'Lucky one' was released as the first single from the album 'House of love' by Amy Grant in 1994 in the UK. In the USA, it was the second single, following the title track, which was a duet with Vince Gill. The single performed slightly better on the US Billboard Hot 100 chart, peaking at number 18.
'Rainbow lake' was released as the second single from Wendy & Lisa's third album 'Eroica'. Released in November 1990, it was their last chart hit in the UK, although it only reached number 70 during the one week it charted.
Seal released 'Violet' as the fifth and last single from his self-titled debut album. It featured acoustic versions of tracks from the album, with all the royalties from the single donated to charity. Unfortunately, the single was not the biggest success from the album: it reached number 39 in the UK singles chart.
'Sister of mercy' was the fourth single taken from the Thompson Twins' hugely successful 1984 album 'Into the gap'. The single version was different from the album version, in that it started out as a ballad. The B-side was a megamix of wellknown Thompson Twins tracks, such as 'We are detective', 'Into the gap' and 'Hold me now'.
'When the snow falls' was originally Ten Sharp's debut single back in 1985. The single did not chart, and since subsequent singles were not a big success either, the band broke up in 1987. When they returned in 1991 with the single 'You', they had a European hit on their hands. The album 'Under the water-line' consisted of nine new tracks, but also a version of 'When the snow falls'.
I cited the words 'I could be your friend, I could be your slave, I could be anything you want me to / But please, don't be aggressive' to a friend back in 1992, when she wanted to hit me because I was pulling her hair again. The words stuck in my mind, and subsequently I bought the single just after it had failed to reach the Dutch Top 40.
Whenever I play this song, I'm very curious what drove the record company to release this as a single. The quirky song with its strange title was not exactly chart material and anyone with one ear could easily admit that. After the commercial failure of 'This side of love', this single was sure not to improve matters much.
Technotronic finally managed to create one track which did not include rapping. The singing on this track was still pretty substandard, but at least it was a kindof decent tune. The lyric is another poetic masterpiece: 'Rockin' over the beat / Rollin' over the melody'.
Roland Orzabal surprised many when he returned in 1993 on his own under the Tears for Fears band name. Curt Smith had left the group and the album 'Elemental' was created without him. The song 'Fish out of water' on the album was apparently about Curt Smith. Roland has often referred to this song as his 'How Do You Sleep', in reference to the scathing song John Lennon wrote about former bandmate Paul McCartney. Curt released a formal response to this tune four years later, in the song 'Sun King' from his album 'Mayfield'.
'Radio Musicola' is the title track from Nik Kershaw's third album. Both the album and the single were released in 1986 by MCA Records. The album deals with subjects of integrity, media skepticism (particularly towards tabloid journalism), privacy, insecurity and mass produced run-of-the-mill pop.
I still remember vividly the first time I heard 'Belfast child' by the Simple Minds. It was a Saturday evening and I had a splitting headache. I'd taken a few pills to combat this, and started playing some music. As always, I'd borrowed the new cd-singles my sister had bought, and this was one of them. I was listening to this new track with a lot of attention and was very impressed with the buildup and climax near the end of the track. When the song was over, my headache was gone.
Newgrange (Irish: Sí an Bhrú) is a passage tomb of the Brú na Bóinne complex in County Louth. It was originally built between c. 5500 and 2900 BC. It is one of the most famous prehistoric sites in the world, and indeed the most famous of all Irish prehistoric sites.
Taken from their debut album of the same name, 'Adolescent sex' was the first hit for Japan, reaching number 27 in the Netherlands and number 20 in Japan. The single did not chart in the UK, where it was not played on the radio because of the title.
Released in October 1987, 'Fight fire with fire' was the last single by Mai Tai to reach the Dutch Top 40. It reached number 31 during a four week chart run. The single was taken from their 1987 album 'Cool is the rule'.
The new single by Madonna notwithstanding, the most famous song called 'Celebration' was originally released in 1980 by Kool & the Gang, a number 1 hit in America for the band. Kylie Minogue, who cited the song as one of her alltime favourite songs, recorded for her fourth studio album 'Let's get to it' in 1991, but it was not included.
'Sounds like a melody' was the second single taken from Alphaville's debut album 'Forever young'. Released in May 1984, the single reached the top 10 all over Europe, including a number 6 position in the Dutch Top 40 and number 3 in Germany and Austria.
