit 'Martha's harbour' yet, but a good live reputation and a strong fanbase went a long way. 

And so, Mercury Records started releasing singles in many different formats - a wellknown strategy in 1988, before chart rules were made more strict in the UK. 'Every angel' was released on a 7" single, a 12" single, and this limited edition 10" single. This format came with its own exclusive track: 'More than this hour' was only available on this 10" single. The exclusive poster showed the image from the sleeve of the 7" and 12" singles. 

My collection: 10" single [unnumbered]
Found: Record fair, 1990
Tracks: 'Every angel (extended)', 'Candy tree' / 'Wild flowers', 'More than this hour'

Mamma Mia - Abba

'Mamma Mia' was written by Benny Andersson, Björn Ulvaeus and Stig Anderson, with the lead vocals shared by Agnetha Fältskog and Anni-Frid Lyngstad. It is the opening track on the group's third album, the self-titled album ABBA (1975). The song was released in September 1975 as its sixth single. It tells the story of the narrator's on-again, off-again relationship with a lover who is repeatedly unfaithful to her. The song's name is derived from Italian and literally translates as "my mother", but is used as an interjection (Mamma mia!) in situations of surprise, anguish, or excitement. 

The distinctive sound at the start of the song is the marimba. According to biographer Carl Magnus Palm, the instrument was incorporated at the last minute, added after Benny Andersson found it in the studio and decided its "tick tock" rhythm was perfect for the track. 

The song was ABBA's first number one in the UK since 'Waterloo' in 1974. As of September 2021, it is ABBA's seventh-biggest song in the UK with 860,000 chart sales (pure sales and digital streams).

The Dutch pressing had a beautiful sleeve, but in Germany and France different designs were used. It was nice to find these recently.

My collection: 7" single no. 5891 / 6759
Found: Discogs.com, received 31 January 2018 / 9 August 2022
Tracks: 'Mamma Mia' / 'Intermezzo no. 1'