'Face the face' was taken from Pete Townshend's 1985 solo album 'White City: a novel'. The title refers to a story (called a "novel" in the album title) that accompanies the album, and which takes place in a low-income housing estate in the West London area of White City, near where Townshend grew up. The story tells of cultural conflict, racial tension and youthful hopes and dreams in the Sixties.
'Face the face' did not chart in the UK, but it peaked at number 9 in the Dutch Top 40 in early 1986. It was his only solo hit in the Netherlands.
A couple of weeks ago, when I visited my friend Puck, he showed me a 12" single he'd bought. It was Mr. Mister's 'Broken wings', which according to the sleeve contained an extended version of that track. I was interested to hear it, but alas, he didn't have a record player to let me hear it. I had no choice but to wait. I thought I might bump into this record myself anyway, and if it was cheap enough, I would buy it.
So today I had a chance to visit a newly opened Kringloop shop in Den Haag - a shop where second hand goods are sold for next to nothing. I went straight to the records corner and found... this 12" single. I was happy! Then I heard the track. Well, it's about eight seconds longer than the cd version I have of this track. And even that may be attributed to the fact that it was pressed on vinyl (cd's usually fade out a little earlier, especially in the Eighties). I don't know what the record company was thinking. Or better still, I did know: false promises always lead to sales.
My collection: 12" single no. 488 Found: Kringloop Holland, Den Haag, March 3, 2009 Cost: 1 euro Tracks: 'Broken wings (extended version)' / 'Uniform of youth', 'Welcome to the real world'
Herwig Mitteregger, Reinhold Heil, Manfred Praker, Bernhard Potschka and Alf Klimek were already playing together when Nina Hagen 'adopted' them as her band. They recorded two albums together as the Nina Hagen Band before continuing as Spliff when Hagen went solo.
'Das Blech' was the only single to have some sort of success outside of non-German speaking countries. It barely missed the Dutch Top 40, but was often played on the radio at the time.
In 1986, France was represented in the Eurovision Song Contest by a group of four women who called themselves Cocktail Chic. They were Catherine Bonnevay, Francine Chanterau, Martine Latorre and Dominique Poulain. Written by George and Michel Costa, 'Europeennes' was about travelling to various European destinations, living a carefree lifestyle. The song must have been an attempt to appeal to the international juries, but ironically, most of the destinations were pronounced in French and thus couldn't be made out by most of those international juries.
With 20 countries (and acts) in the Contest, the French delegation only made it to 17th position in the Contest. Personally, I wasn't so impressed with the song either. I can recall I named them 'Cocktail Shit' at the time. But when I came across the single a decade later, I still couldn't resist buying it, if only for its rarity value. The cheap Eighties production is a bonus.
'You spin me 'round (like a record)' was taken from Dead or Alive's 1985 album 'Youthquake'. When it was released, it was a slow starter in the UK: it lingered outside the singles top 40 for two months. After this long period, it still rose into the top 10 and then even made number 1. The single also was a top 3 hit in Australia and Italy, peaking at number 6 in the Netherlands.
Dead or Alive was formed around singer Peter Burns, who attracted attention with his eccentric image, which was often compared to then-popular Culture Club frontman Boy George. The single was the first UK number one hit for the Stock/Aitken/Waterman production trio. At the time of its release, one of the band members was Wayne Hussey, who would go on to work with the Sisters of Mercy, and then form The Mission.
My collection: 7" single no. 272
Found: LP top 100, Den Haag, 1985
Cost: 5,5 guilders
Tracks: 'You spin me 'round (like a record)' / 'Misty circles'
The Steve Miller Band has received some criticism for this song. True, 'Abra, abracadabra / I wanna reach out and grab ya' isn't one of those lyrics you have to praise for its eloquence, but it's still a good pop song. Selling the way it did (a number one hit in America, peaking at number 2 in the UK and number 18 in the Netherlands) the audiences in various countries certainly made up their own minds.
A quarter of a century later it still sounds pretty credible. If kids were still listening to music, they would buy this I'm sure.
Producer and booking agent Dick Griffey put together Shalamar after the first single 'Uptown festival' (1977), performed by session singers, was a hit in America. Vocalists Jody Watley, Jeffrey Daniel and Howard Hewett were brought together in 1978. Their first international hit in this line-up was 'Take that to the bank'. They followed this up in 1979 with 'The second time around', which peaked at number 45 in the UK singles chart and number 28 in the Dutch Top 40.
A young Jody Watley was part of Shalamar. In 1984 she left the group to pursue a successful solo career.
My collection: 7" single no. 2043
Found: Plaatboef, Rotterdam, October 30, 1993
Cost: 1 guilder
Tracks: 'The second time around' / 'Leave it all up to love'