Not content with having a European hit with 'Nur geträumt', the German band Nena recorded the track in an English version entitled 'Just a dream'. This English version was the follow-up to '99 red balloons', the English version of her hit '99 Luftballons' which reached number 1 in the UK.
'Just a shadow' was the third and last single released from Big Country's third album 'Steeltown'. Like the two before, the single was only a significant success in the UK. The single peaked at number 26 in the UK singles chart in January 1985.
Time for some dodgy Nineties music now. Timmy T was born as Timmy Torres in Fresno, California on September 21, 1967. He released his biggest hit 'One more try' in 1991. The song was written and performed by Timmy himself. The inspiration for the lyric was the breakup with a girlfriend.
Contrary to public belief, Roxette did not debut with the single 'The look', which gave them worldwide fame. Instead, this single, 'Neverending love' was the start of their career together. Per Gessle had been a member of Gyllene Tider, a Swedish pop group, and Marie Fredriksson had a successful solo career in Sweden.
'Don't drop bombs' was released as the second single from Liza Minelli's 1989 album 'Results'. Like the album, the single was produced by the Pet Shop Boys and Julian Mendelssohn. The track was written by the Pet Shop Boys and featured background vocals by Tessa Niles.
'The lovers are losing' was the second single taken from Keane's 2008 album 'Perfect symmetry'. It was released in October 2008.
The second single from Earth & Fire's 1982 album 'In a state of flux' was the radiofriendly 'Jack is back', an unpretentious pop song from the band that had slowly moved away from their progressive rock roots.
Released in 1980, 'I just can't help it' was the Korgis' fourth single release. Their debut single 'Young 'n Russian' was released twice without chart success, whereas their second single 'If I had you' gave them their first chart success.
'I want your (hands on me)' was already not the strongest track on Sinéad O'Connor's debut album 'The lion and the cobra', but the single version, released in the spring of 1988, had the added bonus of a rap by a certain MC Lyte. And as you well know, rapping is the worst kind of self-expression.
Adamski and Seal recorded 'Killer' in 1990, providing Seal with a platform from which to launch his own solo career. On his debut album, he recorded a new version of the song - and this version was released as the fourth single from the album. This new version was produced by Trevor Horn and William Orbit.
'Drive' was the third single from the Cars' 1984 album 'Heartbeat City'. Written by Ric Ocasek and produced by Robert John "Mutt" Lange and the Cars, the lead vocals were performed by the band's bassist Benjamin Orr.
'Fame' was written by David Bowie, Carlos Alomar and John Lennon in 1975. The original version of the song was released as a single that same year and shot to number 1 in the US Billboard Hot 100 chart.
A track like 'I don't care anymore' is a far cry from the syrupy ballad material Phil Collins recorded later on in his solo career. Apparently, the lyric of this song is about the anger Collins felt after his first marriage dissolved.
'Who will you run to' was the second single from Heart's 1987 album 'Bad animals'. The song was written by Diane Warren. The lyric contains a clear warning to a departing lover that there will be no one else who could care for and support him in the way that the singer of the song has.
I don't think many chart singles are based on classical music these days. But in the Seventies and early Eighties, it happened every once in a while. This track by Demis Roussos is a good example: 'Follow me' was based on Rodrigo's Concerto d'Aranjuez, and was an impressive piece clocking in at six minutes.
After Ricky Wilde debuted in 1972 with 'I am an astronaut', his second single 'April love' was released in early 1973. The song was originally written by Sammy Fain and Paul Francis Webster and recorded in 1957 by Pat Boone. Young Ricky didn't reach the UK singles chart with this effort, and I have no further chart statistics for this single. (He reportedly did well in Scandinavia with some singles, but it's never been described which singles exactly).
Produced by Trevor Horn, it's no surprise that 'Left to my devices', taken from the Pet Shop Boys' 1987 album 'Introspective', is quite a bombastic tune. As for the lyrics, Neil Tennant explains: 'I liked the idea of writing a really up pop song about being left alone. This song is a day in the life of someone, so it starts off with getting out of bed and being on the phone and drinking tea and all the rest of it, and it ends up with coming home. By this time I was making the words very exaggerated and camp, though writing a book and going on stage were both things I had wanted to do when I was young.'
