The Australian new wave rock band Mi-sex was founded in 1978. The band centered around Steve Gilpin (vocals), Murray Burns (keyboards) and Kevin Stanton (guitar). In August of that year, they were signed to CBS Records. Their debut album 'Graffiti crimes' included their biggest hit 'Computer games'. This single went to number 1 in Australia and was a top 5 hit in New Zealand.
The single was also released in the Netherlands - which is how I heard it - but failed to chart.
The first version of 'Opportunities' was recorded already in 1983, produced by Bobby Orlando. However, this version wasn't released. When the Pet Shop Boys signed to Parlophone records in 1985, they re-recorded the song with J.J. Jeczalik (from Art of Noise) and Nicholas Froome producing.
This single charted lowly at number 116 in the UK. Their second single on Parlophone would be 'West End Girls' in a new version. This would become what many people thought to be their debut single - and a worldwide hit.
My collection: 7" single no. 2642
Found: Record fair, May 12, 1996
Cost: 10 guilders
Tracks: 'Opportunities (Let's make lots of money)' / 'In the night'
Opus III consisted of vocalist Kelly Hawkshaw and producers Kevin Dodds, Ian Munro and Niger Walton. 'It's a fine day', their debut single in 1992, was a cover of a 1983 single by Jane & Barton. Their debut album 'Mind fruit' was an uplifting dance album, with a strong environmental message in the lyrics and album liner notes.
This single peaked at number 5 in the UK singles chart and was also a minor hit in the Netherlands.
Much has been said about Abba's later years, when both couples had divorced and their music took on an increasingly serious tone. It's easy to forget that it all started out as great fun. 'Take a chance on me' is one of those upbeat tracks. The song's origins sprang from Ulvaeus, whose hobby was running. While running, he would sing a "tck-a-ch"-style rhythm to himself over and over again, which then evolved into "take-a-chance" and the eventual lyrics.
'Take a chance on me' was a number one hit in Austria, Belgium, Ireland and the UK, and peaked at number 2 in the Netherlands. The song was covered by Erasure on their 'Abba-esque' EP (1992).
My collection: 7" single no. 2117
Found: Plaatboef, Rotterdam, June 11, 1994
Cost: 1 guilder
Tracks: 'Take a chance on me' / 'I'm a marionette'
The The was founded by Matt Johnson in the late Seventies, together with Keith Laws and Peter Fenton-Jones. The latter dropped out within a year, and Peter Ashworth and Tom Johnston were added to the band. They recorded and released the debut single 'Controversial subject'. After this, Johnston and Ashworth dropped out of the band. As a duo (Johnson and Laws), The The began playing shows with some of that era's most influential groups: Wire, Cabaret Voltaire and Scritti Politti amongst others. In 1981, Johnson issued a solo album on 4AD called 'Burning Blue Soul'; years later, it would be re-issued and credited to The The. In September 1981, the duo signed a contract with Some Bizzare Records, and released the 7" single 'Cold Spell Ahead'. Shortly thereafter, Laws left and the only remaining member of The The was Johnson.
'Cold spell ahead' was re-released in 1992. This re-release is in my collection - the original release it probably very expensive and hard to get.
My collection: 7" single no. 1755 Found: Tower Records, London, October 19, 1992
Taken from their 1981 album 'Blue lights', 'Teenage queenie' was a minor hit for the Dutch band Pussycat, peaking at number 36 in the Dutch Top 40. It was also their penultimate hit: 'Lovers of a kind' (1983) would get to number 15, but after that, the hits dried up. The band finally broke up in 1985.
Pussycat will always be remembered for their worldwide hit 'Mississippi', which gave them a number one hit in the UK in 1976. This song sounds very different from that one, though the band's signature sound, formed by slide guitars and Toni Willé's distinctive voice is still there.
My collection: 7" single no. 903
Found: All that music, Leiden, June 23, 1989 Cost: 2 guilders Tracks: 'Teenage queenie' / 'Who's gonna love you'
Tim Hardin was born on December 23, 1941. His career as an American folk musician started in 1966, with the release of his debut album 'Tim Hardin 1'. This contained the song 'Misty roses', which reached the top 40 in America. His second album 'Tim Hardin 2' was released in 1967, and contained 'How can we hang on to a dream', which was his only UK hit, charting for one week on number 50. The song did considerably better in the Netherlands, where it made number during its ten week chart run.
