In 1993, Luxembourg participated in the Eurovision Song Contest for the very last time. Despite regular rumours of their return to the Contest, the country has not made an appearance in the last 22 years so it seems likely that this song by Modern Times, a duo consisting of Simone Weis and Jimmy Martin, will remain their last.
'Donne moi une chance' is sung partly in Luxembourgish. It starts off with a strong intro but becomes a bit dull after that. Apparently the juries thought the same: at the end of the voting, the song had acquired 11 points, finishing as 20th in a field of 25 competitors.
My collection: 7" single no. 5611 Found: eBay.com, received February 12, 2015 Cost: 2 euro Tracks: 'Donne moi une chance' / 'Heaven only knows'
Mark James wrote and recorded 'Suspicious minds' in 1968. After his single was a commercial failure, the song was handed to Elvis Presley, who turned it into one of the most notable hits of his career. It was his seventeenth and last number one hit in the USA.
Session producer Felton Jarvis made the unusual decision to add a
premature fade-out to the song starting at 3:36, mirroring the way
Presley used to perform it in his live Las Vegas stage act. This
fade-out lasts for about 15 seconds before fading back in, conveying a
message of relationship in the song.
My collection: 7" single no. 5610 Found: Kringloop Hebbes, Rijswijk, February 7, 2015 Cost: 1 euro Tracks: 'Suspicious minds' / 'You'll think of me'
The white sleeve of this single informs the reader only that the disc contains 'Dishwasher', which was used in the Dutch radio show 'Avondspits'. Having listened to this show all through the Eighties, there's no small chance that I heard this tune every day for years. And indeed, the tune sounds very familiar.
General Public formed when Dave Wakeling and Ranking Roger decided to continue working together in a new ventur after the breakup of their previous band The Beat. They recruited Mickey Billingham, Mick Jones, Horace Panter and drummer Stoker and signed to Virgin Records. 'Dishwasher' is an instrumental mix of General Public's track 'Burning bright', from their debut album 'All the rage' (1984). The single actually reached number 38 in the Dutch singles chart.
My collection: 7" single no. 5609 Found: Kringloop Hebbes, Rijswijk, February 7, 2015 Cost: 1 euro Tracks: 'Dishwasher' / 'General public'
Released in 1988, 'Roses are red' is a typical Eighties production, sounding a lot like the Jimmy Jam & Terry Lewis productions for Janet Jackson. The song was actually produced by L.A. & Babyface. It was the band's only single to reach the UK singles chart, peaking at number 6.
The song was taken from the band's debut album 'The Mac Band featuring the McCampbell Brothers', also released in 1988. They released two further albums, 'Love U 2 the limit' (1990) and 'The real deal' (1991), after which they called it quits.
My collection: 7" single no. 5608 Found: Kringloop Hebbes, Rijswijk, February 7, 2015 Cost: 1 euro Tracks: 'Roses are red' / 'Roses are red (instrumental)'
Patrick Juvet was born on August 21, 1950 in Montreux, Switzerland. While his early career was focused on making pop records, in the second half of the Seventies he found international success as a disco performer.
Before that, however, he represented his country in the 1973 Eurovision Song Contest with 'Je vais me marier Marie' ('I'm getting married, Mary'). At the close of voting, it had received 79 points, placing 12th in a field of 17 competitors.
My collection: 7" single no. 5607 Found: Discogs.com, received January 20, 2015 Cost: 2 euro Tracks: 'Je vais me marier Marie' / 'Moi j'ai le coeur sauvage'
Saskia & Serge competed in the Eurovision Song Contest once, with the forgettable song Tijd in 1971. However, the year before, they participated in the Dutch national final with this song, ''t Spinnewiel'. They were almost selected, but in the end the Hearts of Soul were chosen with their song 'Waterman'.
While I still have to find a copy of that song, I did manage to get hold of Saskia & Serge's song on this single. Listening to it now, it's hard to imagine that they would stand a chance against 1970's winner, Dana with All kinds of everything.
My collection: 7" single no. 5606 Found: Discogs.com, received January 20, 2015 Cost: 2 euro Tracks: ''t Spinnewiel' / 'Dans met me mee'
Back in 1983, the late Ofra Haza participated in the Eurovision Song Contest with Hi. Readers of this blog will know that I managed to buy the original version and the German version Frei in 2000 and 2011 respectively. I recently managed to add one more version to the collection: 'Vas vas vas', which is the French version.
I have to be honest: I almost didn't buy this single. Through the years I've seen this sleeve so often, that I almost believed I'd already bought it. But usually the price was too high, causing me to leave the single with the various suppliers. This time around, though, I got lucky. And it's a pristine copy too!
