Kate Bush released the third single from her 1989 album 'The sensual world' in early 1990. Besides the 7" single, a 12" single and cd-single were also released. Both had the same track listing and featured three new tracks, all three taken from the soundtrack of a Comic Strip film called 'GLC: The carnage continues...'.
Most notably, the track 'Ken' describes the British politician Ken Livingstone as 'funky sex machine'.
My collection: 12" single no. 628 Found: Discogs.com, received February 8, 2012 Cost: 2 pounds Tracks: 'Love and anger' / 'Ken', 'The confrontation', 'One last look around the house before we go...'
If you've seen this previous post, you'll think I've written about this 12" single before. While the sleeve is similar, the track listing is different. Also, the country of origin is different: this version was made in Germany, while the previous one was issued in the UK.
The track listing adds one track, i.e. the 'Mortgage mix' of 'Showing out'. Most remixes of 'Showing out' are pretty similar, and this one is just one of them. 'Showing out' was one of the top dance tracks of 1986 and the first of two number one hits in the Netherlands.
My collection: 12" single no. 625 Found: Fun Records, Berlin, received February 1, 2012 Cost: 2,1 euro Tracks: 'Showing out [extended]' / 'Showing out (The Mortgage mix)', 'System (House mix)'
Black's 'Sweetest smile' was a big comeback for a band that had been out of my sight for three years in the summer of 1987. After a holiday in London, where I bought the 7" single, I requested the 12" single for my birthday and got it.
A remark from my grandfather always stuck with me. When he looked at the sleeve of this disc, he said: 'Now at least that's a goodlooking chap'. I wanted to say, of course, his music was good too, but such a remark would have been wasted on him: he never liked any pop music at all. So this was probably the highest form of praise I would get from him for my record collection. But of course, the four tracks on this disc are sure to please you.
My collection: 12" single no. 56 Found: Den Haag (Birthday present) Cost: nothing Tracks: 'Sweetest smile', 'Sixteens' / 'Leave yourself alone', 'Hardly star-crossed lovers'
Bill Sharpe and Gary Numan recorded many singles together, but it all started with this one-off duet for Bill Sharpe's solo album 'Famous people'. The 7" single made a big impression on me, but the 12" single was in a league of its own.
There are precious few extended remixes that are much, much better than the track they are remixed from, but this is a prime example. With more percussion and some vintage 'stutter' beats, this version of 'Change your mind' has been one of my all-time favourites ever since I first heard it more than 25 years ago.
My collection: 12" single no. 46 Found: Free Record Shop, Den Haag, 1986 Cost: 10 guilders Tracks: 'Change your mind (extended)' / 'Remix, remake, remodel', 'Fools in a world of fire' (with Linda Taylor)
There's probably some truth to the story that the music you hear during adolescence makes the biggest impression on you. Many of the artists that were around during the Eighties are still here now, making music, and the records they made back then are forever etched in your memory. In some cases, these memories extend to knowing the exact circumstances when you bought certain records.
I can still picture myself in my room playing this 12" by A-ha over and over again. I even used the dub and extended mixes to create new extended remixes. And I know that, when 'This alone is love' appeared on A-ha's next album 'Stay on these roads', I was quite shocked, because the version on this 12" single is far superior. But perhaps that's because I'd heard this version about 200 times by then...
My collection: 12" single no. 52 Found: Free Record Shop, Den Haag, 1987 Cost: 8 guilders Tracks: 'I've been losing you (extended mix)' / 'I've been losing you (dub)', 'This alone is love'
I bought the 7" single of 'On the air tonight' not long after its release, but I never even saw the 12" single before I bought this one. It was my first (and last) opportunity, and I took it. The extended version of 'On the air tonight' is not spectacular, but it does add something to the track that isn't there on the 7" version - mostly an extra instrumental part.
Willy Finlayson never had a hit, despite the fact that this particular track is actually quite beautiful.
My collection: 12" single no. 627 Found: unknown, 200X Cost: 2 euro Tracks: 'On the air tonight (extended)' / 'After the fall'
The extended version of Soft Cell's 'What!' is far superior to the edit of the track on the 7" single. I found that out pretty early on in my life thanks to my sister, who bought this disc at a time when my budget didn't stretch far enough for 12" singles.
