'Working on it' is another one of those catchy rock tunes by Chris Rea that sticks in your head once you've heard it. It was released in 1989 when his compilation album 'New light through old windows' had just seen the light of day. This compilation featured new versions of Chris Rea hits.
This single was only a minor hit, reaching number 53 in the UK singles chart and number 73 in the US Billboard Hot 100 chart.
My collection: 7" single no. 2486 Found: House of Rhythm, London, October 30, 1995 Cost: 40p Tracks: 'Working on it' / 'One golden rule'
London Beat were less successful in their home country, the UK, than they were in the Netherlands. 'You bring on the sun' reached number 5 in the Dutch Top 40 when it was released in May 1992, but only managed to reach number 32 in the UK singles chart.
At the same time, 'You bring on the sun' was also the last top 10 hit for London Beat in the Netherlands.
My collection: 7" single no. 1657 Found: Melody Maker, Den Haag, May 30, 1992 Cost: 6,5 guilders Tracks: 'You bring on the sun' / 'Dreaming of you (Deep sleep mix)'
Laurent Voulzy wrote 'Les nuits sans Kim Wilde' together with his writing partner Alain Souchon after seeing music videos of Kim Wilde on television. He felt rather infatuated by this beautiful lady on the screen. Kim was approached to sing guest vocals on the track, and after some hesitation, she agreed. She eventually even appeared in the music video to promote this single. Released in the summer of 1985, it was a hit in France, but was not released in other territories.
However, in early 1986 the single was re-released. The sides were switched, and 'Belle-ile-en-mer Marie-Galante' was now the A-side. This single was an even bigger hit in France, and was also released outside of France. During a TV programme in France a few years later, Voulzy and Kim Wilde performed a version of this song together.
I found a German pressing of 'Belle-ile-en-mer Marie-Galante' while searching for 'Les nuits sans Kim Wilde' during a holiday in Paris in 1986. I would find the original release only seven years later...
My collection: 7" single no. 434 / no. 1907 Found: Paris, July 11, 1986 / Groningen, May 15, 1993 Cost: - (present) / 3 guilders Tracks: 'Les nuits sans Kim Wilde' / 'Belle-ile-en-mer Marie-Galante'
Rod Stewart released his fourteenth studio album 'Every beat of my heart' in June 1986. The title track was released as a single a month later. A sentimental piece about longing for one's country of birth - in this case, Scotland - Stewart wrote this track together with Kevin Savigar.
The single became a hit in the Netherlands and the United Kingdom, peaking at number 8 and number 2 respectively.
My collection: 7" single no. 471 Found: Free Record Shop, Den Haag, 1986 Cost: 3 guilders Tracks: 'Every beat of my heart' / 'Trouble'
'Words get in the way' was the third single by Miami Sound Machine, taken from their second English language album, and ninth overall, 'Primitive love'. As a ballad, the song marked a change in sound from the band's earlier singles and was the first sign that Gloria Estefan, who wrote the song, would be successful as an artist in her own right.
The single reached number 5 in the US Billboard Hot 100 chart - their biggest hit so far in the USA - and number 17 in the Dutch Top 40.
My collection: 7" single no. 1784 Found: Record fair, Almere, November 7, 1992 Cost: 3 guilders Tracks: 'Words get in the way' / 'Movies'
The third and last single from the album 'Foto van een mooie dag' by the Frank Boeijen Groep was the ballad 'Schaduw' ('Shadow') . The record company probably thought they would build on the success of the previous single 'Kronenburg park' - also a ballad - with this single, but unfortunately, 'Schaduw' failed to chart.
The B-side was announced as a 'special version' of 'Kronenburg park', but it is in fact just an instrumental version.
My collection: 7" single no. 326 Found: Free Record Shop, Den Haag, 1985 Cost: 6 guilders Tracks: 'Schaduw' / 'Kronenburg park (special version)'
The intro of 'Heaven in my hands' was used a lot on Dutch radio during programmes. I was more familiar with the intro than I was with the song: only years later I found out it was this Level 42 track.
