Having already written about the 12" single of 'Answers to nothing', there's not so much to add here. Except this: the 7" single contains the original version of the track, which is the same as the album version. And a limited edition was available on clear vinyl. I'd already bought the normal version when I found the clear vinyl pressing. Obviously, I bought that one as well.
Michael Cretu was born on May 18, 1957 in Bucharest, Romania. In the Seventies he started his music career playing keyboards and producing for German producer Frank Farian. In the Eighties, he played keyboards during Arabesque's live shows. This is how he met Sandra, whose albums he started to produce once she went solo in 1985. The couple got married in 1988.
A year before that, he teamed up with producer Manfred Thiers to form 'Cretu & Thiers'. Their debut single was a poppy cover of Alice Cooper's 'School's out'. Although this single didn't become a hit, the B-side 'Collage' was a first peek at what was to come: in 1990 Cretu started his Enigma project, which sounds a lot like this track.
Ivo Watts-Russell had founded the record label 4AD in 1980, and it quickly established itself as one of the key labels in the British post-punk movement. One of the label's earliest signings was Modern English. In 1983, Watts-Russell suggested that the band re-record two of their earliest songs, 'Sixteen days' and 'Gathering dust', as a medley. At the time, the band was closing their sets with this medley, and Watts-Russell felt it was strong enough to warrant a re-recording. When the band rebuffed the idea, Watts-Russell decided to assemble a group of musicians to record the medley: Elizabeth Fraser and Robin Guthrie of Cocteau Twins; Gordon Sharp of Cindytalk; and a few members of Modern English. An EP, Sixteen Days/Gathering Dust, resulted from these sessions. Recorded as a b-side for the EP was a cover of Tim Buckley's 'Song to the siren', performed by Fraser and Guthrie alone. Pleased with the result, Watts-Russell decided to make this the A-side of the 7" single version of the EP, and the song quickly became a hit, peaking at number 66 in the UK and number 29 in the Netherlnads. The band subsequently recorded three albums, until the name was retired in 1991.
My collection: 7" single no. 666
Found: Disco Market, Den Haag, 1988
Cost: 3,5 guilders
Track: 'Song to the siren' / 'Sixteen days (reprise)'
Guy Chadwick, Terry Bickers, Andrea Heukamp, Chris Groothuizen and Pete Evans formed The House of Love in 1986 in Camberwell, London. They released three singles and a debut album while signed to Creation records. After this, they switched to Fontana records and released their second album, which was, like the first, untitled. Three singles were released from this album, of which 'The Beatles and the Stones' was the third. It reached number 36 in the UK singles chart.
This limited edition release included a poster and a foldout sleeve. I bought it mainly because of this, since I wasn't that impressed with the track at the time. Now, almost two decades later, I actually think it's a great track.
'Trapped' was Colonel Abrams' biggest hit in 1985, just after he signed a contract with MCA Records. So much so, that it was re-released in remixed form in 1997 and 2005. This is the original single, which peaked at number 3 in the UK. Colonel Abrams (his real name, incidentally!) never matched this success in later years.
Producers Stock Aitken and Waterman, who had created Rick Astley's 'Never gonna give you up' in 1987, were accused of lifting key elements of Abrams' single for their own music, however there was no successful lawsuit regarding this claim.
It's not so strange that the Netherlands didn't get through to the final of this year's Eurovision Song Contest with the so-called Toppers. The song was too wordy, the lyric was full of platitudes, the three fat men looked ridiculous in their suits and the whole thing was just too bad for words.
I do wonder how I would have felt about Teach-In back in 1975 if I'd been older. The lyric of this song isn't exactly highbrow and the music was pretty much the same as any popsong at the time. These days, we only know it as the last song that won Eurovision for the Netherlands. The fact that it's 34 years ago makes it rather painful. We hear this song every damn year! But still, it's essential to have in my Eurovision collection, which is why I bought it. And I'm very glad this copy is in excellent condition.
My collection: 7" single no. 3709
Found: Marktplaats.nl, received May 13, 2009
Cost: 3,5 euro
Tracks: 'Dinge-dong' / 'Ik heb geen geld voor de trein'
Yazz was born as Yasmina Evans on 19 May 1960 in Shepherd's Bush, London. Her first commercial success came in early 1988, when she supplied the vocals on Coldcut's 'Doctorin' the house'. This led to a solo career on Big Life records, a label set up by her future husband Jazz Summers. Her debut single 'The only way is up' was one of the big summer hits in 1988. I thought the song was atrocious, and lost all interest in Yazz.