The shop Plato, which closed almost two years ago, opened in 1985 and this was my first purchase there. I was very surprised to find this disc there, which after all was three years old back then. Still, I was also happy as I didn't expect to find it at that point in time.
My collection: 12" single no. 18 Found: Plato, Den Haag, 1985 Cost: 15 guilders Tracks: 'What!' / '...So'
You may have read the description of this 12" single of 'Pale shelter'. If you did, you already know part of the story. Here´s the second part of the story. This 12" single was released in 1983, an features a remix of 'Pale shelter'. This remix is actually the version that ended up on Tears for Fears' debut album 'The hurting'. The extended version is very beautiful, with an introverted piano intro.
'Pale shelter' has always been my favourite Tears for Fears song. I remember watching television (Music Box and Sky Channel) for hours just to see this music video. I always assumed the single was a flop because it didn't chart in the Netherlands, but later found out that upon this re-release, the single actually peaked at number 5 in the UK singles chart!
My collection: 12" single no. 290 Found: Record fair, 1996 Cost: unknown Tracks: 'Pale shelter (extended version)' / 'Pale shelter', 'We are broken'
When 'Every teardrop is a waterfall' was first released on YouTube, it sparked many negative comments, saying the song was plagiarised from 'Ritmo de la Noche' by The Sacados or from Peter Allen's 'I Go to Rio'. The band eventually credited Peter Allen and Adrienne Anderson's composition upon its official release.
It's not the first time that Coldplay have used samples to write a new song, having used a Kraftwerk motif for their X&Y single 'Talk'. When you play the B-side 'Major minus', you will notice the very U2 sound of that track. No surprise when you know that the band collaborated with producer Brian Eno.
This 7" single comes in a coloured inner sleeve with a white outer sleeve where the name of the band and the title of the song are cut out. The disc itself is pressed on blue vinyl.
My collection: 7" single no. 5294 Found: CDon.com, Sweden, received February 4, 2012 Cost: 7 euro Tracks: 'Every teardrop is a waterfall' / 'Major minus'
Elkie Brooks' breakthrough second album, released in 1977, propelled her into solo stardom in the UK and Europe. Featuring the top ten hits 'Pearl's a singer' and 'Sunshine after the rain', it had a distinct American sound largely due to the work of legendary writers and producers Jerry Leiber and Mike Stoller.
'Sunshine after the rain' was released as the third single from the album and reached number 10 in the UK singles chart in August 1977.
My collection: 7" single no. 5293 Found: Fun Records, Berlin, received February 1, 2012 Cost: 2,7 euro Tracks: 'Sunshine after the rain' / 'You did something for me'
Elton John released 'Philadelphia freedom' as a single in 1975. Elton, looking to honour his friend, tennis professional Billie Jean King, asked Taupin to write a song called 'Philadelphia Freedom', an homage to her tennis team. Taupin said, 'I can't write a song about tennis', and did not. Taupin maintains that the lyrics bear no relation to tennis, Philly Soul or even flag-waving patriotism. In the U.S. it was a charttopper in April 1975.
The B-side features a live performance of 'I saw her standing there' by Elton John and John Lennon at Madison Square Gardens on November 26, 1974.
My collection: 7" single no. 5292 Found: Fun Records, Berlin, received February 1, 2012 Cost: 2,8 euro Tracks: 'Philadelphia freedom' / 'I saw her standing there (live)'
'Ace of hearts' was the fourth single taken from Chris Rea's 1984 album 'Wired to the moon'. In the UK, it was the title track of a mini album featuring five tracks. This German single features just two of them: 'Ace of hearts' and 'True love'.
The single did not become a hit in Germany. In the UK, it reached number 79 in 1984, and a reissue reached number 78 a year later.
My collection: 7" single no. 5291 Found: Fun Records, Berlin, received February 1, 2012 Cost: 1,5 euro Tracks: 'Ace of hearts (special remix)' / 'True love'
I posted my 12" single of Earth Wind & Fire's 'Boogie Wonderland' just two weeks ago, a few days before I ordered this 7" single. I didn't know I didn't have the 7" single, but as I was writing that piece, I found out. It was a pleasure to correct this small omission.
