Come back to me - Janet Jackson

'Come back to me' is the fifth single taken from Janet Jackson's highly successful album 'Rhythm nation 1814'. It reached number 20 in the UK singles chart in January 1990.

Part of the success can be attributed to this limited edition 7" box set, which came with a free fold-out poster and an '1814' metal badge. I had a hard time finding a copy of this, but finally managed to do this during a holiday in London in October 1990.

My collection: 7" single no. 1169

Found: Record Exchange, London, October 1990

Cost: 1 pound

Tracks: 'Come back to me (7" I'm beggin' you mix)' / 'Alright (7"R&B mix)'

The piano song - Freur

Freur's second album 'Get us out of here!' (1985) was only released in Germany and the Netherlands. The single 'The piano song' was taken from this album, but it was another unsuccessful release by the band.

In 1986, Freur went into recess when John Warwicker left the band. A year later, remaining members Karl Hyde, Rick Smith, Alfie Thomas and Bryn Burrows, along with bassist Baz Allen started a new band called Underworld, and had a minor success with the single 'Underneath the Radar' (1988).

My collection: 7" single no. 2955

Found: Record fair, February 7, 1998

Cost: 1 guilder

Tracks: 'The piano song' / 'Emeralds and pearls'

Mama used to say - Junior

Junior Giscombe debuted in 1982 with 'Mama used to say'. It was a number 7 hit in the UK, but also made it into the top 10 in the USA, which earned him a 'best newcomer' award from Billboard magazine. This flying start didn't help his further career, though: the only other top 10 hit Junior had in the UK was a duet with Kim Wilde in 1987 ('Another step (closer to you)').

I got to know the song because of an acapella rendition during a television programme. It was interesting enough for me to try and find out the original version.

My collection: 7" single no. 2383

Found: House of rhythm, London, July 1, 1995

Cost: 60p

Tracks: 'Mama used to say' / 'Mama used to say (instrumental mix)'

World outside your window - Tanita Tikaram

The fourth and last single from Tanita Tikaram's debut album 'Ancient heart' was 'World outside your window'. The single did not chart in the Netherlands and only managed a number 58 placing in the UK during its two week run in the singles chart. It was probably a tad optimistic for the record company to want to milk the album.

The song is upbeat, quite catchy and accessible nonetheless. I bought my - slightly tattered - copy in a warehouse after it was thrown in the discount bin.

My collection: 7" single no. 948

Found: V&D, Den Haag, July 21, 1989

Cost: 3 guilders

Tracks: 'World outside your window' / 'For all these years (instrumental)'

While you wait - New Musik

At some point, every New Musik single I found was a nice surprise. I had the albums 'From A to B', 'Anywhere' and 'Warp', and I knew that all the tracks were great. So all I had to look for next were the B-sides. And there were B-side aplenty: 'While you wait', this single, even had two.

I never understood the lack of commercial success New Musik had though. Out of a dozen singles, only four made the UK singles chart - and even less abroad. It's a shame: when you listen to these tracks now they still sound fresh.

My collection: 7" single no. 2915

Found: November 1, 1997

Cost: unknown

Tracks: 'While you wait' / 'From the village', 'Guitars'

Blijf zoals je bent - Justine

In 1989, Justine Palmelay was the Netherlands' biggest hope. For the first time in 14 years we might have a shot at winning again. 'Blijf zoals je bent' was a formulaic song, carefully evading the hard 'g' that makes Dutch such a nasty language to listen to, an uplifting melody and a high note at the end of the song. In the previous year, the Dutch audience had suffered a trauma when Gerard Joling didn't end his song 'Shangri-la' with his famous high note, but ended with a low one instead. This time around, Justine wouldn't get away with that and she was experienced enough to do as she was briefed to do... or was she?

At the night of the 1989 Eurovision Song Contest, her voice broke exactly when she sang the last three words of the song. It sounded like a shriek of a seagull being strangled. As a result, Justine ended 15th in a field of 22 participants.

My collection: 7" single no. 877
Found: Free Record Shop, Den Haag, June 10, 1989
Cost: 3 guilders
Tracks: 'Blijf zoals je bent' / 'Stay the way you are'

Open your heart - Human League

'Open your heart' was the third single to be released before the album 'Dare' saw the light of day in 1982. The song was full of drum machines, synths and power vocals, plus uplifting words like 'But if you can't stand the test you know your worst is better than their best'. Words to live by.

The cover artwork and promotional video was deliberately coordinated with its parent album. Video director Brian Grant borrowed heavily from the album’s imagery. The opening scene is a video montage of the portraits of the six band members exactly as they appear on the cover of the album. The band are all dressed and made up in the same style as 'Dare''s photography.

The single was a big success in the UK, peaking at number 6.

