I'm not ashamed to admit that photography is one of the reasons I like Belinda Carlisle's singles so much. She's always managed to find the right photographer to put her on the cover of her singles - and this one is a good example of that.
That's not to say that 'World without you' is a bad song: it's very pleasant pop, written by one of America's most famous writers, Diane Warren. Okay, it's a bit formulaic, but most of Carlisle's songs have that quality to them: formulaic pop, delivered with that strange voice that is a mix between a sheep and a nasal whistle-tone. The single reached number 34 in the UK singles chart.
My collection: 7" single no. 5059 Found: Record fair, Utrecht, April 9, 2011 Cost: 1 euro Tracks: 'World without you' / 'Nobody owns me'
Limahl is forever associated to his band Kajagoogoo and his dodgy haircut. But people tend to forget that he's also had a solo career with considerable success, mostly in central Europe. And he's made some very nice pop tunes too.
'Inside to outside' was released in 1986 as the follow-up to 'Love in your eyes', a track from his second solo album 'Colour all my days'. The single reached number 57 in the German singles chart - and actually his last chart hit in that country until now.
My collection: 7" single no. 5058 Found: Record fair, Utrecht, April 9, 2011 Cost: 1 euro Tracks: 'Inside to outside' / 'Shock'
Every now and then I play an old cd that's been orphaned in my collection. A few weeks ago I took out the greatest hits collection of the Fine Young Cannibals, and the standout track on that, I felt, was their version of 'Suspicious minds'. I never liked this track much in the past, but things change. The hysterical backing vocals by Jimmy Somerville add a certain something to this track. I decided I had to buy the single after all these years.
'Suspicious minds' was a hit in the UK, peaking at number 8. The track was also used in the cult films 'Dangerously close' and 'Down twisted'.
My collection: 7" single no. 5057 Found: Record fair, Utrecht, April 9, 2011 Cost: 1 euro Tracks: 'Suspicious minds' / 'Prick up your ears'
'Heavenly Action' was released in November 1985 as Erasure's second single. Released after 'Who needs love like that', it was another commercial failure for the duo. In the UK it is still their lowest charting single, peaking as it did at number 100.
The song was later included on the duo's debut album Wonderland, released in June 1986. This German pressing is a limited edition on red vinyl.
My collection: 7" single no. 5056 Found: Record fair, Utrecht, April 9, 2011 Cost: 1 euro Tracks: 'Heavenly action' / 'Don't say no'
When Siobhan Fahey left Bananarama some might have thought she would disappear into nothingness, but nothing was further from the truth: within months she set up Shakespear's sister together with Marcella Detroit and the duo released a couple of very successful and artistically interestig albums.
Their debut single, released in 1988, was 'Break my heart', a track that would also appear on their debut album in 1989. Siobhan Fahey wanted 'Heroine' to be the group's debut single, but her label was not convinced it was a strong enough single, and instead opted for 'Break my heart'. It didn't matter much: the single flopped anyway. Thankfully, later singles would be more successful.
My collection: 7" single no. 5055 Found: Record fair, Utrecht, April 9, 2011 Cost: 1 euro Tracks: 'Break my heart' / 'Heroine'
In August 1981, Bowie had begun rehearsals to appear in the BBC version of Bertolt Brecht's play 'Baal'. The lyrics to the songs were all translated by Ralph Manheim and John Willett. Dominic Muldowney provided all new musical settings, except for 'The drowned girl', which was a setting by Kurt Weill done originally for Das Berliner Requiem. In September 1981, Bowie and Tony Visconti returned to the Hansa studios in Berlin to re-record the five songs Baal performed in the play.
'Baal’s Hymn' is a combination of the vignettes spread throughout the play, and establishes Baal’s amoral character. 'Remembering Marie A' concerns Baal’s reminiscences of a past conquest, where he can remember a cloud drifting overhead, but not the face of the girl he was with. 'Ballad of the Adventurers' is Baal’s aggressive lament to the death of his mother. 'The Drowned Girl' relates the suicide of one of Baal’s conquests. 'The Dirty Song' is a short number, with Baal humiliating his lover Sophie.
Bowie's performance as Baal was broadcast on February 2, 1982, and RCA issued the EP to coincide with this. Both the play and EP were well received, with the latter reaching number 29 in the UK chart, which was a high placing considering the unconventional tracks. The 7" single comes packaged in a double gatefold sleeve containing extensive notes pertaining to the musical content and a short biography of Bertolt Brecht. This EP was Bowie’s final new release for RCA Records. Bowie's next release was issued by EMI. The EP was re-released as a digital download in 2007.
My collection: 7" single no. 5054 Found: Record fair, Utrecht, April 9, 2011 Cost: 1 euro Tracks: 'Baal's hymn', 'Remembering Marie A.' / 'Ballad of the adventurers', 'The drowned girl', 'The dirty song'
Giorgio Moroder made a restoration and new edit of 'Metropolis', the 1927 movie by Fritz Lang. Moroder’s version of the film introduced a new contemporary pop music soundtrack for the film. Although it restored a number of previously missing scenes and plot details from the original release (in particular, Moroder's version restores the character of Hel, who was omitted from the original release version of the film), his version of the film runs to only 80 minutes in length, compared to the original 153 minute version.
The lead single for the soundtrack was Freddie Mercury's 'Love kills', a Moroder-produced track that sounded very similar to Queen tracks that were released around the same time. The single reached number 10 in the UK singles chart and number 4 in Ireland. It also reached the charts around Europe, but peaking at lower positions.
My collection: 7" single no. 5053 Found: Record fair, Utrecht, April 9, 2011 Cost: 1 euro Tracks: 'Love kills' / 'Rotwang's party (Robot dance)' (Giorgio Moroder)
I'm not ashamed to admit that photography is one of the reasons I like Belinda Carlisle's singles so much. She's always managed to find the right photographer to put her on the cover of her singles - and this one is a good example of that.
