Although I pretty much kept up to date with the releases by het Goede Doel, I completely missed the release of this single. Presumably, 'Niemand weet dat jij bestaat' ('No-one knows that you exist') was released in early 1990 as the third and last single from their 1989 album 'Souvenir'. The single did not chart.
I only found out about this release because I bought a stack of Goede Doel singles from a private seller. I completed my collection of this group all at once!
My collection: 7" single no. 3770
Found: Marktplaats.nl, received June 3, 2009
Cost: 1 euro
Tracks: 'Niemand weet dat jij bestaat' / 'Niemand weet dat jij bestaat (instrumental)'
The soundtrack of the motion picure 'Philadelphia' contained a famous Bruce Springsteen track, 'Streets of Philadelphia'. But strangely enough it is less well known that the soundtrack also contained a new Peter Gabriel track, entitled 'Lovetown'.
That's unfortunate, because the track is simply mesmerizing. The single only managed a number 47 placing in the UK, and did not chart in most other territories. The B-side was taken from Peter Gabriel's then-current album 'Us'.
Released as the second single from Tori Amos' second album 'Under the pink', 'Pretty good year' was an emotional ballad, quite different from her previous singles. By this time, Tori's cult following had grown into thousands and they followed her every move almost religiously. The cd-singles of 'Pretty good year' contained four different bonus tracks, one of which appeared on the B-side of this 7" vinyl single: 'Honey'. Tori has often stated that in hindsight she regretted not including that track on the album.
The single peaked at number 7 in the UK, but was not released in America. Around this time, Tori Amos was touring Europe - and I've got a signed cd-single of 'Pretty good year' to prove that I, too, was there. Her concerts in Nijmegen and Scheveningen are still amongst the best concerts I've ever witnessed.
'Head over heels' was the second single taken from Abba's 1981 album 'The visitors'. The song was written by Benny Andersson and Björn Ulvaeus. The lead vocal was sung by Agnetha Fältskog, singing about her 'very good friend', played in the accompanying music video by Anni-Frid Lyngstad, an overactive high-society woman who rushes through the shops, with her hapless and exhausted husband (played by Ulvaeus) following behind.
The single was not the big success previous singles were, only managing a top 10 placing in France, Austria, the Netherlands and Belgium. In the UK, the single only peaked at number 25, breaking a run of 18 consecutive top 1o hits in that country.
I bought the single as soon as it came out, as had become usual for Abba singles around that time. Fourteen years later, I found the UK edition with a different - but beautiful - picture sleeve (pictured below).
My collection: 7" single no. 107 / no. 2700 Found: Wouters, Den Haag, 1982 / House of Rhythm, London, July 3, 1996 Cost: 6 guilders / 1 pound Tracks: 'Head over heels' / 'The visitors'
After a few unsuccessful years in Eurovision, the Dutch broadcaster decided to organise the National final in a different way. Between February 8 and 12, every night a different artist sang three songs. A jury selected the songs for the final on February 13. Conny van den Bos won the national selection with ''t Is genoeg'.
The concept proved to be a successful one, as various songs from that week were popular. One of them was Trea Dobbs' 'Ploem ploem jenka', released by Decca as a single. While this was a rather simple song, 'Stad' ('City') on the B-side, a melancholy ballad about lost love, was thoroughly impressive.
'I love the heaven's solo' was already a B-side of Tanita Tikaram's 1990 single 'Little sister leaving town', before it was re-recorded for her 1991 album 'Everybody's angel'. This version was released as the second single from that album.
The single did not chart, and so no further singles were taken from the album.
My collection: 7" single no. 2550
Found: Record exchange, London, November 2, 1995
Cost: 1 pound
Tracks: 'I love the heaven's solo' / 'Only in name'
The film 'Electric dreams' was director Steve Barron's first full feature film. Barron had made a name for himself conceiving and directing music videos, such as the Human League's 'Don't you want me'. For his film, Barron enlisted Giorgio Moroder as director of music. He wrote most of the score. Barron wanted the end credits to roll to 'an emotional song'.
