Some time ago, I bought a compilation cd of Earth & Fire's greatest hits, and it came with a remix of their biggest hit 'Weekend'. I didn't realise - although I probably should have - that this remix version was released as a single at the time of that album release.
The remix sounds decent enough, it certainly updates the sound to the year 1988, but it wasn't a chart success for the band. Not that they were still together: Earth & Fire disbanded in 1983. After this single release the band regrouped a year later, releasing just one more album: 'Phoenix'.
My collection: 7" single no. 5393 Found: Disco Market, Den Haag Cost: 3,5 guilders Tracks: 'Weekend (Remix '88)' / 'Weekend'
Only in the UK you would have double single packages, sometimes at the price of a single 7", featuring extra tracks that made the purchase of a certain future hit that much more attractive. This 'two record set' of INXS's 'This time' is a great attractive, as it features two extended versions of previous singles plus a glossy gatefold sleeve. What's not to like?
'This time' was taken from INXS's fifth studio album 'Listen like thieves' (1985). The album was a charttopper in Australia and did fairly well in Canada and the USA, as well as peaking at number 46 in the UK albums chart.
My collection: 7" single no. 5452 Found: unknown Cost: unknown Tracks: 'This time' / 'Original sin (extended version)' // 'Burn for you (extended remix)' / 'Dancing on the jetty'
The Cure were at their most popular by the end of the Eighties, but what happened after their album 'Disintegration' almost seemed like a deliberate self-destruct mechanism: they released an iffy live album ('Entreat'), then a remix album, and no new music until 1992 - and even that album was quite a departure from the doom and gloom they'd demonstrated until then.
From the remix album came this single, 'Close to me (remix)', in 1990. Let's just say that this remix came from Paul Oakenfold's less inspired periods. On the other hand, the remix of 'Just like heaven' on the B-side is a deconstructed piece of bliss, created by Bryan 'Chuck' New. Who?...
My collection: 7" single no. 5381 Found: unknown Cost: unknown Tracks: 'Close to me (Closest mix)' / 'Just like heaven (Dizzy mix)'
There was a bit of excitement recently when a compilation album of Eighties 12" remixes - you know the ones - suddenly included a rare remix. It was the dance mix by John Potoker of Peter Gabriel's 'Sledgehammer', released only once previously on this limited edition 12" single. The regular 12" single simply contained the album version of the track, so this remix was a bit of a rarity.
Now that the track has finally been released on cd, it was time to dig out my own crackly vinyl copy, so you can listen to 'the real thing', so to speak. Music on vinyl is what it's all about, after all...
My collection: 12" single no. 652 Found: unknown Cost: unknown Tracks: 'Sledgehammer (dance mix by John Potoker)', 'Don't break this rhythm' // 'Biko (12" extended version)', 'I have the touch ('85 remix)'
Sometimes there are these surprises when you're going through a stack of records. And finding this 12" single of Killing Joke's 'Love like blood' is a good example. I found this and for a moment I couldn't believe this disc actually contained a 'version' of the song. It isn't that strange in itself, since the single was released in the Eighties, but somehow I never thought there would be an extended version of this excellent track. Don't know why.
As it turns out, this extended version is excellent. A worthy addition to my collection.
My collection: 12" single no. 651 Found: unknown Cost: unknown Tracks: 'Love like blood (version)' / 'Love like blood'
A deluxe cd version of her career-overshadowing album 'Slave to the rhythm' has still not been issued, so all we can do in the mean time is pick up all the releases and rip the tracks from vinyl. Such as this one, the 12" single of Grace Jones' album's title track. I couldn't find it for a long time, but I finally found a good copy today - and for a very reasonable price, too.
The sleeve doesn't give you much information about the tracks contained on this disc, so I turned to Discogs.com for help. Fortunately, there is a decent listing for this disc. The 'blooded' version on the A-side is probably the best version of 'Slave to the rhythm' I've heard in a long time, as it adds much interesting things to the all too familiar single version. As for the B-side... Well, experimentation can be fruitful sometimes.
My collection: 12" single no. 648 Found: Record fair, Utrecht Cost: 1 euro Tracks: 'Slave to the rhythm (blooded)' / 'Junk yard', 'Annihilated rhythm'
Nobody suspected that Stock, Aitken and Waterman would dominate the pop charts for the next half of the Eighties when this single, 'Lover come back to me' was released back in 1985. It was the second big hit for the UK group Dead or Alive, which, like the previous single 'You spin me round', was produced by the infamous trio.
'Lover come back to me' packs a good punch and it is demonstrated even more firmly in this extended 12" version. The '7" bonus mix' included on the B-side is different from the 7" single version, so basically fans got two remixes for their money. Which was never a bad thing in those days.
My collection: 12" single no. 649 Found: Record fair, Utrecht Cost: 1 euro Tracks: 'Lover come back to me (extended version)' / 'Far too hard', 'Lover come back to me (7" bonus mix)'
Bronski Beat had already had two hits in 1984 when they released 'It ain't necessarily so', a cover of the George and Ira Gerschwin classic. The song questions the authenticity of biblical tales; the song is a
metaphor for African-Americans questioning slavery, Jim Crow and
oppression in the USA as the natural order of things. The single reached
the UK Top 20.
