I had only just discovered All about Eve, when I found this single in my favourite second hand record shop. And cheaply, too! Naturally, though I didn't know the song, I had to try it out. And I'm glad I did, because it helped me to decide to buy the band's debut album. The up-tempo rock track 'Wild hearted woman' was coupled with the soft, beautiful ballad 'Appletree man', which showed the great diversity the band already had.
Frontwoman Julianne Regan commented in 1998: 'Please don't make the mistake of thinking that the boys wrote the 'boy' songs and I wrote the 'girly' ones, when the truth is that (...) Tim was the one behind 'Appletree man'.' The single peaked at number 33, improving again on the previous single's chart performance in the UK.
The title of this song can be misleading. When you read 'Wedding bells', you expect a romantic song, but the lyric is actually about a man who wants to avoid those wedding bells. The song was taken from Godley & Creme's 1981 album 'Ismism' (released as 'Snack attack' in the USA).
While 'Under your thumb', also taken from the album, had already reached number 3 in the UK singles chart, this was another top 10 hit for the duo, peaking at number 7.
The first single from Ultravox's 1984 album 'Lament' was an unusual track in their catalogue, because for the first time in a long time, the band omitted the use of synthesizers in favour of a more guitar-driven rock song. As such, I always considered it to be one of the band's worst singles.
The single still made number 27 in the UK singles chart and number 16 in Ireland. But in Europe, the single did not chart. I finally bought the single in 1999, simply because of the fact that I have most of the band's singles - and this one was pressed on clear vinyl. The instrumental B-side is an intriguing piece, anyway.
'Absent friends' was the title track of The Divine Comedy's 2004 album, and released as its second single. The song was a return to form, sounding like many tracks on the 1998 album 'Fin de siecle'. The B-side featured a track that was exclusive to the 7" vinyl format.
The single peaked at number 38 in the UK singles chart, not the big success the band and the record company were hoping for. As such, it was the last single to be released from the album.
My collection: 7" single no. 3406
Found: hmv.co.uk website, 2004
Cost: 2 pounds
Tracks: 'Absent friends' / 'Anthem for bored youth'
Katja Ebstein was born on March 9, 1945 in Girlachsdorf, Germany (now Gniewków, Poland). She released her debut album 'Katja - die Stimme' in 1970. That same year she represented Germany during the Eurovision Song Contest with 'Wunder gibt es immer wieder', reaching third place. This encourages her to try again in 1971. But the song 'Diese Welt' again reached third place in the Contest.
Nine years and several albums later, Katja participated in the 1980 Eurovision Song Contest with 'Theater'. Written by Ralph Siegel and Bernd Meinunger, this reached second place. If Ebstein would have participated once more, who knows... she might have won. We'll never know.
I actually bought this single in 1980 for 1 guilder. One or two years later, after barely playing the single, I exchanged it with my sister for Visage's 'Fade to grey'. In my current administration, this would have been single no. 61. Now it has become number 3744.
My collection: 7" single no. 3744 Found: Record fair, Den Haag, May 23, 2009 Cost: 1 euro Tracks: 'Theater' / 'Getrennt von Tisch und Bett'
'Give it up' was released as the third single from Talk Talk's 'Colour of spring' album. I appreciated this single a lot more than 'Life's what you make it' and 'Living in another world', because it wasn't played on radio and television on a daily basis. Which also meant that it didn't become a hit. It only charted in the UK, reaching number 59.
In fact, 'Give it up' started a trend. Talk Talk would never chart in most countries except the UK, Ireland and (once) Germany.
My collection: 7" single no. 446 Found: Free Record Shop, Den Haag, August 9, 1986 Cost: 3 guilders Tracks: 'Give it up' / 'Pictures of Bernadette'
'I could fall in love with you' was released in April 2007 as the first single from Erasure's 13th studio album 'Light at the end of the world'. It was the first 7" single release by Erasure since 'Run to the sun' (1994). The single peaked at number 21 in the UK singles chart.
Vince Clarke explained about the song: 'Before we started this album, I was really keen for it not to be mid-tempo - I'm having a mid-tempo crisis! Our albums seem to have got slower and slower, so I started searching for classic funk or disco bass lines, put some ideas together with chord changes and bass lines underneath, and emailed them to Andy for him to sing over the top. The song, like this album, is quite 'up' and uptempo because we're both in good spaces right now.'