My collection: 7" single no. 2830

Found: House of Rhythm, London, February 1, 1997

Cost: 50p

Tracks: 'Open your heart' / 'Non-stop'

All kinds of everything - Dana

The first time Ireland won the Eurovision Song Contest, it was actually with a nice song (It's a shame they broke with that tradition from the second time they won). Dana Rosemary Scallon sang 'All kinds of everything' in 1970 and won the Contest.

The sleeve of this Dutch pressing of the song pictures previous winner Lenny Kuhr (who was one of four winners of the 1969 Contest) handing a bunch of flowers and the Eurovision award to Dana.

My collection: 7" single no. 1638

Found: All that music, Leiden, May 3, 1992

Cost: 2 guilders

Tracks: 'All kinds of everything' / 'Channel breeze'

Our lips are sealed - Fun Boy Three

'Our lips are sealed' was written by Gogo's guitarist Jane Wiedlin and Fun Boy Three's Terry Hall. It was released as the Gogo's debut single in 1981, and reached number 47 in the UK. A year later, Fun Boy Three recorded their own versiono the single, which was released in1983. This version was more successful, peaking at number 7 in the UK singles chart.

This limited edition features a second single with two live tracks, recorded at the Regal Theatre in Hitchin (UK).

My collection: 7" single no. 3248

Found: London, 2000

Cost: 1 pound

Tracks: 'Our lips are sealed' / 'Our lips are sealed (Urdu version)' // 'We're having all the fun (live)' / 'Going home (live)'

January February - Barbara Dickson

Another single produced by Alan Tarney, 'January February' was also written by him. The single reached number 11 in the UK in April 1980, spending a total of 10 weeks in the chart. It was Dickson's biggest hit since "Answer Me" in 1976 and would be her biggest until the UK number 1 hit 'I Know Him So Well' together with Elaine Paige in 1985.

Mary Roos recorded a German version of this song, entitled 'Wenn ich dich nicht halten kann' ('If I cannot hold you').

My collection: 7" single no. 3292

Found: Disco Market, Den Haag, February 24, 2001

Cost: 1 guilder

Tracks: 'January February' / 'Island in the snow'

Biko - Peter Gabriel

'Biko' was originally recorded in 1980 on Peter Gabriel's third solo album. The song was about Stephen Biko, a noted black South African anti-apartheid activist. Biko had been arrested by the South African police in late August 1977. After being held in custody for several days, he was interrogated in room 619 of the Walmer Street prison in Port Elizabeth, Eastern Cape. Following the interrogation, during which he sustained serious head injuries, Biko was transferred to a prison in Pretoria, where he died shortly afterwards, on September 12, 1977.

'Biko' was re-released in 1987 to draw attention to Sir Richard Attenborough's film 'Cry freedom'. This live version was recorded at the Blossom Music Centre, Cleveland, 27th July 1987.

My collection: 7" single no. 2711

Found: House of Rhythm, London, July 3, 1996

Cost: 1 pound

Tracks: 'Biko' / 'No more Apartheid'

You can swing it - Sheena Easton

The mock-Jam & Lewis production 'You can swing it' was overlooked by the record-buying audience. 'What comes naturally' was Sheena Easton's last significant hit, after which none of Sheena's singles ever charted anymore (with the exception of 'Giving up giving in' (2000), which peaked at number 54 in the UK).

It has to be said that the song sounds very dated when you listen to it now. The scratching noises even sound pre-1991. A pretty picture on the sleeve didn't even help matters anymore...

My collection: 7" single no. 1508

Found: Melody Maker, Den Haag, August 10, 1991

Cost: 6,5 guilders

Tracks: 'You can swing it (7" version)' / 'You can swing it (Swingstrumental)'

Do you sleep? - Lisa Loeb and Nine Stories

The follow-up to 'Stay (I missed you)' was 'Do you sleep?'. It was taken from Loeb's debut album 'Tails'. The album was co-produced by Juan Patiño, her then longtime boyfriend. Although none of the singles from Tails matched the breakthrough appeal of 'Stay', Loeb still managed a top 20 hit in America with this single. In the UK, it only managed a placing at number 45.

The single was released as a limited edition picture disc 7", which was an appealing proposition to me. Still, the single didn't interest me that much, so it was also the last Lisa Loeb purchase I ever made.

My collection: 7" single no. 2483

Found: October 29, 1995

Cost: 1,3 pounds

Tracks: 'Do you sleep?' / 'Birds', 'When all the stars were falling'

Dancing in the city - Marshall, Hain

'Dancing in the city' was the debut single of Marshall Hain, the duo formed by Julian Marshall and Kit Hain. The single peaked at number 3 in the UK and number 7 in the Netherlands. The single even made it to the US Billboard Hot 100 chart, peaking at number 43 in the winter of 1979. Meanwhile, the duo released one more single, 'Coming home' and an album, 'Free ride'. After these were unsuccessful, the duo called it quits.

