I'm going slightly mad - Queen

This song seems very appropriate for a night like tonight. Over in London, Kate Bush is premiering her first live show in 35 years. Yes, 'it finally happened'. Meanwhile 'I'm going slightly mad' at the thought that I will have to wait two weeks to see the show myself. Two UK newspaper are running a live blog with details of the show, and the press are sure to go mad with reports tomorrow.

But, back to Queen. They released 'I'm going slightly mad' as the second single from their album 'Innuendo' - the last Queen album to be released while frontman Freddie Mercury was alive. The video showed a pale, thin Mercury who was just months away from his passing. The band went on to release a greatest hits album, a pathetic single without Mercury and of course the lengthy 'Made in heaven' album, using vocals hastily recorded in Mercury's last year alive. There are rumours that a new album using old vocals is being made as we speak. Personally, I prefer music from artists who are still alive... and playing live. Even if the world had to wait 35 years for it.

My collection: 7" single no. 5442
Found: unknown
Cost: unknown
Tracks: 'I'm going slightly mad' / 'The hitman'

Living in a world (turned upside down) - Private Lives

I didn't know until I bought this 12" single that Private Lives released a remixed version of their single 'Living in a world (turned upside down)' within a year of its original release. The new version was produced by Stewart Levine, an American producer who's worked with an impressive line-up of soul-oriented names: The Crusaders, Minnie Riperton, Lionel Richie, Simply Red, B.B. King, Patti Labelle, Oleta Adams, Womack and Womack and many others.

Not that this new version is better than the original: sure, it sounds smooth but the spontaneity of the the original version is gone. Still, you can't go very wrong with great song material like this.

My collection: 7" single no. 5440
Found: unknown
Cost: unknown
Tracks: 'Living in a world (turned upside down)' / 'Breakup'

Six months in a leaky boat - Split Enz

Easily one of the most imaginative titles of the Eighties, 'Six months in a leaky boat' was thought to be a dig at the British invasion on the Falkland Islands. As a result, the song was 'discouraged from airplay' in the UK, also because the phrase 'a leaky boat' was not thought to be appropriate during a naval action in the war.

The song is actually a reference to the time it took pioneers to sail to Australia and New Zealand, as well as a metaphor that refers to lead singer Tim Finn's nervous breakdown. The single reached number 2 in the Australian singles chart, number 7 in New Zealand and Canada and - despite the lack of airplay - number 83 in the UK singles chart.

My collection: 7" single no. 5409
Found: unknown
Cost: unknown
Tracks: 'Six months in a leaky boat' / 'Make sense of it'

Loving feeling - Beloved

The Beloved were having some success as an indie band, when they slimmed down to a duo consisting of Jon Marsh and Steven Waddington. Having experimented with dance sounds already, the two decided to embrace it more and managed to sign a contract with Warner. Their first single for the major label was 'Loving feeling', released in a limited edition poster bag.

The single didn't become a chart hit, but their next single would be 'The sun rising', which did become more popular. In a way, this single is the start of it all, and foreshadowing the things that were ahead.

My collection: 7" single no. 5371
Found: unknown
Cost: unknown
Tracks: 'Loving feeling' / 'Acid love'

Puppet on a string - Big Fair Organ

I couldn't find a release date for this particular single, but my guess it's a release from the Sixties - not too long after Sandie Shaw won the 1967 Eurovision Song Contest with 'Puppet on a string'.

This Big Fair Organ was used for more instrumental covers, as the album 'Dance party', released around the same time, proves: Engelbert Humperdinck's 'Release me', Louis Neefs' 'Ik heb zorgen' and even the 'Green green grass of home' were all given the organ treatment. Both the single and the album were made in Belgium, which would imply that the organ comes from that country as well.

My collection: 7" single no. 5624
Found: Marktplaats.nl, received August 16, 2014
Cost: 1 euro
Tracks: 'Puppet on a string' / 'Edelweis'

Tonight - Boomtown Rats

The Boomtown Rats recorded their sixth album 'In the long grass' in 1983, but it was initially rejected by the band's record company. When it was finally released in May 1984, it failed to chart at all. In the US, where the album was also released, it reached number 188 in the Billboard albums chart.

'Tonight' was the first single from the album, released in February 1984. It appeared in the UK singles chart for one week, at number 73. The B-side was a non-album track, which finally appeared on a 2005 CD release of the album.

My collection: 7" single no. 5374
Found: unknown
Cost: unknown
Tracks: 'Tonight' / 'Precious times'

Celui qui reste et celui qui s'en va - Romuald

Romuald Figuier was born in Saint-Pol-de-Léon (France) on May 5, 1941. He represented Monaco at the Eurovision Song Contest twice: in 1964 and 1974. In 1969, he appeared on stage too, that time representing Luxembourg. This single was released in 1974, and contains his last Eurovision song, 'Celui qui reste et celui qui s'en va'. The song is sung from the perspective of a man whose lover has just ended their relationship. Romuald sings that there is always one half of a relationship who "stays" - that is, the person who does not do the breaking up - and the other half who "goes" - by doing the breaking up. He compares the fates of both people, and sings that while he is not angry with his former lover, he wants her to realise the situation for what it is.

At the close of voting, the song was placed fourth in a field of 17 competitors. Of course, we all know who won the competition that year, don't we?

My collection: 7" single no. 5610
Found: Chelsea Records, Antwerpen, August 10, 2014
Cost: 2 euro
Tracks: 'Celui qui reste et celui qui s'en va' / 'Sur la pointe des pieds, sur la pointe du coeur'