Released as the fifth and final single from her 1992 album 'Spellbound', 'Will you marry me?' is, as the title suggests, a rather sloppy ballad. It is embellished by a harmonica solo performed by Stevie Wonder. The single was released right as Abdul became engaged and married to Emilio Estevez. They married in California on April 29, 1992 but then divorced two years later in May 1994.
The single only reached number 74 in the UK, but did rise to number 8 in Canada and number 14 in Germany. I bought the single in London when I found it in a bargain bin, completing my set of Paula Abdul singles from that album.
My collection: 7" single no. 1730
Found: Virgin Megastore, London, October 17, 1992
Cost: 25p
Tracks: 'Will you marry me? (edit)' / 'Goodnight my love'
After the release and promotion of their first album, Johnny Marr and Bernard Sumner recorded albums with The The and New Order respectively, regrouping with Neil Tennant in 1992 to record their fourth and highest-charting single 'Disappointed', which they had played live on a short tour of Europe the previous December.
The song was based on a piano riff by Marr's brother Ian and worked up into a full backing-track by Johnny Marr and Bernard Sumner. They decided to ask Neil Tennant to complete the song and he wrote the lyrics and vocal melody. Some of the words ('Disenchanted once more...') were partly inspired by Mylène Farmer's 1991 hit 'Désenchantée'. The single peaked at number 6 in the UK singles chart and remained Electronic's biggest chart success to date.
On the one hand, it is of course a stroke of genius to sample a Kate Bush vocal for a single, because all people with good taste will appreciate anything incorporating Kate's vocals. On the other hand, is Kate Bush's delicate music suitable for this kind of techno house stuff? I always had doubts about this - and I still do.
'Something good' by the Utah Saints utilises a sample of Kate Bush's 'Cloudbusting' to make a whole new track. And it is a 'track', not a 'song', unfortunately. The single peaked at number 4 in the UK and Ireland and number 10 in Australia. The track was recently remixed and re-released as 'Something Good 08'. In that version, it made the Dutch Top 40, peaking at number 34.
My collection: 7" single no. 1669 Found: Melody Maker, Den Haag, June 20, 1992 Cost: 6,5 guilders Tracks: 'Something good' / 'Trance atlantic flight'
Compared to the aggressive sound of their debut album 'A secret wish', the material on Propaganda's second album '1234' was rather subdued. 'Only one word', the second single from the album, was a good example: the first line-up of Propaganda would never even have considered a ballad to be released as a single. Yet, here it was. Personally, I rate this as one of my favourite Propaganda tracks of all.
The international audience reacted with disinterest. In the UK, the single only managed a number 71 placing in the singles chart - in other countries the single did not chart at all.
The second single from Marc Almond's 1988 album 'The stars we are' was 'Bitter-sweet', a beautifully orchestrated song. It only managed a number 40 placing in the UK chart, which was disappointing after the success of the previous single 'Tears run rings', which had peaked at number 26 and also managed a placing in the US Billboard Hot 100.
Like other singles from the album, this one was released as a limited edition pressed on clear vinyl. I'm glad I was able to find one for my collection.
Katja Ebstein performed 'Theater' during the 1980 Eurovision Song Contest. This is rather well known, for she reached second place. It's less wellknown that she recorded several versions of this song in other languages. One of them is the French version, 'Théàtre', a rather literal translation of the German song.
The B-side is not a French version of the B-side of 'Theater', 'Getrennt von Tisch und Bett', but another song by Ebstein, translation into French as 'Qu'est-ce qu'elle a'.
Released as the third single from Stephanie's first album 'Besoin', 'Live your life' was remixed by a certain Dimitri. Although French-speaking countries favoured the B-side 'Fleur du mal', this single was arguably a bigger success.
'Fleur du mal' only charted in France, peaking at number 16, whereas 'Live your life' went to number 9 in Norway. No further chart performances are known. Stephanie's music career ended just as soon as it had began - although she would still release a single called 'Winds of chance' in 1991 and perform vocals on Michael Jackson's 'In the closet' in 1992 - although she was not credited for this, but rather called a 'mystery girl'.
