Last year I bought two copies of 'Ole ole!', and I thought that would pretty much complete my collection of Izhar Cohen singles. But I was wrong. While this single features the English version of the track and this single features the original Hebrew version, I found another single that features a third version of the track.
Izhar Cohen also recorded 'Ole ole!' in French, as proved on this version of the single, a German pressing released by Teldec. So do I have all the versions now? Who knows...
My collection: 7" single no. 4781 Found: Record fair, Utrecht, April 10, 2010 Cost: 1 euro Tracks: 'Ole ole (English version)' / 'Ole ole (French version)'
'Walking in my shoes' was the second single taken from Depeche Mode's 1993 album 'Songs of faith and devotion'. The single version of the song was a remixed version of the album version. The sound has been made more noisy and dirty, especially the drums in the verse, and the intro has been shortened.
The single reached number 14 in the UK singles chart and number 69 in the US Billboard Hot 100 chart. This pressing of the single was made in Germany. 'Walking in my shoes' was the first Depeche Mode single not to have a commercial 7" release in the UK.
My collection: 7" single no. 1932 Found: Vienna, July 6, 1993 Cost: 55 Schilling Tracks: 'Walking in my shoes' / 'My joy'
'Don't walk away' was released in 1980 as the fourth single from the soundtrack of the movie 'Xanadu'. Electric Light Orchestra may have been the only party to really profit from this movie, as it was not a commercial success, but the singles did fare reasonably well in the charts.
At least, the previous singles 'I'm alive', 'Xanadu' and 'All over the world' were top 10 hits in varying countries. 'Don't walk away' only reached number 7 in Ireland, reaching a more modest number 21 in the UK singles chart.
My collection: 7" single no. 4808 Found: Record fair, Utrecht, April 10, 2010 Cost: 0,5 euro Tracks: 'Don't walk away' / 'Across the border'
'You're a big girl now' was released as the second single from Black's 1988 album 'Comedy'. This limited edition version features a gatefold sleeve and a booklet with photographs and the song lyric in innovative typography.
The single did not reach the chart in any territory, a first sign that the commercial success of Black might not last forever - although the album was still a millionseller.
My collection: 7" single no. 689 Found: Record Exchange, October 1989 Cost: 1 pound Tracks: 'You're a big girl now' / 'Enough is enough'
In 1987, Dutch DJ Ben Liebrand remixed Marshall Hain's 1978 hit 'Dancing in the city'. It wasn't just a straightforward remix, as singer Kit Hain contributed new vocals to the track, adding a new verse. Gerbrand Westveen played the saxophone on this new version.
The single was released in the summer of 1987, but failed to chart.
My collection: 7" single no. 4800 Found: Record fair, Utrecht, April 10, 2010 Cost: 0,5 euro Tracks: 'Dancing in the city (Summer city '87)' / 'Dancing in the alley'
Most of the albums of the Frank Boeijen Groep yielded three singles, but the 1986 album 'In natura' brought forth a fourth single. 'Goudzoekers' was released as the fourth single from the album in April 1987 in a special single remix. Adding backing vocals and new lead vocals, the single version was very different from the album version.
The single release was prompted by the chart success of previous single 'De verzoening', but this single failed to reach the Dutch Top 40.
My collection: 7" single no. 517 Found: Free Record Shop, Den Haag, April 1987 Cost: 6 guilders Tracks: 'Goudzoekers (remix)' / 'Mantel der liefde'
In 1987, Rick Astley recorded his debut single, a duet with Lisa Carter called 'When you gonna'. Produced by Phil Harding and Ian Curnow, the single sunk without a trace. However, shortly after that, Astley recorded 'Never gonna give you up', the song that propelled him to international stardom.
When 'Never gonna give you up' became a big hit, the record company decided to re-release 'When you gonna'. And despite the fact that it sounded quite different from his Stock/Aitken/Waterman-produced hit, it still managed to become a hit in some countries. In the Dutch Top 40, 'When you gonna' reached number 17.
My collection: 7" single no. 4782 Found: Record fair, Utrecht, April 10, 2010 Cost: 1 euro Tracks: 'When you gonna' / 'When you gonna (dub mix)'
In 1991, the Eurythmics decided to take a break from working together to concentrate on solo efforts. Annie Lennox recorded the awardwinning album 'Diva', David A. Stewart formed the Spiritual Cowboys, releasing two albums with the group.