My collection: 7" single no. 5605 Found: Velvet Vinyl Outlet, Leiden, January 16, 2015 Cost: 1 euro Tracks: 'Vas vas vas' / 'Hi'
It's getting late in the evening, so it's time for the ultimate moan and groan track of all times. 'Je t'aime... moi non plus' is one of those songs almost everyone with a minor interest in pop music knows. It achieved some notoriety because of its extensive inclusion of heavy breathing.
The lyrics are written as a dialogue between two lovers during sex. Phrases include: 'I go and I come between your loins', 'You are the wave, I the naked/deserted island', 'Physical love is a dead end'. Gainsbourg claimed the song was actually an "anti-fuck" song about the desperation and impossibility of physical love. That message somehow got lost a bit, as the single reached number 1 in many countries mostly on the strength of its face value: it sounded very sexual. Well, I hope you will have a good night after listening to this single.
My collection: 7" single no. 5601 Found: Velvet Vinyl Outlet, Leiden, January 16, 2015 Cost: 1 euro Tracks: 'Je t'aime moi non plus' / 'Jane B.'
Okay... So we've had many Dallas actors and actresses singing tracks, such as Audrey Landers, Charlene Tilton, Victoria Principal, Patrick Duffy and even good old Larry Hagman, so I guess a single by a Dynasty actor or actress was to be expected. But I never imagined it would be the preposterous proposition of Joan Collins reciting the lyric of John Lennon's 'Imagine'!
This single was released in 1982 to promote the album 'The Royal Philharmonic Orchestra plays The Beatles'. You have to marvel at the sheer strangeness of records sometimes. The B-side is slightly less bizarre, with Roy 'I wish it could be Christmas every day' Wood singing 'Happy Christmas (War is over)'.
My collection: 7" single no. 5602 Found: Velvet Vinyl Outlet, Leiden, January 16, 2015 Cost: 1 euro Tracks: 'Imagine' (Joan Collins) / 'Happy Christmas (War is over)' (Roy Wood & Honor Hefferman)
'L'amour est bleu' was the 1967 Eurovision entry by Vicky Leandros, representing Luxembourg that year. She actually won the contest with the song, prompting chart success all over Europe - and a flurry of cover versions.
The most famous cover version is the one by Paul Mauriat and his Orchestra, although his version was entirely instrumental. It didn't bother the audiences in Europe, where it became a hit in 1968. Amazingly, his version became the best known version in the United States, where it ranked as the second best sold song of the year.
My collection: 7" single no. 5603 Found: Velvet Vinyl Outlet, Leiden Cost: 1 euro Tracks: 'L'amour est bleu' / 'A banda'
'Can we still be friends' was written and originally recorded by Todd Rundgren. It appears on his 1978 album 'Hermit of Mink Hollow'. It was the only hit single from that album, reaching number 29 in the US Billboard Hot 100 singles chart.
Robert Palmer was quick to cover the song, releasing it just a year later. He included it on his album 'Secrets'. Despite the fact that this is a very decent version, the single didn't chart.
My collection: 7" single no. 5601 Found: Velvet Vinyl Outlet, Leiden, January 16, 2015 Cost: 1 euro Tracks: 'Can we still be friends' / 'Too good to be true'
It's hard to believe that this single was released in the summer of 1978, because the Human League's 'Being boiled' sounds a lot like early Eighties synthpop. But actually, it was one of the first pieces of electronic pop music produced in the UK. It was recorded on a domestic tape recorder, in mono, in an abandoned factory at a cost of £2,50.
The song was written by Martyn Ware and Ian Craig-Marsh before Philip Oakey joined the band. They gave him the music to listen to, and he returned two days later with lyrics for the track. Ware and Marsh liked the lyrics, and the song was born. The song was re-recorded in 1980, but this single contains the original version.
My collection: 7" single no. 5600 Found: Velvet Vinyl Outlet, Leiden, January 16, 2015 Cost: 1 euro Tracks: 'Being boiled' / 'Circus of death'
The title 'Alors je chante' may only seem familiar to those who have read about Rika Zarai's single on this blog almost six years ago. It is a cover of the 1969 Eurovision song Vivo cantando, one of four winners that year.
Dimitri Dourakine recorded this - instrumental - version of the song in 1969, not long after his single 'Casatchok' became a number one hit in France. It's kitsch, but Eurovision-related kitsch is always worthwhile of course.
My collection: 7" single no. 5599 Found: Velvet Vinyl Outlet, Leiden, January 16, 2015 Cost: 1 euro Tracks: 'Alors je chante (and then I sing)' / 'Haifa'
'The man who sold the world' was written by David Bowie and recorded as the title track of his third album in 1970. The song was covered by the Scottish singer Lulu in 1974. Bowie invited her to a concert he gave after which he met her in his hotel room saying: "I want to make an MF of a record with you [because] you're a great singer." She didn't think Bowie would follow up, but a short time later she was actually in the studio, recording tracks with David Bowie and Mick Ronson producing.