My collection: 7" single no. 3147
Found: Record fair, Utrecht, October 23, 1999
Cost: 2 guilders
Tracks: 'Live your life' / 'Fleur du mal (A Paul)'
'Antmusic' was the third single released in the UK from the hugely popular Adam & the Ants album 'Kings of the wild frontier' (1980). 'Antmusic' fared better than the first two singles and peaked at number 2 in January 1981, being held off the top by the re-release of John Lennon's 'Imagine' after he was murdered in New York City in December 1980.
The video to 'Antmusic' featured the group playing in a discothèque with a giant juke box, and persuading the young audience to turn away from disco music and dance to the new-styled 'Antmusic'. The band was also presented in the Netherlands, with two drummers being the main gimmick of this band. Despite this, the single did not chart.
'I am a camera' was written by the Buggles for their second album 'Adventures in modern recording' (1981). Trevor Horn and Geoff Downes started writing the song before joining up with the band Yes. A version of the song was released as 'Into the lens' on the Yes album 'Drama'. When Horn and Downes continued with the new The Buggles album, the song was completed as 'I am a camera'.
The single was a non-charter for the Buggles. It still stuck in my mind as a great songs more than a decade later.
Belinda Carlisle, Jane Wiedlin, Charlotte Caffey, Kathy Valentine and Gina Schock formed the Gogo's in 1978. Initially a punk band, the band moved into rock territory with their debut album 'Beauty and the beat' (1981). After a Grammy award for Best New Artist in 1982, they released their second album 'Vacation'.
This single is the title track from that album. While the album got a Grammy award for Best Packaging, this single did not chart in Europe.
My collection: 7" single no. 3134 Found: Den Haag, July 24, 1999 Cost: 1 guilder Tracks: 'Vacation' / 'Beatnik beach'
According to a text on the back of the sleeve of this single, 'the choice of 'Oh, Lori' for this single was made easy - from the beginning it has been one of the album's most-favoured cuts'. The single peaked at number 7 in the UK singles chart and number 6 in the Netherlands.
The jazzy 'Oh Lori' is uncharacteristic for my taste, although a few jazzy tracks appear in my singles collection. The Alessi brothers have a typical Seventies smoothness around them which charmed me for a while.
'Gijzelaar' ('Hostage') was Het Goede Doel's first chart hit in the Netherlands, peaking at number 28 in September 1982. The single was controversial with some broadcasters, because of the lyric of the song: 'I wish I was a hostage / Then dinner would always be ready / I would never have to do the dishes / and I could always play cards'.
The single appeared on the band's debut album 'België', which was released in November 1982.
My collection: 7" single no. 3762
Found: Marktplaats.nl, received June 3, 2009
Cost: 1 euro Tracks: 'Gijzelaar' / 'Gijzelaar (instrumentaal)'
'Plus grandir' was originally released as the second single from Mylene Farmer's debut album 'Cendres de lune' (1985). These days, that single costs a small fortune. The song deals with subjects that Farmer was especially fond of at the time : difficulty of leaving childhood, fear of aging, permanent pain of living and death. Laurent Boutonnat wrote the music, which was rather pop for such a sensitive theme. About the lyrics, Farmer said: 'Old age traumatizes me, it's what I wanted to say in the song'.
This live version was released in 1990, and taken from her album 'En concert'. It peaked at number 35 in the French singles chart, but did not chart in other territories.
Taylor Dayne was never one for subtlety, and so she delivers 'Love will lead you back' as one of her trademark powerballads: lots of loud vocals. The song, written by Diane Warren, is about a woman who is willing to set her lover free because she is confident that one day his love will lead him back to her: 'Sometimes it takes some time out on your own now / to find your way back home'. Warren has stated that she began writing the song while in a hotel in Russia, and that she had originally intended the song to be offered to Whitney Houston, but Arista Records president Clive Davis wanted to let Dayne record the song.
The single reached number 1 in the US Billboard Hot 100 chart and number 11 in Australia, but otherwise it wasn't a big success. In the UK, the single stalled at number 69.