The 7" single is, obviously, shorter than the 12" single. The full length version is 8'30 minutes, whereas the single edit is just 5 minutes. The instrumental version on the B-side is just 50 seconds shorter than its 12" counterpart.
My collection: 7" single no. 5290 Found: Fun Records, Berlin, received February 1, 2012 Cost: 1 euro Tracks: 'Boogie wonderland' / 'Boogie wonderland (instrumental)'
Record producer John Carter was the veteran of the early Sixties beat music, most notably Carter-Lewis and the Southerners, a band Carter formed with fellow producer Ken Lewis. Lewis and Carter formed a vocal harmony band, The Ivy League, that enjoyed three top twenty hits in Britain in 1965. Carter and Gill Shakespeare wrote the song 'Beach Baby' in the summer of 1974 in their home in East Sheen, South West London, far from any beach. Carter immediately enlisted the help of lead singer Tony Burrows and another session singer, Chas Mills, to record the song for Jonathan King's UK Records record label under the name The First Class.
The dense, complex production, layered vocals evoked the Sixties west-coast production style of lead Beach Boy Brian Wilson. At one point the arrangement utilises the horn theme from the last movement of Sibelius' Fifth Symphony. In 1974, at a moment when nostalgia for the Sixties was fashionable (and The Beach Boys sat atop the Billboard Hot 200 album chart with Endless Summer on 5 October 1974), the song became a hit in the UK (where it peaked at number 13), and in the USA, where it peaked at number 4.
My collection: 7" single no. 5289 Found: Fun Records, Berlin, received February 1, 2012 Cost: 1,6 euro Tracks: 'Beach baby' / 'Surfer queen'
The 12" single I bought back in 1994 features four remixes of Kim Appleby's 'Free spirit', but this promotional double 12" set, which I found last month on a website, features five. Indeed, that's one extra and so I guess you could say I bought this set for one track only.
Now if 'Free spirit' was recorded by Madonna or Britney Spears these days it would probably be a hit, because it's a piece of inspired high energy pop, but Kim Appleby's star had faded in 1994, when this disc came out, and so it disappeared quietly. What a shame.
My collection: 12" single no. 624 Found: Fun Records, Berlin, received February 1, 2012 Cost: 3 euro Tracks: 'Free spirit (Mixed by Mobius Loop)' / 'Free spirit (Club mix - remix by Tony King' // 'Free spirit (Sound of Stockwell dub)' / 'Free spirit (Spiritual mix)', 'Free spirit (Diesel & Ether Defacto mix)'
I don't have any Joe Cocker tracks, except this one. I already had the 12" single, which I bought two decades ago, but I decided I had to have the 7" single as well. So when the opportunity presented itself last month, I ordered it.
Much to my surprise, this German pressing comes in a rather boring sleeve, whereas the UK version (at least, the 12" single I have was made in the UK) is much prettier with an actual photograph on the front cover. The song remains a true classic with Joe's devastated voice used to full effect.
My collection: 7" single no. 5288 Found: Fun Records, Berlin, received February 1, 2012 Cost: 1,5 euro Tracks: 'Don't you love me anymore' / 'Tell me there is a way'
'Send me a lover' was written by Rick Hahn and George Thatcher, and released on September 6, 1993 as the second single from Taylor Dayne's album 'Soul dancing'. It peaked at number 50 on the US Billboard Hot 100 chart. In Europe, the single didn't become a hit. Perhaps that's why it didn't appear on 7" vinyl in Europe. This single was made in the USA and didn't come in a picture sleeve.
Unfortunately, the song was later covered by Celine Dion, who butchered the song beyond recognition with her grating voice. This version by Taylor Dayne remains the only one you can hear without bleeding ears.
My collection: 7" single no. 5287 Found: Fun Records, Berlin, received February 2, 2012 Cost: 1,2 euro Tracks: 'Send me a lover' / 'Someone like you'
David Morgan wrote 'Hiroshima' and recorded it with the band Wishful Thinking in 1969. The single wasn't a hit, but when it was re-released in Germany in 1978, it reached number 8 there. The single stayed in the charts for months.
In 1990 the German singer Sandra recorded a cover version of this song for her fourth solo album 'Paintings in yellow'. That version was eventually released as a single as well, becoming one of her biggest hits in Central Europe.
