We gotta get out of here - Ian Hunter

Ian Hunter was born on June 3, 1939 in Oswestry, Shropshire, England. He was lead singer of the English rock band Mott the Hoople between 1969 and 1974, and then pursued a solo career. He had one hit in the Netherlands: 'We gotta get out of here', released in the summer of 1980. The ending of the song sounds a bit like a pastiche of Meatloaf's 'Paradise by the dashboard light'. That's because of the vocals of Ellen Foley, who'd spoken on that song as well as this one.

The B-side of the single features a live version of 'All the young dudes', originally recorded by David Bowie.

My collection: 7" single no. 3597

Found: Record fair, Rijswijk, March 14, 2009

Cost: 0,5 euro

Tracks: 'We gotta get out of here' / 'All the young dudes'

Cry me a river - Mari Wilson

'Cry me a river' was written by Arthur Hamilton in 1953. It was orginally meant as a song for Ella Fitzgerald in the movie 'Pete Kelly's Blues' (1955). The record producer insisted that Hamilton would remove the word 'plebeian' in the lyric since 'audiences wouldn't accept a black woman in the '20s using that word.' Hamilton refused, and the song was dropped. The song's first release and most famous recording was by actress/singer Julie London in 1955.

Mari Wilson recorded her version in 1983, to be used in the crime drama series McCallum. It was her last UK top 40 hit, peaking at number 27.

My collection: 7" single no. 3607
Found: Record fair, Rijswijk, March 14, 2009
Cost: 0,5 euro
Tracks: 'Cry me a river' / 'Rave'

Femme dans ses rêves aussi - Roger Bens

I visited a record fair today, hunting for new old vinyl. The fair was not spectacular (mainly Dutch dealers and a few lost Germans and one Englishman), but I managed to get some nice rarities anyway. A weird one is this one: plucked from the bargain bin, the French entry for the 1985 Eurovision Song Contest.

France was represented by young Roger Bens who sang 'Femme dans ses rêves aussi'. I can honestly say that I didn't have a clue what this song was like. I have seen it a couple of times during my life (since I own the 1985 Eurovision on dvd) but it's passed me by completely. When you hear the single you will understand why: it is a very forgettable track. The main attraction is the B-side, a beautiful ballad with typical eighties romanticism.

My collection: 7" single no. 3605

Found: Record fair, Rijswijk, March 14, 2009

Cost: 0,5 euro

Tracks: 'Femme dans ses rêves aussi' / 'Piano souvenir'

Jeanny - Falco

'Jeanny' was released in 1986 and would become one of Falco's best known and most controversial singles. The song is about a relationship between a man and a girl named Jeanny. The song is sung in a slightly unhinged voice, but the lyrics don't actually contain any direct reference to the act of rape or abduction. It is left to the listener's imagination. Falco argued that it's about the musings of a stalker, but also said the song was inspired by serial killer Jack Unterweger.

The song was banned in East Germany. There were also demands to prohibit the song in West Germany, but this didn't happen, although some radio stations did boycot the song. Despite all this, Falco had a number one hit in Austria, Germany, the Netherlands, Norway, Sweden and Switzerland with 'Jeanny'.

My collection: 7" single no. 412

Found: Free Record Shop, Den Haag, 1986

Cost: 6 guilders

Tracks: 'Jeanny' / 'Männer des Westens'

Didn't you kill my brother? - Alexei Sayla

While Alexei Sayle's debut single ''Ullo John! Gotta new motor?' was a genuinely funny take on people with strange dialects saying the oddest things, I didn't quite 'get' 'Didn't you kill my brother?'.

As I've only recently found out, the single was the theme song of an episode of the satirical Comic Strip TV comedy series in which Alexei Sayle plays both halves of a pair of gangster twins, not so loosely modelled on the Kray twins, the notorious Moss brothers Carl and Sterling. The episode also remakes Bicycle Thieves whilst lampooning British liberal values. Produced by Sayle and Chaz Jankel, the single was a flop.