The track was taken from the album 'Staring at the sun'. It was the first single not to feature the Gould brothers, Boon and Phil, following their departure the previous year. The single reached number 12 in the UK singles chart and number 7 in the Dutch Top 40.
My collection: 7" single no. 3101 Found: Record fair, May 13, 1999 Cost: 5 guilders Tracks: 'Heaven in my hands' / 'Gresham blues'
The ballad 'Crash! Boom! Bang!' was the title track of Roxette's 1994 album. It was released as the second single from that album in the summer of 1994.
The single peaked at number 26 on the UK Singles Chart and number 23 in the Dutch Top 40.
My collection: 7" single no. 2120 Found: Record fair, July 2, 1994 Cost: 6,5 guilders Tracks: 'Crash! Boom! Bang!' / 'Joyride (Unplugged)'
'Two souls' was released in 1992 as the second single from Howard Jones' fifth album 'In the running'. By this time, it was becoming increasingly hard to find his singles in the Netherlands. I guess the record company gave up on distributing his singles, because they flopped anyway. And this one, unfortunately, was no exception.
In fact, 'Two souls' only charted in Germany, peaking at number 53. It's strange, because Howard Jones is one of very few artists who has consistently put out great music ever since his career started in 1983.
My collection: 7" single no. 1663 Found: Melody Maker, Den Haag, June 13, 1992 Cost: 6,5 guilders Tracks: 'Two souls' / 'Takin' the time'
Elton John wrote 'Song for Guy' himself, without his usual writing partner Bernie Taupin. The track is mainly instrumental but contains one line near the end of the track, which is repeated several times: 'Life isn't everything'. Elton later commented: 'As I was writing this song one Sunday, I imagined myself floating into space and looking down at my own body. I was imagining myself dying. Morbidly obsessed with these thoughts, I wrote this song about death. The next day I was told that Guy (Burchett), our 17 year-old messenger boy, had been tragically killed on his motorcycle the day before. Guy died on the day I wrote this song.'
The single version of 'Song for Guy' is one and a half minutes shorter than the album version. The single reached number 4 in the UK singles chart and number 6 in the Dutch Top 40.
My collection: 7" single no. 1768 Found: House of Rhythm, London, October 20, 1992 Cost: 60p Tracks: 'Song for Guy' / 'Lovesick'
Besides the regular version of the single of 'Personal Jesus' by Depeche Mode, this limited edition was also released in the autumn of 1989. It features a gatefold sleeve with a booklet featuring four photographs (each of the band members with a naked woman) and two tracks on the B-side. The acoustic version of 'Personal Jesus' is of particular interest.
Whilst not the first Depeche Mode song to feature guitar parts ('Behind the wheel' and their cover of 'Route 66' featured a guitar; 'Love in itself' featured an acoustic guitar), it was the first time a guitar was used as a dominant instrument in a Depeche Mode song.
My collection: 7" single no. 1197 Found: Ter Meulen, Rotterdam, March 23, 1990 Cost: 6 guilders Tracks: 'Personal Jesus' / 'Dangerous (Hazchemix edit)', 'Personal Jesus (Acoustic)'
'Strong as steel' was released in 1987 as the second single of Five Star's third album 'Between the lines'. The song was written by acclaimed songwriter Diane Warren, who has also written hit songs for Cher, Tina Arena and Michael Bolton amongst others.
The single peaked at number 16 in the UK singles chart. In 1990, the track was covered by Tina Arena.
My collection: 7" single no. 2365 Found: House of Rhythm, London, July 1, 1995 Cost: 60p Tracks: 'Strong as steel' / 'The man'
Written by Stevie Nicks, 'Silver springs' was originally intended for the Fleetwood Mac album 'Rumours'. Years after the fact, Nicks commented that in a way, its lack of inclusion on the effort marked a growing tension in the band. The group has three great writers, and only so many slots. The track's inherent longing reportedly came from the ending of the romantic relationship between Nicks and Lindsey Buckingham.
