Following a period of personal and career evaluation, Alison Moyet released her third solo album 'Hoodoo' in 1991. 'Hoodoo' was a definite change in direction for Moyet: gone was the glossy softpop sheen of previous albums and a rawer, earthier sound and more personal lyrics replaced it. Compared to her earlier releases, 'Hoodoo' received little label support and only minimal promotion.
The first single from the album was the menacing 'It won't be long'. This single was nominated for a Grammy in the USA but fell behind commercially: it peaked at number 50 in the UK.
I think it's fair to say that 'It's my life' was Talk Talk's breakthrough single, as it was the first to make the charts in various European countries. The band followed it up with a second single from their second album: 'Such a shame'.
In the UK, the single was largely ignored, peaking at number 49, whereas it became a top 10 hit in France, Germany, Switzerland and Italy. In the Netherlands, it peaked at number 11. It's weird, because only in the UK there was this special edition with a poster bag and a free second single containing three demo tracks. A truly great package and probably a collector's item now.
My collection: 7" single no. 1300
Found: Record Exchange, London, October 15, 1990
Cost: 5 pounds
Tracks: 'Such a shame' / 'Again a game... again' // 'Candy (demo version)' / 'Talk Talk (demo version)', 'Mirror man (demo version)'
This track could best be described as a lifeless, soulless 'mashup' (as they are called these days) of 'Tubular bells' and 'Foreign affair', both Mike Oldfield tracks.
The single was released in 1983 on the ZYX Music label (liberal pronounciation: 'It Sucks Music') and I bought it because my neverending thirst for version of Mike Oldfield's masterpiece. In this instance, it was an unfortunate acquisition.
It's now 27 years ago that this single was released, and I still think that this is one of the Best Songs Ever. I still get goosebumps when I hear the intro and I love every second of this track. I was in a difficult position when I bought this single: not so long before, I'd agreed with my sister that I would not buy singles she had, so that together we'd have more records to play. It went alright for a month or two, but when I saw this single - one that I'd played a lot - for a discount price, I had to buy it. In time, the agreement went out of the window altogether, of course.
Secret Service hails from Sweden. The band consisted of Ola Håkansson, Tim Norell, Ulf Wahlberg, Tony Lindberg, Leif Paulsen and Leif Johansson. 'Flash in the night' (1982) became their biggest international hit, reaching number 23 in Germany, number 12 in Italy and Sweden, number 9 in Switzerland, number 6 in Norway and number 5 in France. Inexplicably, the song didn't reach the chart in the UK and the Netherlands.
This one comes highly recommended. Even the B-side is nice!
My collection: 7" single no. 113
Found: 7" single no. 113
Cost: 3,5 guilders
Tracks: 'Flash in the night' / 'Watching Julietta'
After Band Aid had sold millions of copies worldwide with 'Do they know it's Christmas?', it was almost inevitable that American popstars would rise to the challenge and come up with their own charity single. 'We are the world' was the result: a single of an epic 6'22 minutes length which is fine for the first three minutes but then turns into a long, protracted death rattle of a song, with far too many artists claiming a few lines of their own to sing.
The lyric 'There's a choice we're making / we're saving our own lives' was originally written as 'There's a chance we're taking / we're taking our own lives'. It was rewritten when it was feared the original phrasing's first part might look like the artists are patting themselves on the back while the last part might suggest collective suicide.
The single became a worldwide number 1 hit, raising more money for emergency needs in Africa, where several countries were suffering from an unprecedented famine. Not much has changed in over thirty years though: Africa is still in need.
My collection: 7" single no. 3541 Found: La La Land, Den Haag, January 9, 2009 Cost: 1 euro Tracks: 'We are the world' (USA for Africa) / 'Grace' (Quincy Jones)
Feargal Sharkey's solo career began in 1984 with the single 'Listen to your father', which he co-wrote with Cathal Smyth from Madness. That single peaked at number 23 in the UK. The second solo single was released in early 1985. Called 'Loving you', this single reached number 26 in the UK, but also number 23 in Switzerland. It would only be a matter of time before Sharkey had a big international breakthrough with 'A good heart', which gave him a top 10 all over Europe.
Both 'Listen to your father' and 'Loving you' were omitted from Feargal Sharkey's self-titled debut album, which was released in 1985. This makes both the singles great collector's items. Personally, I always thought 'Loving you' was the better of the two.
