Erasure released their album 'I say I say I say' in 1994, at a time when the 7" single was fast becoming harder to find. Only the first two singles, 'Always' and 'Run to the sun' were released on 7" vinyl in the UK - and for more than a decade, their remaining singles were released as cd-singles only.
But much to my surprise, I found a 7" vinyl copy of the third (and last) single from the album 'I say I say I say' recently: 'I love Saturday'. It was made in Germany, where Erasure have always been popular. However, the single reached number 69, their lowest-charting single in Germany up to that point. In the UK, meanwhile, the single reached number 20.
My collection: 7" single no. 4901 Found: Fun Records, Berlin, received May 28, 2010 Cost: 2,5 euro Tracks: 'I love Saturday' / 'Dodo'
The 1990 megamix of Mel & Kim tracks, created by Alan Coulthard, was released as a 12" single and a 7" single. I was lucky enough to find the 12" single a long time ago, but the 7" single has eluded me for a long time. Until recently, when it suddenly popped up on a mailorder website. What's interesting about this single is that both the A-side and the B-side are shorter than its 12" single counterparts.
There is also a cd-single, but that one is even harder to find. I wonder if I'll ever get my hands on that one.
My collection: 7" single no. 4900 Found: Fun Records, Berlin, received May 28, 2010 Cost: 1,75 euro Tracks: 'Megamix:Ninety!' / 'Showing out (Italo House mix)'
'Johnny Rocco' was written by Les Vandyke in the late Fifties and recorded by several rock and roll acts, including Marty Wilde.
Dave Stewart and Barbara Gaskin recorded their version in 1982 as a track on their album 'Disappear'. When released as a single, it didn't manage a chart placing.
My collection: 7" single no. 4899 Found: Fun Records, Berlin, received May 28, 2010 Cost: 1 euro Tracks: 'Johnny Rocco' / 'The Hamburger song (We've survived this before)'
Westend was an Austrian band, consisting of Gary Lux, Hans Christian Wagner, Bernhard Rabitsch, Peter Vieweger and Patricia Tandien. They represented their country during the 1983 Eurovision Song Contest with the song 'Hurricane'.
The song is an up-tempo track, in which the band sings about being without the object of their affections and likens this condition to being in a hurricane. The song finished ninth in a field of 20 participants.
My collection: 7" single no. 4897 Found: Fun Records, Berlin, received May 28, 2010 Cost: 1 euro Tracks: 'Hurricane' / 'Hurricane (instrumental)'
Most of the songs by the German disco trio Arabesque follow a certain formula, which is defined by unified vocals and a firm disco beat. And 'Tall story teller' is no exception.
Released in the autumn of 1982, the single featured the track 'Caballero' on the B-side, which was released as a single in Japan only. In Japan, Arabesque were quite famous; even in the late Nineties their whole repertoire was released on cd in that country.
My collection: 7" single no. 4896 Found: Fun Records, Berlin, received May 28, 2010 Cost: 1,4 euro Tracks: 'Tall story teller' / 'Caballero'
The band Sue Saad and the Next never made it big, but existed from 1979 to 1986. Their self-titled debut album was released in 1980, but only managed a lowly placing in the US album chart at number 131.
After the album, only one single was released, 'Looker' credited to Sue Saad. It did not chart, but the band still played live concerts until 1986, while also contributing tracks to movie soundtracks from time to time.
My collection: 7" single no. 4895 Found: Da Capo, Utrecht, May 28, 2010 Cost: 1 euro Tracks: 'Looker' / 'Highwire'
The only claim to fame Sue Saad and the Next ever made was a hit in the Netherlands with the dramatic rock song 'Young girl'. I bought the single at the time and for years it was one of my favourite songs of all times.
I never bought any of their next singles, until I found 'Prisoner' six months ago. 'Gimme love/gimme pain', which I found just the other day, is another example of their brand of new wave rock. It was not a hit, but sometimes the best singles are those that are ignored by the general public...