Years later, the band went on a world tour to promote the Fleetwood Mac album 'Behind the mask'. After the tour concluded, Nicks left the group over a dispute with Mick Fleetwood, who would not allow her to release the track 'Silver springs' on her album 'Timespace – The Best of Stevie Nicks', because of his plans to release it on a forthcoming Fleetwood Mac box set. The song eventually appeared on the 1992 box set '25 Years: The Chain'.
In 1997, the song got a second life on the reunion album 'The Dance'. During the filming of the reunion concert that brought Nicks and Buckingham back to the fold, 'Silver springs' was on the set list. This track was released as a single from the album, but was not commercially successful.
My collection: 7" single no. 2949 Found: Record fair, Leiden, January 31, 1998 Cost: 8 guilders Tracks: 'Silver springs (live)' / 'Go your own way (live)'
Norway won the Eurovision Song Contest for the very first time in 1985 with a very tired old song, 'La det swinge' was performed by the Bobbysocks. This duo, consisting of Hanne Krogh and Elisabeth Andreasson, sang a tribute to dancing to old rock 'n' roll heard on the radio. The melody arrangement is in retro style, containing elements of contemporary Eighties music and throwbacks to the Fifties.
The single reached number 1 in Norway and Belgium and peaked at number 13 in the Dutch Top 40. I have always disliked this song for its repetitiveness and its unimaginative lyrics. Still, it's a Eurovision winner and since I have almost all of them, I had to have this one as well.
My collection: 7" single no. 3562 Found: La La Land, Den Haag, January 31, 2009 Cost: 1 euro Tracks: 'Let it swing' / 'La det swinge'
Jeff Lynne spent two weeks writing songs in Switzerland in 1977 for Electric Light Orchestra's double album 'Out of the blue'. One of the results was this song, 'Turn to stone', which became the opening track for the album. It was also released as the first single from the album.
The single reached number 18 in the UK singles chart and number 11 in the Dutch Top 40. In 2008, Jeff Lynne was awarded a BMI (Broadcast Music, Inc) Million-Air certificate for having one million airplays of this song.
My collection: 7" single no. 2869 Found: Record fair Cost: 2 guilders Tracks: 'Turn to stone' / 'Mister Kingdom'
'You have placed a chill in my heart' was written by Eurythmics members Annie Lennox and David A. Stewart, and appears on the duo's album 'Savage'. It was released as the fourth single from the album.
The track is driven by a drum machine and is a mostly synth-based pop song. Lyrically, Lennox sings of mustering the power to leave a destructive relationship with a lover who does not return the affection she deserves. The single reached number 16 in the UK singles chart.
My collection: 7" single no. 687 Found: Free Record Shop, Den Haag, 1988 Cost: 3 guilders Tracks: 'You have placed a chill in my heart' / 'You have placed a chill in my heart (acoustic version)'
'Whiskey in the jar' is a famous Irish traditional song, set in the southern mountains of Ireland, with specific mention of Cork and Kerry counties, as well as Fenit, a village in Kerry county. It is about a highwayman, or perhaps a footpad, who is betrayed by his wife or lover, and is one of the most widely performed traditional Irish songs. It has been recorded by numerous professional artists since the Fifties.
The song was given a rock veneer by Thin Lizzy. Their version was released as a single in 1972 and stayed at the top of the Irish charts for 17 weeks. In 1973, the single reached the UK singles chart and Dutch Top 40, peaking at num,ber 6 and number 20 respectively.
My collection: 7" single no. 855 Found: Disco Market, Den Haag, May 27, 1989 Cost: 1 guilder Tracks: 'Whisky in the jar' / 'Black boys on the corner'
The single 'Burn your boats' was the second single taken from Maarten Peters' second album of the same name. The single featured a live version of the song 'Get out of here' (a track on his debut album 'Hunting the queenbee') on the B-side.
The single failed to reach the Dutch Top 40. Some would argue that the sleeve photography by one Jan van Teeffelen had something to do with this.
My collection: 7" single no. 564 Found: Free Record Shop, Den Haag, 1987 Cost: 6 guilders Tracks: 'Burn your boats' / 'Get out of here (live)'
When I bought this single, I hadn't actually heard it. I might have thought twice before buying it if I had, I think. 'Please forgive me' was written by Bryan Adams and Robert John 'Mutt' Lange and treads a much too often trodden path. According to an article in Wikipedia: 'the passion Adams sings the song with is breathtaking'. I would say instead that the lack of originality in this song is breathtaking, but there you go.
