Clannad collaborated with American singer/songwriter Bruce Hornsby to record 'Something to believe in'. He played piano and accordion on the track and also sang along on the track (his voice is clearly audible in the chorus).
The track was released as the first single from Clannad's 1987 album 'Sirius' but failed to chart.
My collection: 7" single no. 1471 Found: June 30, 1991 Cost: 2 guilders Tracks: 'Something to believe in' / 'Second nature'
'Venus' was written by Dutch musician Robbie van Leeuwen for his band Shocking Blue, released as a single in late 1969. Bananarama had the song in their live repertoire for a couple of years before they decided to record it. They wanted to turn it into a dance track and brought the idea to producers Stock Aitken Waterman. It became Bananarama's first collaboration with them.
Initially, Stock, Aitken and Waterman also resisted the idea because they believed that 'Venus' would not make a good dance record. The three members of Bananarama persisted, and so they recorded the song. When it was released as a single in the summer of 1986, it went to number 1 in the USA, Canada, Australia, New Zealand, Switzerland, Mexico and South Africa. In the UK, the single reached number 8 and in the Dutch Top 40 it reached number 4. The collaboration on 'Venus' led Bananarama and SAW to work together on the group's follow-up album 'Wow!' in 1987.
My collection: 7" single no. 4324 Found: Chelsea Records, Antwerpen, December 1, 2009 Cost: 1 euro Tracks: 'Venus' / 'White train'
Throughout their career, the Pet Shop Boys have always been keen on remixing their songs. In the beginning, they made most of their extended remixes themselves, but when the Nineties started, they utilised more and more 'outsiders' for their remixes. This double 12" single set displays both the merits and the disadvantages of that approach.
The two Jam & Spoon remixes of 'Young offender' are great trance experiences, using most of the original song but in a very different musical setting. 'Liberation' was remixed by Murk, Oscar G and E Smoove, but none of them have been able to come up with something even remotely sounding like the original track. Some of them use one word from the track, namely its title, but the whole experience of disc 2 has become unlistenable dross. Remixing? Not everyone is good at it, you know.
My collection: 12" single no. 228 Found: Record fair, 1993 Cost: 10 guilders Tracks: 'Young offender (Jam & Spoon's Trip-o-matic fairy tale mix)' / 'Young offender (Remix no. 2)' // 'Liberation (E Smoove 7" mix)' / 'Liberation (Murk Deepstrumental mix)', 'Liberation (Oscar G's dopeassdub mix)', 'Liberation (Murk Dirty Club mix)'
U2 recorded 'Who's gonna ride your wild horses' many times during the sessions for their 1991 album 'Achtung baby', but they eventually ended up with a version that was very similar to the original demo. Bono wrote the song's lyrics for The Edge, who was going through a rough divorce from his wife during the recording sessions.
Bono has commented that the band were still dissatisfied with the track: 'It's a song I feel we didn't quite nail on the record because there was another whole set of lyrics that were dumped and I wrote those quickly and off we went.' The track was remixed for the single release. It reached number 14 in the UK singles chart and number 13 in the Dutch Top 40.
My collection: 7" single no. 1795 Found: Melody Maker, Den Haag, November 28, 1992 Cost: 6 guilders Tracks: 'Who's gonna ride your wild horses' / 'Paint it black'
In a rather desperate bid to revive past successes, Luv member Marga Scheide recruited Diana van Berlo and Michelle Gold to record new tracks as Luv', starting in 1989. This was after the original line-up reunited briefly in 1988, but quickly concluded that they had enough conflicts to not want to reform.
The new trio recorded one successful single, 'Welc0me to my party'. It reached number 22 in the Dutch Top 40. In 1990, Michelle Gold was replaced by another member, Carina Lemoine. During the Gulf War, Luv' performed in Dubai to support the Dutch troops. The formation finally split up in 1992. It wasn't the best version of Luv': just listen to the lifeless Medley on the B-side, in which they perform the biggest Luv hits without the bubbly cheerfullness of the original versions.
