Terry Hall, Neville Staple and Lynval Golding formed Fun Boy Three in 1981 after they left the Specials. They decided to make happier music than the often gloomy sound of their old band. 'Summertime' was released in the summer of 1982 and was a cover of an aria composed by George Gerschwin for the 1935 opera Porgy and Bess. The song became a popular jazz standard, and in the version of Fun Boy Three it even became a pop song, which reached number 18 in the UK singles chart.Tuesday, 20 January 2009
Summertime - Fun Boy Three
Terry Hall, Neville Staple and Lynval Golding formed Fun Boy Three in 1981 after they left the Specials. They decided to make happier music than the often gloomy sound of their old band. 'Summertime' was released in the summer of 1982 and was a cover of an aria composed by George Gerschwin for the 1935 opera Porgy and Bess. The song became a popular jazz standard, and in the version of Fun Boy Three it even became a pop song, which reached number 18 in the UK singles chart.Say it say it - E.G. Daily
When this video appeared on television, lots of heads turned. E.G. Daily, born as Elisabeth Ann Guttman on September 11, 1961, performed music a lot like Madonna's, her voice was childlike and in the video she re-enacted the movie 'Lolita'. It was a lot to take in.Monday, 19 January 2009
Suddenly last summer - The Motels
'Suddenly last summer' was a number one hit for the Motels in the US. In the Netherlands, it reached number 11 in the Dutch Top 40 in the winter (!) of 1983/84.Stay the night - Chicago
I suppose I wasn't the only one who was amused by this video back in 1984. But I do wonder if everyone who saw this bought the single. It didn't chart in the UK, and only reached number 27 in the Dutch Top 40. It did reach number 16 in the US Billboard Hot 100, so I guess the video did enough for the group.Last words - Ten Sharp
In the first half of the eighties, Marcel Kapteijn, Niels Hermes, Ton Groen, Wil Bouwes and Martin Boers founded Ten Sharp. After competing in a band contest, they were able to sign a contract with CBS Records. They released four singles on the label, of which this one was the third. Since none of these singles charted in the Netherlands, the record company gave up and the band fell apart. That is, until 1991, but that's a different story entirely...'Last words' was released in 1986 on 7" and 12" single. The 12" single featured a great extended remix. Since I didn't buy the 12" immediately after it came out, I had to hunt for it years later. Fortunately, I found it after some years.
My collection: 12" single no. 151
Found: Grammofoonwinkel, Utrecht, 1992
Cost: 7 guilders
Tracks: 'Last words (extended re-mix)' / 'White gold'
Download: here
Take a bow - Madonna
Madonna's 1994 album 'Bedtime stories' is the first one where she shows signs of actually wanting to make music. The follow-up 'Ray of light' would be her first serious album, but this single, 'Take a bow' is actually a beautiful piece of work too. Her limited vocal range is supported by beautiful string backing, a simple arrangement and effective backing vocals. And this is remarkable, because Babyface, who produced this track, is not known for his craftmanship: he's usually making hip hop and R'n'B drivel.Excerpt from 'A Teenage Opera' - Keith West
Mark Wirtz had been working on the idea for a rock opera since early 1967. The basic concept of 'A Teenage Opera' was of sketches of different characters who lived in a fantasy village. These stories were to be told by a young man to a young girl. Wirtz intended for the final project to be animated, and later compared it to the 'Yellow Submarine' by the Beatles.The first song created was the story of Grocer Jack, the local grocer who was taken for granted until he died. Wirtz had the character of Jack in his imagination, but asked Keith West to write the lyrics for it. After West heard the music, he wrote the lyrics straightaway. Soon after, the single was recorded at Abbey Road Studios. The engineer, Geoff Emerick, was working with the Beatles, who were recording 'Sgt. Pepper's Lonely Hearts Club Band' at the time. The song was recorded in 'true stereo', a rarity at the time, with the latest technology available. The song itself featured a children's chorus, with singers from Corona Stage School.
The single was released on July 28, 1967, and it was one of the biggest hits of that summer. Rumours began circulating about the rest of the project. A further single, 'Sam', was released in October, but performed significantly worse in the charts. Wirtz meanwhile completed '(He's Our Dear Old) Weatherman', which had started out as 'The Paranoiac Woodcutter'. It was the most complex recording so far, containing more than 100 different sounds. However, like 'Sam', it received very little airplay. The project 'A Teenage Opera' was then shelved. However, in 1996 a cd was released by Wirtz with every track recorded over the years, intended for use in 'A Teenage Opera'.
My copy of the single 'Excerpt from A Teenage Opera' is housed in a Phonogram sleeve, whereas the single was released on the EMI label. Presumably the seller didn't have the original sleeve anymore. It didn't matter to me: I wanted to have this historic piece of music.
My collection: 7" single no. 3310
Found: Record fair, February 24, 2001
Cost: 3 guilders
Tracks: 'Excerpt from 'A Teenage Opera'' (Keith West) / 'Theme from 'A Teenage Opera'' (Mark Wirtz Orchestra)
Download: here