The single reached number 2 in the UK, number 7 in the USA and number 1 in Australia. The single reached number 3 in the Dutch Top 40.
EDIT:: As you can read in the reactions below, I've had a request to remove the divshare box with this post. I guess even Bryan Adams himself thinks these two tracks shouldn't be listened to. In this case, he's certainly right, so I'm happy to oblige.
My collection: 7" single no. 2038 Found: Virgin Megastore, London, October 22, 1993 Cost: 1 pound Tracks: 'Please forgive me' / 'Can't stop this thing we started (live)'
'Two hearts' was written by Phil Collins and Lamont Dozier (of Motown's Holland-Dozier-Holland) for the 1988 crime comedy film 'Buster'. It won the Golden Globe Award for Best Original Song alongside the Carly Simon song 'Let the river run' from 'Working girl'.
Released as the second single from the 'Buster' soundtrack album, the single topped the US Billboard Hot 100 chart for two weeks in 1988. The single reached number 5 in the Dutch Top 40 and number 6 in the UK singles chart.
My collection: 7" single no. 2435 Found: August 19, 1995 Cost: 2 guilders Tracks: 'Two hearts' / 'The robbery (excerpt)'
The Amsterdam-based Dutch band De Dijk released one of their better known songs 'Binnen zonder kloppen' ('Enter without knocking') in early 1985. The single failed to chart but is remembers within the Netherlands until this day.
During the first Gulf War, the song ended up on a list of boycotted songs for radiostations, probably because of the title...
My collection: 7" sigle no. 1364 Found: Disco Market, Den Haag, December 28, 1990 Cost: 1 guilder Tracks: 'Binnen zonder kloppen' / 'Wat nog meer'
'Just the way you are' is a love song from Billy Joel's 1977 album, 'The Stranger'. It was written as a birthday gift to Joel's first wife Elizabeth Weber. After they divorced, Joel said that when performing the song, he would imagine what he would eat for dinner or what he would do after the show, or even accidentally sing alternate lyrics written by Liberty DeVitto ('She took the dog, the house, the car').
The track features an alto sax solo by jazz artist Phil Woods, who replaced Richie Cannata (who played sax for most of the songs on The Stranger) when the latter's style of playing was deemed unfit for the song. The bossa nova style of the song was strongly encouraged by producer Phil Ramone. Joel has gone on record stating that he personally dislikes the song and was originally going to leave it off the album. However, at the request of both Linda Ronstadt and Phoebe Snow (both were recording in other studios in the same building at the time), Joel and Ramone agreed to leave it on the album.
My collection: 7" single no. 2030 Found: Sounds Familiar, London, October 19, 1998 Cost: 60p Tracks: 'Just the way you are' / 'Get it right the first time'
'Still got the blues' is a 1990 album by guitarist Gary Moore. Prior to this album Moore's work had consisted of predominantly rock and hard rock styles including his work with Skid Row, Thin Lizzy, G-Force as well as a large repertoire of solo work. This album, as evidenced by its title, is a departure from hard rock to an electric blues style.
'Still got the blues' has been arguably the most successful of Moore's solo albums as it was well received by old fans and also converted many who had never heard of the Irish guitarist before. Part of the success was caused by the title track, which was released as a single in early 1990. It reached number 2 in the Dutch Top 40 and number 31 in the UK singles chart.
My collection: 7" single no. 1241 Found: June 9, 1990 Cost: 6 guilders Tracks: 'Still got the blues' / 'Left me with the blues'
In 1994, the Mission released the compilation album 'Sum and substance'. The album was preceded by this single release, a remix of their biggest hit up until then: 'Tower of strength'. The 'East India Trans Cairo Mix' was created by Youth.
The single charted in the following January, reaching number 33 in the UK singles chart.