The record company took the opportunity to release a greatest hits album. In order to promote the album, a remix of 'Sweet dream (are made of this)' was made and released as a single. The remix didn't really change much from the original song, but simply added some sounds and beats to what was already a pretty perfect popsong. It reached number 48 in the UK singles chart.
My collection: 7" single no. 2201 Found: Record fair, Rotterdam, October 8, 1994 Cost: 3 guilders Tracks: 'Sweet dreams (are made of this) '91' / 'The king & queen of America'
'Some things are better left unsaid' was the third single from Daryl Hall & John Oates' 1984 album 'Big bam boom'. Although the first two singles from the album were top 5 hits in the USA, this single couldn't match that level of success, peaking at number 18 instead. In Europe, the single did not chart at all.
My copy of the single was made in Germany. It features a standard label with the text 'Ungeprüftes Muster' on it, meaning that this single was made for promotional purposes only.
My collection: 7" single no. 4778 Found: Record fair, Utrecht, April 10, 2010 Cost: 1 euro Tracks: 'Some things are better left unsaid' / 'All American girl'
The Belgian band Clouseau was still riding the wave of popularity when they released the last single from their debut album in the summer of 1990. 'Wil niet dat je weggaat' ('Don't want you to leave') was re-recorded for this single version, adding much melodrama to the original, more relaxed version.
The single reached number 12 in Belgium and number 8 in the Dutch Top 40. The band, meanwhile, was starting work on their second album, while also touring in the two countries.
My collection: 7" single no. 1283 Found: Free Record Shop, Den Haag, August 23, 1990 Cost: 6 guilders Tracks: 'Wil niet dat je weggaat' / 'Brandweer'
The history of the track 'Rock me Amadeus' has been badly documented on the web. A remix version of the track was a big hit around the world, but this single is the original version, released in early 1985. On this single, the track has the lengthy title 'Rock me Amadeus (Ihn liebten alle Frauen)', the subtitle of which means 'All the women loved him'.
The track was produced by the Dutch brothers Bolland and was going to be included on the forthcoming album 'Falco 3' later on in 1985. Of course, the remix version of this single was a number 1 hit all over the world, but this single didn't cause much of a stir.
My collection: 7" single no. 4799 Found: Record fair, Utrecht, April 10, 2010 Cost: 0,5 euro Tracks: 'Rock me Amadeus (Ihn liebten alle Frauen)' / 'Urban tropical'
Although none of the singles from Frank Boeijen's debut solo album charted in the Netherlands, the record company still thought it might be good to try and launch his career abroad. Two songs, 'Koud in mijn hart' and 'Vaarwel' were translated in English by J. Balin and released on this single. It was released in some European countries, but not in the Netherlands.
This, of course, instantly turned it into a sort of collector's item for Boeijen fans. I have to say I never even saw this single until I bought it last week. The single, of course, had no commercial success. It is next to impossible to locate a copy, unless you meet a German dealer who doesn't know what he's selling...
My collection: 7" single no. 4783 Found: Record fair, Utrecht, April 10, 2010 Cost: 1 euro Tracks: 'Cold in my heart' / 'Farewell'
Alexander Nevermind was credited for composing and producing Sheena Easton's 1984 single 'Sugar walls'. It was a pseudonym of Prince, marking the first time the purple midget from Minneapolis worked with the innocent Scottish girl.
'Sugar walls' was a suggestive song, for its repeating innuendo about a woman's private parts where the listener should 'come inside', adding 'Take advantage, it's all right' just to be sure. The single was not a hit in Europe, but reached number 9 in the US Billboard Hot 100 chart.
My collection: 7" single no. 4807 Found: Record fair, Utrecht, April 10, 2010 Cost: 0,5 euro Tracks: 'Sugar walls' / 'Straight talking'
Such was the success of Kim Wilde's sixth album 'Close', that the record company decided to release a fifth single in early 1989. 'Love in the natural way' was released in Germany, Ireland and the UK only, but failed to chart in Germany. In the UK singles chart, the single reached number 32, whereas in Ireland it reached number 26.
This was Kim's final single release of the Eighties, the decade in which she had become the biggest selling British female solo singer.
