'Seven wonders' was the second single release from Fleetwood Mac's 1987 album 'Tango in the night'. Lead vocals were performed by Stevie Nicks, who wrote the song together with Sandy Stewart.
Back in 1985, the lucky buyer of 'Perfect way' in the UK could get this limited edition version of the single, featuring not only a gatefold sleeve, but also a poster with a monochrome photograph of founding member Green Gartside.
'Crying' was written by Roy Orbison and Joe Melson and recorded by Roy Orbison in 1961. It was released as a single that summer, becoming a worldwide hit.
Sting wrote 'Fortress around your heart' in the studio in Barbados in 1985. He commented about the song: '[it] is about appeasement, about trying to bridge the gaps between individuals. The central image is a minefield that you've laid around this other person to try and protect them. Then you realise that you have to walk back through it. I think it's one of the best choruses I've ever written.'
'Minimal' was originally planned to be the first single from the Pet Shop Boys' 2006 album 'Fundamental', but was held back in favour of 'I'm with stupid'. The single finally was released in July 2006. The lyrics are an abstract description of expressions of minimalism, such as 'more is less' and 'an empty box, an open space'. The upbeat, busy instrumentation and production is quite in contrast with minimalism.
The Fixx released 'Red skies' as a single in 1982. The lyric of the song is quite explicit on the theme of impending doom. This was made even more obvious by a music video, released in 1987, in which a nuclear holocaust is depicted.
After Climie Fisher broke up, Simon Climie embarked on a solo career, signing to Columbia Records to release his debut solo album 'Soul inspiration'. The title track was released as a single, which reached number 60 in the UK singles chart in the autumn of 1992.
'Knockin' on heaven's door' was written by Bob Dylan for the soundtrack of the 1973 movie 'Pat Garrett & Billy the Kid'. The song describes the feelings and impressions of a dying deputy.
'Set your loving free' was the fourth single from Lisa Stansfield's second album 'Real love'. The track is full of Seventies disco sounds, but still sounds very modern. The real treat on this single is the non-album track, 'Whenever you're gone', a touching ballad about a woman who can't face the light of day when her lover is out of sight.
'Water sign' was released in 1983 as Chris Rea's fifth album. By that time, the record company showed so little interest in anything by him, that they wouldn't even give him the money to record the album professionally. What was actually released is a collection of demo versions, with a few overdubs. Hence the extensive use of electronic drum machines.
Simply Red was pretty successful with their first two albums 'Picture book' and 'Men and women', but occasionally their singles didn't do so well in the charts. 'Maybe someday' is a prime example of this: the video was shown regularly on television in 1987, but I was not able to locate a copy. In the end, I just assumed that it was only released as a single in the USA - especially when I found this copy in 1991: an American promo 7" featuring the same track on both sides.
Dutch singer Taco Ockerse made his debut in 1982 with a cover version of 'Puttin' on the ritz', which was written by Irving Berlin in 1929. The song was used in several movies, including 'Idiot's delight' (1939), performed by Clark Gable, and 'Blue skies' (1946), performed by Fred Astaire.
'El Norte' was the third and final single from Cock Robin's second album, 'After here through midland' (1987). It showed the first signs of the Spanish influences that would become more apparent on their next album, 'First love last rites' (1989).
'Luka' was a track on Suzanne Vega's second album 'Solitude standing'. It was released as a single in May 1987. The song was one of the earliest about the subject of child abuse and domestic violence.
China Crisis released 'Hanna Hanna' in March 1984, after their first top 10 hit, 'Wishful thinking'. The single did not match that success, as it only reached number 44 in the UK singles chart and failed to chart in much of Europe - contrary to its predecessor.
Mariah Carey is one of those vocalists that people love or loathe. And of course, I'm in the latter category - and rightfully so. People who think that the woman can sing clearly have their ears clogged up. But the strange thing is, she did occasionally record a decent song. 'Dreamlover', taken from her fourth album 'Music box' was the one track that stood out amidst a pile of drivel.
The Eurythmics were one of the most successful bands of the Eighties, but their debut single went by almost unnoticed - except by me. My sister bought 'Never gonna cry again' when it was released and for a long time it was a favourite of ours. The spooky sleeve and the sad, melancholic song appealed enormously to us.
The genesis of 'Driver's seat' dates back to 1973 and a demo tape recorded for a French record label by singer/guitarist Paul Roberts for the band Ashes of Moon. However, that band broke up and, at the suggestion of drummer Luigi Salvoni, Roberts reformed it as Sniff 'n' the Tears with guitarists Laurence 'Loz' Netto and Nick Dyche and bassist Nick South. They shopped the demo tape and signed with the small Chiswick label in 1977. They recorded 'Driver's seat' in 1978 on their debut album 'Fickle heart'.
Jean Gabilou was born in Tahiti and became the first singer from French overseas territory to represent France at the Eurovision Song Contest. He did so in 1981, with the song 'Humanahum'. The title may seem nonsensical, but the message is quite serious: the lyric is about an old man teaching a group of children about life on Earth. Gabilou sings that because humanity 'invented the war', the Earth eventually could not support life. The song, therefore, is a plea for global peace.
Taken from Billy Joel's 1980 album 'Glass houses', 'All for Leyna' is the tale of someone who meets a girl names Leyna, and after a one night stand, becomes obsessed with her. At the time, Billy Joel sang his songs with a biting aggressiveness that made this track that much more attractive.