The Belgian synthpop group Telex released their fourth album 'Wonderful world' in 1984. The single 'L'amour toujours', released a year later, was taken from this album. The single wasn't a commercial success for the band.
In 1980, Morocco competed in the Eurovision Song Contest for the first - and so far, only - time. It was the first time that the contest featured a song in Arabic, while the music also showed clear Arabic influences.
Released in September 1982, 'Lifeline' became Spandau Ballet's fourth top 10 hit in the UK, peaking at number 7. Produced by Steve Jolley and Tony Swain, this track is a sign that the band were slowly moving away from their earlier, rougher work and taking a slightly more commercial-sounding approach.
I didn't know this single existed until I saw it mentioned on discogs.com recently. 'Adventures in modern recording' is the title track from the Buggles' second album, and it sums up the career of band member Trevor Horn pretty nicely. During and since the Buggles, he's always been on the forefront of modern recording and producing, creating the most fabulous albums out there.
It's hard to tell from this image, but the sleeve of this single has a 3D postcard on the front. It's this kind of collectable issues that always draws me in. I had to buy 'Rough justice' anyway, because it's one of those tracks that take me right back to the year 1984, the year in which I avoided homework by watching music videos on television every day.
Jody Watley was one of the members of Shalamar, and she would go on to have solo success. One of her solo singles was called 'Friends', just like this single by Shalamar. As you might expect, they are two different songs.
'Love to stay' was the third single from Altered Images' 1983 album 'Bite' and also their penultimate single. It was their first single since 1981's 'A day's wait' that didn't reach the UK top 40, halting at number 46. It is one of their more polished-sounding singles, thanks to Mike Chapman, who produced the track.