While in the UK their record company had stopped releasing 7" singles by Erasure after 'Run to the sun', their American record company apparently continued for some time, judging from this copy of 'In my arms', released in 1997.
Cyndi Lauper, Tom Kelly and Billy Steinberg wrote 'My first night without you', a song about coming home for the first time without a partner being there after a break up. The single was considered a failure in most of the world because it failed to make a big impact on most charts. However, in South America it was a big success, reaching number 1 in Brazil and Colombia.
Released in April 1987, 'Bet that's what you say' was Mai Tai's penultimate hit single in the Netherlands. The song was produced by Eric van Tijn and Jochem Fluitsma, who also wrote the it. The single reached number 36 in the Dutch Top 40 during a three week chart run.
'Don't forget to dance' is a beautiful ballad from the Kinks' 1983 album 'State of confusion'. The single followed 'Come dancing', which was one of the band's most successful singles in the United States. By comparison, this single did not do well.
The intro of 'Maid of Orleans' is one of the strangest sounds I'd ever heard in 1982. It piqued my interest, and with the aid of the intriguing music video, this became one of my favourite tracks of the year. About the intro, Andy McCluskey explained: 'The idea came about because we actually had the song recorded but thought the track started oddly and needed something else to announce its arrival. It's not meant to "mean" anything specific, just set up a feeling to let the track grow out of the strange noises. I think that it worked well! Most of the noises are mellotron vocal sounds slowed down/sped up and greatly distorted simply by completely overdriving the old Helios desk in The Manor Studio. Pink noise and snare drum in lots of reverb.'
The first single from Sade's third album 'Stronger than pride' was the track 'Love is stronger than pride'. On the sleeve and in the accompanying music video, frontwoman Sade Adu was pictured on the beach in an attempt to 'sex up' the band. It didn't entirely work, as there was a certain distance exuding from her.
Kid Creole and the Coconuts released their fourth album 'Doppelganger' in 1983. The opening track of the album was 'The lifeboat party', which was subsequently released as the album's second single.
Taken from their fourth album 'Scandalous', 'State of love' was another single by Imagination produced by Steve Jolley and Tony Swain. The single only charted in the UK, where it reached number 67 in the singles chart.
'Oh Carolina' was originally written by John Folkes and performed by the Folkes Brothers in 1960. The original track incorporated African-influenced Niyabinghi-style drumming and chanting.
Graeme Clark was inspired to write 'Goodnight girl' for his then girlfriend but has never publicly named her. It became the third single taken from Wet Wet Wet's fourth studio album 'High on the happy side'. It was released in December 1991 and became the second number 1 hit single for the band in the UK .
It's Puck's brother's lucky weekend, as here's another single by Risqué. As far as I know, it's their last single. The track 'Go for it' was produced by Sander Bos and Ben Liebrand. The latter is better known for his remixes of tracks, which were broadcast on Dutch radio weekly on Fridays around that time (1984).
Clodagh Rodgers was born on March 5, 1947 in Northern Ireland. In 1970 she was asked to represent the United Kingdom in the 1971 Eurovision Song Contest. Part of the reasoning behind the BBC's invitation was their concern over what reaction the UK entrant would get on the stage from the Irish public. She received death threats from the I.R.A. as a result of her appearing for the UK.
Not that 'New in town' was a bad song, but the second single by Little boots, 'Remedy' is a lot better. According to Little Boots, ''Remedy' is about dancing and music being a remedy to some kind of poison in your life. I wanted to write a dark dance pop song a bit like Britney Spears' 'Toxic'. The lyrics are not really very personal, I was more imagining a situation.'
Risqué were never excessively popular, even in their native Netherlands, because the formula just didn't fit: they never worked with the best producers, they were trying to be sexy but they couldn't (because they were ugly!) and there was little or no variation in their music. It's rather strange to notice that they perform all their tracks singing together - there are no solos and that makes the whole thing go flat. All this gives Risqué this naff Eighties quality that I'm a sucker for.
Personally, I think Prince perfected his craft with this particular song. It sounds very Prince, but the lyric has more substance than any other Prince song. It deals directly with money, poverty and greed - both on a personal and a political level.