My collection: 7" single no. 3009 Found: Wreckastow, Rotterdam, June 28, 1998 Cost: 5 guilders Tracks: 'Tower of strength (East India Trans Cairo Mix)' / 'Wasteland (Musketeer mix)'
'Disappear' was released as the second single from INXS's album 'X'. The song was written by Jon Farriss and Michael Hutchence while they were living together in Hong Kong in 1989.
The single peaked at number 8 in the US Billboard Hot 100 chart, becoming the band's seventh and last top 10 single there. It was a lesser hit in the UK Singles Chart, peaking at number 21. In the Dutch Top 40, the single reached number 9.
My collection: 7" single no. 1808 Found: Record fair, January 9, 1993 Cost: 2 guilders Tracks: 'Disappear' / 'Middle beast'
'Rapture' is a combination of New Wave pop, funk, jazz and rap music, with the rap section forming an extended coda. While it was not the first single involving rap to be successful, it was the first to top the charts in the USA. The lyrics of 'Rapture' included references to hip-hop pioneers Fab Five Freddy and Grandmaster Flash.
It was the second and final song to be released from Blondie's 1980 album 'Autoamerican', following 'The tide is hight', which had topped the charts in theUSA and the UK. This single only reached number 5 in the UK and number 14 in the Dutch Top 40.
My collection: 7" single no. 829 Found: Disco Market, Den Haag, May 20, 1989 Cost: 1 guilder Tracks: 'Rapture' / 'Walk like me'
'Out of touch' was the lead single from Daryl Hall & John Oates' 1984 album 'Big Bam Boom'. It was their last Billboard Hot 100 number one, topping the Billboard Hot 100 for two weeks in December 1984. The single also reached number 33 in the Dutch Top 40 and number 48 in the UK singles chart.
John Oates wrote the refrain, 'You're out of touch, I'm out of time but I'm out of my head when you're not around.' He and Hall collaborated on the music and the rest of the lyrics.
My collection: 7" single no. 2890 Found: Beanos, East Croydon, London, October 29, 1997 Cost: 1 pound Tracks: 'Out of touch' / 'Dance on your knees'
'Pink cashmere' was written by Prince for his then-girlfriend, Anna Fantastic (Anna Garcia), for her 18th birthday. The song references the actual gift he presented to her, a coat made of pink cashmere with a black mink collar and cuff, the name Anna Fantastic embroidered on the sleeve, and '89' on the back. The coat was valued at $15,000, being custom made by his personal staff designer.
The single reached number 50 in the US Billboard Hot 100 chart, but failed to chart in Europe.
My collection: 7" single no. 2438 Found: August 19, 1995 Cost: 3 guilders Tracks: 'Pink cashmere' / 'The future (Mark Moore remix)'
Sailing safely between beautiful and downright irritating, John Hiatt's 'Have a little faith in me' would never have become part of my collection if it wasn't played on the radio so often after it came out. The first few dozen times I heard it, I couldn't listen to the song, but in time I gradually warmed to it. When I listen to it now, I still don't know whether to keep listening or to throw the single out the window.
The song appears on John Hiatt's 1987 album 'Bring the family' and was released as a single over a year later. It reached the Dutch Top 40 in April 1989, peaking at number 11.
My collection: 7" single no. 773 Found: Free Record Shop, Den Haag, March 18, 1989 Cost: 6 guilders Tracks: 'Have a little faith in me' / 'Lipstick sunset'
Nobody in 1981 could foresee the enormous popularity the Dutch band Doe Maar would have later on in their career, when they had their first hit single with this, '32 jaar' ('32 years'). The unassuming song about a man who is in love at the age of 32 reached number 29 in the Dutch Top 40 when it was first released in May 1981.
The band would later have six hit singles, four of which reached the top 10, sold out concerts and girls screaming from the first moment they took to the stage until the very last one.
My collection: 7" single no. 89 Found: Disco Market, Den haag, 1983 Cost: 2 guilders Tracks: '32 jaar' / 'Mis'
'Träume sind für alle da' ('Dreams are there for everyone') was the German entry in the 1992 Eurovision Song Contest, performed by Wind. This was Wind's third Eurovision entry, they had previously represented Germany at the 1985 and 1987 contests with 'Für alle' and 'Lass die Sonne in dein Herz', both times finishing in 2nd position.