My collection: 7" single no. 4894 Found: Da Capo, Utrecht, May 28, 2010 Cost: 1 euro Tracks: 'Gimme love/gimme pain' / 'Kamonbaybeh'
Last week when we were in Utrecht, Puck showed me this single by Erasure. I couldn't for the life of me figure out whether I already had it or not. I've seen the sleeve numerous times through the years, of course, which causes confusion in my photographic memory.
When I came home, it turned out I didn't have this single, and so, since I knew I would be back at the store this week, I had a new opportunity to buy it. 'Drama' was the first single from Erasure's 1989 album 'Wild!' and was a number 4 hit in the UK singles chart.
My collection: 7" single no. 4893 Found: Da Capo, Utrecht, May 28, 2010 Cost: 1 euro Tracks: 'Drama!' / 'Sweet sweet baby'
The Dutch brothers Bolland recorded a very American-sounding single in 1978, entitled 'Hold on'. I got to know the song because of a compilation album of 1978 hits which I got as a present in 1979, but the strange thing is: 'Hold on'was never a hit.
That's not to say it's a bad song: it could easily compete in the international charts at the time - but I think the record company never even tried this.
My collection: 7" single no. 4892 Found: Da Capo, Utrecht, May 28, 2010 Cost: 1 euro Tracks: 'Hold on' / 'Outlaws paradise'
The Alessi Brothers made some great jazzy stuff in the late Seventies,with one of their best known tracks being 'Oh Lori'.
This single was taken from the same album as 'All for a reason', a year after 'Oh Lori'. It's an ode to one of the world's most exciting cities, 'London'. And it's got that same jazzy feel.
My collection: 7" single no. 4891 Found: Da Capo, Utrecht, May 28, 2010 Cost: 1 euro Tracks: 'London' / 'Farewell'
'The one that you love' is a classic love song, written by Graham Russell and recorded by the Australian band Air Supply. The single reached number 1 in the US Billboard Hot 100 chart in July 1981. Although it is a wellknown song, the single did not chart in most of Europe.
This copy of the single was pressed on green vinyl, which I suppose is part of a limited edition run. Quite a beautiful collector's item!
My collection: 7" single no. 4890 Found: Da Capo, Utrecht, May 28, 2010 Cost: 1 euro Tracks: 'The one that you love' / 'I want to give it all'
After the duo Marshall Hain split up, Kit Hain went on a solo career and Julian Marshall seemingly disappeared from the pop scene. Seemingly, because in 1980 he was part of the group Eye to eye.
Most people don't know this, as the single 'Am I normal?' did not become a hit. The beautiful sleeve featured a painting called 'Hand Maid', created by Philip Castle.
My collection: 7" single no. 4889 Found: Da Capo, Utrecht, May 28, 2010 Cost: 1 euro Tracks: 'Am I normal?' / 'Tonight insomnia'
The title track of Flash and the Pan's 1985 album 'Early morning wake up call' was released as a single. It wasn't a commercial success, but it is quite a catchy track in the style of this Australian band.
My collection: 7" single no. 4888 Found: Da Capo, Utrecht, May 28, 2010 Cost: 1 euro Tracks: 'Early morning wake up call' / 'Look at that woman go'
When I started collecting All about Eve records in the late Eighties, I quickly became aware that they'd released some independent 12" singles at the beginning of their career. The 12" of 'D for desire' never came within my grasp for a reasonable price, and neither did 'In the clouds', their second release from 1985.
While I was never prepared to shell out 50 pounds or more for 'D for desire' ever since I got a bootleg 7" single, I did buy this 12" single for 20 pounds. That's still a lot of money, but it was lot cheaper than they were going for at the time - plus it was in pristine condition. Sometimes you have to live a little.
My collection: 12" single no. 270 Found: Record fair, London Cost: 20 pounds Tracks: 'In the clouds' / 'End of the day', 'Love leads nowhere'
There are no credits for the 'Mastermix' of Level 42's 'Hot water', but it is an impressive mix, clocking in at 10 minutes, no less. This 12" snigle also contains an extended version of the B-side, 'Standing in the light'.