This 12" single features a slightly longer version of the track as well as two more dance-oriented B-side tracks.
My collection: 12" single no. 647 Found: Record fair, Utrecht Cost: 1 euro Tracks: 'It ain't necessarily so' / 'Close to the edge', 'Red dance'
The German band Trio constructed the early synthpop hit 'Da da da' with a Casio VI-Tone and some bits of German dialogue. It was a hit not only in Germany, where the 'Neue Deutsche Welle' was making waves, but also in other European countries and even in UK, where German acts were rarely found in the charts (although Boney M had considerable success in the Seventies...)
This 12" single presents a six minute remix (or 'extended version') of the track and two quite funny, almost punk-inspired, B-sides.
My collection: 12" single no. 646 Found: Record fair, Utrecht Cost: 1 euro Tracks: 'Da da da ich lieb dich nicht du liebst mich nicht aha aha aha', 'Frau A spricht ich lieb dich nicht du liebst mich nicht' / 'Halt mich fest ich werd verrückt', 'Lady-o-lady'
Here's another track I already had on 7", but with added Nineties pleasure. 'Hiroshima' by Wishful Thinking was re-released with a 90's mix after German singer Sandra had released her cover version of the song as a single. This single - which comes with a promotional fact sheet, by the way - presents both the original version of the song plus a remix by Dave Morgan.
Who's Dave Morgan, you ask? He was a guitarist with Electric Light Orchestra from 1981 to 1986 and also the original writer of the song, recorded by Wishful Thinking back in 1970.
My collection: 7" single no. 5354 Found: Record fair, Utrecht, November 24, 2013 Cost: 1 euro Tracks: 'Hiroshima (originalversion)' / 'Hiroshima (90er mix)'
Not content with just one disc, Sweep and Linda Carriere released several 12" singles of their cover of 'Running up that hill'. This second 12" features just two remixes of the track, featuring a sort of budget Shaggy clone (as if Shaggy himself isn't cheap enough already).
Repetitive and a bit of an insult to the original track, it's no wonder Sweep disappeared from the music scene directly after this one release.
My collection: 12" single no. 645 Found: unknown, 199X Cost: unknown Tracks: "Running up that hill (Running status mix)' / 'Running up that hill (Killer Bee mix)'
Most people who are fan of a certain artist don't have much interest for cover versions of their favourite artist. I tend to act differently: for most of the acts that I have more than a passing interest in, I like to collect as much cover versions as I can. It does mean that you need a lot of perseverance and in some cases lots of endurance too. Some cover versions are dreadful, others can turn out to be quite nice.
Unfortunately, Sweep's 1993 version of Kate Bush's 'Running up that hill' does not fall into the latter category. It's a rather unimaginative take on what was a very innovative pop song back in 1985. The vocals by Linda Carriere are sometimes ridiculous, but she does manage to hold a few notes. Which I guess is a positive point.
My collection: 12" single no. 644 Found: unknown, 199X Cost: unknown Tracks: 'Running up that hill (Jam's Labyrinth mix)', 'Running up that hill (1993 mix)' / 'Running up that hill (laser mix)', 'Running up that hill (radio edit)'
Now that everybody's in awe of the new album by David Bowie, I thought it would be fun to showcase on of his less critically acclaimed moments. So I dug out this 12" single of 'Magic dance', released in the USA in 1986. Bowie recorded this song, as well as a handful of others, for the soundtrack of the Jim Henson movie 'Labyrinth', in which he also played the role of the Goblin king, wearing a strange wig and performing magic tricks. Even on the sleeve of this record he appears to be doing a silly walk.
The remixes of the track are typical mid-Eighties fare: lots of drums and sampled sounds. Some people would argue that Bowie wasn't at his creative peak in the Eighties, personally I do prefer his work during this decade over his acclaimed early Sixties rock. But each to their own...
Sung by Marcella Detroit (of Shakespear's Sister fame), 'If you could read my mind' was a pretty nice cover version of a song originally performed by Gordon Lightfoot (and also covered by Viola Wills in 1980). Aurora released only one album in 2001, from which several singles were released. Three singles were a hit, but this, the fourth single drawn from the album, failed to chart.
Upon hearing these remixes I wasn't too impressed. The Roksolid dub in particular has nothing to do with the original track, and that's a shame. But still, it's good to have this disc, as it represents a full collection of remixes of a pretty much forgotten gem.
My collection: 12" single no. 642 Found: Discogs.com, received March 1, 2013 Cost: 1 pound Tracks: 'If you could read my mind (Coloursound club mix)' / 'If you could read my mind (If you could funk my head mix)', 'If you could read my mind (Roksolid dub)'
I don't have many Pet Shop Boys 12" singles, even though I really like their music. Most of their remixes have been released on cd - I think - so whenever I see a 12" single by them I cross off my list: 'Do I have all the tracks?'. If not, I go to the next question: 'Is it cheap'? If not, I have no trouble leaving it be.
