In the mid-Eighties, synthesizers were getting increasingly popular as a means to make movie soundtracks. Jan Hammer made a living making soundtracks for 'Miami Vice', and Harold Faltermeyer scored the 'Beverley Hills Cop' movies. His biggest success was the track 'Axel F', which reached number 2 in the UK and number 1 in the Netherlands.
When you listen to it now, it sound a bit dated but it is still a catchy tune. It's hard to believe, though, that movie producers didn't prefer large orchestras instead. It always sounds more impressive, I think.
Ah well, it's still a soundtrack
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