Only a few years later I picked up on the song 'Fine time', a laid back reggae track that reached number 9 in the UK, but did not chart in the Netherlands. I bought the single seven years after its original release.
After the release of the original version of 'Lay your hands on me', a US remix version followed pretty quickly. Remixed by one John Potoker, the track had become different, but not necessarily better or worse.
While the original version was released in a limited edition posterbag, this US remix appeared in a gatefold sleeve. I got very confused: did I have this already or not? In the end, I took the gamble. I'm glad I did, now I've got both versions.
My collection: 7" single no. 3465
Found: Record fair, Utrecht, November 22, 2008
Cost: 1 euro
Tracks: 'Lay your hands on me (US remix)' / 'The Lewis Carol'
There are two different versions of Tears for Fears' track 'Pale shelter': the original version, produced by Mike Howlett, released as 'Pale shelter (You don't give me love)', and this version, produced by Chris Hughes and Ross Collum, released just after Tears for Fears' debut album 'The hurting' in 1983. To provide a chart push this second time around, Mercury took full advantage of the picture disc and coloured vinyl gimmicks that were popular at the time. In all, eleven different variations of the reissued single were available for purchase. It helped get the single to peak at number 5 in the UK singles chart in April 1983.
I got the green vinyl version of 'Pale shelter' during one of the first record fairs I ever visited. My sister bought the single in three other colours. I've never seen those singles since, so I'm still looking for them to this day.
My collection: 7" single no. 274 Found: Record fair, Den Haag, April 22, 1990 Cost: 10 guilders Tracks: 'Pale shelter' / 'We are broken'
'Paris Latino' was released by Bandolero in 1983. The single, featuring raps in French, was written by brothers Carlos and José Perez. It reached number 2 in Switzerland and number 12 in the Netherlands.
In 2002, the track was covered by contestants of the French TV programme 'Star Academy'. Their version topped the charts in Belgium (Wallonia) and France.
Released as the second single from Bucks Fizz's second album 'Are you ready' (1982), 'Now those days are gone' was the first ballad released as a single by the group. The B-Side was a first, in that it was written and produced by the group themselves. The style of the song was slightly more hard-hitting than the group's usual output, with a lengthy intro, overlapping vocals and a full, but somewhat cluttered production.
Although unreleased in many other countries, it was a success in the UK, peaking at number 8, and Ireland, peaking at number 5. This limited edition picture disc caught my eye and I decided to buy it, without actually remembering the song.
My collection: 7" single no. 3229
Found: October 17, 2000
Cost: 4 guilders
Tracks: 'Now those days are gone' / 'Takin' me higher'
Queen released 'Radio gaga' as the first single from their new album 'The works' in February 1984. After having been absent from the music scene for almost two years, it was perceived as a 'comeback' single. It performed better than any single they'd released in the Eighties up until that point and went number 1 in Ireland, Italy, the Netherlands, Portugal and Sweden. In the UK the single peaked at number 2.
The song was a commentary of the invention of television overtaking radio's popularity, and how one would listen to radio for their favorite comedy, drama, sci-fi programs and so on as well as the advent of the music video and MTV. The 12" single featured an extended version of the track, as well as an instrumental version. (The instrumental version actually contains some vocals.) Both were longer than the original album version.
After an absence from the pop scene for three years, T'pau returned in 1991 with a new album, 'The Promise' and a new single, 'Whenever you need me'. The single was a bigger success than any of the three singles drawn from the previous album 'Rage', peaking at number 16 in the UK. However, the band had lost its European appeal, because the single did not chart on the continent.
Personally I felt that T'pau had regained the power of their debut album, and I bought 'The Promise' very soon after it came out. It was one of my favourite albums of the year.
Released as the third and final single from Sandra's debut album 'The Long Play', 'Little girl' rose to number 2 in Israel and number 3 in Italy. In other countries, the chart performance was disappointing, peaking at number 12 in Germany and not charting in the Netherlands at all.
Perhaps it's not surprising: 'Little girl' wasn't the big surprise 'Maria Magdalena' and 'In the heat of the night' were. Sandra and her husband Michael Cretu were smart enough to realise that new material was needed; later on in 1986 they would release Sandra's second album with new singles to accompany it.