My collection: 7" single no. 333

Found: LP Top 100, Den haag, 1985

Cost: 5,5 guilders

Tracks: 'Didn't you kill my brother?' / 'Dedicated'

Why me? - Linda Martin

Thousands of viewers of the 1992 Eurovision Song Contest must have struggled with the question Linda Martin raised at the end of the programme. Why did she, of all people, win that year's edition? It wasn't a remarkable song, like Cleopatra's 'Olou tou kosmou i elpida' for Greece, or slightly mysterious like Evridiki's 'Teriazoume' for Cyprus. And it certainly wasn't the jewel that Italy contributed in the form of Mia Martini's 'Rapsodia', which is still a favourite with many Eurovision fans to this day. If anything, the song was middle of the road. But then, maybe the juries were exactly that in 1992.

Written by Eurovision dinosaur Johnny Logan, 'Why me' wasn't exactly a big hit outside of Ireland, the country Linda represented. The single peaked at number 23 in the Dutch Top 40 and stalled at number 59 in the UK. Some winners are best left forgotten.

My collection: 7" single no. 1656
Found: Melody Maker, Den Haag, May 30, 1992
Cost: 6 guilders
Tracks: 'Why me?' / 'Shades of blue'

Sex talk (live) - T'pau

T'pau's second single 'Intimate strangers' hadn't been a success, so after they'd had more luck with 'China in your hand' and 'Valentine', they tried it again with a live version of that track. Now titled 'Sex talk', it was more successful and peaked at number 23 in the UK. In Europe, the single wasn't released - and so I had to go to London to find a copy of this single.

Bizarrely, the cd-single of this live track was available in the Netherlands, so it became one of the first times that I had a cd-single before I had the vinyl version.

My collection: 7" single no. 1050
Found: Record Exchange, London, October 17, 1989
Cost: 1 pound
Tracks: 'Sex talk (live)' / 'Monkey house (live)'

The telephone call - Kraftwerk

Taken from their album 'Electric cafe', 'The telephone call' followed up 'Musique non stop'. The track appeared on side two of the album, which meant that it had a more conventional pop song structure. 'The telephone call' is notable for being the first and only Kraftwerk song to feature Karl Bartos on lead vocals.

The sleeve of this single features stills of the facial animation that was seen in the video for 'Musique non stop'.

My collection: 7" single no. 2617

Found: Record fair, February 10, 1996

Cost: 5 guilders

Tracks: 'The telephone call' / 'Der Telefon Anruf'

It won't be long - Alison Moyet

Following a period of personal and career evaluation, Alison Moyet released her third solo album 'Hoodoo' in 1991. 'Hoodoo' was a definite change in direction for Moyet: gone was the glossy softpop sheen of previous albums and a rawer, earthier sound and more personal lyrics replaced it. Compared to her earlier releases, 'Hoodoo' received little label support and only minimal promotion.

The first single from the album was the menacing 'It won't be long'. This single was nominated for a Grammy in the USA but fell behind commercially: it peaked at number 50 in the UK.

My collection: 7" single no. 1449

Found: Disco Market, Den Haag, June 15, 1991

Cost: 2 guilders

Tracks: 'It won't be long' / 'My right A.R.M.'

Such a shame - Talk Talk

I think it's fair to say that 'It's my life' was Talk Talk's breakthrough single, as it was the first to make the charts in various European countries. The band followed it up with a second single from their second album: 'Such a shame'.

In the UK, the single was largely ignored, peaking at number 49, whereas it became a top 10 hit in France, Germany, Switzerland and Italy. In the Netherlands, it peaked at number 11. It's weird, because only in the UK there was this special edition with a poster bag and a free second single containing three demo tracks. A truly great package and probably a collector's item now.

My collection: 7" single no. 1300

Found: Record Exchange, London, October 15, 1990

Cost: 5 pounds

Tracks: 'Such a shame' / 'Again a game... again' // 'Candy (demo version)' / 'Talk Talk (demo version)', 'Mirror man (demo version)'

Download: here

Tubular affair - Samoa Park

This track could best be described as a lifeless, soulless 'mashup' (as they are called these days) of 'Tubular bells' and 'Foreign affair', both Mike Oldfield tracks.

The single was released in 1983 on the ZYX Music label (liberal pronounciation: 'It Sucks Music') and I bought it because my neverending thirst for version of Mike Oldfield's masterpiece. In this instance, it was an unfortunate acquisition.