At the time of its release, Level 42 were at the verge of becoming a supergroup, a status they achieve a year later when they released their album 'Running in the family'. 'Hot water' was taken from its predecessor, 'True colours'.
My collection: 12" single no. 418 Found: Record Exchange, London, Cost: 50p Tracks: 'Hot water (Mastermix)' / 'Standing in the light (extended version)'
Five Star took no less than six hit singles from their album 'Silk and steel', but one had to admit that they weren't exactly lazy about it. 'The slightest touch', the last single to be taken from the album, was remixed by Shep Pettibone and the 12" single contained three remixes of the track made by him.
'The slightest touch' is one of the few Five Star songs to have been covered by another artist; Louise recorded the track for her 'Changing Faces: The Best of Louise' greatest hits album in 2001. This version of the song was based on the album mix and was not released as a single.
My collection: 12" single no. 343 Found: unknown Cost: unknown Tracks: 'The slightest touch (The Pettibone Touch remix)', 'The slightest touch (House touch)' / 'Stone court', 'The slightest touch (Slightest dub)'
Red Box had their first hit single in 1985 with 'Lean on me'. It took me some time to realise that this was actually a good song, but when I did, I decided I wanted to have the 12" single as well. By that time, it was pretty hard to get, and so I had to resort to mail order in order to get it.
This 12" single actually contains two different versions of 'Lean on me' plus a remix of the B-side track 'Stinging bee'. Packages like this are always value for money.
My collection: 12" single no. 548 Found: Fun records, received 2002 Cost: 5 euro Tracks: 'Lean on me (Dogmatix)' / 'Stinging bee (Catmatix)', 'Lean on me'
I bought the 7" single of Alison Moyet's 'Love letters' in 1989 because I liked the song. Then I discovered the B-side 'This house', which made me buy the cd-single as I had to have it in pristine quality. And then I discovered that the 12" single actually had an extended version of 'Love letters' which didn't appear on the cd-single...
I was quite happy to buy this 12" single as it was very cheap. And fortunately, the extended version of 'Love letters' was worth every penny.
My collection: 12" single no. 379 Found: unknown Cost: 1 guilder Tracks: 'Love letters (extended version)' / 'This house', 'Ne me quitte pas (live)'
In 1991, Polydor Records released 'Two Rooms: Celebrating the songs of Elton John & Bernie Taupin'. The title refers to the song on Elton John's album '21 at 33', 'Two rooms at the end of the world', to the duo's unusual collaborative style, and is also the title of a 1991 movie documenting their collaboration.
Kate Bush's version of 'Rocket man' was released as the album's first single. The 7" single appeared in a poster sleeve, of which the UK version was slightly bigger than the one made in Germany. The single peaked at number 12 in the UK singles chart and number 22 in the Dutch Top 40. In 2007 the track won The Observer readers' award for Greatest Cover of all time.
My collection: 7" single no. 1560 Found: Melody Maker, Den Haag, December 16, 1991 Cost: 6,5 guilders Tracks: 'Rocket man' / 'Candle in the wind'
'When we were young' was a change in direction for Bucks Fizz. The production was heavy and the song had an ominous tone, far removed from the group's usual pop sound. It was the first and only single to feature lead vocals by Jay Aston. Aston's vocals were notably different from her solo appearances on previous Bucks Fizz songs Aston herself has said that she was adopting an effected voice, similar to Hazel O'Connor. She has since stated, despite the song's success, her vocal affectation wasn't a good idea, although has rated it her favourite Bucks Fizz song, while member Cheryl Baker has commented that she never liked the song due to its downbeat tone.
This 12" single features and extended club version of the track and an extra B-side track.
My collection: 12" single no. 381 Found: unknown Cost: unknown Tracks: 'When we were young (extended club version)' / 'When the love has gone', 'Where the ending starts'
I bought the 7" single of 'Strut' for almost nothing in 1993, so it's only fair that I would find the 12" single for a tiny amount as well. I'm glad to say I did.