James performed an acoustic session on Dutch radio in the early Nineties. The track 'Sit down' was included on a cd compilation, and greatly impressed me. I started getting curious what the original track sounded like, so I started searching for the original single. Well, it was a more powerful version but somehow I didn't get into it. Now that I heard it again recently, I was convinced that this was actually a great track.
The single spent three weeks at number 2 in the UK singles chart, being held off the top spot by 'The one and only' by Chesney Hawkes. Later on the band had to sell the rights to the song to Mercury Records to help pay off debts to the record company.
The Netherlands have never been very friendly towards Depeche Mode. Having released over 40 singles, they only managed about a dozen hits in the low countries. It is no surprise that their most recent single, 'Wrong' did not chart in the Netherlands as well. Still, it was a number 1 hit in Italy, Latvia and Spain, and peaked at number 2 in Germany.
And Germany, that's where this single was made. The text 'platte in mehrfarbigem vinyl' on the sleeve pictured here simply means that the disc was pressed on vinyl of multiple colours. Basically it's a darkred disc with some splatters of black for good measure.
'Close (to the edit)' is one of the weirdest tracks I heard back in 1984. It took me some time to get used to this seemingly random array of noises. It takes its title from 'Close to the edge' by Yes, and also samples 'Owner of a lonely heart' by the same group. The single heavily features the recorded sample of a car, a VW Golf, belonging to band member J. J. Jeczalik's neighbour, stalling and restarting.
'Close (to the edit)' did not chart initially. It still reached number 8 in the UK singles chart when it was re-released in November 1984.
My collection: 7" single no. 2009
Found: October 18, 1993
Cost: 2 guilders
Tracks: 'Close (to the edit)' / 'A time to hear (who's listening)'
'Down deep inside' is the theme song from the 1977 film 'The Deep'. The film's score was written by British composer John Barry and the lyric to the main theme were written and performed by disco singer Donna Summer. The single peaked at number 6 in the Netherlands and number 5 in the UK.
The film soundtrack LP also contained a slower tempo version of the song, and an extended version of the original later appeared on a cd version of Summer's 1978 'Live and More' album.
My collection: 7" single no. 2106
Found: Record fair, Amsterdam, June 4, 1994
Cost: 3 guilders
Tracks: 'Down, deep inside' (Donna Summer) / 'Theme from The Deep' (John Barry)
Electronic debuted in 1989 with this single, 'Getting away with it', written by Bernard Sumner from New Order, Johnny Marr, ex-Smiths guitarist, and Pet Shop Boy Neil Tennant. The lyric is a parody of Marr's Smiths partner Morrissey and his public stereotyping as morose and masochistic. Vocals were performed by Sumner and Tennant on this track.
The sleeve of the single was designed by Peter Saville, who used an elegant stock photo of a glass of whisky. The single peaked at number 12 in the UK.
My collection: 7" single no. 2198
Found: Record fair, Rotterdam, October 8, 1994
Cost: 3 guilders
Tracks: 'Getting away with it' / 'Lucky bag (edit)'
Released as the first single from Talk Talk's third album 'The colour of spring' (1986), 'Life's what you make it' caught my attention because of the strong piano hook. At the time, it was said that the only bass sound of the track came from the piano, and I guess that's a good call.
The chart performance of this single was good, peaking at number 16 in the UK and number 13 in the Netherlands.
My collection: 7" single no. 356
Found: Free Record Shop, Den Haag, 1986
Cost: 6 guilders
Tracks: 'Life's what you make it' / 'It's getting late in the evening'
The title track of Keane's most recent album, 'Perfect symmetry' was released as a single in December 2008. The song was written by the band and was released as a digital download, a cd-single and this 7" vinyl single. Its limited availability made it difficult for me to get hold of it (and, by the way, partly explains the fact that this single did not chart in the UK).
At first I ordered it from the band's official website, but this proved to be a mistake. The online shop went bankrupt or something, and although they did send me all the other (older) singles I ordered, this 7" vinyl and cd-single never showed up. To this day I don't know whether I actually paid for it or not. Itried finding the singles somewhere else, but they were unavailable in most of the online stores I knew. So in the end, I ordered it last month from the new online shop on Keane's official website. With success, this time! It's a miracle.