My collection: 7" single no. 3185

Found: Music Machine Mailorder, Hoorn, 2002

Cost: 1 euro

Tracks: 'Tubular affair' / 'Tubular affair (instrumental)'

Flash in the night - Secret Service

It's now 27 years ago that this single was released, and I still think that this is one of the Best Songs Ever. I still get goosebumps when I hear the intro and I love every second of this track. I was in a difficult position when I bought this single: not so long before, I'd agreed with my sister that I would not buy singles she had, so that together we'd have more records to play. It went alright for a month or two, but when I saw this single - one that I'd played a lot - for a discount price, I had to buy it. In time, the agreement went out of the window altogether, of course.

Secret Service hails from Sweden. The band consisted of Ola Håkansson, Tim Norell, Ulf Wahlberg, Tony Lindberg, Leif Paulsen and Leif Johansson. 'Flash in the night' (1982) became their biggest international hit, reaching number 23 in Germany, number 12 in Italy and Sweden, number 9 in Switzerland, number 6 in Norway and number 5 in France. Inexplicably, the song didn't reach the chart in the UK and the Netherlands.

This one comes highly recommended. Even the B-side is nice!

My collection: 7" single no. 113

Found: 7" single no. 113

Cost: 3,5 guilders

Tracks: 'Flash in the night' / 'Watching Julietta'

We are the world - USA for Africa

After Band Aid had sold millions of copies worldwide with 'Do they know it's Christmas?', it was almost inevitable that American popstars would rise to the challenge and come up with their own charity single. 'We are the world' was the result: a single of an epic 6'22 minutes length which is fine for the first three minutes but then turns into a long, protracted death rattle of a song, with far too many artists claiming a few lines of their own to sing.

The lyric 'There's a choice we're making / we're saving our own lives' was originally written as 'There's a chance we're taking / we're taking our own lives'. It was rewritten when it was feared the original phrasing's first part might look like the artists are patting themselves on the back while the last part might suggest collective suicide.

The single became a worldwide number 1 hit, raising more money for emergency needs in Africa, where several countries were suffering from an unprecedented famine. Not much has changed in over thirty years though: Africa is still in need.

My collection: 7" single no. 3541
Found: La La Land, Den Haag, January 9, 2009
Cost: 1 euro
Tracks: 'We are the world' (USA for Africa) / 'Grace' (Quincy Jones)

Loving you - Feargal Sharkey

Feargal Sharkey's solo career began in 1984 with the single 'Listen to your father', which he co-wrote with Cathal Smyth from Madness. That single peaked at number 23 in the UK. The second solo single was released in early 1985. Called 'Loving you', this single reached number 26 in the UK, but also number 23 in Switzerland. It would only be a matter of time before Sharkey had a big international breakthrough with 'A good heart', which gave him a top 10 all over Europe.

Both 'Listen to your father' and 'Loving you' were omitted from Feargal Sharkey's self-titled debut album, which was released in 1985. This makes both the singles great collector's items. Personally, I always thought 'Loving you' was the better of the two.

My collection: 7" single no. 1297

Found: Record Exchange, London, October 15, 1990

Cost: 30p

Tracks: 'Loving you' / 'Is this an explanation?'

Misplaced love - Rupert Hine

In 1981, Rupert Hine released the album 'Immunity'. This single, 'Misplaced love' was taken from that album. It featured guest vocals by Marianne Faithfull and became Rupert's best known single, mainly because of the fact that it peaked at number 22 in Australia. In Europe, the single started a tradition, because it was the first of many singles that would not chart in any country.

Today his work as a solo artist is mainly recognized by music enthusiasts, fellow artists and electronic music insiders, with many fans considering his tryptichon 'Immunity', 'Waving not drowning' and 'Wildest wish to fly' to be his masterwork.

My collection: 7" single no. 2721

Found: Record fair, 1996

Cost: 1 guilder

Tracks: 'Misplaced love' / 'Psycho-surrender'

Let love rule - Lenny Kravitz

Lenny Kravitz debuted in 1989 with 'Let love rule', a retro track with lots of Sixties influences, evoking images of hippies dancing on the grass. It was the title track of his debut album, which appeared shortly after the release of the single.

Interestingly, Kravitz was married with The Cosby Show's Lisa Bonet at the time. She appeared in the video for the song and also co-wrote two tracks on the album. This would be the only 7" vinyl single I bought from Kravitz: his subsequent singles didn't interest me much until the release of 'If you can't say no', which was released a decade later (and not on vinyl).