This sog was less successful, as it finished 16th in a field of 23 competitors. The song is in the schlager style made famous by composer-lyricist team Ralph Siegel and Bernd Meinunger and consists of a series of sketches of characters who are dreaming of a change in their lives. The first of these, for example, is a young girl waiting on a platform for a train which she believes will take her to success.
My collection: 7" single no. 1680 Found: Deutschlandsberg, Austria, July 2, 1992 Cost: 54 Schilling Tracks: 'Träume sind für alle da' / 'Freitagabend'
David Bowie's 'Never let me down' is seen as a homage to Bowie's late friend John Lennon, and is one of the more respected songs on a much-maligned album. The track is often complimented for its simple, straightforward arrangement. Despite comparisons to Lennon, Bowie at the time dedicated the track to his long-serving personal assistant Corinne 'Coco' Schwab.
Released as the third single from the album of the same name in August 1987, it reached number 34 in the UK singles chart. It would be Bowie's last solo single until 1992's 'Real cool world', barring a remix of 'Fame' in 1990.
My collection: 7" single no. 1372 Found: Concerto, Amsterdam, January 3, 1991 Cost: 5 guilders Tracks: 'Never let me down' / ''87 & cry'
'Too much love will kill you' was written by Queen guitarist Brian May, Frank Musker and Elizabeth Lamers. The lyric is about May's feelings during his divorce, and the choice one must make between two women that one loves equally.
The song was recorded around 1988 or before, and was intended to be on Queen's album 'The Miracle' in 1989. In 1992, Brian May performed it at the Freddie Mercury Tribute Concert after the death of Mercury in late 1991. It also was on his solo album 'Back to the light' that same year and released as a single, charting in the top 10 in the UK at number 5 and reaching number 1 in the Dutch Top 40. Unheard by most Queen fans with Freddie Mercury on vocals, 'Too much love will kill you' appeared on the 1995 Queen album 'Made in heaven', released four years after Mercury's death.
My collection: 7" single no. 1700 Found: Melody Maker, Den Haag, August 29, 1992 Cost: 6 guilders Tracks: 'Too much love will kill you' / 'I'm scared'
The fifth studio album by Howard Jones, 'In the running', was his least successful one in commercial terms. The album failed to chart in all territories, and the singles didn't do much to raise its profile either.
'Lift me up', released as the first single from the album, was the only single to reach the UK singles chart, peaking at number 52. This was also his last chart single in the UK: all subsequent single releases between 1992 and now have been ignored by the general public. I wonder why, because his music has only got better and better.
My collection: 7" single no. 1733 Found: Record Exchange, London, October 17, 1992 Cost: 1 pound Tracks: 'Lift me up' / 'I.G.Y. (live)'
'Sleeping in my car' was written by Per Gessle and recording by Roxette on their 1994 album 'Crash! Boom! Bang!'. It was also released as the first single from that album. It reached number 1 in Sweden, number 14 on the UK singles chart and number 50 in the US Billboard Hot 100 chart. In the Dutch Top 40, the single reached number 15.
When Roxette did a concert in Beijing, China in 1995, they were asked to change the suggestive lyrics of the song. 'We agreed, but didn't change them in the end', says Per Gessle.
My collection: 7" single no. 2098 Found: Record fair, April 6, 1994 Cost: 8 guilders Tracks: 'Sleeping in my car' / 'The look (MTV Unplugged live version)'
The lyric of the song 'Cannonball' by Supertramp may have been seen as a veiled message to former member Roger Hodgson - who left Supertramp a year before - but writer Rick Davies revealed in a French radio interview that the lyric to 'Cannonball' was inspired by a less than perfect concert promoter whom he refused to name but added that the guy knew who he was.
The track was written and sung by keyboardist Rick Davies all in the chord of G. Davies stated in an interview 'I did it simply to see if it could be done'. The single reached number 28 in the US Billboard Hot 100 chart in the spring of 1985. In the Dutch Top 40, the single only got as far as number 35.