In 1981, Rupert Hine released the album 'Immunity'. This single, 'Misplaced love' was taken from that album. It featured guest vocals by Marianne Faithfull and became Rupert's best known single, mainly because of the fact that it peaked at number 22 in Australia. In Europe, the single started a tradition, because it was the first of many singles that would not chart in any country.
Today his work as a solo artist is mainly recognized by music enthusiasts, fellow artists and electronic music insiders, with many fans considering his tryptichon 'Immunity', 'Waving not drowning' and 'Wildest wish to fly' to be his masterwork.
Lenny Kravitz debuted in 1989 with 'Let love rule', a retro track with lots of Sixties influences, evoking images of hippies dancing on the grass. It was the title track of his debut album, which appeared shortly after the release of the single.
Interestingly, Kravitz was married with The Cosby Show's Lisa Bonet at the time. She appeared in the video for the song and also co-wrote two tracks on the album. This would be the only 7" vinyl single I bought from Kravitz: his subsequent singles didn't interest me much until the release of 'If you can't say no', which was released a decade later (and not on vinyl).
My collection: 7" single no. 1113 Found: Melody Maker, Den Haag, November 17, 1989 Cost: 6 guilders Tracks: 'Let love rule' / 'Empty hands' Download:Album 'Let love rule', including both tracks
Frazier Chorus followed up their single 'Nothing' with 'Cloud eight'. You could say it was equally successful, as it peaked at number 52 in the UK singles chart. But things were looking a bit grim for the band: with no chart success to speak of, the inspiration to go on began to wane too. Two more singles would follow before the band broke up.
Still, 'Cloud eight' is an inspired piece of breezy pop. I bought a quartet of Frazier Chorus singles on the day I bought this one, and I like every one of them a lot.
My collection: 7"single no. 2522 Found: Beanos, East Croydon, London, November 1, 1995 Cost: 2 pounds Tracks: 'Cloud eight' / 'Le change est magnifique'
Pat Benatar released 'We belong' as a follow-up to her highly successful single 'Love is a battlefield'. The track was taken from her sixth studio album 'Tropico'.
While it matched the success of 'Battlefield' in the US (peaking at number 5 in the US Billboard Hot 100 chart), the song was less successful elsewhere, peaking at number 10 in the Netherlands and number 22 in the UK.
My collection: 7" single no. 2125 Found: Record Palace, July 30, 1994 Cost: 2 guilders Tracks: 'We belong' / 'Suburban king' Download:Album 'Tropico', including both tracks
As far as I know, 'Bad ambassador' was the only single from The Divine Comedy's 2001 album 'Regeneration' that was released on 7" vinyl. Of course I bought it right away, even if I had to order it from the UK.
The reason for my greed was the fact that the 7" vinyl featured a live track not found on the two cd-single releases. 'Life on earth' is not, as it may seem, a cover of the David Bowie track, but a composition that appeared on The Divine Comedy's 1998 album 'Fin de siècle'.
When I bought 'The comfort of strangers', it was mainly because it was so very cheap and because I knew the name Julia Fordham because of her single 'Happy ever after'.
This single actually predates that hit, it was released as Julia's debut single in 1988. It peaked at number 89 in the UK singles chart, and no-one could foresee that the second single from Julia's debut album would become such a big hit.
My collection: 7" single no. 2508 Found: Record Exchange, London, October 30, 1995 Cost: 10p Tracks: 'The comfort of strangers' / 'I wish'
The third single drawn from Des'ree's debut album 'Mind adventures' was the sublime soul ballad 'Why should I love you?'. It wasn't as successful as the previous single, peaking at number 44 in the UK singles chart. Personally I thought it was the strongest track on the album.
The cd-single was released as a double package in the UK, with the second disc featuring covers of 'Imagine', 'Calling you' and 'Killing me softly with his song'. On the vinyl single, though, only the self-penned track 'Competitive world' appeared.
My collection: 7" single no. 1659
Found: Melody Maker, Den Haag, May 30, 1992
Cost: 6 guilders
Tracks: 'Why should I love you?' / 'Competitive world'
Wind represented Germany in the Eurovision Song Contest for the second time in 1987 with 'Lass die Sonne in dein Herz'. Just like the first time in 1985, they ended up on second place, behind Johnny Logan, who won with 'Hold me now' for Ireland. Their performance is notable for including as a backing singer Robert Pilatus, later to achieve infamy in connection with Milli Vanilli.