This 12" single features a dance mix Eighties-style: instrumental passages and echoes - and that's pretty much it. That's the way I like it best...
My collection: 12" single no. 548 Found: Kringloop, Den Haag, May 22, 2010 Cost: 1 euro Tracks: 'Strut (Dance mix)' / 'Letters from the road'
Although this is a 12" single, it doesn't really contain a track especially made for it: both 'Questionnaire' and 'Boy' appear in their respective album versions. But because 'Questionnaire' was edited for the 7" single, this still is an attractive disc.
Chas Jankel worked with Ian Dury on a lot of tracks recorded by the latter. On this occasion, Jankel ended up recording the track he'd written with Ian Dury himself.
My collection: 12" single no. 547 Found: Kringloop, Den Haag, May 22, 2010 Cost: 1 euro Tracks: 'Questionnaire' / 'Boy'
When I listen to this single, I can't help but notice the dodgy sound effects and the very thin voice of Thereza Bazar. Dollar were just starting out in 1979, when 'Love's gotta hold on me' was released. The duo had had two minor hits in the UK, but hit the big time - amazingly - with this one: it reached number 4 in the UK singles chart.
The song does not convince me: personally, I prefer the B-side, 'Tokyo'.
My collection: 7" single no. 4887 Found: Kringloop, Den Haag, May 22, 2010 Cost: 0,5 euro Tracks: 'Love's gotta hold on me' / 'Tokyo'
The Flirts were a female trio from New York City who had several dance hits in the early Eighties. The group was created and masterminded by American Hi-NRG producer, Bobby Orlando aka 'Bobby O'. The trio - initially Andrea, Holly and Rebecca - are best known for their sensual tracks.
The single 'Passion' was released in 1982, and it became the group's only single to chart outside of the USA. It reached number 22 in the Dutch Top 40.
My collection: 7" single no. 4886 Found: Kringloop, Den Haag, May 22, 2010 Cost: 0,5 euro Tracks: 'Passion' / 'Jungle rock'
Marjon Keller, Mandy Huydts en de the sisters Karin and Laura Vlasblom were selected for the children's choir Kinderen Voor Kinderen in the early Eighties. After recording an album and some TV specials with the choir, they decide to continue as a group. They are coached by Mandy's father Jan Huydts.
Working as The Sweet Society at first, they change their name to Frizzle Sizzle in 1985 and record their debut single 'Why do boys'. Produced by Peter Schön and Victor Heeremans, the single sounds a bit like a demo and does not reach the Dutch Top 40. In 1986 the quartet participates in the Eurovision Song Contest and find fame under the guiding hands of producers Fluitsma and Van Tijn.
My collection: 7" single no. 4885 Found: Markplaats.nl, received May 22, 2010 Cost: 2 euro Tracks: 'Why do boys' / 'Modern times'
'Outside of this (Inside of that)' was a single taken from Jon & Vangelis' 1981 album 'The friends of mr. Cairo'. The track was edited from 5 minutes to 4 minutes and 10 seconds for the single.
It was a peculiar choice for a single, as it doesn't have a very memorable melody or hook. No wonder, then, that this single failed to chart in all territories.
My collection: 7" single no. 4884 Found: Da Capo, Utrecht, May 21, 2010 Cost: 3 euro Tracks: 'Outside of this (Inside of that)' / 'Beside'
Belgian singer Jo Lemaire released 'C'est mon bateau' ('It's my boat') in 1990. The accompanying music video was recorded in black and white.
The song was taken from the album 'Duelle', which was a record with French chansons. The album was awarded gold in Belgium and was also successful in France.
My collection: 7" single no. 4883 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'C'est mon bateau' / 'Jardin des délices'
Having bought a lot of Time Bandits singles lately, I was in doubt whether I would take home this one as I was sure I could find it cheaper someday. But in the end, I did and I'm glad I did: this is possibly one of the band's best tracks. 'Dancing on a string' has a great melody and is quite catchy too.
