'The lovers are losing' was the second single taken from Keane's 2008 album 'Perfect symmetry'. It was released in October 2008.
The second single from Earth & Fire's 1982 album 'In a state of flux' was the radiofriendly 'Jack is back', an unpretentious pop song from the band that had slowly moved away from their progressive rock roots.
Released in 1980, 'I just can't help it' was the Korgis' fourth single release. Their debut single 'Young 'n Russian' was released twice without chart success, whereas their second single 'If I had you' gave them their first chart success.
'I want your (hands on me)' was already not the strongest track on Sinéad O'Connor's debut album 'The lion and the cobra', but the single version, released in the spring of 1988, had the added bonus of a rap by a certain MC Lyte. And as you well know, rapping is the worst kind of self-expression.
Adamski and Seal recorded 'Killer' in 1990, providing Seal with a platform from which to launch his own solo career. On his debut album, he recorded a new version of the song - and this version was released as the fourth single from the album. This new version was produced by Trevor Horn and William Orbit.
'Drive' was the third single from the Cars' 1984 album 'Heartbeat City'. Written by Ric Ocasek and produced by Robert John "Mutt" Lange and the Cars, the lead vocals were performed by the band's bassist Benjamin Orr.
'Fame' was written by David Bowie, Carlos Alomar and John Lennon in 1975. The original version of the song was released as a single that same year and shot to number 1 in the US Billboard Hot 100 chart.
A track like 'I don't care anymore' is a far cry from the syrupy ballad material Phil Collins recorded later on in his solo career. Apparently, the lyric of this song is about the anger Collins felt after his first marriage dissolved.
'Who will you run to' was the second single from Heart's 1987 album 'Bad animals'. The song was written by Diane Warren. The lyric contains a clear warning to a departing lover that there will be no one else who could care for and support him in the way that the singer of the song has.
I don't think many chart singles are based on classical music these days. But in the Seventies and early Eighties, it happened every once in a while. This track by Demis Roussos is a good example: 'Follow me' was based on Rodrigo's Concerto d'Aranjuez, and was an impressive piece clocking in at six minutes.
After Ricky Wilde debuted in 1972 with 'I am an astronaut', his second single 'April love' was released in early 1973. The song was originally written by Sammy Fain and Paul Francis Webster and recorded in 1957 by Pat Boone. Young Ricky didn't reach the UK singles chart with this effort, and I have no further chart statistics for this single. (He reportedly did well in Scandinavia with some singles, but it's never been described which singles exactly).
Produced by Trevor Horn, it's no surprise that 'Left to my devices', taken from the Pet Shop Boys' 1987 album 'Introspective', is quite a bombastic tune. As for the lyrics, Neil Tennant explains: 'I liked the idea of writing a really up pop song about being left alone. This song is a day in the life of someone, so it starts off with getting out of bed and being on the phone and drinking tea and all the rest of it, and it ends up with coming home. By this time I was making the words very exaggerated and camp, though writing a book and going on stage were both things I had wanted to do when I was young.'
While in the UK their record company had stopped releasing 7" singles by Erasure after 'Run to the sun', their American record company apparently continued for some time, judging from this copy of 'In my arms', released in 1997.
Cyndi Lauper, Tom Kelly and Billy Steinberg wrote 'My first night without you', a song about coming home for the first time without a partner being there after a break up. The single was considered a failure in most of the world because it failed to make a big impact on most charts. However, in South America it was a big success, reaching number 1 in Brazil and Colombia.
Released in April 1987, 'Bet that's what you say' was Mai Tai's penultimate hit single in the Netherlands. The song was produced by Eric van Tijn and Jochem Fluitsma, who also wrote the it. The single reached number 36 in the Dutch Top 40 during a three week chart run.
'Don't forget to dance' is a beautiful ballad from the Kinks' 1983 album 'State of confusion'. The single followed 'Come dancing', which was one of the band's most successful singles in the United States. By comparison, this single did not do well.
The intro of 'Maid of Orleans' is one of the strangest sounds I'd ever heard in 1982. It piqued my interest, and with the aid of the intriguing music video, this became one of my favourite tracks of the year. About the intro, Andy McCluskey explained: 'The idea came about because we actually had the song recorded but thought the track started oddly and needed something else to announce its arrival. It's not meant to "mean" anything specific, just set up a feeling to let the track grow out of the strange noises. I think that it worked well! Most of the noises are mellotron vocal sounds slowed down/sped up and greatly distorted simply by completely overdriving the old Helios desk in The Manor Studio. Pink noise and snare drum in lots of reverb.'
The first single from Sade's third album 'Stronger than pride' was the track 'Love is stronger than pride'. On the sleeve and in the accompanying music video, frontwoman Sade Adu was pictured on the beach in an attempt to 'sex up' the band. It didn't entirely work, as there was a certain distance exuding from her.
Kid Creole and the Coconuts released their fourth album 'Doppelganger' in 1983. The opening track of the album was 'The lifeboat party', which was subsequently released as the album's second single.
Taken from their fourth album 'Scandalous', 'State of love' was another single by Imagination produced by Steve Jolley and Tony Swain. The single only charted in the UK, where it reached number 67 in the singles chart.