My collection: 7" single no. 764 Found: Melody Maker, Den Haag, March 9, 1989 Cost: 6 guilders Tracks: 'Love in the natural way' / 'You'll be the one who'll lose'
'Food for thought' was the first single release by British reggae band UB40. The song was an attempt to publicize and condemn the Ethiopian famine in Africa, comparing it with the Western over-indulgent celebration of Christmas, a full five years before Band Aid brought the subject to widespread attention.
It was released as a double A side along with 'King', which was a song written about the late Martin Luther King, questioning the lost direction of his followers and the state of mourning of a nation after his death. The single reached number 4 in the UK singles chart early in 1980 and number 1 in New Zealand a few months later.
My collection: 7" single no. 4813 Found: Record fair, Utrecht, April 10, 2010 Cost: 1 euro Tracks: 'Food for thought' / 'King'
In early 1991, Maarten Peters came up with the follow-up to his successful 1989 album 'White horses in the snow'. Entitled 'A scary tale', it was a collection of songs mainly inspired by fairytales.
The first single 'Playing the blues', however, was not one of them. This one sounded like a poppy version of a blues track. It probably didn't sound that believable coming from a white Dutch man, because the single failed to chart even in the Netherlands.
My collection: 7" single no. 1397 Found: Melody Maker, Den Haag, March 9, 1991 Cost: 6,5 guilders Tracks: 'Playing the blues' / 'Merlin'
In 1971, Severine won the Eurovision Song Contest for Monaco with the song 'Un banc, un arbre, une rue'. She recorded three alternative versions of the song: 'Chance in time' (English version), 'Il posto' (Italian) and 'Mach die Augen zu (und wünsch dir einen Traum)'.
This German version was released in German-speaking countries. It reached number 23 in the German singles chart.
My collection: 7" single no. 4771 Found: Record fair, Utrecht, April 10, 2010 Cost: 2 euro Tracks: 'Mach die Augen zu (und wünsch dir einen Traum)' / 'Ich denke oft noch an dich'
When Chris Rea signed his first record deal with Magnet Records in 1978, they suggested he use the stage name Benny Santini. He refused, but it did inspire him to write the song 'Whatever happened to Benny Santini?'. What's more, his debut album was named after this song.
And the song in turn was released as the second single from the album. Although this single flopped all over Europe, it did manage to reach number 71 in the US Billboard Hot 100 chart. Even more remarkable: only 'Fool (if you think it's over)' (1978) and 'Diamonds' (1979) were bigger single hits for Rea in the USA.
My collection: 7" single no. 4794 Found: Record fair, Utrecht, April 10, 2010 Cost: 0,5 euro Tracks: 'Whatever happened to Benny Santini?' / 'Three angels'
There was always something quite embarrassing about 'De verzoening' ('The reconsiliation') by the Frank Boeijen Groep. Frontman Frank Boeijen wrote the song with a very personal lyric, leading to a chorus that proclaimed 'Heb me lief' ('Love me'). During live concerts and television performances this led to hysterical audiences singing along to those lines, something that always struck me as something otherworldly.
Anyway, the song struck a chord with many people, which led to it becoming a modest hit: it reached number 32 in the Dutch Top 40. The response endures to this day: whenever Boeijen sings this song, audiences sing along as if their lives depend on it. I just chuckle whenever I notice that.
My collection: 7" single no. 487 Found: Free Record Shop, Den Haag, 1987 Cost: 6 guilders Tracks: 'De verzoening' / 'Niemand heeft gelijk'
'Only for love' is the debut single by former Kajagoogoo singer Limahl, who was fired from the group by his bandmates in 1983. The song was later included on Limahl's 1984 debut solo album, 'Don't suppose'. The song became his first solo hit, peaking at number 16 in the UK singles chart.
It also played a part in the singer meeting producer Giorgio Moroder, while he was performing the song at a rock festival in Tokyo the following year. Moroder would help Limahl reach greater international success later in his career.
My collection: 7" single no. 4790 Found: Record fair, Utrecht, April 10, 2010 Cost: 1 euro Tracks: 'Only for love' / 'OTT (Over the top)'
During many televised interviews and in dozens of magazine articles, Kate Bush has had to explain the meaning behind her 1985 single 'Running up that hill' while she was promoting her album 'Hounds of love'. I'm sure this is one of the reasons why she did so little promotion ever since. She commented: 'I was trying to say that, really, a man and a woman, can't understand each other because we are a man and a woman. And if we could actually swap each other's roles, if we could actually be in each other's place for a while, I think we'd both be very surprised!'