Moroder wrote 'Together in electric dreams' which was to be a male solo vocal. When he asked who Barron would like to sing the lyrics, Barron immediately thought of his former associate Philip Oakey. When Oakey recorded the song it was over very quickly, after the first full recording Moroder told Oakey that the first take was 'good enough, as first time is always best'. Oakey who thought he was just rehearsing insisted on doing another take. Moroder let him but to this day Oakey is convinced that Moroder still used the first take on the final production.
The song soon overshadowed the success of the film. Oakey states that it is ironic that a track that took literally ten minutes to record would become a worldwide hit, while some of his Human League material that took over a year to record didn't.
My collection: 7" single no. 492
Found: Free Record Shop, Den Haag, 1985
Cost: 4 guilders
Tracks: 'Together in electric dreams' / 'Together in electric dreams (instrumental)'
'Forbidden city' was the first single taken from Electronic's second album 'Raise the pressure'. It was written by Bernard Sumner, Johnny Marr and ex-Kraftwerk member Karl Bartos.
The song was not a huge hit, peaking at number 14 on the UK singles chart, but did receive substantial radio play in Britain. It remains one of Johnny Marr's favourite Electronic songs and opened up their best of compilation in 2006, with stills from its Tom Merriton-directed video used for the front cover and inside the booklet.
My collection: 7" single no. 2713 Found: HMV, London, July 4, 1996 Cost: 2 pounds Tracks: 'Forbidden city' / 'Imitation of life'
'The plastic age' was the second single by the Buggles. Hopes were high, since 'Video killed the radio star', their debut single, was a worldwide hit. The futuristic song only charted in the UK and the Netherlands, peaking at number 16 and 27 respectively.
The song alludes to plastic surgery and the stress of modern culture. The Buggles also created an unusual, futuristic and illusion-like music video to promote the song.
My collection: 7" single no. 1096
Found: All that music, Leiden, November 11, 1989 Cost: 2 guilders
Tracks: 'The plastic age' / 'Island' [mistitled 'The plastic age' on the label]
More than the previous single 'Ouragan/Irresistible', 'One love to give' showed the vocal inadequacies of Princess Stephanie of Monaco. With a synth-heavy backing (which was so popular in the Eighties) and a rather strong composition, Stephanie wasn't able to keep up. But still she was rewarded with a number 1 hit in Sweden and a number 10 placing in the German singles chart.
French speaking countries preferred the version in their own language: 'Flash' went to number 4 in France and number 28 in Switzerland.
Whenever a Dutch artists covers a beautiful song, my heart breaks. Unless, of course, I don't know it's a cover. This happened in 1988, when Rene Froger had a top 5 hit in the Netherlands with 'Winter in America'. I liked the song but couldn't stand the voice of the man. And then I found out that the original was recorded in 1978 by Doug Ashdown. What a relief!
Doug Ashdown was an Australian singer/songwriter, who only had this one hit in the Netherlands, peaking at number 13. His version is, of course, far superior.
While everyone remembers 'Love and pride' by King, the next single 'Won't you hold my hand now' is less wellknown. In the Netherlands, it didn't even chart, whereas in the UK it only managed a number 24 placing in the singles chart.
I bought this limited edition 4 track double single as part of a deal where the seller offered a discount on five singles bought together. (One of those 'buy 5 pay 4' deals). I already had four singles I really wanted to have, and then spotted this double single. Well, double singles are always nice to have - even if the live tracks aren't all that great.
My collection: 7" sigle no. 913
Found: Parkpop, Den Haag, June 25, 1989
Cost: 2 guilders
Tracks: 'Won't you hold my hand now' / 'Fish (reprise) (live)' // 'Won't you hold my hand now (live)' / 'And as for myself (live)'
'Fix you' was the second single taken from Coldplay's third album 'X&Y'. Chris Martin said about the song: 'My father-in-law Bruce Paltrow bought this big keyboard just before he died. No one had ever plugged it in. I plugged it in, and there was this incredible sound I'd never heard before. All these songs poured out from this one sound. Something has to inspire you, and something else takes over. It's very cloudy.'
The single was a big success, reaching number 4 in the UK and Canada, number 59 in the USA and number 8 in Ireland.