My collection: 7" single no. 5286 Found: Fun Records, Berlin, received February 1, 2012 Cost: 1 euro Tracks: 'Hiroshima' / 'She belongs to the night'
The first time I heard this song was a few months ago in a radio show presented by Kim Wilde called 'Secret Songs' on Magic 105.4 FM. Some singles can go by unnoticed for decades, but in the end I still catch them.
The song was written by Boz Scaggs, who recorded it on his 1976 album 'Silk degrees'. The Rita Coolidge version appeared on her album 'Anytime...Anywhere' released the next year. Coolidge recalled: 'When I was with A&M Records, it was like a family. I would visit Herb Alpert and Jerry Moss, and it was a very open, communicative group of people. One day I was in Jerry Moss' office and he said that the Boz Scaggs album 'Silk Degrees' was in a million homes and there was a song on it that was perfect for a woman to sing. He said, 'It's called "We're All Alone" and as he's not doing it as a single, I think you ought to record it.'" Quite right too, as it reached number 6 in the UK singles chart.
My collection: 7" single no. 5285 Found: Fun Records, Berlin, received February 1, 2012 Cost: 1,5 euro Tracks: 'We're all alone' / '(Your love has lifted me) Higher and higher'
'I.O.I.O.' is the second single (third in the U.S.) from the Bee Gees album, Cucumber Castle. Maurice Gibb described this as "Barry's African jaunt" as the opening has African-type percussion that leads into Barry Gibb singing the verse, joined by Maurice in the chorus. The single was a relative success mainly on European charts.
The title 'I.O.I.O.' Maurice calls on the chorus and made as a title of the song, accompanied by Colin's drumming. Vince Melouney was present on playing the guitar on the song's first session in 12 June 1968 while they are recording the songs for their fifth album and their third international album, 'Idea'.
My collection: 7" single no. 5284 Found: Velvet Vinyl Outlet, Leiden, January 27, 2012 Cost: 1 euro Tracks: 'I.O.I.O.' / 'Sweetheart'
This American pressing of Bananarama's single 'I can't help it' features the sleeve artwork that was used for 'Love in the first degree' in the UK. The B-side, 'Mr. Sleaze', was also the B-side of 'Love in the first degree' in the UK. And so here's a release that I felt would be an interesting addition to my collection.
'I can't help it' was written Bananarama with Stock, Aitken and Waterman, who also produced the track. It reached number 47 in the US Billboard Hot 100. The single peaked at number 20 in the UK singles chart. So perhaps the Herb Ritts photography on the sleeve of the UK version would have been a better choice?
My collection: 7" single no. 5283 Found: Velvet Vinyl Outlet, Leiden, January 27, 2012 Cost: 1 euro Tracks: 'I can't help it' / 'Mr. Sleaze'
'Sir Duke' was written and recorded by Stevie Wonder in tribute to Duke Ellington, the influential jazz legend who had died in 1974. The lyrics also refer to Count Basie, Glenn Miller, Louis Armstrong and Ella Fitzgerald. Wonder had already experienced the passing of two of his idols (Dinah Washington and Wes Montgomery) after attempting to collaborate with them. After Ellington died in 1974, Wonder wanted to write a song acknowledging musicians he felt were important. He later said, 'I knew the title from the beginning but wanted it to be about the musicians who did something for us. So soon they are forgotten. I wanted to show my appreciation.'
Released as a single from Stevie Wonder's 1976 album 'Songs in the key of life' in 1977, it reached number 1 in the US Billboard Hot 100 and peaked at number 2 in the UK singles chart.
My collection: 7" single no. 5281 Found: Velvet Vinyl Outlet, Leiden, January 27, 2012 Cost: 1 euro Tracks: 'Sir Duke' / 'He's misstra know it all'
When you take a look at the sleeve of this single, you might think that the Bee Gees went all religious in 1969. However, the title 'Don't forget to remember the Lord' is just a case of bad sleeve design. In fact it's a combination of the two song titles included in this package.
'Don't forget to remember' is a country ballad from the Bee Gees, taken from the album 'Cucumber Castle'. The single was a number 1 hit in the Dutch Top 40 in September 1969. In the UK singles chart, the song peaked at number 2.