My collection: 7" single no. 468 Found: Disco Market, Den Haag, October 20, 1986 Cost: 2 guilders Track: 'Cannonball' / 'Ever open door'
'Here comes the rain again' was performed by the Eurythmics on their 1983 album 'Touch' and written by its members, Annie Lennox and Dave Stewart. Dave Stewart commented: 'The whole song was about that undecided thing, like here comes depression, or here comes that downward spiral. But then it goes, 'so talk to me like lovers do.' It's the wandering in and out of melancholy, a dark beauty that sort of is like the rose that's when it's darkest unfolding and bloodred just before the garden, dies. And capturing that in kind of oblique statements and sentiments.' He also revealed that the lyric to the song came into being after an argument between himself and Lennox while they were doing some songwriting in New York City's Columbus Hotel. The basic melody had already been written and Lennox looked out the window after their fight and noticed it was starting to rain. She announced, 'Here comes the rain again'.
The string arrangements by Michael Kamen were performed by members of the British Philharmonic Orchestra. The track actually lasted for five minutes, but was edited when it was released on the 'Touch' album to four and a half minutes. The track was edited even further for the single release. The full length version only appeared in 1991 on the US edition of 'Greatest hits'.
My collection: 7" single no. 981 Found: Disco Market, Den Haag, August 29, 1989 Cost: 2 guilder Tracks: 'Here comes the rain again' / 'Paint a rumour'
Depeche Mode released 'Personal Jesus' in the autumn of 1989 as the first single from their album 'Violator'. According to Martin Gore, the song was inspired by the book 'Elvis and me' by Priscilla Presley: 'It's a song about being a Jesus for somebody else, someone to give you hope and care. It's about how Elvis was her man and her mentor and how often that happens in love relationships; how everybody's heart is like a god in some way, and that's not a very balanced view of someone, is it?'
My collection: 7" single no. 1067 Found: HMV, London, October 18, 1989 Cost: 2 pounds Tracks: 'Personal Jesus' / 'Dangerous'
Five Star's single 'With every heartbeat' was released in 1989. It was their last single for RCA, the label they signed with in 1983. It proved a failure for the group, stalling at number 49 in the UK singles chart. The song never appeared on a studio album, but was included on the group's 'Greatest hits' album, released later in 1989.
The single was released in a limited edition with a gatefold sleeve including a booklet with pictures of the group members and the lyric of the song.
My collection: 7" single no. 2753 Found: House of Rhythm, London, October 29, 1996 Cost: 1,5 pounds Tracks: 'With every heartbeat' / 'Sound sweet'
With 'This time I know it's for real', Donna Summer presented herself as a Stock Aitken & Waterman protege for the first time. It was the first single to be taken from her 1989 album 'Another place and time', which was entirely written and produced by the infamous trio.
The single became Donna Summer's biggest hit since the Seventies, peaking at number 3 and number 7 in the US Billboard Hot 100 chart. In the Dutch Top 40, the single managed to get to number 5.
My collection: 7" single no. 788 Found: Free Record Shop, Den Haag, April 1, 1989 Cost: 6 guilders Tracks: 'This time I know it's for real' / 'Whatever your heart desires'
Although it is not the band's biggest hit, my favourite song of Matia Bazar is 'Noi', released in 1987 from the band's album 'Melo'. Unfortunately, the track was edited for the single release, leaving out an interesting guitar solo. Even more unfortunate is the fact that I could only find this single without a picture sleeve at the time.
'Noi' did not chart, but it is still a very great piece of music.
My collection: 7" single no. 768 Found: Disco Market, Den Haag, March 16, 1989 Cost: 1 guilder Tracks: 'Noi' / 'Da qui a'
It wasn't easy for Maarten Peters to get some commercial success. All of his single releases between 1985 and 1987 failed to reach the Dutch Top 40, with one exception. It must have been a relief that his eighth single 'Factory man' managed to get to number 35 in May 1987.
