'International velvet' was the third album of the Welsh band Catatonia, which consisted of lead singer Cerys Matthews with Mark Roberts, Paul Jones, Owen Powell and Aled Richards. The album became their breakthrough as it topped the UK albums chart in 1998.
The single 'Game on' was the fifth taken from the album and included a live acoustic version of the previous single 'Strange glue' on the B-side. This limited edition 7" single was pressed on bright green vinyl and also included a large poster.
Released as the second single from their debut album 'Hunting high and low', 'The sun always shines on TV' was a powerful pop/rock track, starting out as a ballad. While the previous single 'Take on me' was a number one hit in America and many other countries, this single failed to match that success. Only in the UK and Ireland, where 'Take on me' had peaked at number 2, this single managed to top the chart in early 1986.
The single version of 'The sun always shines on TV' is 30 seconds shorter than the album version and has never been released on cd. The B-side has only ever been released on cd in Japan.
My collection: 7" single no. 393
Found: Free Record Shop, Den Haag, 1986
Cost: 6 guilders
Tracks: 'The sun always shines on TV' / 'Driftwood'
'Heart of the sun' was another single released from Red Box's debut album 'The circle and the square' (1986). After the chart success of the single 'For America', the record company was hoping for another audience favourite. Unfortunately, even with this limited edition double single which literally included that single 'For America', this release stalled at number 71 in the UK singles chart.
Due to increasingly strained relations between the band and their record company, Julian Close left to work in A&R and Simon Toulson-Clarke took time out from writing and recording in order to travel.
My collection: 7" single no. 2013
Found: October 18, 1993
Cost: 2 pounds
Tracks: 'Heart of the sun' / 'Enjoy (Solid Gold Easy Amex)' // 'For America' / 'R n' A'
I really like the politically engaged songs of the Eighties - or at least some of them. The The released Heartland in 1986 at the height of Thatcher's regime - or should I say dictatorship? - in the UK, demolishing all that was social and likeable about the country. The statement 'This is the 51st state of the U.S.A.' is still relevant today, with both the UK and the whole of Europe walking alongside the guiding hand of America.
The The reached number 29 in the UK singles chart with this provocative single. They established themselves as a firmly political band with the accompanying album 'Infected'.
Robin Guthrie, Will Heggie formed the Cocteau Twins in 1979. They met Elizabeth Fraser, who would eventually provide vocals for them. Highly influenced by bands like Joy Division and Siouxie and the Banshees, their music was ethereal and sometimes quite 'new age'.
Their 1990 album 'Heaven or Las Vegas' was their most commercially successful, and when you listen to this single taken from that album, it's easy to hear why: the tracks are quite accessible. Despite 4AD label president Ivo Watts-Russell proclaiming that this LP was one of the best releases ever on his label, he released the Cocteau Twins from their contract at the end of 1990, as his relationship with the band had soured.
All about Eve formed in 1985. After their first release 'D for Desire', the core of the band became Julianne Regan, Tim Bricheno and Andy Cousin. Aided by a drum machine, they recorded their second single 'Our summer', which became some sort of underground classic. Both tracks were produced by Simon Hinkler and wayne Hussey from the Mission (UK).
When I became a fan of All about Eve I quickly found out about these early singles. I never thought I'd actually own them, knowing that they were so extremely rare. But in April 1996, I finally found a copy. A great victory.
It was 1984 when this video appeared on television regularly - say, every other hour. The new band Lloyd Cole and the Commotions appeared on the scene with this single and eventually scored a hit with it in the UK, peaking at number 26. For reasons I could never explain, the single did not chart in the Netherlands.
It was even stranger that I didn't buy this single, leaving me to search for it for over a decade. Truth be told, I didn't have to buy it the first couple of years because I'd seen and heard it so often that I wouldn't play the single anyway...
Some songs attach themselves to you and take on different, totally personal meanings. This is a good example. 'A Gentleman's excuse me' was released in May 1990, just before I got infatuated with a girl I knew. A love song in the best of traditions, with full orchestral backing, Fish hit the nail on the head with this song for me. I played it endlessly and bought all the editions that existed.
First of all, I got the standard German pressing, which was available everywhere in the Netherlands. Then at a record fair I found the limited edition red vinyl pressing from the UK, pictured below. And finally, I got the regular UK pressing with it's beautiful glossy cardboard sleeve.