Tim Hardin developed a heroin addiction, which took control of his life by the time his last album, 'Nine', was released in 1973. He died of a heroin and morphine overdose on December 29, 1980. In 1987, the song was re-released after it was used on the soundtrack of the Dutch movie 'Zoeken naar Eileen' ('Searching for Eileen'). This time around, the song peaked at number 4. I always considered it to be a very moving song.
My collection: 7" single no. 1813 Found: Record fair, Amsterdam, January 9, 1993 Cost: 3 guilders Tracks: 'How can we hang on to a dream' / 'Misty roses'
'The girls are back in town' was the debut single by Risqué. Although their career continued for several years, it would prove to be their biggest chart success, peaking at number 13 in the Dutch Top 40.
I bought this single as part of a big shopping spree at Disco Market, my favourite little second hand shop in Den Haag. For once, I was allowed to go in the back room, where thousands of singles were stored, just waiting to be put in the shop. I bought a few dozen singles that day...
My collection: 7" single no. 3284 Found: Disco Market, Den Haag, February 24, 2001
Cost: 1 guilder
Tracks: 'The girls are back in town' / 'Risqué disco'
Queen released 'Don't stop me now' in 1978 as a single from their album 'Jazz'. The song was written and composed by Freddie Mercury. On the studio version, Brian May's only guitar playing is in his guitar solo, but on live versions performed on the band's 1978 and 1979 tours, May would also play rhythm guitar throughout the rest of the song to add a rockier feeling to it. Despite all this, it is said that May did not like this song at all.
The single reached number 9 in the UK singles chart and number 14 in the Dutch Top 40. I bought the single over a year after Freddie Mercury died. After his death, I liked Queen a lot more than before. I still don't know why that is.
My collection: 7" single no. 1887 Found: Record fair, Den Haag, April 24, 1993
Cost: 1 guilder
Tracks: 'Don't stop me now' / 'In only seven days'
Sky was a UK-based instrumental group which came together in 1979. Members were John Williams (who was at that time already an accomplished instrumentalist in his own right), Kevin Peek (who'd worked with, amongst others, Cliff Richard, Manfred Mann and Jeff Wayne), Herbie Flowers (a former member of Blue Mink and T-Rex), Tristan Fry and Francis Monkman.
They fused together musical styles including rock, classical and jazz. Their second album 'Sky 2' was released in 1980, and from that album the single 'Toccata' was drawn. It peaked at number 5 in the UK and number 20 in the Netherlands. In both countries, it was the only Sky single to reach the chart, although at least two others were released.
The release of 'Better The Devil You Know' marked a milestone in Kylie Minogue's career. While still being produced by Stock Aitken and Waterman like she had been throughout her musical career up to that point, she took creative control over her image. She recorded a video for the single which broke with the 'girl-next-door' image she'd had for several years.
The single became Kylie's fifth number 2 single in the UK, having also had four number 1 hitsingles. The Dutch audience was less impressed: the single peaked at number 22 only. I only discovered the song years later, after Kylie had made some more serious music. I had to admit some of her previous work was pretty nice too.
My collection: 7" single no. 3332
Found: Record fair, Utrecht, March 24, 2001
Cost: 1 guilder
Tracks: 'better the devil you know' / 'I'm over dreaming (over you)'
After some personnel changes, the band Kayak, which had been going for 16 years, was working with a new lead singer, Edward Reekers, and for the first time with two female backing vocalists (Irene Linders and Katherine Lapthorn. Enormous success followed with the commercial-sounding single 'Ruthless queen' and its parent album 'Phantom of the night'.
'Ruthless queen' became the biggest hit of Kayak's career, peaking at number 6 in the Dutch Top 40. For some time, Kayak was my favourite Dutch band, even though I was only eight years old.
My collection: 7" single no. 712 Found: All that music, Leiden, December 30, 1988 Cost: 3 guilders Tracks: 'Ruthless queen' / 'Ivory dance'
After Lloyd Cole & the Commotions disbanded in 1989, Lloyd Cole decided to relocate to New York and record solo work. The first result was the 1990 album 'Lloyd Cole' and the solo debut single 'No blue skies'. I was pleasantly surprised by this track, which sounded a lot more accessible than the last few singles by Lloyd Cole & the Commotions.
Still, it only managed a number 42 placing in the UK singles chart, and no chart placing in Europe at all.