My collection: 7" single no. 1113
Found: Melody Maker, Den Haag, November 17, 1989
Cost: 6 guilders
Tracks: 'Let love rule' / 'Empty hands'
Download: Album 'Let love rule', including both tracks

Cloud eight - Frazier Chorus

Frazier Chorus followed up their single 'Nothing' with 'Cloud eight'. You could say it was equally successful, as it peaked at number 52 in the UK singles chart. But things were looking a bit grim for the band: with no chart success to speak of, the inspiration to go on began to wane too. Two more singles would follow before the band broke up.

Still, 'Cloud eight' is an inspired piece of breezy pop. I bought a quartet of Frazier Chorus singles on the day I bought this one, and I like every one of them a lot.

My collection: 7"single no. 2522
Found: Beanos, East Croydon, London, November 1, 1995
Cost: 2 pounds
Tracks: 'Cloud eight' / 'Le change est magnifique'

We belong - Pat Benatar

Pat Benatar released 'We belong' as a follow-up to her highly successful single 'Love is a battlefield'. The track was taken from her sixth studio album 'Tropico'.

While it matched the success of 'Battlefield' in the US (peaking at number 5 in the US Billboard Hot 100 chart), the song was less successful elsewhere, peaking at number 10 in the Netherlands and number 22 in the UK.

My collection: 7" single no. 2125
Found: Record Palace, July 30, 1994
Cost: 2 guilders
Tracks: 'We belong' / 'Suburban king'
Download: Album 'Tropico', including both tracks

Bad ambassador - The Divine Comedy

As far as I know, 'Bad ambassador' was the only single from The Divine Comedy's 2001 album 'Regeneration' that was released on 7" vinyl. Of course I bought it right away, even if I had to order it from the UK.

The reason for my greed was the fact that the 7" vinyl featured a live track not found on the two cd-single releases. 'Life on earth' is not, as it may seem, a cover of the David Bowie track, but a composition that appeared on The Divine Comedy's 1998 album 'Fin de siècle'.

My collection: 7" single no. 3339

Found: HMV mail order, London, 2001

Cost: 3 pounds

Tracks: 'Bad ambassador' / 'Life on earth (live)'

The comfort of strangers - Julia Fordham

When I bought 'The comfort of strangers', it was mainly because it was so very cheap and because I knew the name Julia Fordham because of her single 'Happy ever after'.

This single actually predates that hit, it was released as Julia's debut single in 1988. It peaked at number 89 in the UK singles chart, and no-one could foresee that the second single from Julia's debut album would become such a big hit.

My collection: 7" single no. 2508
Found: Record Exchange, London, October 30, 1995
Cost: 10p
Tracks: 'The comfort of strangers' / 'I wish'

Why should I love you? - Des'ree

The third single drawn from Des'ree's debut album 'Mind adventures' was the sublime soul ballad 'Why should I love you?'. It wasn't as successful as the previous single, peaking at number 44 in the UK singles chart. Personally I thought it was the strongest track on the album.

The cd-single was released as a double package in the UK, with the second disc featuring covers of 'Imagine', 'Calling you' and 'Killing me softly with his song'. On the vinyl single, though, only the self-penned track 'Competitive world' appeared.

My collection: 7" single no. 1659

Found: Melody Maker, Den Haag, May 30, 1992

Cost: 6 guilders

Tracks: 'Why should I love you?' / 'Competitive world'

Lass die Sonne in dein Herz - Wind

Wind represented Germany in the Eurovision Song Contest for the second time in 1987 with 'Lass die Sonne in dein Herz'. Just like the first time in 1985, they ended up on second place, behind Johnny Logan, who won with 'Hold me now' for Ireland. Their performance is notable for including as a backing singer Robert Pilatus, later to achieve infamy in connection with Milli Vanilli.

Written and composed by longtime Contest contributors for Germany Ralph Siegel and Bernd Meinunger, the song is a reggae-oriented track with a lyric full of positive platitudes.

My collection: 7" single no. 540

Found: Free Record Shop, Den Haag, July 1, 1987

Cost: 6 guilders

Tracks: 'Lass die Sonne in dein Herz' / 'Let the sun shine in your heart'

That loving feeling - Cicero

Cicero followed up his debut single 'Love is everywhere' with another track produced by the Pet Shop Boys, 'That loving feeling'. Despite the fact that the track had that typical Pet Shop Boys sound, it only made number 46 in the UK singles chart. It could be because of the unremarkable lead vocals by Cicero.