So this double 12" set ended up in my collection because it contained one remix I didn't have yet and because it was dirt cheap. When I finally received it today I concluded that it was a good buy: the outer sleeve looks a bit boring (see the picture) but the two inner sleeve are actually quite attractive, featuring a photograph on one side each (picturing one member of the duo each) and the same dark brown colour on the other side. Well designed. But then, all of the Pet Shop Boys sleeves have been well designed.
My collection: 12" single no. 641 Found: Discogs.com, received March 1, 2013 Cost: 1 pound Tracks: 'You only tell me you love me when you're drunk (Brother Brown's newt mix)' / 'You only tell me you love me when you're drunk (Attaboy still love you when we're sober mix)' // 'You only tell me you love me when you're drunk (The T-Total mix)' / 'You only tell me you love me when you're drunk (Brother Brown's newt dub)'
The end of the Eighties was a strange time. Many idols who were very successful in the mid-Eighties were declared 'yesterday's news' and suddenly didn't the charts anymore. One of them was Nik Kershaw, who had been very successful with his first two albums, but the third and fourth one were not so popular.
'One step ahead' was taken from his fourth album 'The works', which left the album charts even before it entered it. Not that the music was bad: personally I think this single is one of his finest tracks. And the remix included on this 12" single is very impressive indeed.
My collection: 12" single no. 356 Found: Record fair, Rotterdam, circa 2000 Cost: 5 guilders Tracks: 'One step ahead (Industrial mix)' / 'One step ahead', 'When I grow up'
Taken from the soundtrack of the movie '1984', for which Eurythmics provided the soundtrack, 'Julia' was the second single from that album. It couldn't be as successful as the catchy 'Sexcrime (1984)' but personally I find this track much more beautiful.
This 12" single features extended versions of both the A- and B-side of the single. Although 'Julia' is labelled as 'extended', it is actually the album version of the track, and not, like the B-side, a 'real' extended version.
My collection: 12" single no. 153 Found: Plaatboef, Rotterdam, 1992 Cost: 2,5 guilders Tracks: 'Julia (extended)' / 'Ministry of love (extended)'
Some 12" singles only appear in my collection because they're cheap. I don't think I would have ever had this one if I'd had to pay more for it than I did back then. 'Everybody's laughing' is a nice pop song, but nothing spectacular.
Still, this 12" single is quite interesting, because it features an extended mix and two instrumental versions. One features Randy Muller (who?) and the other Tom Browne, who had a hit in the early Eighties with 'Funkin' for Jamaica'.
My collection: 12" single no. 273 Found: Spui Records, Den Haag, 1996 Cost: 2,5 guilders Tracks: 'Everybody's laughnig (Sangria mix)' / 'Everybody's laughing (Instrumental featuring Tom Browne)', 'Everybody's laughing (Instrumental featuring Randy Muller)'
'Master and servant' was Depeche Mode's 11th UK single and the second single from their album 'Some great reward'. The production and mixing process of "Master and Servant" are
remembered by Alan Wilder, Daniel Miller, and Gareth Jones, as among the
longest that Depeche Mode ever endured. One famous story about the song
includes a mixing duration of seven days, and after all the reworking
and final mastering of the mix, they realized they left the channel with
the snare drum muted during the last chorus.
Despite controversy surrounding the song, it still managed to reach number 9 in the UK singles chart.
The "Slavery Whip Mix" was the longest 12" Depeche Mode song at the time, with the outro being turned into a swing version of the refrain. This 12" disc, released in Germany, features a so-called 'marbled' vinyl in grey, white and brown.
My collection: 12" single no. 34 Found: Free record shop, Den Haag, 1986 Cost: 8 guilders Tracks: 'Master and servant (Slavery whip mix)' / '(Set me free) Remotivate me (Release mix)', 'Master and servant (voxless)'
'Touch Dance' is a remix album by the Eurythmics. This mini-album was released by RCA Records in May 1984, six months after the release of the album 'Touch'. It contains dance remixes of four tracks from Eurythmics' Touch album, by John 'Jellybean' Benitez and François Kevorkian, who were noted producers in the New York club scene. Amazingly, it omits all the hits from that album: 'Here comes the rain again', 'Right by your side' and 'Who's that girl'.
Annie Lennox has said in interviews that she disliked the record, as it was too much of a commercial product and was put together by RCA with little involvement from herself and Dave Stewart.
My collection: LP (unnumbered) Found: Record fair, Utrecht, April 14, 2012 Cost: 2 euro Tracks: 'The first cut (François Kevorkian mix)', 'Cool blue (Jellybean remix)', 'Paint a rumour (Jellybean remix)', 'Regrets (François Kevorkian mix)' / 'The first cut (instrumental)', 'Cool blue (instrumental)', 'Paint a
rumour (instrumental)'