'A Gentleman's excuse me' was a minor hit, peaking at number 30 in the UK and number 34 in the Netherlands. Still, I can't imagine I will ever forget this song - it's made a lasting impression on me.
My collection: 7" single no. 1207
Found: Free Record Shop, Den Haag, April 13, 1990 / Record fair, Den Haag, April 22, 1990 / Record Exchange, London, 1990
Released a year after their debut single and Eurovision winner 'Making your mind up', 'My camera never lies' was Bucks Fizz's third number one hit in the UK. The song was a track from the group's second album 'Are you ready', released two months later. In the Netherlands, the single only managed to get to number 30.
The song was written by band member Andy Hill and Nichola Martin, who had put the group together in 1980 and co-wrote songs for them. The lyrics concern a man who has become obsessed with a woman, who is clearly not interested, but he thinks differently and has convinced himself that she is lying to herself and so he pursues her. The 'camera' of the title denotes his view of the situation.
I ended up buying two versions of the single. After buying the 'normal' version in 1994, I found the limited edition posterbag version a decade later. I simply had to have it. My sister had bought it back in 1982 when the single came out - but the shop didn't have anymore copies.
My collection: 7" single no. 2127 / no. 3244
Found: Record palace, Amsterdam, July 30, 1994 / Record exchange, London, 2002
Cost: 2 guilders / 1 pound
Tracks: 'My camera never lies' / 'What am I gonna do'
The British group Freeez consisted of John Rocca, Peter Maas, Andy Stennet and Paul Morgan. Their biggest hit 'I O U' was recorded in New York and produced by Arthur Baker. It was used in the 1984 movie 'Beat street', featuring the hip hop culture of the early Eighties. The single peaked at number 2 in the UK and the Netherlands.
Although I hated the song when it was in the chart, I started appreciating its charm in the Nineties, when chart music had deteriorated so badly that even the bad songs from the Eighties turned out to be extremely good by comparison.
'Suburbia' was released as the fourth single from the Pet Shop Boys' debut album 'Please' (1986). The song's primary inspiration is the 1984 Penelope Spheeris film 'Suburbia'. In addition to this the tension of the Brixton riots of 1981 and 1985 led Neil Tennant of the duo to writing about the boredom of suburbia and the underlying tension among disaffected youth.
The single was released as a limited edition double single featuring three extra tracks on disc two, including a 'part two' of Suburbia, which was never released on cd in this form.
My collection: 7" single no. 2225
Found: Record fair, Rotterdam, December 17, 1994
Cost: 10 guilders
Tracks: 'Suburbia' / 'Paninaro' // 'Love comes quickly (Shep Pettibone mix)' / 'Jack the lad', 'Suburbia part two'
The Dream Academy was formed by singer/guitarist Nick Laird-Clowes; multi-instrumentalist Kate St John plus keyboardist Gilbert Gabriel. Their debut single was 'Life in a Northern town', a tribute song to Nick Drake. The lyric is a reference to Tanworth-in-Arden (England) native Nick Drake, who died of an antidepressant overdose in 1974.
The single became the most successful of their career, peaking at number 7 in America and number 15 in the UK. The chanting backing vocals of the song were sampled by English dance act Dario G for their 1997 hit 'Sunchyme'.
My collection: 7" single no. 2910
Found: Record exchange, London, November 31, 1997
Cost: 50p
Tracks: 'Life in a Northern town' / 'Test tape no. 3'
Guesch Patti was born as Patricia Porasse in Paris, France on March 16, 1946. She decided to begin a singer career and recorded two discs in 1965 that passed unnoticed. In 1984, Patti participated in the trio named 'Dacapo', and had her first solo hit in 1988 with 'Étienne', which was certified gold disc in France. It was a number one hit in France and Italy. In the Netherlands, the single peaked at number 22. It was played often on the radio, but I was not impressed.
It was only later, when I discovered the album 'Labyrinthe' and some great songs on it, that this single became interesting: the B-side is 'Un espoir', one of the standout tracks on the album.
The band Münchener Freiheit, composed of Stefan Zauner, Aron Strobel, Rennie Hatzke, Michael Kunzi and Alex Grünwald formed in the early Eighties. Between 1982 and 1985, they released three studio albums in German. The single 'Ohne dich (schlaf ich heut nacht nicht ein)' was their first convincing chart hit in Germany, also showing the direction the band was taking towards a more polished pop sound.