When released in October 1985, the single reached number 28 in the Dutch Top 40. It was the first single from the album 'Fiction' that would be released a few weeks later.
My collection: 7" single no. 4882 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'Dancing on a string' / 'Dancing on a string (instrumental)'
Bernard Edwards and Nile Rodgers, who produced the album 'We are family' for Sister Sledge originally formulated all its songs with the group in mind envisioning the title cut as the lead single. When the record company wanted a more overtly disco song Edwards and Rodgers gave Sister Sledge 'He's the greatest dancer', originally intended for their own band Chic.
Nile Rodgers recalled Sister Sledge being 'furious' at being asked to sing the lyric 'My crème de la crème please take me home': 'to them that made them seem like loose women' - and suggested a lyric adjustment to 'My crème de la crème, please don't go home.' Rodgers says he and Edwards refused to change the lyric 'because we knew the world that we were writing about obviously more than they did because they had never even been in a disco...He ain't going to go home because [he is] the greatest dancer...he's gonna stay there longer than you'.
When released as the first single from the album, it reached number 9 in the US Billboard Hot 100 chart in May 1979. The single also reached number 18 in the Dutch Top 40 and number 6 in the UK singles chart.
My collection: 7" single no. 4881 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'He's the greatest dancer' / 'Somebody loves me'
Since I started listening to Kim Wilde's radio show 'Secret Songs' on Magic FM, I've rediscovered many tracks from the past. One of them is Odyssey's 'Use it up and wear it out', a song I thought was quite ridiculous when it was in the chart in 1980, because of the whistle.
Listening to it now, I have to conclude that the ridiculous whistle is part of the catchy appeal of this track. No wonder that it reached number 1 in the UK charts in the summer of 1980. In the Dutch Top 40, it reached number 4.
My collection: 7" single no. 4880 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'Use it up and wear it out' / 'Don't tell me, tell her'
Cameo were very popular in the mid-Eighties after they had a worldwide hit with 'Word up!', the title track of their 1986 album. Subsequent singles 'Candy' and 'Back and forth' were not as successful, but were still hits in some territories.
'Back and forth' was released in April 1987 as the last single from the album and reached number 11 in the UK singles chart. In the US Billboard Hot 100 chart, the single peaked at number 50.
My collection: 7" single no. 4879 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'Back and forth' / 'You can have the world'
Amii Stewart's career was slowly grinding to a halt when this remix double A side was released in 1985. Her biggest hits 'Knock on wood' and 'Light my fire' were remixed by Barry Leng and Alan Coulthard.
The single was a big success in the UK, where it reached number 7. And thus, the 'Top Hit UK' label on the sleeve of this German pressing is no lie. I don't know what position the single reached in Germany - but in the Netherlands it failed to chart.
My collection: 7" single no. 4878 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'Knock on wood (remix)' / 'Light my fire (remix)'
The French producers Jean Kluger and Daniel Vangarde created the track 'Disco Bouzouki', roughly inspired by Greek music, in 1977. The Bouzouki Disco Band they called themselves, and the single became quite a hit in France. When released in other countries, it wasn't quite as successful - despite the rather attractive sleeve.
A few years later, Kluger and Vangarde were more successful when they produced the duo Ottawan, who hit the charts in 1980 and 1981 with hits like 'D.I.S.C.O.' and 'Hands up'.
My collection: 7" single no. 4877 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'Disco Bouzouki' / 'Do re mi fa soul'
American disco singer Amii Stewart recorded a remarkable disco-flavoured cover version of the Doors' famous rock track 'Light my fire' in 1979. Her version was a commercial success, hitting number 5 in the UK singles chart.
The Doors track has been covered by many other tracks through the years. Acts like Jose Feliciano, Stevie Wonder, Shirley Bassey, Baccara, Massive Attack, Trini Lopez and UB40 have all had a shot at it - although nothing beats the original.