My collection: 7" single no. 1118 Found: Disco Market, Den Haag, December 1, 1989 Cost: 3,5 guilders Tracks: 'Welcome to my party' / 'Medley'
Conny Froboess was born on October 28, 1943. She became a teen idol of the Fifties and early Sixties in Germany. In 1962, she represented Germany during the Eurovision Song Contest with 'Zwei kleine Italiener' ('Two little Italians') . She finished sixth in a field of 16 competitors during the Contest.
The lyric of the song describes the plight of two gastarbeiters from Italy who wish to return to their homeland to be with their girlfriends, Tina and Marina. She contrasts this situation with that of the rest of German society (at the time undergoing the Wirtschaftswunder largely as a result of immigrant labour), for whom 'a journey to the South is something chic and fine'. The two Italians, it seems, despair of ever returning to Naples. This unusual subject matter marks the first time that a social issue was described in a Eurovision entry.
My collection: 7" single no. 4344 Found: Chelsea Records, Antwerpen, December 1, 2009 Cost: 3 euro Tracks: 'Zwei kleine Italiener' / 'Hallo hallo hallo'
Madonna had her creative peak in the late Nineties with 'Ray of light'. When that album and its singles had been a great worldwide success, she followed it up with 'Music', the album and the single of the same name. Unfortunately, her voice was falling back to the rather childish range she had before she used a vocal coach for the movie 'Evita', and so the quality of her recordings also slowly deteriorated.
Fortunately, 'Music' is still a very nice song, produced by Mirwais Ahmadzai and promoted with a music video incorporating animation and special guest star Ali G. The single was a number 1 hit in Australia, Canada, Italy, Japan, New Zealand, Norway, Spain, Switzerland, the UK and the USA. In the Dutch Top 40, 'Music' peaked at number 4.
My collection: 7" single no. 3223 Found: Record fair, 2000 Cost: 10 guilders Tracks: 'Music' / 'Cyberraga'
Clannad collaborated with American singer/songwriter Bruce Hornsby to record 'Something to believe in'. He played piano and accordion on the track and also sang along on the track (his voice is clearly audible in the chorus).
'Venus' was written by Dutch musician Robbie van Leeuwen for his band Shocking Blue, released as a single in late 1969. Bananarama had the song in their live repertoire for a couple of years before they decided to record it. They wanted to turn it into a dance track and brought the idea to producers Stock Aitken Waterman. It became Bananarama's first collaboration with them.
Throughout their career, the Pet Shop Boys have always been keen on remixing their songs. In the beginning, they made most of their extended remixes themselves, but when the Nineties started, they utilised more and more 'outsiders' for their remixes. This double 12" single set displays both the merits and the disadvantages of that approach.
U2 recorded 'Who's gonna ride your wild horses' many times during the sessions for their 1991 album 'Achtung baby', but they eventually ended up with a version that was very similar to the original demo. Bono wrote the song's lyrics for The Edge, who was going through a rough divorce from his wife during the recording sessions.
In a rather desperate bid to revive past successes, Luv member Marga Scheide recruited Diana van Berlo and Michelle Gold to record new tracks as Luv', starting in 1989. This was after the original line-up reunited briefly in 1988, but quickly concluded that they had enough conflicts to not want to reform.
Conny Froboess was born on October 28, 1943. She became a teen idol of the Fifties and early Sixties in Germany. In 1962, she represented Germany during the Eurovision Song Contest with 'Zwei kleine Italiener' ('Two little Italians') . She finished sixth in a field of 16 competitors during the Contest.
Madonna had her creative peak in the late Nineties with 'Ray of light'. When that album and its singles had been a great worldwide success, she followed it up with 'Music', the album and the single of the same name. Unfortunately, her voice was falling back to the rather childish range she had before she used a vocal coach for the movie 'Evita', and so the quality of her recordings also slowly deteriorated.