In the Netherlands, this single did chart. However, Dutch singer Erik Mesie recorded a cover version in Dutch, called 'Zonder jou'. That version peaked at number 8 in the Dutch Top 40 in 1986.
My collection: 7" single no. 3150
Found: October 23, 1999
Cost: 2 guilders
Tracks: 'Ohne dich (schlaf ich heut nacht nicht ein)' / 'Tochter der Venus'
When you collect singles you come to a point where you think you have pretty much everything and you're up for experiments. Especially when it comes to new singles. During a holiday in London I picked up this single by one Lisa Hall. I didn't know her, I didn't know the song - the sleeve just appealed to me, that's all.
Released in 1999, this single did not chart in the UK, and not in Europe either. The track sounds a bit like Garbage (the band), although the B-side 'Julianne' sounds different altogether. A nice find.
Jim Diamond, Tony Hymas and Simon Phillips formed Ph.D. in 1980. Their self-titled debut album (1981) featured the hit single 'I won't let you down', which went number 1 in the Netherlands and number 3 in the UK. Part of the success could be attributed to the rather funny video that accompanied the single.
My collection: 7" single no. 895
Found: All that music, Leiden, June 23, 1989 Cost: 2 guilders
Michael Head, Chris McCaffery, Thomas Whelan and former Dislocation Dance trumpeter Andy Diagram formed The Pale Fountains in Liverpool in 1980. They released their debut album 'Pacific street' in 1984. Their sole UK singles chart top 50 single was 'Thank you', released two years before that. It reached number 48.
I heard 'Thank you' on a compilation album a few years later and quite liked the track. When I finally found the single in 1993, I was very happy to finally own it.
Jacqueline Boyer was born as Jacqueline Docus on April 23, 1941. She represented France during the 1960 Eurovision Song Contest with 'Tom Pillibi', the winning song during that year's edition. This EP features four songs, with 'Tom Pillibi' being the first and most important one.
The lyric of the song describes Tom Pillibi who owns two castles, ships and has plenty of other women wanting to be with him. Then the singer admits that he has 'only one fault', being that he is 'such a liar' and that none of what she had previously said about him was true. Nonetheless, she sings, she still loves him.
My collection: 7" single no. 3711
Found: Marktplaats.nl, received May 15, 2009
Cost: 6 euro
Tracks: 'Tom Pillibi', 'Gouli gouli dou' / 'Le village de Sainte Bernadette', 'Toute jeune'
Vindictive? Moi? I guess so. Every time I hear this song I think back to my student years, when I had to deal with a few teachers who were always grinning when I talked with them, but when it came down to re-evaluating a grade I got which was too low (by all accounts) they wouldn't listen to reason. So this one is for Swante and Henk.
The O'Jays had a hit with this back in 1972, peaking at number 3 in the US Billboard Hot 100 singles chart, number 14 in the UK and number 11 in the Netherlands.
My collection: 7" single no. 2808 Found: Record fair, January 26, 1997 Cost: 1 guilder Tracks: 'Back stabbers' / 'Sunshine'
Listening to Tori Amos these days you can't help but wonder what happened to the magic of her earlier work. It seems to have completely disappeared. But it would be difficult to keep performing on that level: 'Silent all these years', coupled with 'Me and a Gun' was a stunning debut. The latter, originally presented as the A-side of the single, was an acapella song about rape.
Tori herself commented: 'In the song I say it was 'Me and a Gun' but it wasn't a gun. It was a knife he had. And the idea was to take me to his friends and cut me up, and he kept telling me that, for hours. And if he hadn't needed more drugs I would have been just one more news report, where you see the parents grieving for their daughter. And I was singing hymns, as I say in the song, because he told me to. I sang to stay alive. Yet I survived that torture, which left me urinating all over myself and left me paralysed for years. That's what that night was all about, mutilation, more than violation through sex.'
'Silent all these years' was a more accessible song, and so radio stations began to play that instead. Ultimately the single was re-released with nearly identical packaging but retitled as 'Silent all these years'.
Kat Mandu is Jimmy"Bullet"Ray. Born and raised in Guyana, Jimmy began singing at an early age. As a lead singer and guitarist he became so well recognized that he was invited to appear with renowned artists including: Sam & Dave, Ben E. King, and Carla Thomas. Jimmy first toured England with the Telstars and remained in London for 2 years performing with Dave Clark on a hectic club date schedule.