My collection: 7" single no. 403

Found: Disco Market, Den Haag, 1986

Cost: 1 guilder

Tracks: 'Dancing in the city' / 'Take my number'

Showing out - Mel and Kim

'Showing out' was the debut single of the sisters Mel and Kim Appleby. Originally the song was supposed to be the B-side of 'System', but ultimately the sides were flipped, and 'Showing out' became the smash hit single which is still a wellknown track even now. The single reached number 1 in the Netherlands, Germany and Switzerland, and peaked at number 3 in the UK.

The single was released in two different sleeves, both of which I own. The UK sleeve (pictured above) was the first one I bought, during a holiday in London. A few years later I bought the original sleeve, released in Europe (pictured below). This single launched a short, but very successful career.

My collection: 7" single no. 546 (1 & 2)

Found: Tower Records, London, 1987 /All that music, Leiden, February 23, 1989

Cost: 2 pounds / 3 guilders

Tracks: 'Showing out' / 'System (House mix)'

P-Machinery - Propaganda

When I called this song 'Machinery' in this post, someone immediately corrected me, writing that the song is called 'P-Machinery'. Of course, I do know this, but it has been subject of a heated discussion between a friend and me over the years. His supporting evidence was that the song's lyric never mentioned 'P-Machinery'. My evidence was that it is continually listed as 'P-Machinery' in 'Britains Hit Singles' and the Dutch 'Hit Dossier'.

Whatever. The song was not a big hit in the UK, but peaked at number 12 in the Netherlands. I loved the song right from the beginning, although I didn't think it was the stroke of genius 'Duel' was. After this single, Propaganda disappeared from view for a couple of years.

My collection: 7" single no. 319

Found: Disco Market, Den Haag, 1985

Cost: 3,5 guilders

Tracks: 'P-Machinery' / 'Frozen faces'

As one - Sam Brown

This 12" single represents a discographical mystery within my collection. Sam Brown released several singles from her second album 'April moon', all of which appeared on cd-single. Yet, I've never seen a cd-single for 'As one', just this 12" single with three exquisite B-side tracks. So was there never a cd-single? If you know, let me know.

'As one' was the last single drawn from 'April moon', and was not rewarded with a chart placing. It effectively ended Sam Brown's recording contract with A&M, because when she presented '43 minutes' a good two years later, the company did not want to release it, for fear of its lack of commercial appeal. Fortunately, the album still came out after the contract was ended after some legal wranglings. For '43 minutes' represents Sam's finest work.

My collection: 12" single no. 185

Found: Record Exchange, London, 1993

Cost: 1 pound

Tracks: 'As one', 'Tune with no name (part 2)' / 'Think about your troubles', 'Smile'

Runaway - Freur

'Runaway' was the second single taken from Freur's debut album 'Doot doot' (1983). Just like other singles taken from the album, it did not chart. When you listen to it now, you may be able to understand: the sound is a bit muddled, over-produced and although the whole thing sounds pretentious, the lyric is a bit simple. Still, I like the song for all its eccentricity.

My collection: 7" single no. 2734

Found: Record fair, Amsterdam, September 7, 1996

Cost: 3 guilders

Tracks: 'Runaway' / 'You're a hoover'

Angel - Fra Lippo Lippi

When I bought this single I didn't know much more about Fra Lippo Lippi than their 1985 album 'Songs'. I found the single 'Angel' and decided I wanted to try out whether they'd continued on the path of listener-friendly synthpop.

'Angel', like the album 'Light and shade' (1987) is a slight departure, though. It moves into the territory of bland middle-of-the-road pop, although it does steer away from all too obvious cliches. Not their best work, then. But it's not too bad, either. It's a bit... well... middle of the road.

My collection: 7" single no. 1034

Found: Record Exchange, London, October 17, 1989

Cost: 60p

Tracks: 'Angel' / 'Everytime I see you (live)'

Iki dakika - Reyhan Karaca, Izel Çeliköz and Can Ugurluer

Turkey became a bit lazy after a hattrick of totally inventive entries to the Eurovision Song Contest. After 'Sufi' by MFO (1988), 'Bana bana' by Pan (1989) and 'Gözlerninin Hapsindeyim' by Kayahan (1990), they sent the trio of Reyhan Karaca, Izel Çeliköz and Can Ugurluer (try saying that three times without stuttering!) with a twist-type track called 'Iki dakika' ('Two minutes').

The Belgian record company Madierpo released this single with the English version on the A-side. Another mistake: the Turkish version may be unintelligable for foreign listeners, but the English one is too, for totally different reasons, of which pronunciation is one. The group finished 12th in the Contest, which at that time was a reasonably respectable placing for Turkey.

My collection: 7" single no. 1649
Found: Bea Records, May 6, 1992
Cost: 10 guilders
Tracks: 'Iki dakika (English version)' / 'Iki dakika (Turkish version)'