Whatever it was, it was the beginning of the end for him: the subsequent single 'Heaven must have sent you back to me' peaked at number 70 and later singles didn't chart. A promising career was cut short pretty quickly.

My collection: 7" single no. 3081

Found: Beanos, East Croydon, London, May 10, 1999

Cost: 1 pound

Tracks: 'That loving feeling' / 'Splatt'

One, two, three... Bananas - Marga and Deuce

After the Dutch girl group Luv' split up in 1982, one of the members Marga Scheide teamed up with twin sisters Clari and Anja Horsmeier to record 'One, two, three... Bananas', hoping to achieve similar success. The single flopped mercilessly, despite its pretty decent retro production.

Marga Scheide reformed Luv' in 1989 with different members, and later on with the original members of Luv' in 1993 and 2005. The Horsmeier sisters competed in the Dutch national final for the Eurovision Song Contest in 1983 with the song 'Computergames', but didn't win.

My collection: 7" single no. 167

Found: Disco Market, Den Haag, 1982

Cost: 3,5 guilders

Tracks: 'One, two, three... Bananas' / 'Ooh, he did it'

Another brick in the wall part 2 - Pink Floyd

'Another brick in the wall (part 2)' is a protest song against rigid schooling in general and boarding schools in particular. It led to the song being banned in South Africa and several other countries. It was a number 1 hit for Pink Floyd in the UK, peaking at number 3 in the Netherlands.

For this track, Pink Floyd needed a school choir. Producer Bob Ezrin asked sound engineer Nick Griffiths to find one. Griffiths approached music teacher Alun Renshaw of Islington Green School, around the corner from their Britannia Row Studios.

When I went to English class for the first time, when I was nine years old, the teacher asked if we knew any words in English. 'Another brick in the wall' was the first phrase I came up with. The teacher assumed I didn't know what those words meant - but I did. 'We don't need no education', indeed.

My collection: 7" single no. 3201
Found: Record fair, September 30, 2000
Cost: 2 guilders
Tracks: 'Another brick in the wall (part 2)' / 'One of my turns'

Johnny come home (Mark Moore remix) - Fine Young Cannibals

Released as a single from their remix album 'The raw and the remix' (1990), this Mark Moore remix of Fine Young Cannibals' debut single 'Johnny come home' did not impress anyone. The single was released and disappeared from the racks as quickly as it had come.

My friend Puck once bought the LP 'The raw and the remix'. He probably liked the singles that the band had released from the album 'The raw and the cooked' (1989), but was very disppointed with this album. He tried forever to sell it, but I think he still has it now....

My collection: 7" single no. 3210
Found: Record fair, September 30, 2000
Cost: 2 guilders
Tracks: 'Johnny come home (Mark Moore remix)' / 'Johnny takes a trip'

It's really you - Barbara Dickson

Barbara Dickson was born in Dunfermline, Fife, Scotland on September 27, 1947. She started singing in folk clubs around her native Fife in 1964. Her first solo album was 'Do right woman' in 1970. Ten years later she reached her commercial peak when she released 'The Barbara Dickson Album', produced by Alan Tarney. The album yielded two singles, of which 'January February' was the successful one and 'It's really you' flopped.

Personally I think 'It's really you' is the better one of the two, being a rather bouncy poppy piece of work.

My collection: 7" single no. 3137
Found: Disco Market, Den Haag, July 24, 1999
Cost: 1 guilder
Tracks: 'It's really you' / 'Plane song'
Download: Album 'The Barbara Dickson Album', including both tracks

Everytime I think of you - The Babys

'Everytime I think of you' was recorded by the Babys in 1978 for their third album 'Head first' (the title track appears on the B-side of the single). It peaked at number 13 in the US Billboard Hot 100 chart, and number 7 in the Netherlands. Amazingly, it didn't chart in the UK at all.

In 2006, an appalling cover version was recorded by Lucie Silvas and Dutch singing sweater Marco Borsato. It was bought by brainless people who can't tell the difference between shit and music. Nothing beats the original, certainly in this case.