After this, Jimmy began his own recording career in New York by co-authoring and recording three albums under the name of Kat-mandu producing such hits as 'The break’ and ‘Don’t stop keep on’. His single 'I wanna dance' was a hit in Canada, America and various European countries. In the Netherlands the single stalled just outside the Top 40.
The German pop band Trio consisted of Stephan Remmler, Gert Krawinkel and Peter Behrens. Formed in 1979 they became part of the 'Neue Deutsche Welle' movement in the early Eighties. Their single 'Da da da I don't love you' (1982) was a worldwide hit.
In 1984 they released 'Turaluraluralu (ich mach BuBu, was machst du' (also released in an English version titled 'Tooralooralooraloo (is it old and is it new)'. It was their last hit in the Netherlands, peaking at number 34. Personally I thought it was their best single for its unashamed relaxedness and simple melody.
My collection: 7" single no. 3348
Found: Record fair, Utrecht, 2002
Cost: 2 guilders
Tracks: 'Turaluraluralu (ich mach BuBu, was machst du' / 'Immer noch einmal'
The fourth album by the Pretenders was released in 1986 and was titled 'Get close'. The first single taken from that album was 'Don't get me wrong', an up-tempo pop/rock track with a music video that looked like a tribute to the TV series 'The Avengers'.
The second single was 'Hymn to her', a ballad that was popularly interpreted as a hymn to the Goddess. The single peaked at number 8 in the UK and only managed a number 35 placing in the Dutch Top 40.
Willy Finlayson is a singer from Scotland who first came to London in the late 60's with Scottish Soul band The Writing On The Wall. He went on to become a core member of the band Meal Ticket and Bees make Honey. Willy then formed his own band The Hurters with Micky Moody, Matt Cheadle, Nigel Portman Smith and Alan Coulter.
This band ran parallel with a solo career that spawned the top 20 hit and video with Pete Barden's 'On the air tonight'. Released in 1985, I picked up the track from a local radio station that played the song regularly, despite it not becoming a hit in the Netherlands.
The Crusaders formed in 1961 as the Jazz Crusaders. Since then, they have released over fourty albums, including some live and compilation albums. Their biggest hit was the 1979 single 'Street life', with vocals performed by Randy Crawford, who would go on to have a very successful solo career. 'Street life' peaked at number 5 in the UK and number 13 in the Netherlands.
'Through the years' was released as the last single from Tim Finn's solo debut album 'Escapade'. It was a nice upbeat song, which saw him conquer the charts in Canada (where the single peaked at number 34) and the Netherlands (number 34).
Tim's next release was 'Home for my heart', released from the soundtrack of the movie 'The Coca-cola kid', in which he also made an appearance for about five minutes.
'Glam slam' was the second single taken from Prince's 1988 album 'Lovesexy'. The title originates from the sexual quote 'Wham, bam, thank you, ma'am,' which is an allusion to the popularized line from glam-rock star David Bowie's 'Suffragette City'.
In late 1989, Prince opened a nightclub in Minneapolis named after the song. After eight years of frustration he sold it to new owners, who renamed it The Quest. The club had since become one of the premier nightspots, rivaling First Avenue as a live music venue, before closing in 2006.
My collection: 7" single no. 652
Found: Free Record Shop, Den Haag, September 10, 1988
Released in July 1980, 'Doin' la bamba' was to be the last top 10 hit for Pussycat in the Netherlands. The single peaked at number 6 in August. In subsequent years, the group slowly lost its members until only a quartet was left in 1983. The group fell apart in 1985.
I don't have much Pussycat singles, because most of their early material doesn't really interest me. This is a strong enough track, although it always amazes me that a Dutch group would sing about Latin American fiestas.
My collection: 7" single no. 1451
Found: All that music, Leiden, June 15, 1991
Cost: 3 guilders
Tracks: 'Doin' la bamba' / 'On the corner of my life'
Having already written about the 12" single of 'Answers to nothing', there's not so much to add here. Except this: the 7" single contains the original version of the track, which is the same as the album version. And a limited edition was available on clear vinyl. I'd already bought the normal version when I found the clear vinyl pressing. Obviously, I bought that one as well.