When 'The man who sold the world' was released as a single, it reached number 3 in the UK singles chart, and also top 10 in the Netherlands and Ireland.
My collection: 7" single no. 5698 Found: Velvet Vinyl Outlet, Leiden, January 16, 2015 Cost: 1 euro
Tracks: 'The man who sold the world' / 'Watch that man'
In 1989, Leigh Jaeger sang a cover of Robert Palmer's 'Johnny & Mary'. The track was produced by Stephen Stewart-Short, but received an 'additional production and remix' treatment by Phil Harding and Ian Curnow for PWL. No wonder, then, that this track sounds suspiciously like a Stock/Aitken/Waterman production.
So who is Leigh Jaeger, actually? The internet fails to give any information about her, and her only claim to fame seems to be this single.
My collection: 7" single no. 5697 Found: Velvet Vinyl Outlet, Leiden, January 16, 2015 Cost: 1 euro Tracks: 'Johnny & Mary (remix)' / 'Johnny & Mary (instrumental)'
Well, the following could become complicated... Dries Holten was born on January 30, 1936 in Cimahi, Dutch East Indies. He represented the Netherlands as Andres in the Eurovision Song Contest alongside Sandra Reemer. Sandra en Andres, as they called themselves, performed Als het om de liefde gaat. They were a duo until 1975, when Andres said he wanted to work behind the scenes more.
Sandra went on to participate in the Dutch national final in 1976 and was surprised to learn that Andres had teamed up with Rosy Pereira to form Rosy & Andres. Together they sang 'I was born to love', the song that is presented on this single. They were unsuccessful: Sandra won the national final with The party's over and went on to represent the Netherlands in The Hague.
My collection: 7" single no. 5596 Found: Velvet Vinyl Outlet, Leiden, January 16, 2015 Cost: 1 euro Tracks: 'I was born to love' / 'Why don't you phone me'
In the early Nineties, vinyl singles were becoming increasingly scarce. For some reason, singles from that era have become rather collectible. As a result, a single like this commands prices upwards of 8 euros on the internet. If they are offered at all, that is. Imagine my surprise when I found this copy in a big store filled with singles at 1 euro!
Sarah Bray represented Luxembourg in 1991 with 'Un baiser volé', a song composed by Patrick Hippert with lyrics by Mick Wersant and Linda Lecomte. At the close of voting, it had received 29 points, placing 14th in a field of 22 competitors.This single presents both the French and English versions.
My collection: 7" single no. 5595 Found: Velvet Vinyl Outlet, Leiden, January 16, 2015 Cost: 1 euro Tracks: 'Un baiser volé' / 'One stolen kiss'
Frida Boccara used the melody of Vivaldi's Concerto for two mandolins in G major for 'Les quatres chemins de l'amour', a single released in 1970. It was the year after her impressive Eurovision win with 'Un jour, un enfant', one of the most melancholy Eurovision winners ever.
It's never fun and games with Frida Boccara, so this song sounds almost upbeat in comparison. Classical music can lend itself to modern interpretations, and this one is a good example.
My collection: 7" single no. 5693 Found: Velvet Vinyl Outlet, Leiden, January 9, 2015 Cost: 1 euro Tracks: 'Les quatres chemins de l'amour' / 'La croix, l'étoile et le croissant'
After Vulcano participated in the Dutch national final of the Eurovision Song Contest in 1983, finishing second with Een beetje van dit, they were hopeful the next year, participating once again. They participated with the song '1 2 3', which, if you understand Dutch, has a very strange lyric for a Eurovision song. It's all about a party where things are a bit 'strange'. The song then progresses into a happy chorus, which seems to describe the joys of a swingers club.
The band wasn't successful: they lost out to Maribelle, whose Ik hou van jou represented the Netherlands in the 1984 Eurovision Song Contest. Vulcano, meanwhile, split up in 1986, only to reform 20 years later - without ever releasing any new records, focusing on live performances instead.
My collection: 7" single no. 5892 Found: Velvet Vinyl Outlet, Leiden, January 9, 2015 Cost: 1 euro Tracks: '1, 2, 3' / 'Ik wil je in een hokkie'
Diana Ross is one of the true female superstars in the history of pop. She could be criticized for not writing her own material, but no one ever does. 'No one gets the prize' was the second single taken from her 1979 album 'The Boss', released as a single after the title track. Both were actually written by Ashford and Simpson (the duo that would become famous in the Eighties with their own hit single 'Solid').
'No one gets the prize' was almost a prophetic title: the single didn't become a hit. It only charted in the UK, where it peaked at number 59.
My collection: 7" single no. 5690 Found: Kringloop, Den Haag, January 3, 2015 Cost: 0,25 euro Tracks: 'No one gets the prize' / 'Never say I don't love you'