My collection: 7" single no. 3498
Found: eBay, received December 23, 2008
Cost: 3 pounds
Tracks: 'I could fall in love with you (Jeremy Wheatley radio mix)' / 'I like it'
I had high hopes for 'Vibeology' when it was released as the fourth single from Paula Abdul's 1991 album 'Spellbound'. Unfortunately the release was marred by bad remixes in a house style. I had a lot of doubts whether I would even buy this single, but since I had the other singles I couldn't let this one go. I did wait a couple of years, though.
It was still a reasonable success in various countries: in America it peaked at number 16, it went to number 19 in the UK and in the Netherlands the single got to number 13. The biggest success of this track was in Canada, where it made number 3.
My collection: 7" single no. 2351 Found: Record Exchange, London, June 26, 1995 Cost: 1 pound Tracks: 'Vibeology' / 'Vibeology (Hurley's House 7")' Download:here (password: http://popgems.blogspot.com)
The first single from Tori Amos' second album 'Under the pink' was 'Cornflake girl'. The title was inspired by Alice Walker's novel 'Possessing the secret of joy', about a young African woman going through the ritual of female genital mutilation. Amos was angered by the idea that a mother could subject her daughter to such a brutal act, and the song arose as an exploration of the idea of betrayal between women.
Accompanied by a weird music video, the song still managed to peak at number 4 in the UK singles chart and even broke the Dutch Top 40, where Amos had never had a chart placing before. In the Netherlands it rose to number 26.
Joan Armatrading was born in Basseterre, Saint Kitts in the West Indies on December 9, 1950. She moved with her family to Birmingham, England in 1957. She moved to London in the early Seventies to perform in a production of the musical 'Hair'. This led to her meeting lyricist Pam Nestor and recording her debut album 'Whatever's for us' (1972).
'Rosie' was released after five albums in 1980. It became her first European hit, reaching number 15 in the Netherlands.
My collection: 7" single no. 2422 Found: July 22, 1995 Cost: 3,5 guilders Tracks: 'Rosie' / 'How cruel'
Taken from their debut album 'Von Anfang an', 'Tausendmal du' became Münchener Freiheit's first hit outside of Germany. The single entered the Dutch Top 40 in June 1986 and peaked at number 28 during its five week chart run.
The song would be re-recorded in English as 'Baby it's you' two years later, aiming for more international success.
The Nick Straker Band formed in the late Seventies. Its members were Nick Straker, Tony Mansfield, David McShera, Pete Hammond and Phil Towner. In 1979 they released 'A walk in the park', a rather innovative disco song. It did not reach the Dutch Top 40, but it did peak at number 20 in the UK singles chart.
Tony Mansfield and Nick Straker were also members of New Musik, but while Straker didn't return to his old group, Mansfield did. Both the Nick Straker Band and New Musik did not meet a lot of commercial success after 'A walk in the park'.
My collection: 7" single no. 2147
Found: August 25, 1994
Cost: 1 guilder
Tracks: 'A walk in the park' / 'Something in the music'
Mike Moran (born March 4, 1948) and Lynsey De Paul (born June 11, 1960) wrote the song 'Rock bottom' together and also got to perform it together on the 1977 Eurovision Song Contest, representing the United Kingdom. Although the song was in the lead when the juries started giving their points, the song finally came second, behind the winning song 'L'oiseau et l'enfant'.
De Paul and Moran went on to write a number of songs such as 'Let your body go downtown', a UK top 40 hit for the Martyn Ford Orchestra and the follow up 'Going to a disco' as well as the songs 'Without you' and 'Now and then'. Moran was also a wellknown songwriter in his own right, co-writing Freddie Mercury's 'Barcelona'.
My collection: 7"single no. 3746
Found: Record fair, Den Haag, May 23, 2009 Cost: 1 euro
'Bad girls' was taken from Donna Summer's 1979 album of the same name. Donna Summer wrote the song herself, after being inspired by an incident: a police officier mistook one of her assistants for a street prostitute.
The song was a chart success in many countries. In America it was a number 1 hit, in the UK it peaked at number 14 while in the Netherlands it went to number 7. The 'toot-toot, beep-beep' chant would be sampled by various hip hop artists.
