Until recently I didn't even know that this single was missing from my collection. When I wrote about the twelve inch single recently, I came to realise this omission. It's one of those occasions where you think: 'Oh, I'll find that one for cheap someday'. And of course, I did. I think I have all the relevant Chas Jankel singles now.
Loose Ends formed in 1980 in London, with members Carl McIntosh, Jane Eugene and Steve Nichol. They achieved their first success with 'Hangin' on a string (Contemplating)' in 1985, which reached number 13 in the UK singles chart. It was also a minor hit in the Netherlands, reaching number 32 in the Dutch Top 40.
Culture Club were at the height of their popularity when they released 'Karma Chameleon'. It was a number one hit all over Europe, Canada, USA, Australia and New Zealand. According to the band's frontman Boy George, 'The song is about the terrible fear of alienation that people have, the fear of standing up for one thing. It's about trying to suck up to everybody. Basically, if you aren't true, if you don't act like you feel, then you get Karma-justice, that's nature's way of paying you back.'
The national finals for the 1983 Eurovision Song Contest in the Netherlands were pretty exciting. There were five acts competing for the honour to represent the country during the year's Contest in Germany. While Vulcano was the audience favourite, the honour went to Bernadette in the end. She sang 'Sing me a song' and ended up being seventh.
Doug Fieger, Berton Averre, Prescott Niles and Bruce Gary formed the Knack in 1978. They hit it big almost immediately with their single 'My Sharona' (1979), which became a chart hit in various countries.
'Face the face' was taken from Pete Townshend's 1985 solo album 'White City: a novel'. The title refers to a story (called a "novel" in the album title) that accompanies the album, and which takes place in a low-income housing estate in the West London area of White City, near where Townshend grew up. The story tells of cultural conflict, racial tension and youthful hopes and dreams in the Sixties.
A couple of weeks ago, when I visited my friend Puck, he showed me a 12" single he'd bought. It was Mr. Mister's 'Broken wings', which according to the sleeve contained an extended version of that track. I was interested to hear it, but alas, he didn't have a record player to let me hear it. I had no choice but to wait. I thought I might bump into this record myself anyway, and if it was cheap enough, I would buy it.