My collection: 7" single no. 819

Found: Disco Market, Den Haag, May 13, 1989

Cost: 1 guilder

Tracks: 'Everytime I think of you' / 'Head first'

Download: Album 'Anthology', including both tracks

No more lies - Sharpe and Numan

After recording 'Change your mind' for Bill Sharpe's solo album, he and Gary Numan decided to record a whole album together. The album, titled 'Automatic', saw the light in 1989, but before that, a couple of singles were released.

'No more lies', released in January 1988, was one of them. At the time of its release I came across the cd-single several times, but I never bought it. Something I lived to regret. When I saw the vinyl single a decade later, I snapped it up. It's great synthpop, which was rewarded in the UK with a chart placing, peaking at number 34 in the singles chart. Outside of the UK, it was largely ignored.

My collection: 7" single no. 2907
Found: Beanos, East Croydon, London, October 31, 1997
Cost: 2 pounds
Tracks: 'No more lies' / 'Voices'

Ça plane pour moi - Plastic Bertrand

Originally released in December 1977, Plastic Bertrand had a hit in May 1978 with 'Ça plane pour moi'. It peaked at number 18 in the UK and at number 2 in the Netherlands. The lyric of this song is open to interpretation, since it is full of French slang that was used in the Seventies. The title means 'It is gliding for me', which could imply that the singer is with his head in the clouds, or possibly high on drugs. Other suggestions are 'It's all working out for me', 'This works for me', 'Everything's cool/groovy for me' or, more loosely, 'Things are going great' or even 'I'm on cloud nine'.

I wasn't impressed with this song when it came out, but twenty years later I still bought it. In time, punk songs get a certain nostalgia value.

My collection: 7" single no. 3126

Found: Disco Market, Den Haag, July 24, 1999

Cost: 1 guilder

Tracks: 'Ça plane pour moi' / 'Pogo pogo'

Bright eyes - Art Garfunkel

I once knew a girl who had such amazing eyes, they looked like the deepest lakes with mysteries so dark and beautiful I got so fascinated it stifled any chance of me talking to her. (I have to admit, sometimes they looked hollow and uninviting too.) And so it came to pass she got the nickname 'Bright eyes'.

This, of course, came from the famous Art Garfunkel song from 1979. It was composed by Mike Batt for the soundtrack of the movie 'Watership down', an animated movie about rabbits. The song relates to the transition into death highlighted by Hazel's close shave when he is shot by a farmer, and then years later when Hazel finally departs his body and enters the world of spirit. It may also be viewed in reference to the disease the rabbits refer to as 'white blindness' - actually Myxomatosis. I've always had a soft spot for animated videos, so when I saw this one in 1979, it stuck in my mind.

My collection: 7" single no. 818

Found: Disco Market, Den Haag, May 13, 1989

Cost: 1 guilder

Tracks: 'Bright eyes' / 'Kazaar's theme'

Light my fire / Please release me - Mike Flowers Pops

Mike Flowers Pops followed up their hit 'Wonderwall' with a double A-side 7" single, featuring covers of 'Light my fire' (originally by the Doors) and 'Please release me' (originally by Engelbert Humperdinck). The success of this single was limited: during a two week run it peaked at number 39 in the UK singles chart. This despite 'Please release me' being used for an advertising campaign by Bodington Bitter in the UK. It seemed the momentum for Mike Flowers Pops had gone as fast as it came.

My collection: 7" single no. 2649

Found: HMV, York, June 28, 1996
Cost: 2 pounds

Tracks: 'Light my fire' / 'Please release me'

Once in a lifetime - Talking Heads

'Once in a Lifetime' was taken from the fourth album by Talking Heads, 'Remain in Light'. It was written by David Byrne and Brian Eno. The lyric has a rather existential vibe to it, although it is usually interpreted to be a song dealing with midlife crisis and the inevitable sacrifice of youthful ideals and dreams for conventional success.

In 1981, the single peaked at number 28 in the Netherlands and number 14 in the UK. In 1985, the single was re-released as part of the promotion of the concert film Stop Making Sense. It didn't chart in the UK, but made number 29 in the Netherlands.