My collection: 7" single no. 5282 Found: Velvet Vinyl Outlet, Leiden, January 29, 2012 Cost: 1 euro Tracks: 'Don't forget to remember' / 'The Lord'
'Englishman in New York' was taken from Sting's 1987 album 'Nothing like the sun'. The 'Englishman' in question is the famous eccentric Quentin Crisp. Sting wrote the song not long after Crisp moved from London to an apartment in New York's Bowery. Crisp had remarked jokingly to the musician 'that he looked forward to receiving his naturalization papers so that he could commit a crime and not be deported.'
The song was released as a single in 1988, but only reached number 51 on the UK singles chart. In the Dutch Top 40 it was considerably more successful, peaking at number 9.
My collection: 7" single no. 5280 Found: Velvet Vinyl Outlet, Leiden, January 27, 2012 Cost: 1 euro Tracks: 'An Englishman in New York' / 'Ghost in the strand'
Although the Alessi brothers had only one significant hit in Europe with 'Oh Lori', they released several other singles and albums between 1977 and 1982. 'Driftin'' was released in 1978 as a single from their third album, also called 'Driftin''.
In the 2000s they resumed their touring and album recording career as a duo, with the release of two new albums as Alessi, and also as part of group Barnaby Bye.
My collection: 7" single no. 5279 Found: Velvet Vinyl Outlet, Leiden, January 27, 2012 Cost: 1 euro Tracks: 'Driftin'' / 'Just can't stop it'
After Freddie Mercury died in November 1991, the remaining members of Queen staged a charity concert at Wembley Stadium in London with several pop and rock icons taking the place of Freddie and performing his vocals. After the concert, the EP 'Five live' was released to further benefit the Mercury Phoenix Trust.
From this EP, only 'Somebody to love' and 'These are the days of our live' were performed during the tribute concert. The other three live tracks were recorded during George Michael's 'Cover to cover tour' from 1991. The medley of 'Killer' and 'Papa was a rollin' stone' was one of them, and it was remixed by PM Dawn for this 12" single.
My collection: 12" single no. 620 Found: Velvet Vinyl Outlet, Leiden, January 27, 2012 Cost: 2,5 euro Tracks: 'Killer/Papa was a rollin' stone (PM Dawn remix)' / 'Killer/Papa was a rollin' stone (PM Dawn remix instrumental)'
The Seventies group Showaddywaddy had most of their biggest hits with covers of songs from the Fifties and early Sixties. These cover versions included 'Three steps to heaven' (originally by Eddie Cochran in 1960), 'Heartbeat' (originally written and recorded by Buddy Holly) and 'Under the moon of love' (originally a US hit for Curtis Lee in 1961 and co-written by Tommy Boyce).
The Mike Hurst-produced version of that latter song spent three weeks at the top of the UK singles chart in December 1976. In the Dutch Top 40, the single peaked at number 3 in early 1977.
My collection: 7" single no. 5278 Found: Velvet Vinyl Outlet, Leiden, July 27, 2012 Cost: 1 euro Tracks: 'Under the moon of love' / 'Showboat'
Shirley Mescher was born in Den Haag, Netherlands in 1963 and first made a name for herself as part of the group Music Hall. In 1983, they released the single 'Voulez-vous danser?'. Shirley then became a playmate in the magazine Playboy. She appeared on the front cover of the April 1985 issue.
Back to music, Shirley became part of the duo Fresh in 1987. Together with Ingrid Brans she recorded a cover of 'Summer in the city'. After that single flopped, Ingrid moved on to the successful Dutch trio Barbarella and Shirley went solo as Shirley-Jane. Her first outing was this single: 'Hit me!', a cover of the infamous single by Ian Dury. Despite the sexy cover and the half-decent cover version, it wasn't a hit.
My collection: 7" single no. 5277 Found: Velvet Vinyl Outlet, Leiden, January 27, 2012 Cost: 1 euro Tracks: 'Hit me!' / 'This night'
Tommy Seebach did his first of three performances at the Eurovision Song Contest in 1979 with 'Disco tango'. The song was well received and ended up in sixth place out of 19 competitors. It became a major hit in Denmark and other European countries.