My collection: 7" single no. 3415
Found: hmv.co.uk, 2005
Cost: 3 pounds
Tracks: 'Fix you (edit)' / 'The world turned upside down'
In hindsight, I was always surprised that The The introduced their new album 'Mind bomb' with one of the less surprising tracks, 'The beat(en) generation'. For lack of a better description, I would qualify it as a straightforward rock track. But the strategy did pay off: the single peaked at number 18 in the UK singles chart.
Meanwhile, The The was an actual band again, Matt Johnson having recruited ex-Smiths guitarist Johnny Marr, ex-Nick Lowe bassist James Eller and ex-ABC drummer David Palmer as members.
My collection: 7" single no. 811
Found: Melody Maker, Den Haag, May 12, 1989 Cost: 6 guilders
Kim Wilde always got a lot of criticism for singing the songs that were written and composed by her father Marty and her brother Ricky. So for 'Dancing in the dark', help was brought in. Nicky Chinn and Paul Gurvitz wrote the song, and it was included on Kim's third album 'Catch as catch can'.
The single was the biggest flop of her career so far, reaching only number 69 in the UK singles chart. It was still a top 10 hit in Denmark and Switzerland, but it didn't help matters much. Despite a pretty cover and a nice rocking B-side, this single was the first signal that there was a crisis at hand. And rather than just sit and wait, the Wilde team decided to take matters into their own hands. RAK Records was about to be abandoned.
My collection: 7" single no. 217 Found: LP top 100, Den Haag, 1983 Cost: 5,5 guilders Tracks: 'Dancing in the dark' / 'Back street driver'
Amiga was the state record company in the German Democratic Republic (GDR), also known as East Germany, before the wall came down. They released four track EP's of 'western' artists, as long as the songs were deemed 'clean' enough. The infectuous pop music of the Norwegian band A-ha apparently was innocent enough to be released in the country.
This Amiga Quartett (as the series of EP's was called) featured four tracks from A-ha's debut album 'Hunting high and low'. I really like the idea of owning records made in a country that does not exist anymore.
My collection: 7" single no. 2842
Found: Record fair, April 5, 1997
Cost: 5 guilders
Tracks: 'Take on me', 'Train of thought' / 'The sun always shines on TV', 'And you tell me'
I had only just discovered All about Eve, when I found this single in my favourite second hand record shop. And cheaply, too! Naturally, though I didn't know the song, I had to try it out. And I'm glad I did, because it helped me to decide to buy the band's debut album. The up-tempo rock track 'Wild hearted woman' was coupled with the soft, beautiful ballad 'Appletree man', which showed the great diversity the band already had.
Frontwoman Julianne Regan commented in 1998: 'Please don't make the mistake of thinking that the boys wrote the 'boy' songs and I wrote the 'girly' ones, when the truth is that (...) Tim was the one behind 'Appletree man'.' The single peaked at number 33, improving again on the previous single's chart performance in the UK.
The title of this song can be misleading. When you read 'Wedding bells', you expect a romantic song, but the lyric is actually about a man who wants to avoid those wedding bells. The song was taken from Godley & Creme's 1981 album 'Ismism' (released as 'Snack attack' in the USA).
While 'Under your thumb', also taken from the album, had already reached number 3 in the UK singles chart, this was another top 10 hit for the duo, peaking at number 7.
The first single from Ultravox's 1984 album 'Lament' was an unusual track in their catalogue, because for the first time in a long time, the band omitted the use of synthesizers in favour of a more guitar-driven rock song. As such, I always considered it to be one of the band's worst singles.
The single still made number 27 in the UK singles chart and number 16 in Ireland. But in Europe, the single did not chart. I finally bought the single in 1999, simply because of the fact that I have most of the band's singles - and this one was pressed on clear vinyl. The instrumental B-side is an intriguing piece, anyway.
'Absent friends' was the title track of The Divine Comedy's 2004 album, and released as its second single. The song was a return to form, sounding like many tracks on the 1998 album 'Fin de siecle'. The B-side featured a track that was exclusive to the 7" vinyl format.
The single peaked at number 38 in the UK singles chart, not the big success the band and the record company were hoping for. As such, it was the last single to be released from the album.
My collection: 7" single no. 3406
Found: hmv.co.uk website, 2004
Cost: 2 pounds
Tracks: 'Absent friends' / 'Anthem for bored youth'