My collection: 7" single no. 2946

Found: Record fair, Leiden, January 31, 1998

Cost: 2 guilders

Tracks: 'Once in a lifetime' / 'Seen and not seen'

Download: Album 'Remain in light', including both tracks

Marionette - Maribelle

Before representing the Netherlands at the 1984 Eurovision Song Contest, Maribelle had already competed in the National finals in 1981. She sang two songs: 'Marionette' and 'Fantasie'. She didn't win the competition (which was won by Linda Williams with 'Het is een wonder'), but the two songs were released as a single.

It became a small success for Maribelle: the single reached the Dutch Top 40, where it peaked at number 36 during a four week run.

My collection: 7" single no. 3296
Found: Disco Market, Den Haag, February 24, 2001
Cost: 1 guilder
Tracks: 'Marionette' / 'Fantasie'

She - Vegas

The second single from Vegas' debut (and only) album was 'She', a cover of the 1974 song by Charles Aznavour. It was written by Aznavour and Herbert Kretzmer and reached number one in the UK. Terry Hall and David Stewart must have hoped to repeat that success, but alas they weren't able to: the single peaked at number 43 and stayed in the chart for only four weeks.

The single was notable for the B-side, which was a 'disco mix' of the track. As far as I know, it's the only remix of a Vegas track ever released.

My collection: 7" single no. 2181

Found: Record Exchange, London, September 27, 1994

Cost: 1 pound

Tracks: 'She' / 'She (disco mix)'

Download: cd-single 'She', including both tracks

Lay your hands on me - Thompson Twins

The Thompson Twins enjoyed a lot of success with their 1984 album 'Into the gap'. They had to come up with a new album soon, so the writing and recording of the next album 'Here's to future days' began in late 1984. The band recorded the single 'Lay your hands on me' with producer Alex Sadkin. The new single climbed to number 13 on the UK singles chart.

My copy of the single came in a limited edition poster bag. I might never have bought it otherwise: I thought the track was a lot weaker than previous singles. Nowadays I feel differently: it still sounds rather fresh.

My collection: 7" single no. 1905

Found: Record fair, Den Haag, May 2, 1993

Cost: 2 guilders

Tracks: 'Lay your hands on me' / 'The Lewis Carol'

Download: here

Lover come back to me - Dead or Alive

After their considerable success with 'You spin me 'round', Dead or Alive came up with another energetic popsong in the guise of 'Lover come back to me'. Personally I always thought this was an even more powerful song, but the masses disagreed: this single fared less well. It peaked at number 11 in the UK and number 30 in the Netherlands.

By the time of the next single, the momentum of Dead or Alive seemed to have disappeared, each single scoring less well than its predecessor. And producers Stock Aitken & Waterman moved on to greener pastures with singing soapstars and fair-haired boys.

My collection: 7" single no. 292

Found: LP Top 100, Den Haag, 1985

Cost: 5,5 guilders

Track: 'Lover come back to me' / 'Far too hard'

Download: here

Alles heeft ritme - Frizzle Sizzle

Sisters Karin and Laura Vlasblom and their friends Mandy Huydts and Marjon Keller debuted in 1981 on 'Kinderen voor kinderen', a Dutch television programme and LP featuring songs by a children's choir. In 1984 the girls appeared on the fifth annual show to tell that they formed a girl group. Naming themselves Frizzle Sizzle they were selected to represent the Netherlands in the 1986 edition of the Eurovision Song Contest with 'Alles heeft ritme'. They ended up 13th in the contest in a field of 20 contestants. In the Dutch Top 40, the song peaked at number 21.

I found this single, amazingly, in a Record Exchange in London, in the basement of the Goldhawk Road shop. I think it's the only time I bought a Dutch language record abroad.

My collection: 7" single no. 3090

Found: Record Exchange, London, May 12, 1999

Cost: 20p

Tracks: 'Alles heeft ritme' / 'Eenmaal jong'

Download: here

Invisible - Alison Moyet

Alison Moyet's third solo single was specially written for her by Motown legend Lamont Dozier, from the famous Holland/Dozier/Holland writing team. The song was released in 1984 and peaked at number 21 in the UK singles chart. A year later, it reached number 31 in the US Billboard Hot 100 chart - making it the only US top 40 hit of her career.

By the time I bought this single, it was ancient. I already had all the other singles taken from her debut album 'Alf', so this was a nice completion.

My collection: 7" single no. 3263

Found: Record fair, Utrecht, October 21, 2000

Cost: 1 guilder

Tracks: 'Invisible' / 'Hitch hike'

Download: here