Written and composed by longtime Contest contributors for Germany Ralph Siegel and Bernd Meinunger, the song is a reggae-oriented track with a lyric full of positive platitudes.
My collection: 7" single no. 540
Found: Free Record Shop, Den Haag, July 1, 1987
Cost: 6 guilders
Tracks: 'Lass die Sonne in dein Herz' / 'Let the sun shine in your heart'
Cicero followed up his debut single 'Love is everywhere' with another track produced by the Pet Shop Boys, 'That loving feeling'. Despite the fact that the track had that typical Pet Shop Boys sound, it only made number 46 in the UK singles chart. It could be because of the unremarkable lead vocals by Cicero.
Whatever it was, it was the beginning of the end for him: the subsequent single 'Heaven must have sent you back to me' peaked at number 70 and later singles didn't chart. A promising career was cut short pretty quickly.
After the Dutch girl group Luv' split up in 1982, one of the members Marga Scheide teamed up with twin sisters Clari and Anja Horsmeier to record 'One, two, three... Bananas', hoping to achieve similar success. The single flopped mercilessly, despite its pretty decent retro production.
Marga Scheide reformed Luv' in 1989 with different members, and later on with the original members of Luv' in 1993 and 2005. The Horsmeier sisters competed in the Dutch national final for the Eurovision Song Contest in 1983 with the song 'Computergames', but didn't win.
My collection: 7" single no. 167
Found: Disco Market, Den Haag, 1982
Cost: 3,5 guilders
Tracks: 'One, two, three... Bananas' / 'Ooh, he did it'
'Another brick in the wall (part 2)' is a protest song against rigid schooling in general and boarding schools in particular. It led to the song being banned in South Africa and several other countries. It was a number 1 hit for Pink Floyd in the UK, peaking at number 3 in the Netherlands.
For this track, Pink Floyd needed a school choir. Producer Bob Ezrin asked sound engineer Nick Griffiths to find one. Griffiths approached music teacher Alun Renshaw of Islington Green School, around the corner from their Britannia Row Studios.
When I went to English class for the first time, when I was nine years old, the teacher asked if we knew any words in English. 'Another brick in the wall' was the first phrase I came up with. The teacher assumed I didn't know what those words meant - but I did. 'We don't need no education', indeed.
My collection: 7" single no. 3201 Found: Record fair, September 30, 2000 Cost: 2 guilders Tracks: 'Another brick in the wall (part 2)' / 'One of my turns'
Released as a single from their remix album 'The raw and the remix' (1990), this Mark Moore remix of Fine Young Cannibals' debut single 'Johnny come home' did not impress anyone. The single was released and disappeared from the racks as quickly as it had come.
My friend Puck once bought the LP 'The raw and the remix'. He probably liked the singles that the band had released from the album 'The raw and the cooked' (1989), but was very disppointed with this album. He tried forever to sell it, but I think he still has it now....
My collection: 7" single no. 3210 Found: Record fair, September 30, 2000 Cost: 2 guilders Tracks: 'Johnny come home (Mark Moore remix)' / 'Johnny takes a trip'
Barbara Dickson was born in Dunfermline, Fife, Scotland on September 27, 1947. She started singing in folk clubs around her native Fife in 1964. Her first solo album was 'Do right woman' in 1970. Ten years later she reached her commercial peak when she released 'The Barbara Dickson Album', produced by Alan Tarney. The album yielded two singles, of which 'January February' was the successful one and 'It's really you' flopped.
Personally I think 'It's really you' is the better one of the two, being a rather bouncy poppy piece of work.
'Everytime I think of you' was recorded by the Babys in 1978 for their third album 'Head first' (the title track appears on the B-side of the single). It peaked at number 13 in the US Billboard Hot 100 chart, and number 7 in the Netherlands. Amazingly, it didn't chart in the UK at all.
In 2006, an appalling cover version was recorded by Lucie Silvas and Dutch singing sweater Marco Borsato. It was bought by brainless people who can't tell the difference between shit and music. Nothing beats the original, certainly in this case.