I couldn't find a release date for this particular single, but my guess it's a release from the Sixties - not too long after Sandie Shaw won the 1967 Eurovision Song Contest with 'Puppet on a string'.
This Big Fair Organ was used for more instrumental covers, as the album 'Dance party', released around the same time, proves: Engelbert Humperdinck's 'Release me', Louis Neefs' 'Ik heb zorgen' and even the 'Green green grass of home' were all given the organ treatment. Both the single and the album were made in Belgium, which would imply that the organ comes from that country as well.
My collection: 7" single no. 5624 Found: Marktplaats.nl, received August 16, 2014 Cost: 1 euro Tracks: 'Puppet on a string' / 'Edelweis'
The Boomtown Rats recorded their sixth album 'In the long grass' in 1983, but it was initially rejected by the band's record company. When it was finally released in May 1984, it failed to chart at all. In the US, where the album was also released, it reached number 188 in the Billboard albums chart.
'Tonight' was the first single from the album, released in February 1984. It appeared in the UK singles chart for one week, at number 73. The B-side was a non-album track, which finally appeared on a 2005 CD release of the album.
My collection: 7" single no. 5374 Found: unknown Cost: unknown Tracks: 'Tonight' / 'Precious times'
Romuald Figuier was born in Saint-Pol-de-Léon (France) on May 5, 1941. He represented Monaco at the Eurovision Song Contest twice: in 1964 and 1974. In 1969, he appeared on stage too, that time representing Luxembourg. This single was released in 1974, and contains his last Eurovision song, 'Celui qui reste et celui qui s'en va'. The song is sung from the perspective of a man whose lover has just
ended their relationship. Romuald sings that there is always one half of
a relationship who "stays" - that is, the person who does not do the breaking up - and the other half who "goes"
- by doing the breaking up. He compares the fates of both people, and
sings that while he is not angry with his former lover, he wants her to
realise the situation for what it is.
At the close of voting, the song was placed fourth in a field of 17 competitors. Of course, we all know who won the competition that year, don't we?
My collection: 7" single no. 5610 Found: Chelsea Records, Antwerpen, August 10, 2014 Cost: 2 euro Tracks: 'Celui qui reste et celui qui s'en va' / 'Sur la pointe des pieds, sur la pointe du coeur'
Breathe blasted into the UK singles charts with their second single 'Hands to heaven' and they were hailed as the year's biggest new promise back in 1989. However, after releasing six singles from their debut album 'All that jazz', only four made it into the charts in the UK, and when they came up with a second album 'Peace of mind' in 1990, nobody seemed to be interested.
'Say hello' was the lead single from that second album, and although it was released in this attractive limited edition package featuring a fold out sleeve and three photographs, not many people took the trouble of actually taking the single home. The result was a measly number 87 in the UK singles chart, After the second and third singles did even worse, the band called it quits.
My collection: 7" single no. 5375 Found: unknown Cost: unknown Tracks: 'Say hello' / 'All that jazz'
'Kloden drejer' is a Danish song. The title means 'The planet's spinning'. It was performed on the 1983 Eurovision Song Contest by Gry Johansen. In the end, the song was placed 17th in a field of 20 contestants.
I already had a version of this song when I bought We're like starlight, which is an English version of the song. As you can see, the lyric of that song is as wildly different from this one as the sleeve of that single is from this one.
My collection: 7" single no. 5590 Found: KG Records (Sweden), received August 1, 2014 Cost: 2 euro Tracks: 'Kloden drejer' / 'Den sidste dans'
Jimmy The Hoover were a British pop band, who formed in 1982 and comprised Simon Barker (keyboards), Derek Dunbar (vocals), Carla Duplantier (drums), Flinto Chandia (bass) (later replaced by Cris Cole) and Mark Rutherford (guitar). Their manager Malcolm McLaren chose their name and gave them a support slot on a Bow Wow Wow tour.
In 1983 they signed to CBS subsidiary Innervision, and the same year they had their only hit, 'Tantalise'. It would be their only hit, reaching number 18 in the UK singles chart in July 1983. The track was produced by Steve Levine, who also produced Culture Club's multi-million selling 'Colour by Numbers' album that same year. A follow-up single "Kill Me Kwik", produced by Anne Dudley of Art of Noise fame, received positive reviews in the music press but failed to chart. The group were subsequently dropped by Innervision. In 1985, another single, "Bandana Street (Use It)", would appear on a new label, MCA Records, but with no further success.
The sleeve of this single is a nightmare for obsessive compulsives: the label has to be placed in a certain way so that it connects with the hole in the sleeve.
My collection: 7" single no. 5453 Found: unknown Cost: unknown Tracks: 'Tantalise' / 'Sing sing'
Sometimes owning a big collection that's still getting bigger leads to interesting statistical facts. Back in 1984, I bought the single Diggi loo diggi ley by the Herrey's. They'd just won the Eurovision Song Contest and I went to my local record store to buy this winner - even though I wasn't convinced this was the best song of the night.
Fast forward 30 years and here we are: I ordered another copy of 'Diggi loo diggi ley', this time from a shop in Sweden, still not convinced this was the best song of the night but excited to have a recording of the original Swedish version of the song. Because that's what this single is: it's the original Swedish release, featuring not only 'Diggi loo diggi ley' in Swedish, but also a different B-side - in English!
My collection: 7" single no. 5591 Found: KG Records, Sweden, received August 1, 2014 Cost: 2 euro Tracks: 'Diggi loo diggi ley' / 'Mirror, mirror upon the wall'