My collection: 7" single no. 3710
Found: keane.com, received May 13, 2009
Cost: 5 pounds
Tracks: 'Perfect symmetry' / 'Staring at the ceiling'
'Dansevise' will always be one of the most eccentric and beautiful winning songs in the history of the Eurovision Song Contest as far as I'm concerned. Grethe and Jørgen Ingmann performed the song in 1963, representing Denmark. Grethe and Jørgen met in 1955 and got married the next year. After winning the contest, the couple got divorced in 1975. Grethe passed away on August 18, 1990.
'Dansevise' has been covered by various artists including Eurovision celebrities like Corry Brokken, Birthe Kjaer and Lys Assia.
Keith Emerson from the band The Nice and Greg Lake and Carl Palmer from King Crimson started working together after their two respective bands shared the same venue on two occasions in 1969. They released their debut album, the self-titled 'Emerson, Lake and Palmer' in 1970. This album brought forth the single 'Lucky man'. It didn't chart in the UK but it was a number 12 hit in the Netherlands.
The single pictured here is a re-release. The sleeve nor the label lists a year of release, but I could tell because the backside of the sleeve pictures subsequent albums by the band.
'No more I love you's' was the last single by Annie Lennox to be released on the 7" vinyl format. It was a great last one, because this song received a Grammy Award in 1995 for Best Female Pop Vocal Performance. It also went number 1 in the UK. In the Netherlands, it peaked at number 23.
The original version of this song was performed by The Lover Speaks in 1986. The B-side of this single is a cover of 'Ladies of the canyon', originally written and performed by Joni Mitchell.
My collection: 7" single no. 2240
Found: Record fair, February 18, 1995
Cost: 10 guilders
Tracks: 'No more I love you's' / 'Ladies of the canyon'
Olivia Newton-John will forever be associated with the movie 'Grease', in which she starred together with John Travolta in 1978. But does everyone know she played with him in another movie five years later? I guess not, because 'Two of a kind' was a commercial failure. Musically it was interesting mostly for Olivia's 1983 single 'Twist of fate', a rock-oriented track that also went past the record-buying audiences.
I bought a Brazilian copy of this single, which is interesting for its 33rpm speed. The B-side is a live version of 'Jolene', the song originally made famous by Dolly Parton.
In November 1981, Adam & the Ants released their third album, the highly successful 'Prince Charming'. The band had two UK number 1 singles. 'Stand and deliver' was the number 1 single in the UK for 5 weeks in May 1981, followed by 'Prince Charming', which topped the UK charts for 4 weeks in September 1981.
'Prince Charming' was released in a beautiful gatefold sleeve, which was even released on the European continent - which in itself was a rarity. I was always jealous of the copy my sister had since right when it was released, so I was really relieved when I finally bought my own copy a few years later.
Hard to believe, but it's twentyfive years ago that Maribelle represented the Netherlands in the Eurovision Song Contest with 'Ik hou van jou' ('I love you'). The song finished 13th in a field of 19 competitors ('below Turkey', the Dutch rightwing newspaper 'de Telegraaf' cried in outrage). When you hear the debilitating noise of this year's Dutch entry, it's hard to believe that this country was once able to come up with a simple and effective ballad like this. The song has been covered by artists like Cilla Black, Engelbert Humperdinck, Jose Carreras and John McCook (yes, the 'Bold and the Beautiful' actor).
Maribelle didn't have a big hit with this in the Netherlands: the single peaked at number 33 in the Dutch top 40. She also recorded an English version, 'In love with you'.
Tomas Ledin was born on February 25, 1952 in Rätan, Sweden. He started his career in pop music in 1972, debuting with his single 'Då ska jag spela'. After six studio albums and one live album, Ledin was approached by Abba's Benny Andersson to record for the band's company Polar Music. He joined Abba as a backing vocalist during their tour, but also got the chance to sing his own composition 'Not bad at all' during the show.
In 1982, he released the duet 'Never again' with Agnetha Fältskog from Abba. The song reached number 1 in Chile and was popular across Europe. In the Netherlands, the single peaked at number 24 in the Dutch Top 40.