Seebach later became one of those tragic Eurovision heroes, as his other performances were less successful: 'Krøller eller ej' ended up in 11th place in 1981, and 'Under stjernerne på himlen' only reached 22nd place in 1993. The poor result meant that Denmark did not qualify for the ESC 1994, and Seebach was widely criticized, and never competed again. Seebach passed away on March 31, 2003 after a heart attack.
My collection: 7" single no. 5276 Found: Velvet Vinyl Outlet, Leiden, January 27, 2012 Cost: 1 euro Tracks: 'Disco Tango (English Grand Prix version)' / 'Disco Tango (Danish Grand Prix version)'
'Lookin' out' was released in 1982 as the third single from the Time Bandits' self-titled debut album. Like most of the Time Bandits' material, the song was co-written by the band's singer and frontman Alides Hidding.
The single didn't reach the Dutch Top 40. New hits would follow when the band released their second album in 1983.
My collection: 7" single no. 5275 Found: Velvet Vinyl Outlet, Leiden, January 27, 2012 Cost: 1 euro Tracks: 'Lookin' out' / 'In town'
At the time of its release, much was made of the decision to release Abba's song 'Lay all your love on me' on 12" single only. I'm guessing of course, but I think that's where the unusual term 'Legal bootleg 7"' on the sleeve of this single comes from.
The unknown band The Bank recorded a version of Abba's song and released it on the more popular 7" vinyl format. It didn't help this release, however: it was not a hit.
My collection: 7" single no. 5274 Found: Velvet Vinyl Outlet, Leiden, January 27, 2012 Cost: 1 euro Tracks: 'Lay all your love on me' / 'Dance the night away'
Most people are familiar with the single 'Something's gotten hold of my heart' as a duet between Marc Almond and the song's original performer, Gene Pitney, but this single was released before the duet version. It's the album version of the track, as recorded by Marc Almond solo.
I don't know enough of the history, but I think this single was released just weeks before the duet version, and finally the duet version came in its place -and became a Europe-wide hit. This version of the single is therefore a bit more rare.
My collection: 7" single no. 5273 Found: Velvet Vinyl Outlet, Leiden, January 27, 2012 Cost: 1 euro Tracks: 'Something's gotten hold of my heart' / 'King of the fools'
The Band of the Royal Netherlands Air Force has been rather active in releasing singles and albums through the years. I've been able to track down a listing of over 12 singles and EP's and one album, all released between 1958 and 1965.
This particular single was released in 1959 and contains two marches: the Eurovision march and the March of the United Nations. The Eurovision march is well known for its annual use during the Eurovision Song Contest, and as such, this single piqued my interest. Housed in an authentic record company sleeve from that time, it seems I found a rather nice collector's item as well.
My collection: 7" single no. 5272 Found: Velvet Vinyl Outlet, Leiden, January 27, 2012 Cost: 1 euro Tracks: 'Eurovisie-mars' / 'March of the United Nations'
Billy Idol's 'Hot in the city' was originally released in 1982. This is a re-release from 1987. It features a remix of 'Catch my fall' on the B-side, taken from the album 'Vital Idol' which features several remixes of Billy Idol hits. I've been partial to that album ever since I got it from my parents during a holiday in Germany. Very cool music.
Although the released version of 'Hot in the city' contains a verse in which Idol shouts 'New York', other versions of the song were recorded for various radio stations, including one in which he shouts 'Amarillo' or 'New Haven'.
My collection: 7" single no. 5271 Found: Velvet Vinyl Outlet, Leiden, January 27, 2012 Cost: 1 euro Tracks: 'Hot in the city' / 'Catch my fall (remix fix)'
One half of the popular duo Mel & Kim continued solo after the other half sadly passed away. Kim Appleby initially forged a successful career with hit singles like 'Don't worry' and 'G.L.A.D.', but her second solo album wasn't as popular and she soon ended up out of the music business.
This is the title track of that second album, remixed by La Camorra, Clive Farrington, "Mr. L", Harding & Curnow and Biffco for a promotional double 12" release. Most of these remixes were never released commercially, and only two of them appeared on cd as far as I know.
