After I bought 'Promises (as the years go by)' I saw this single. In the mood for an experiment, I decided to take it home. The track was pleasant enough, but I didn't play it very often. 'Sold on you' was taken from the band's 1989 album 'Are you sitting comfortably?'. Neither the single nor the album reached the charts in the UK - or outside of the UK.
If Princess had continued working with Stock, Aitken & Waterman, her entire body of work would have sounded like her debut single. So thankfully, with this single, she changed things around a bit. 'Red hot!' was produced by Richard James Burgess, giving the track a bit of a fuller sound.
Sam Brown is the daughter of Sixties rocker Joe Brown and top session singer Vicki Brown. She was born on October 7, 1964 in Stratford, London, England. She began her musical career at twelve, singing backing vocals on the Small Faces album '78 in the shade' (1978). She continued doing backing vocals with Sade, Spandau Ballet and Barclay James Harvest.
Although this track sounds slightly rudimentary, it is the seventh single by UB40, released in 1982. 'Love is all is all right' is one of the most laidback reggae songs I ever heard in my life, which was part of the appeal.
When you compare all the sleeves of All about Eve singles through the years, this one is a pretty dismal affair. It's almost a shoddy sleeve, a piece of work that could only have resulted from disinterest from the record company.
'What if' is a track from Coldplay's third album 'X&Y'. It was released as a single to radio stations in France and the French speaking regions in Belgium and Switzerland. A cd-single was only released commercially in Belgium, whereas this 7" vinyl single is originally part of the Coldplay Singles box set. (I managed to buy a separate single from a dealer who was apparently splitting up his box set.)
At 7 minutes and 30 seconds, the original version of New Order's 'Blue Monday' is one of the longest tracks ever to chart in the UK. It was released on 12" single only, which made it an even more unique charting track. The band claimed to have written the song in response to crowd disappointment at the fact that they never played encores. This song, they say, allowed them to return to the stage, press play on a synthesiser and leave the stage again.