The single was released in August 1985 and was basically Kate's comeback single after an absence of over two years from the pop scene. Many people thought this was an extremely long time. (Little did they know about what Kate would do later on in her career...). She was welcomed back in many countries with one of the biggest hits of her career. 'Running up that hill' reached number 3 in the UK, number 6 in the Netherlands and number 30 in the US Billboard Hot 100 chart.
My collection: 7" single no. 316 Found: LP Top 100, Den Haag, August 1985 Cost: 6 guilders Tracks: 'Running up that hill' / 'Under the ivy'
'You and your heart so blue' was released when band member Jay Aston announced she was leaving Bucks Fizz .Halfway through promoting the single, the group recruited a new female singer, Shelley Preston. More publicity went towards a TV special that was filmed in Mauritius, but remained unscreened as the production company went bankrupt midway through filming.
The single became overshadowed in all the publicity and failed to reach the UK top 40, stalling at number 43.
My collection: 7" single no. 4784 Found: Record fair, Utrecht, April 10, 2010 Cost: 1 euro Tracks: 'You and your heart so blue' / 'Now those days are gone'
'Both sides of the story' was the first single from Phil Collins' 1994 album 'Both sides'. It was one of his socially conscious lyrics, trying to make a case for listening to both sides of a story before making a judgement.
The single reached number 25 in the US Billboard Hot 100 chart, number 7 in the UK singles chart and number 4 in the Dutch Top 40.
My collection: 7" single no. 2008 Found: Virgin Megastore, London, October 18, 1993 Cost: 2 pounds Tracks: 'Both sides of the story' / 'Always (live)'
'Top of the Pops' was the most popular television chart programme in the history of television. Broadcast by the BBC in the UK between 1964 and 2006, it had a weekly audience of millions, tuning in to see studio performances of the biggest chart hits by all the artists and bands that mattered.
This show also had a theme tune, which changed from time to time. Between April 1986 and October 1991, Paul Hardcastle's 'The wizard' was the tune that was used. It was released as a single in 1986, just after the success of Hardcastle's '19'. This single reached number 15 in the UK singles chart.
My collection: 7" single no. 4809 Found: Record fair, Utrecht, April 10, 2010 Cost: 0,5 euro Tracks: 'The wizard (part 1)' / 'The wizard (part 2)'
Released as the follow-up to their biggest hit up until then, 'Daar gaat ze', 'Louise' was the second single by Clouseau with a girl's name as the title. And just like 1989's 'Anne', 'Louise', released in May 1990, was a song about a girl that is adored by the protagonist.
The band had no complaints about popularity: the single reached number 9 in the Belgian chart and number 12 in the Dutch Top 40.
My collection: 7" single no. 1464 Found: Record fair, June 29, 1991 Cost: 1 guilder Tracks: 'Louise' / 'Zij is van mij'
Al Stewart and Peter Wood wrote 'Year of the cat', the title track of Stewart's 1976 album. The lyric tells the story of a tourist who meets a hippie girl in an exotic market, stays the night with her, and thus misses his tour bus. The album version of the track includes many instrumental passages and clocks in at 6 minutes and 37 seconds. This single version is edited down to 3 minutes and 25 seconds, which is way too short in my opinion.
The single reached number 8 in the US Billboard Hot 100 chart, number 31 in the UK singles chart and number 6 in the Dutch Top 40.
My collection: 7" single no. 4818 Found: Record fair, Utrecht, April 10, 2010 Cost: 0,5 euro Tracks: 'Year of the cat' / 'Broadway Hotel'
Hard to believe, but although Kraftwerk's 'The model' has become some sort of Eighties classic, the track was actually released in 1978. It just goes to show how ahead of their time the German perfectionists were even in the beginning of their career. The German version of 'The model' was called 'Das Model', and was released in Germany with the English version on the B-side.
When radio DJ's started playing the B-side, EMI re-issued the single in December 1981 – apparently against the band's wishes – with 'The model' as the A-side. That single reached number 1 in February 1982 and spent a total of 21 weeks in the UK singles chart.