My collection: 12" single no. 619 Found: Discogs.com, received January 24, 2012 Cost: 3 pounds Tracks: 'Breakaway (Headless Pigeon mix 2)', 'Breakaway (Headless Pigeon dub 2)' / 'Breakaway (The survivor mix)', 'Breakaway (Mr. L.'s Midnight mix)' // 'Breakaway (extended mix)' / 'Breakaway (Break dub - Diss Gust It mix)', 'Breakaway (Headless Pigeon mix 1)'
'Endless sleep' was originally written and recorded by American singer Jody Reynolds in early 1958. He wrote it in a single afternoon in 1956 in Yuma, Arizona. After it reached number 5 in the US Billboard Hot 100 chart in the summer of 1958, Marty Wilde quickly recorded a version to be released in the UK. This was a common practice at that time, offering a chance for UK artists to score with proven stateside hits.
The single gave Marty his first shot at fame, as it reached number 4 in the UK singles chart in July 1958. While Jody Reynolds didn't have a hit with this song in the UK originally, it was released in April 1979, and had a one week chart run at number 66.
My collection: 7" single no. 5270 Found: Discogs.com, received January 24, 2012 Cost: 2 pounds Tracks: 'Endless sleep' / 'Her hair was yellow'
Taken from her 1997 album 'The velvet rope', 'I get lonely' was one of those Janet Jackson tracks that contained an R&B feel more than her previous work. It was the kind of stuff she would record more often after this album, with increasingly less audience approval.
These remixes breathe a little life into the track, although it really can't compare with the hits she'd had in the decade before. Nice, but not too interesting is my verdict, alas.
My collection: 12" single no. 618 Found: Discogs.com, received January 24, 2012 Cost: 2 pounds Tracks: 'I get lonely (Janet vs Jason - The club remix)', 'I get lonely (Janet vs Jason - The remix sessions part 2)' / 'I get lonely (Jason's special sauce dub)', 'I get lonely (LP version)'
'Ode to boy' was originally a B-side of Yazoo's 1982 single 'The other side of love' and a track on their second album 'You and me both'. Alison Moyet re-recorded the track solo on her fourth solo album 'Essex' in 1994.
I sort of knew that the track was released as a single, but I was unaware of the existance of a 12" single with remixes of the track. I've always liked the original version - a beautiful demonstration of stereo sound - and while I wasn't sure Alison's re-recording was as good, I was still curious enough to hear these remixes. And so, I ordered the disc. Have to say I quite like these mixes.
My collection: 12" single no. 617 Found: Discogs.com, received January 24, 2012 Cost: 1 pound Tracks: 'Ode to boy', 'Ode to boy (Factory mix)' / 'Ode to boy (NY-LA mix)', 'Ode to boy (NY-LA dub)', 'Ode to boy (Factory dub 2)'
The second half of the Eighties was littered with remixes of old tracks. Somehow record companies thought it was a cheap way to make profits without having to pay for studio time - except the time for the remixer of course. But in some cases, even the remixers didn't even spend that much time on it.
Take this one for example: an '88 remix of the old Jacksons hit 'I want you back' with a young Michael Jackson. In 1988 the name Michael Jackson meant a lot to a lot of people. Popular remixers Phil Harding and Ian Curnow were recruited for a remix. They added a drumbeat, and there you had it: a new single. A poor effort, however. But even this reached number 8 in the UK singles chart.
My collection: 7" single no. 5269 Found: Discogs.com, received January 24, 2012 Cost: 1,5 pounds Tracks: 'I want you back '88 remix' / 'Never can say goodbye'
The lyric of Marillion's 'Sugar mice' is quite depressing, and one suspects that a divorce drama is part of all the misery. But in fact, it's more about a British worker who emigrates to the USA to escape unemployment, leaving behind his family, and ends up drinking in a hotel bar in Milwaukee.
This 12" single features an extended mix of the track, as well as the album version which is about a minute longer than the single edit which was featured on the 7" single.
My collection: 12" single no. 145 Found: Record fair, 1993 Cost: 5 guilders Tracks: 'Sugar mice (extended version)' / 'Sugar mice (album version)', 'Tux on'
Kate Bush released the third single from her 1989 album 'The sensual world' in early 1990. Besides the 7" single, a 12" single and cd-single were also released. Both had the same track listing and featured three new tracks, all three taken from the soundtrack of a Comic Strip film called 'GLC: The carnage continues...'.