My collection: 7" single no. 1361
Found: Free Record Shop, Den haag, December 8, 1990
Cost: 6 guilders
Tracks: 'Love will lead you back' / 'I'll be your shelter'
'Cry wolf' was released as the second single from A-ha's second album 'Scoundrel days'. The theme of the video was taken from the story of the boy who cried wolf, which was also the inspiration for the song. Pal Waaktaar commented about the song: ''Cry Wolf' has my first decent word-picture: ‘He came from where the winds are cold and truth is seen through key-holes…' Otherwise lots of bass, riffs and pure youthful force… Not so much substance, perhaps'.
The single was a top 5 hit in the UK and peaked at number 16 in the Netherlands. The single was released in a limited edition fold-out picture bag, which was a beautiful item to have. Actually, I like the sleeve more than I like the song...
My collection: 7" single no. 486 Found: Free Record Shop, 1987 Cost: 6 guilders Tracks: 'Cry wolf' / 'Maybe maybe'
'Every angel' was the third single released from All About Eve's debut album. It was remixed for the single release by Paul Samwell-Smith and Tony Phillips. The B-side featured a new acoustic track, 'Wilde flowers'. The single was another chart success for the band, peaking at number 30.
The music video for this song was the one that started my interest in the band. It was broadcast on a satellite channel somewhere in 1988, and it was obvious to me that I should investigate this band further. This is how I found one of their singles, 'Martha's harbour' a week later. Finding 'Every angel' proved to be more difficult: it took me until 1990 to find this one.
And then, of course, there was also a limited edition release of the 7" single (pictured below). This fold-out cover featured a band photograph, featuring for the first time the four piece lineup consisting of Julianne Regan, Tim Bricheno, Andy Cousin and Mark Price.
My collection: 7" single no. 1180
Found: Oldies Unlimited, received February 26, 1990
'Rivers of Babylon' is a song written and recorded by Brent Dowe and Trevor McNaughton of The Melodians in 1972. It is based on the Biblical hymn Psalm 137, a hymn expressing the yearnings of the Jewish people in exile following the Babylonian conquest of Jerusalem in 586 BC. The rivers of Babylon are the Euphrates river, its tributaries, and the Chebar river. The song also has words from Psalm 19:14.
The song was covered in 1978 by Boney M, with a version that was released as a single. In the UK Boney M. sold more than 1,985,000 copies of the song, making the single officially three times platinum and one of the all-time best-selling singles in the UK. It was also the group's only significant US chart entry, peaking at number 30 in the Pop charts. Some controversy arose when the first single pressings only credited Frank Farian and Reyam (aka Hans-Jörg Mayer) of Boney M; after an agreement with Dowe and McNaughton, these two were also credited on later pressings.
My collection: 7" single no. 71 Found: Disco Market, Den Haag, 1980 Cost: 1 guilder Tracks: 'Rivers of Babylon' / 'Brown girl in the ring'
The Norwegian quartet Just 4 Fun was formed especially for the Eurovision Song Contest in 1991. The members were Marianne Antonsen, Jan Groth, Eiríkur Hauksson and Hanne Krogh. Krogh had represented Norway once before, in 1985 when she won together with Elisabeth Andreassen as Bobbysocks.
'Mrs. Thompson' was written by Dag Kolsrud, who previously was a member of the band One 2 Many. The song was not a big success: it placed 17th in the Contest. Still, I liked the song a lot and was very happy when I found this single.
The German band Münchener Freiheit started their international career in 1987 with an English language album entitled 'Romancing in the dark'. The single 'Play it cool' was taken from this album. It showcased their slight formulaic but effective pop.
The single was very successful in Europe, reaching number 3 in the Netherlands and top 10 in various other European countries. It was another one of those singles I didn't buy because it was played so often on the radio - only years later I still wanted to get my hands on a copy.
'Whole lotta Rosie' can be described as the ultimate superficial rock song. The song was apparently based on singer Ron Scott's actual sexual experiences with an obese woman, whose first name was Rosie. The song's first verse reveals Rosie's physical measurements (42"-39"-56"), and that she weighs nineteen stone (approximately 120 kilograms).
The song was an annual appearance on Dutch radio station Veronica's Top 100 of all times, which is where I finally got interested in this song. Upon its release in 1978, it peaked at number 3 in the Dutch Top 40. Two years later, it reached number 36 in the UK singles chart.