My collection: 7" single no. 1396
Found: Disco Market, Den Haag, March 7, 1991
Cost: 1 guilder
Tracks: 'Never again' (Tomas Ledin and Agnetha Fältskog) / 'Just for the fun' (Tomas Ledin)
Paula Abdul was born on June 19, 1962. In the 1980s, Abdul rose from being a cheerleader for the Los Angeles Lakers to being a sought-after choreographer at the height of the music video era, then to being a pop singer with a string of hits in the late Eighties and early Nineties. After her debut album 'Forever your girl' had been incredibly successful worldwide, she released her second album 'Spellbound' in 1991.
The first single from that album was 'Rush rush'. The single was promoted with a music video with a 'Rebel without a cause' motif featuring Keanu Reeves in the role originally played by James Dean. As the first ballad ever released by Abdul as a single, it seemed like a risky choice, but it paid off: 'Rush rush' was a number 1 hit in America, peaking at number 6 in the UK and number 9 in the Netherlands.
After the release of 'Silly games' Lindy Layton's debut album 'Pressure' (1991) followed. It was mostly produced by Norman Cook and Driza Bone. Her second solo single was 'Echo my heart', which peaked at number 42 in the UK.
I didn't buy this single for a long time, despite the fact that the shop had it for months at the same price. In the end, my curiosity could no longer be contained. I bought the single but didn't play it very often.
'The thin wall' was released as the first single from Ultravox's 1981 album 'Rage in Eden'. Like the album, the single was produced by Conny Plank. Its stark synthesizer-based music was similar to Ultravox's previous singles from the album 'Vienna'. The band was rewarded with a reasonably good chart placing, peaking at number 14 in the UK singles chart.
I bought the single twice: the regular version on black vinyl in 1995, and a few years later the limited edition pressing on clear vinyl.
My collection: 7" single no. 2485 / no. 3228
Found: Record exchange, London, October 30, 1995 / London, 2004
Cost: 1 pound / 1 pound
Tracks: 'The thin wall' / 'I never wanted to begin'
The sisters Alie en Doetie de Vries took on the names Alice May and Caren Wood and formed the duo Maywood in 1978. Their songs - performed in English - were mostly theatrical ballads and popsongs. Their early work was produced by ex-Kayak drummer Pim Koopman. After their success seemed to elude them in the late Eighties, they tried to regain public profile by representing the Netherlands in the 1990 Eurovision Song Contest.
The song 'Ik wil alles met je delen' ('I want to share everything with you') wasn't the success they were hoping for: they finished 15th in the Contest. After this, the duo fell apart and even went to court on a few occasions. Alice May is still touring the Netherlands with Maywood songs these days.
My collection: 7" single no. 3687
Found: Private seller, received May 4, 2009
Cost: 3 euro
Tracks: 'Ik wil alles met je delen' / 'Wat zijn we met de wereld aan het doen'
The sticker on the sleeve of this single states that the profits from the sales of this single will go to aid families of the New York firemen and police. This statement makes it clear that the single was released after September 11, 2001. And indeed it was: although 'From a lover to a friend' was recorded earlier in the year, the single was released in October 2001.
Still, the subject matter of the single doesn't have much to do with the events in New York: it's a personal song in which Paul McCartney tries to come to terms with the death of his wife Linda McCartney. When he sings 'Let me love again', little does he know that he will fall victim to greedy mrs. Mills. But did the police and firemen in New York get a lot of money? I doubt it; the single only made number 45 in the UK.
My collection: 7" single no. 3351
Found: HMV, London, November 2001
Cost: 2,5 pounds
Tracks: 'From a lover to a friend' / 'Riding into Jaipur'
The band Ten Sharp debuted in January 1985 with this single, 'When the snow falls'. It was quite an impressive debut, with its melodramatic chorus and heavy instrumentation. But even though critics were very positive about this single, the record-buying audiences were not impressed: the single stalled in the Dutch bubbling under chart and did not reach the Top 40. After three more singles, the band fell apart.
However, after Ten Sharp returned with only core members Marcel Kapteijn and Niels Hermes remaining, they had a big European hit with 'You'. This led to them recording a debut album 'Under the water-line'. This album featured a version of 'When the snow falls'.
Having already written about the 12" single of 'Answers to nothing', there's not so much to add here. Except this: the 7" single contains the original version of the track, which is the same as the album version. And a limited edition was available on clear vinyl. I'd already bought the normal version when I found the clear vinyl pressing. Obviously, I bought that one as well.