Fischer Z released their third album 'Red skies over paradise' in 1981. This was the last album released under the classic line-up, despite the departure of keyboardist, Steve Skolnik. The album featured many songs about politics and several references to the Cold War. After this album, band leader John Watts pursued a solo career.
'Marliese' was taken from the album and became the band's last hit. In the Netherlands, it reached number 31.
My collection: 7" single no. 922
Found: Parkpop, Den Haag, June 25, 1989 Cost: 2 guilders
In the late Eighties and early Nineties I was a regular viewer of MTV, back when they were still broadcasting music videos. I was not the only one: I had a fellow student and friend who was just as addicted to the channel as I was. We both loved Rebecca de Ruvo, and hated Simone Angel (We had so much in common).
The difference between the two became more obvious when they recorded music. Rebecca released 'I caught you out' in 1994, Simone released 'When love rules the world' in 1991. While the former is an interesting funky dance track, the latter is just a throwaway house clone with bad vocals. It's these vocals my friend and me had loads of fun with. Whenever I grunted 'When love rules the world' he would reply with a falsetto 'When love rules the world!' and vice versa. This single is a souvenir of those times. It's actually one of few songs in my singles collection that I don't like.
What happened to Simone Angel? She moved to the other side of the world - thankfully - and is - unfortunately - still presenting a radio show there. She has a blog which you can read here.
My collection: 7" single no. 1766 Found: Sounds Familiar, London, October 20, 1992
Cost: 20p
Tracks: 'When love rules the world (Let love rule edit)' / 'When love rules the world (original mix)'
'Ein Bisschen Frieden' was written by Eurovision Song Contest veterans Ralph Siegel and Bernd Meinunger. It was performed at the 1982 edition of the Contest by 17 year old high school student Nicole. With her innocent looks and white guitar, she managed to secure Germany's first (and last) ever win.
I hated the song with a passion. The tacky lyrics and the corny melody did nothing for me. But all these years later, there is one convincing reason to own this single: I have nearly all of the Eurovision winners.
Originally a three-piece pop outfit from Roby, near Liverpool, England, Black featured Colin Vearncombe (born June 25, 1962, West Derby, Liverpool), Dave Dickie and Jimmy Sangster. Vearncombe was previously in the Epileptic Tits at the age of 16, playing punk cover versions. He then moved on to producing his own tapes until Dickie (ex-Last Chant) and Sangster formed a unit together.
Black's first single was 'Human features', released in 1981 on the independent Rox label. The single did not chart and was probably released in a very small quantity. Finding this single is next to impossible. I searched for it for years on end, and finally only got it because an old Black fan was selling off his items. I spent a small fortune, but was extremely happy to get my hands on this rare recording.
My collection: 7" single no. 2983 Found: Private seller, received April 9, 1998 Cost: 20 pounds (or more) Tracks: 'Human features' / 'Electric church'
'Everything but the grl are Tracey Thorn on vocals and Ben Watt on guitar and vocals. 'I don't want to talk about it' was released to coincide with their fourth LP, 'Idlewild' (February 1988) from which the B-side 'Oxford Street' is taken. The string arrangement was written by Ben Watt and Nick Ingman.'
The back of the sleeve tells a rather complete story. However, the single only became a hit in July 1988, but when it did, it reached number 3 in the UK singles chart, making it the duo's biggest hit up to that point.
My collection: 7" single no. 1566
Found: All that music, Leiden, January 2, 1992
Cost: 2,5 guilders
Tracks: 'I don't want to talk about it' / 'Oxford Street'
'I don't want to talk about it' was written by Danny Whitten. His band Crazy Horse released it on their self-titled album in 1971. In 1975, Rod Stewart recorded his version for his album 'Atlantic Crossing'.
The single topped the singles chart in the UK, although it has been claimed afterwards that this was rigged and that the Sex Pistols' 'God save the queen' was the actual best selling single at the time. In Germany the single reached number 4, and in the Netherlands it went to number 3.
My collection: 7" single no. 1162
Found: All that music, Leiden, January 27, 1990
Cost: 3 guilders
Tracks: 'I don't want to talk about it' / 'The first cut is the deepest'