My collection: 7" single no. 4788 Found: Record fair, Utrecht, April 10, 2010 Cost: 1 euro Tracks: 'Das Model' / 'The model'
'It's a hard life' was written by Queen's frontman Freddie Mercury. A track on their 1984 album 'The works', it was released as the third single from that album. It reached number 6 in the UK singles chart.
The song is a continuation of the theme presented in earlier single 'Play the game': Mercury writes from the same lover's perspective at a later stage in their search for true love. The opening lyric of 'It's a hard life' is based on the line 'Ridi, Pagliaccio, sul tuo amore infranto!' ('Laugh, Pagliaccio, at your broken love!') from 'Vesti la giubba', an aria from Ruggiero Leoncavallo's opera Pagliacci.
My collection: 7" single no. 585 Found: Disco Market, Den Haag, February 6, 1988 Cost: 2 guilders Tracks: 'It's a hard life' / 'Is this the world we created?'
Mike Oldfield recorded a rendition of the theme tune of the BBC Television programme 'Blue Peter' in 1979. It was used by the show between 1979 and 1989. A single was also released, the royalties of which went to the Cambodia appeal launched by the show. The single peaked at number 19 in the UK singles chart.
Traditionally, the debut of a new version of the famous theme tune 'Barnacle Bill' is accompanied with an introduction by the presenters at the time explaining the reasons behind the new rendition. Mike Oldfield's version had its genesis in his appearance on the programme in 1979 to demonstrate how modern pop music was created using multi-track recording techniques. Oldfield also recorded a new version of the programme's closing music, which runs for just 20 seconds and has never been commercially released.
My collection: 7" single no. 4804 Found: Record fair, Utrecht, April 10, 2010 Cost: 0,5 euro Tracks: 'Blue Peter' / 'Woodhenge'
The current amount of singles in my collection has been counted on arrival since the early Eighties. The last revision of these numbers took place sometime in 1984, when I decided I needed to ditch number 114. It was a terrible single from a Dutch singer who shall not be named here. The problem was, I needed to find a single to replace that one. All I had was a disc by Spargo that I had always kept despite the fact that it was half broken and the sleeve had gone missing. The name: 'One night affair'. Yesterday, I decided to fix the situation forever by buying a new (and complete) copy of that very single.
'One night affair' was a hit for the Dutch band Spargo in April 1981. It reached number 4 in the Dutch Top 40.
My collection: 7" single no. 114 Found: Record fair, Utrecht, April 10, 2010 Cost: 0,5 euro Tracks: 'One night affair' / 'Running from your lovin''
British comedian Tony Hawks formed Morris Minor and the Majors together with Paul Boross and Phil Judge. Taking on the names Morris Minor, Rusty Wing and Phil Errup, they recorded 'Stutter rap (No sleep til bedtime)', a style parody of the Beastie Boys. The subtitle plays on their single 'No sleep till Brooklyn'.
The single also features the song 'Another boring 'B' side', which became something of a cult classic, particularly for its memorable chorus, which simply repeated the line: 'Very very very very very very boring'. The single reached number 4 in the UK singles chart, number 14 in Canada and number 2 in Australia.
My collection: 7" single no. 4815 Found: Record fair, Utrecht, April 10, 2010 Cost: 1 euro Tracks: 'Stutter rap (No sleep til bedtime)' / 'Another boring 'B' side'
'Verslaafd aan jou' ('Addicted to you') was the second single from the Frank Boeijen Groep's 1986 album 'In natura'. Released in September 1986, it reached number 34 in the Dutch Top 40.
The single version was slightly shorter than the album version of the track. There were no signs yet that the next single would become the big hit it would be.
My collection: 7" single no. 449 Found: Free Record Shop, Den Haag, September 3, 1986 Cost: 6 guilders Tracks: 'Verslaafd aan jou' / 'Op zoek naar de verloren tijd'
'Leipzig' was originally recorded by Thomas Dolby. Originally appearing as a B-side to an early Dolby single produced by Andy Partridge, 'Leipzig' - according to Stewart and Gaskin - sounded like a great song in embryo. The backing was minimal, the overall mood dark and introspective.
Dave & Barbara's version of the song is, by contrast, expansive and technicoloured, with a big, rolling beat, embellished with electronic percussion, keyboards, and cartoony sound effects.
