When day is done - Marty Wilde

I guess I'm not giving away a big secret when I say that Marty Wilde is a big fan of Elvis Presley. Out of all of his recordings, I find it's most evident in this recording: 'When day is done', released as a single in 1964.

The song was originally written in 1924 by Austrian composer Robert Katscher as 'Madonna, du bist schöner als der Sonnenschein'. It was translated into English by Buddy DeSylva and released as 'When day is done' in 1926. The earliest recordings were made by Art Kahn, Harry Archer and his Orchestra and Nat Shilkret. Later the song was covered by artists such as George Benson, Bing Crosby, Al Jolson and indeed Marty Wilde. His version didn't become a hit, although listening to this I can't imagine why not. Simply beautiful!

My collection: 7" single no. 5844
Found: Discogs.com, received June 25, 2017
Cost: 3 pounds
Tracks: 'When day is done' / 'I can't help the way that I feel'

Jesamine - Jason Chase

Some singles are mysterious. This single by Jason Chase is a good example. Released in 1968 on the Atco label in the USA, it features two cover versions: the A-side is a version of Marty Wilde and Jack Gellar's 'Jesamine' (made famous by the Casuals), and the B-side is a version of Leonard Cohen's 'Suzanne'.

But who is Jason Chase? Other than the fact that he sings both these tracks and has also produced them, there is no information anywhere about this man. I'd be interested to find out more, but for now, he remains a total mystery.

My collection: 7" single no. 5849
Found: Discogs.com, received July 12, 2017
Cost: $3
Tracks: 'Jesamine' / 'Suzanne'

Wrong - Everything but the girl

Just like Walking wounded and Single, 'Wrong' was released as a jukebox-only 7" single. I only found out about this quite recently, and this prompted me to get hold of these singles as quickly as possible. Thanks to the internet, it isn't so hard to find rare singles these days, although obviously it depends on how much you'd like to spend on them.

I do have to wonder why record companies in 1996 felt it wasn't necessary to release vinyl singles commercially anymore. They were obviously being made, so why not make them available to the general public? But then, the workings of the record industry have baffled me ever since those days anyway.

My collection: 7" single no. 5843
Found: Discogs.com, received June 1, 2017
Cost: 3 pounds
Tracks: 'Wrong (Todd Terry remix edit)' / 'Wrong (Deep Dish remix edit)'

Dr. Mabuse - Propaganda

As you may have gathered from today's entires, I am cleaning up my 12" singles collection. Or rather, I'm going through them to see whether there's any stuff I haven't yet digitised. I was pleased to see that there's not a whole lot of work left to do, although there have been some surprising omissions. For instance, I haven't posted any of my Propaganda 12" singles!

I only have three of them, but they're the classics: taken from their debut album, both the songs and their respective 12" singles have been exciting. To begin with, there's 'Dr. Mabuse': a song that was transformed into a 10 minute epic, backed with an impressive cover version of Lou Reed's 'Femme fatale'. Time to rectify the situation. 'Duel' and 'Machinery' are due to follow soon, of course!

My collection: 12" single [unnumbered]
Found: unknown
Price: unknown
Tracks: 'Das Testament des Mabuse' / 'Femme fatale (The woman with the orchid)', '(The ninth life of) Dr. Mabuse'

Let me go - Wendy Wu

On the back cover of this 12" single it is announced: 'produced by Tony Mansfield'. For those in the know, this is a recommendation. For Tony Mansfield was also the backbone of New Musik, he produced A-ha's debut, as well as producing acts like Captain Sensible and Naked Eyes.

Wendy Wu's career was more short-lived: she released just three singles, of which 'Let me go' was the last one. However, on those singles she worked with Graham Gouldman, Gary Barnacle and Tony Mansfield respectively. After these singles flopped she went on to work with Visage's Steve Strange in the band Strange Cruise.

My collection: 12" single [unnumbered]
Found: Plaatboef, Den Haag, 201X
Cost: 0,5 euro
Tracks: 'Let me go (long version)' / 'Love tonight'

Invincible - Pat Benatar

Pat Benatar had her biggest success with 'Love is a battlefield', but after that single a few more slightly successful titles followed. One of them was 'Invincible', a song taken from the soundtrack of 'The legend of Billie Jean'.

I owned the single since it came out, but I never bought the 12" single at the time. I bought it a couple of years ago and then it again disappeared anonymously in my collection. It's a shame, because this is a really decent extended version of that track.

My collection: 12" single [unnumbered]
Found: Kringloop Den Haag, 2014
Cost: 1 euro
Tracks: 'Invincible (extended version)' / 'Invincible (instrumental)', 'Heartbreaker'

Come summer - Fra Lippo Lippi

The sleeve of Fra Lippo Lippi's 'Come summer' is one of the most beautiful sleeve designs ever. Made by StyleForEveryMood in Stockholm, it looks deceptively simple: just a beautiful image with the lyric of the song printed over it. Sometimes you wonder how people come up with something like this.

The song, of course, is no less beautiful. Taken from the band's album 'Songs', it followed 'Shouldn't have to be like that' but didn't achieve the same amount of international success. It's strange, because it is the better of the two songs. Even three decades ago, people didn't recognise a hit when it was slammed in their face.

My collection: 12" single [unnumbered]
Found: Den Haag, 1993
Cost: unknown
Tracks: 'Come summer (extended, remixed)' / 'Come summer', 'Even tall trees bend (original version)'