Michael Cretu was born on May 18, 1957 in Bucharest, Romania. In the Seventies he started his music career playing keyboards and producing for German producer Frank Farian. In the Eighties, he played keyboards during Arabesque's live shows. This is how he met Sandra, whose albums he started to produce once she went solo in 1985. The couple got married in 1988.
A year before that, he teamed up with producer Manfred Thiers to form 'Cretu & Thiers'. Their debut single was a poppy cover of Alice Cooper's 'School's out'. Although this single didn't become a hit, the B-side 'Collage' was a first peek at what was to come: in 1990 Cretu started his Enigma project, which sounds a lot like this track.
Ivo Watts-Russell had founded the record label 4AD in 1980, and it quickly established itself as one of the key labels in the British post-punk movement. One of the label's earliest signings was Modern English. In 1983, Watts-Russell suggested that the band re-record two of their earliest songs, 'Sixteen days' and 'Gathering dust', as a medley. At the time, the band was closing their sets with this medley, and Watts-Russell felt it was strong enough to warrant a re-recording. When the band rebuffed the idea, Watts-Russell decided to assemble a group of musicians to record the medley: Elizabeth Fraser and Robin Guthrie of Cocteau Twins; Gordon Sharp of Cindytalk; and a few members of Modern English. An EP, Sixteen Days/Gathering Dust, resulted from these sessions. Recorded as a b-side for the EP was a cover of Tim Buckley's 'Song to the siren', performed by Fraser and Guthrie alone. Pleased with the result, Watts-Russell decided to make this the A-side of the 7" single version of the EP, and the song quickly became a hit, peaking at number 66 in the UK and number 29 in the Netherlnads. The band subsequently recorded three albums, until the name was retired in 1991.
My collection: 7" single no. 666
Found: Disco Market, Den Haag, 1988
Cost: 3,5 guilders
Track: 'Song to the siren' / 'Sixteen days (reprise)'
Guy Chadwick, Terry Bickers, Andrea Heukamp, Chris Groothuizen and Pete Evans formed The House of Love in 1986 in Camberwell, London. They released three singles and a debut album while signed to Creation records. After this, they switched to Fontana records and released their second album, which was, like the first, untitled. Three singles were released from this album, of which 'The Beatles and the Stones' was the third. It reached number 36 in the UK singles chart.
This limited edition release included a poster and a foldout sleeve. I bought it mainly because of this, since I wasn't that impressed with the track at the time. Now, almost two decades later, I actually think it's a great track.
'Trapped' was Colonel Abrams' biggest hit in 1985, just after he signed a contract with MCA Records. So much so, that it was re-released in remixed form in 1997 and 2005. This is the original single, which peaked at number 3 in the UK. Colonel Abrams (his real name, incidentally!) never matched this success in later years.
Producers Stock Aitken and Waterman, who had created Rick Astley's 'Never gonna give you up' in 1987, were accused of lifting key elements of Abrams' single for their own music, however there was no successful lawsuit regarding this claim.
It's not so strange that the Netherlands didn't get through to the final of this year's Eurovision Song Contest with the so-called Toppers. The song was too wordy, the lyric was full of platitudes, the three fat men looked ridiculous in their suits and the whole thing was just too bad for words.
I do wonder how I would have felt about Teach-In back in 1975 if I'd been older. The lyric of this song isn't exactly highbrow and the music was pretty much the same as any popsong at the time. These days, we only know it as the last song that won Eurovision for the Netherlands. The fact that it's 34 years ago makes it rather painful. We hear this song every damn year! But still, it's essential to have in my Eurovision collection, which is why I bought it. And I'm very glad this copy is in excellent condition.
My collection: 7" single no. 3709
Found: Marktplaats.nl, received May 13, 2009
Cost: 3,5 euro
Tracks: 'Dinge-dong' / 'Ik heb geen geld voor de trein'
Yazz was born as Yasmina Evans on 19 May 1960 in Shepherd's Bush, London. Her first commercial success came in early 1988, when she supplied the vocals on Coldcut's 'Doctorin' the house'. This led to a solo career on Big Life records, a label set up by her future husband Jazz Summers. Her debut single 'The only way is up' was one of the big summer hits in 1988. I thought the song was atrocious, and lost all interest in Yazz.
Only a few years later I picked up on the song 'Fine time', a laid back reggae track that reached number 9 in the UK, but did not chart in the Netherlands. I bought the single seven years after its original release.