My collection: 7" single no. 4786 Found: Record fair, Utrecht, April 10, 2010 Cost: 1 euro Tracks: 'Leipzig' / 'Rich for a day'
Was this Depeche Mode, or a heavy metal band? This was the question that bothered many listeners when the first single from their Depeche Mode's album 'Songs of faith and devotion' was released in early 1993. 'I feel you' sounded rough and tough, with a tormented Dave Gahan screaming his lungs out. He still had some drug-fuelled nightmares to go, but on this single, it sounded like he was already going through them.
On the cover of this single, there are four symbols, each representing a member. To tell which member it is, there's a number on the right-corner of each symbol, which is that band member's birthdate, or you can match the symbols up with the symbols on the cover of the album, which overlap a picture of that band member.
My collection: 7" single no. 1936 Found: Musik Box, Vienna, July 12, 1993 Cost: 30 Schilling Tracks: 'I feel you' / 'One carress'
Almost immediately after its release, 'Heart of glass' became the subject of controversy because of its disco sound. At the time, Blondie was one of the bands at the forefront of New York's growing New Wave musical scene and were accused of 'selling out' for releasing a disco song. There was also the issue of the use of the expression 'pain in the ass' within the lyrics which, at the time, did not sit easily with the BBC. The radio version changed it to 'Heart of glass'.
This Dutch pressing of the single uses an edited version of the 'disco version' that was released on the 12" single. It reached number 5 in the Dutch Top 40. In several other European countries and the UK, 'Heart of glass' reached number 1.
My collection: 7" single no. 4795 Found: Record fair, Utrecht, April 10, 2010 Cost: 1 euro Tracks: 'Heart of glass' / 'Heart of glass (instrumental)'
'Heart of glass' was originally recorded by Blondie in 1975 under the name 'Once I had a love', and was much slower with a blues/reggae vibe to it. The song was frequently performed on tours, then was re-recorded with the same title in 1978, when the song was made a bit more rock-oriented. When Blondie recorded the album 'Parallel lines', disco was big on the music scene, and producer Mike Chapman decided to give the song the disco twist. It became one of the best-known Blondie recordings.
For the single release the track was remixed by Chapman with the double-tracked bass drum even more accentuated. The versions appearing on the 7" single issued in early 1979 varied from country to country. On this American copy, an edited album version appears, backed by the track '11:59', also from the album 'Parallel lines'.
My collection: 7" single no. 118 Found: Disco Market, Den Haag, 1980 Cost: 2 guilders Tracks: 'Heart of glass' / '11:59'
The single 'Centipede' by Rebbie Jackson was always quite an elusive disc for me. I saw the music video in 1984 and have been searching for this 7" single ever since. Two months ago, I managed to find the 12" single, which was also quite stunning.
And yesterday, my fortunes took an amazing turn when I found this copy of the 7" single. Granted, the sleeve has been written on, but what to expect for a disc that only cost me 50 cents. I'm satisfied: it only took me a quarter of a century, and I saved some money in the process...
My collection: 7" single no. 4775 Found: Record fair, Utrecht, April 10, 2010 Cost: 0,5 euro Tracks: 'Centipede' / 'Centipede (instrumental)'
Mariah Carey had only released two album when she was invited to perform an acoustic concert in the MTV programme 'Unplugged'. She hadn't even played live before, making this in a way her live debut. She added the song 'I'll be there' to her set list at the last minute, after she had been informed that most acts on the show commonly perform at least one cover. She sang the song together with backing singer Trey Lorenz.
The MTV Unplugged special aired on May 20, 1992, and was a notable success. Carey's label received many requests to release 'I'll be there' as a single, which had not been planned. A radio edit of the song was created which removed dialogue portions of the performance. The single reached number 1 in Canada, the Netherlands, New Zealand and the USA. During Michael Jackson's memorial service on July 7, 2009, Carey and Lorenz sang their rendition of the song in tribute to him.
My collection: 7" single no. 1675 Found: Melody Maker, Den Haag, June 27, 1992 Cost: 6,5 guilders Tracks: 'I'll be there' / 'So blessed'
'White fool' was released as the third single from Clannad's 1987 album 'Sirius'. I've never actually seen this single, but during the record fair I bought this copy, I suddenly saw several copies in different stands. Sometimes it's as if a record company decides to give out copies from decades ago.