'Factory man' was the first single from his second album 'Burn your boats', released around the same time as this single. The B-side, 'May 29th', was taken from his debut album and was written after an incident at the Heizel stadium in Belgium on May 29, 1985. Hooligans from Liverpool and Turin started fighting, which eventually caused a wall to collapse. 39 people were killed and 400 were injured.
My collection: 7" single no. 518 Found: Free Record Shop, Den Haag, 1987 Cost: 6 guilders Tracks: 'Factory man' / 'May 29th'
When Meat Loaf sang that he would do anything for love but he won't do 'that', a lot of people were left with the question: what, exactly, is 'that'? At the song's conclusion, the female vocalist predicts two things that the protagonist will do: 'You'll see that it's time to move on and you'll be screwing around'. To both of these, he replies, 'I won't do that!'. Although Meat Loaf believed that the lyrics were unambiguous, the singer recalls that Steinman predicted that they would cause confusion. Meat Loaf says that the question, 'What is 'that'?' is one of the most popular questions he is asked.
Clocking in at over 7 minutes, it's another one of those epic Jim Steinman tracks that Meat Loaf became so popular with at the end of the Seventies. The single was taken from Meat Loaf's 1993 album 'Bat out of hell II: Back into hell' and reached number 1 in 28 countries.
My collection: 7" single no. 1987 Found: HMV, London, October 18, 1993 Cost: 2 pounds Tracks: 'I'd do anything for love (but I won't do that)' / 'Back into hell'
'New beginning' was released in May 1986 and was considered to be a comeback single, since the band hadn't released anything in eight months. The single featured new member Shelley Preston who had replaced Jay Aston a year earlier. It was also their first release on new record label, Polydor after their five-year contract with RCA had finished.
The song was written by Mike Myers and Tony Gibber and was produced by Myers along with the group's regular producer Andy Hill. According to the group's members, the recording of the song took an unusually long time to record. As well as the group recording their vocals repeatedly, there was also a children's choir and gospel choir used on the track. The musicians in the studio also were used on distant back-up vocals. Cheryl Baker remembers one version where Hill instructed them to deliberately sing out of tune, which she found difficult.
My collection: 7" single no. 478 Found: Disco Market, Den Haag, 1986 Cost: 2 guilders Tracks: 'New beginning (Mamba seyra)' / 'In your eyes'
The song 'Kronenburg park' is named after the park in Nijmegen, the city where Frank Boeijen grew up. The park is known for its prostitutes hunting for work. Boeijen apparently wrote the song after recognising one of the women in the park from his childhood. The subtitle 'Ga die wereld uit' ('Get out of that world') can be interpreted as a plea to women to leave this profession.
The single was the second one taken from the band's fifth album. Released in April 1985, 'Kronenburg park' managed to reach number 12 in the Dutch Top 40, becoming one of their biggest hits.
My collection: 7" single no. 288 Found: Free Record Shop, Den Haag, 1985 Cost: 6 guilders Tracks: 'Kronenburg park (Ga die wereld uit)' / 'De waarheid'
Released in July 1980, 'Are you getting enough of what makes you happy?' was the second single from Hot Chocolate's 1980 album 'Class'. During a seven week chart run in the UK singles chart, it reached number 17.
As usual, the single was written by lead singer Errol Brown and produced by Mickie Most.
My collection: 7" single no. 4655 Found: All that music, Leiden, March 13, 2010 Cost: 1 euro Tracks: 'Are you getting enough of what makes you happy?' / 'I've got you on my mind'
It doesn't sound very romantic, a 'Landslide of love', but there you have it: it's the title of Transvision Vamp's eighth single.
Released as the third single from the band's second album 'Velveteen', it spent five weeks in the UK singles chart and peaked at number 14.
My collection: 7" single no. 4660 Found: All that music, Leiden, March 13, 2010 Cost: 1 euro Tracks: 'Landslide of love' / 'Hardtime', 'He's the only one for me'
'Working on it' is another one of those catchy rock tunes by Chris Rea that sticks in your head once you've heard it. It was released in 1989 when his compilation album 'New light through old windows' had just seen the light of day. This compilation featured new versions of Chris Rea hits.