My collection: 7" single no. 4876 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'Light my fire' / 'Bring it on back to me'
A song about agoraphobia, 'Trees and flowers' was originally the debut single of Strawberry Switchblade, the Scottish duo consisting of Jill Bryson and Rose McDowall. Released on the indie label '92 happy customers', it didn't reach the chart, but it got them noticed by bigger record companies.
They eventually signed with WEA records, who released their debut album in 1985. A limited reissue pressing of the 7" was made and given away with initial copies of the album. This copy was actually sold separately - and so I snapped it up.
My collection: 7" single no. 4875 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'Trees and flowers' / 'Go away'
Human League frontman Philip Oakey and legendary producer Giorgio Moroder had worked together previously. Two singles had already been released - the hit single 'Together in electric dreams' and the flop 'Good-bye bad times' - when 'Be my lover now' was released in 1985.
Like 'Good-bye bad times', this single did not reach the UK singles chart. Meanwhile, their self-titled album reached number 52 in the UK albums chart.
My collection: 7" single no. 4874 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'Be my lover now' / 'Be my lover now (instrumental version)'
In 1982, when this single was released, the British band Private Lives consisted of John Adams, Rick Lane and John Reid. Two years later, Adams would record the first Private Lives album together with Morris Michael.
'The memory of your name' was one of the singles released by the early line-up that wasn't successful. Interesting fact: Simon Climie plays guitar on the track. He would later form Climie Fisher together with Rob Fisher.
My collection: 7" single no. 4873 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'Memory of your name' / 'Swim away'
On his third album 'Show me to the stage', Henry Gross mixed Rock & Roll songs with Phil Spector and Brian Wilson influences. A good example of the Brian Wilson sound on his album is the single 'Painting my love songs', released in the summer of 1977.
This single did not chart in any territory, but it very nearly made the Dutch Top 40.
My collection: 7" single no. 4872 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'Painting my love song' / 'String of hearts'
After Henry Gross had a worldwide hit with the single 'Shannon', he released his second album 'Release'. The second single taken from that album was the uptempo 'Springtime mama'.
This single almost reached the gold status in the USA, while peaking at number 37 in the US Billboard Hot 100 chart. In Europe, this single failed to impress the record buying public.
My collection: 7" single no. 4871 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'Springtime mama' / 'Overtone Square'
Though selling millions of copies worldwide, Fleetwood Mac's 1979 album 'Tusk' was deemed a failure in comparison to their previous album, 'Rumours'. Two hit singles were taken from the album ('Sara' and the title track), but three further singles failed to chart in most territories.
'Not that funny' was released as the third single from the album and underwent the same fate as its follow-ups 'Think about me' (released in the USA only) and 'Sisters of the moon'.
My collection: 7" single no. 4870 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'Not that funny' / 'Think about me'
After Andrew Gold enjoyed his first UK hit in 1977 with 'Lonely boy', he followed it up in 1978 with 'How can this be love'. The single reached number 19 in the UK singles chart. In the Netherlands, the single narrowly missed the Dutch Top 40.
The B-side, 'Thank you for being a friend', also written and performed by Andrew Gold, was recorded by Cynthia Fee as the theme tune to the US comedy series 'The Golden Girls'.
My collection: 7" single no. 4869 Found: Da Capo, Utrecht, May 21, 2010 Cost: 1 euro Tracks: 'How can this be love' / 'Thank you for being a friend'
Rod Stewart released 'Infatuation' in 1984. The music video is never played on television anymore, but at the time it was a memorable clip. Stewart acted a lot like a voyeur and a male chauvinist pig - a role that fit him like a glove I think.
This 12" single features a full length version of the track plus two B-sides. A good deal for Rod Stewart fans.
My collection: 12" single no. 546 Found: unknown Cost: unknown Tracks: 'Infatuation (full length version)' / 'Tonight's the night (live)', 'Three time loser'
Producer and DJ Darren Tate was born in London on October 22, 1972. In the early Noughties he started working under the pseudonym DT8. The DT8 project involved dance tracks with various guest vocalists.