The single was not a commercial success, which may be attributed to the rather sketchy nature of this particular track.
My collection: 7" single no. 4780 Found: Record fair, Utrecht, April 10, 2010 Cost: 1 euro Tracks: 'White fool' / 'Many roads'
The last single from Roxette's album 'Crash! Boom! Bang' was also the last of their singles to be released on the 7" vinyl format. Unfortunately, it wasn't their best single. 'Vulnerable' is a syrupy ballad with lyrics that are not very imaginative. The inspired lead vocals by Marie Fredriksson are also missing, as she is relegated to backing vocals, making way for Per Gessle's less interesting lead vocals.
As a result, 'Vulnerable' was the first Roxette single to miss the UK top 40 since 1989's 'Listen to your heart', peaking at number 44 in April 1995.
My collection: 7" single no. 2259 Found: April 8, 1995 Cost: 8 guilders Tracks: 'Vulnerable (edit)' / 'The sweet hello, the sad goodbye'
Ever since I decided to complete my Hot Chocolate singles collection, I keep finding titles I never knew existed. Granted, I only have a basic knowledge of this band's output, but there also seems no end to their singles discography.
'Don't stop it now' was released in March 1976 as the follow-up to one of their biggest hits, 'You sexy thing'. In the UK, the single reached number 11, but in the Netherlands this single failed to chart.
My collection: 7" single no. 4772 Found: Record fair, Utrecht, April 10, 2010 Cost: 0,5 euro Tracks: 'Don't stop it now' / 'Beautiful lady'
Released as the follow-up to 'Geef het op', 'Hilda' was one of the other songs Clouseau performed during the national final in Belgium for the 1991 Eurovision Song Contest. The band actually performed three songs, from which one was picked to represent Belgium in 1991. The other two songs landed on this single.
Released in July 1991, 'Hilda' was a hit in Belgium but failed to chart in the Netherlands. At the time, I thought this was the best song of the three, but in hindsight I think 'Geef het op' was the right choice for the international final.
My collection: 7" single no. 1485 Found: Melody Maker, Den Haag, July 3, 1991 Cost: 6,5 guilders Tracks: 'Hilda' / 'Ik kan zonder jou'
'Spring affair' is a song by Donna Summer from her 1976 album 'Four seasons of love'. The song (which represents the 'spring' phase of the concept album) tells of the beginning of a new relationship. At the time of its release, Summer had already started to make her name as the leading female disco singer by releasing frankly sexual songs that were considerable in length. The album version of 'Spring affair' lasted over eight minutes.
For the single release, the track was edited down to less than four minutes. It earned her a minor hit in the USA and Canada, peaking at number 58 and number 62 respectively.
My collection: 7" single no. 4774 Found: Record fair, Utrecht, April 10, 2010 Cost: 0,5 euro Tracks: 'Spring affair' / 'Winter melody'
Tina Turner was quickly becoming a bit of a caricature in 1986, sporting a red miniskirt in the music video for 'Typical male'. One could discuss whether it's appropriate for someone in their fourties to wear miniskirts, but the fact is, by dressing up like that almost continually, it started to look a bit laughable to me.
Anyway, back to the song: 'Typical male' was recorded with Phil Collins on drums and released as the first single from Tina's 1986 album 'Break every rule'. The single reached number 2 in the US Billboard Hot 100 chart, number 33 in the UK singles chart and number 8 in the Dutch Top 40. The B-side, 'Don't turn around', was covered by Aswad and Ace of Base some years later.
My collection: 7" single no. 482 Found: Free Record Shop, Den Haag, 1986 Cost: 6 guilders Tracks: 'Typical male' / 'Don't turn around'
'Le chant de Mallory' ('Mallory's song') was performed by French singer Rachel at the 1964 Eurovision Song Contest, representing France. The lyric of the song deals with the story of Michael Mallory, a soldier. The singer asks him to sing the song he used to sing once more, as it was a song of love.
The song finished fourth in a field of 16 competitors. This EP brings together the Eurovision song along with three more chansons by Rachel.
My collection: 7" single no. 4767 Found: Record fair, Utrecht, April 10, 2010 Cost: 2 euro Tracks: 'Le chant de Mallory', 'Feu de bois' / 'Mon coeur', 'L'eau sous les ponts'