My collection: 7" single no. 1173 Found: Melody Maker, Den Haag, February 17, 1990 Cost: 6 guilders Tracks: 'No blue skies' / 'Shelly I do'
After having been in 10CC for years, Kevin Godley and Lol Creme left the band to pursue other musical interests. They released seven albums as a duo, of which 'Ismism' (1981) was their fourth. It contained the single 'Under your thumb', which was their biggest hit in the UK, peaking at number 3. In the Netherlands, it did worse than previous single 'An Englishman in New York', whcih reached number 3 in the previous year (but did not chart in the UK!), but this single still peaked at a respectable number 18.
My collection: 7" single no. 593
Found: All that music, Leiden, February 16, 1988
Cost: 3 guilders
Tracks: 'Under your thumb' / 'Power behind the throne'
Tears for fears had a big worldwide hit with 'Everybody wants to rule the world' in 1985. In the slipstream of charity projects like Band Aid, Live Aid etcetera, 1986 saw the event Sport Aid take shape. Tears for Fears were asked to contribute a theme song, which became 'Everybody wants to run the world'. Roland Orzabal explained why the song was recorded: '...to get Bob Geldof off our backs! He gave us so much gip for not turning up at Live Aid. All those millions of people dying, it was our fault. I felt terrible. I tell you, I know how Hitler must have felt.'
Being absolutely appalled about anything to do with sports, I had a lot of doubt whether I should buy this single. In the end, my desire to have a complete Tears for fears collection was stronger.
My collection: 7" single no. 1317
Found: Virgin Megastore, London, October 16, 1990
Cost: 3 pounds
Tracks: 'Everybody wants to run the world' / 'Everybody wants to run the world (Running version)'
A-ha recorded 'The living daylights' for the soundtrack of the 1987 James Bond movie of the same name. The single was a commercial success, peaking at number 11 in the Netherlands and number 5 in the UK. Critics were less friendly: they said that after 'A view to a kill' by Duran Duran, this was another 'desperate attempt to market James Bond to a young audience'.
Desperate or not, it remains a good anthem. Personally I was more offended by A-ha's version of this song on their 1988 album 'Stay on these roads': the soul was taken out of the song and replaced by lots of hollow-sounding synths.
The single was released in a standard sleeve in Europe and the UK, but in the UK there was also a limited edition with a gatefold sleeve (pictured below). I own both editions, although it took me years to find the limited edition.
My collection: 7" single no. 541 / no. 2788 Found: Free Record Shop, Den Haag, 1987 / Record fair, Utrecht, November 9, 1996 Cost: 6 guilders / 10 guilders Tracks: 'The living daylights' / 'The living daylights (instrumental)'
The approximate translation of 'A-ba-ni-bi' is 'I love you'. So the title of this song is actually Hebrew, and not, as I always thought, one of those nonsensical titles which the Eurovision Song Contest became famous for. Izhar Cohen performed the song in 1978 and won the Contest, which meant that Israel won it for the very first time. Broadcasters in many of the non-participating Arab countries in North Africa and Asia who had been transmitting the contest, had to cut the broadcast when it was clear Israel was going to win. Jordanian TV famously ended the show with a still photo of a bunch of daffodils rather than acknowledge the Israeli entry.
Several cover versions of this song exist, including an Icelandic one by Paul Oscar and a beautiful, almost transcendental version by K.O.B. While this song was performed in Hebrew on the Contest, this single features the English version only.
Sterling Void released this double A-side single in late 1988. In January 1989, 'Runaway girl/It's all right' made the UK singles chart and peaked at number 53. But this is not what made the band well-known.
In the summer of 1989, the Pet Shop Boys recorded a cover version of 'It's all right', entitled 'It's alright', which made the UK top 5. I guess lots of Pet Shop Boys fans hunted for the original song after that - I certainly did because I was rather curious how it would sound. Suffice to say that it's pretty standard late Eighties dance-type stuff.
'Living by numbers' is New Musik's biggest hit. Released in January 1980, it peaked at number 13 in the UK singles chart. It was the second single taken from their debut album 'From A to B', and a great synthpop track.
I bought the single after I bought the album. Since the single never charted in the Netherlands, I hadn't heard the track before that. Several different sleeves exist for this single; this is the UK edition, which I bought in London.
A track from Cathy Dennis' second album 'Into the skyline', this single peaked at number 24 in the UK singles chart. This and subsequent singles seemed to get into the top thirty without too much trouble. In America, Dennis experienced a brief peak of fame, making a cameo in 'Beverly Hills, 90210' singing the song 'Moments of Love' (a minor U.S. chart hit).
I bought this single shortly after I'd bought the cd 'Into the skyline', but in time I experienced that Cathy Dennis' singles from 1992 aged quite quickly.