One of them was Roxanne Wilde, the younger sister of Kim Wilde. The track 'Destination' was released on several different 12" singles - and this is one of them. It was a hit for the two, peaking at number 23 in the UK singles chart in May 2003.
My collection: 12" single no. 439 Found: unknown Cost: unknown Tracks: 'Destination (Darren 'DT8' Tate's original mix)' / 'Destination (instrumental)'
In the Eighties not only dance tracks got the 'extended remix' treatment, but also ballads. Sometimes this resulted in very beautiful tracks, such as this version of 'How can I fall' by Breathe. With some instrumental additions, the track is extended to great effect.
What's more, this 12" single was released in a limited edition poster package. The 24"x36" photograph is the same as the one on the front sleeve, but it's still a nice gesture.
My collection: 12" single no. 139 Found: Record Exchange, London, October 1991 Cost: 2 pounds Tracks: 'How can I fall? (extended remix)' / 'How can I fall? (single version)', 'All this I should have known'
The Dutch band Time Bandits were always able to release their hit singles with attractive 12" single alternatives. Their 1985 hit 'Endless road' was released with a 'special remixed dance version' included on this disc.
My collection: 12" single no. 390 Found: unknown Cost: unknown Tracks: 'Endless road (special remixed dance version)' / 'Fiction'
I still remember the day in March 1990 when my sister walked into my room with the newest single by Kate Bush, 'Love and anger'. She pronounced the title wrong and then showed me that the single was released in a gatefold booklet sleeve. I was green with envy, almost literally. When she added that the shop only had one copy, no love was left inside me, just anger.
The two weeks it took for the shop to get the single back in stock were among the longest weeks of my life. My fandom of Kate Bush had taken on gigantic proportions - and having an item like this pass me by was simply too much to bear. But fortunately in this case, all's well that ends well.
My collection: 7" single no. 1192 Found: Melody Maker, Den Haag, March 1990 Cost: 7 guilders Tracks: 'Love and anger' / 'Ken'
The single 'Stay out of my life' was successful in the UK only at a time when Five Star were at the peak of their popularity in their home country. It reached number 9 in the UK singles chart.
This 12" single features a remix of 'Stay out of my life' as well as a remix of previous hit single 'If I say yes'. Where many Five Star 12" singles just seem to fall flat, this package is quite a lively one.
My collection: 12" single no. 457 Found: unknown Cost: unknown Tracks: 'Stay out of my life' / 'If I say yes (Lew Hahn US dub mix)', '(How dare you) Stay out of my life'
I never managed to turn my friend Puck into a Tori Amos fan, however hard I tried. While I bought all of her albums and singles, he remained insensitive to the beauty of her Nineties work. Admittedly, Amos creatively burned out after the turn of the century, but before she did, she created some magical music.
In 1999, I was pleasantly surprised when Puck actually liked the 'Wedding cake club mix' of 'Jackie's strength'. Originally a moving ballad on Tori Amos' 1998 album 'From the choirgirl hotel', Warren Rigg turned it into a 'hands in the air' dance anthem. Quite an achievement and I actually liked this remix myself too. I bought this American double 12" single mainly for the sleeve, because all the tracks were released on the American cd-single as well.
The ballad 'It's over' was released as the fourth single from Level 42's album 'Running in the family' in 1987. I bought the 7" single in 1991, but it took me some years to find and buy the 12" single after that.
When I did, I only bought it because it was very cheap. The extended version isn't that extended and I already had the B-side, a live track. The instrumental version of 'It's over' is a nice bonus, though. Instrumental versions are ideal to make you own extended versions with.
My collection: 12" single no. 262 Found: Record Exchange, London, 1998 Cost: 30p Tracks: 'It's over (extended version)' / 'Physical presence (live version)', 'It's over (instrumental)'