Arlette Zola was born as Arlette Jaquet in the city of Fribourg on 29 April 1949. She started her singing career in the Sixties, releasiung more than twenty albums between then and now. In 1982 she represented Switzerland during the Eurovision Song Contest with the song 'Amour on t'aime'.
The song was performed as 7th on the night. At the close of the voting, it had received 97 points and placed 3rd in a field of 18 competitors.
My collection: 7" single no. 5635 Found: Fun Records, Berlin, received August 29, 2014 Cost: 1 euro Tracks: 'Amour on t'aime' / 'Tant que tu existeras'
Jürgen Marcus was born as Jürgen Beumer on 6 June 1948 in Herne, Germany. The schlager singer was most successful during the Seventies, when he had 14 chart hits in Germany. He is also known for his participation on behalf of Luxembourg in the 1976 Eurovision Song Contest.
'Chansons pour ceux qui s'aiment' ('Songs for those who love each other') was performed fifth on the night. At the close of voting, it had received 17 points, placing 14th in a field of 18 competitors. By the later Seventies, Marcus' recording success had declined and he parted ways with his record company in 1979. Following a last minor hit in 1981, plans and collaborations came to nothing and Marcus largely dropped from sight. His first album for over 20 years ('Ich glaub an die Welt') was released in 2004, followed by a Christmas collection in 2006. Another album of new material ('Für immer'), his last to date, came out in 2008.
My collection: 7" single no. 5634
Found: Fun Records, Berlin, received August 29, 2014
Cost: 2 euro
Tracks: 'Chansons pour ceux qui s'aiment' / 'Kinder die auf Regen warten'
'Red' Vincent Hurley was born on September 11, 1949. He's one of Ireland's
most enduring popular singers whose career has spanned several decades
from the Seventies to the present day. He is principally known as a
solo artist, although he has performed with various bands and pop groups,
most notably, 'The Nevada', with whom he enjoyed his first series of
number one records at the beginning of his career.
He represented Ireland in the 1976 Eurovision Song Contest with the song 'When'. The song was performed seventh on the night. At the close of voting, it had received 54 points, placing 10th in a field of 18 competitors.
My collection: 7" single no. 5629 Found: Fun Records, Berlin, received August 29, 2014 Cost: 1 euro Tracks: 'When' / 'Just a little love'
Vicky Leandros competed in the 1972 Eurovision Song Contest for Luxembourg with Apres toi. The single was a big hit in Europe, and even managed to chart in the UK. This was helped by the fact that Leandros recorded an English version of her song, entitled 'Come what may'. It appears on this single, along with another English-language track on the B-side.
She turned out to be quite the language wizard, as she also recorded the song in Italian ('Dopo te'), German ('Dann
kamst du'), Spanish ('Y despues'), Greek ('Mono esi') and Japanese
('Omoide ni ikiru'). I'm still looking for those singles, though...
My collection: 7" single no. 5598 Found: Discogs.com, received August 5, 2014 Cost: 2 pounds Tracks: 'Come what may' / 'Takes a little time'
'Satellit' ('Satellite') was the Swedish entry in the Eurovision Song Contest 1979, performed in Swedish by Ted Gärdestad.
Gärdestad's first four albums were produced by Benny Andersson and Björn Ulvaeus of ABBA, featured backing vocals by Agnetha Fältskog and Anni-Frid Lyngstad, and were released on the Polar Music label.
This song, which was arranged and produced by guitarist Janne Schaffer, features a guitar and bass riff influenced by Toto's 1978 hit 'Hold the Line', and four of the band members - Jeff Porcaro, Steve Porcaro, David Hungate and Steve Lukather - were in fact among the musicians playing on Gärdestad's preceding album Blue Virgin Isles, recorded in Los Angeles, and released in late 1978. The English-language version of the track, 'Satellite', was included on subsequent editions of the album, which was issued in both Europe, Australasia and Japan.
The song was performed as entry number fifteen on the night. At the close of voting, it had received 8 points, placing it 17th in a field of 19 competitors, making it Sweden's second lowest placing in the contest at that point in time. Despite this, the Swedish version of the song was a Top 10 hit on the singles chart.
My collection: 7" single no. 5561
Found: Record fair, Utrecht, November 23, 2014
Cost: 2 euro
Tracks: 'Satellite' / 'Blue virgin isles'
What makes a Eurovision Song Contest cliche? Listen to Kirsten & Søren's 1984 Eurovision song 'Det' lige det' and you hear what Eurovision sounded like for much of the Eighties. There was nothing really remarkable about the song, there were synths everywhere and while trying to sound modern, the song still felt old-fashioned anyway.
At the close of voting, it had received 101 points, placing fourth in a field of 19 competitors.
The song is sung from the perspective of a woman waiting for her lover to come to her. She tells him that his presence brightens the day considerably and that he shouldn't be afraid of loving her, as he appears to be.
As part of their performance of this song in the Danish national selection, the female half of the duo (Kirsten Siggard), pushed the male half (Søren Bundgaard) into a swimming pool. This act, while unable to be repeated at the Contest itself, earned the song the Danish nickname 'The Swimming Pool Song'.
My collection: 7" single no. 5659 Found: Record fair, Utrecht, November 23, 2014 Cost: 2 euro Tracks: 'Det' lige det' / 'Nostalgi'
Rare singles come in many gueses, but I always get a weird feeling when I get my hands on a single that was made of 50 years ago. I wasn't even born in 1960, but the Eurovision Song Contest was already celebrating its fifth edition and François Deguelt represented Monaco with the beautiful song 'Ce soir-là', included in this delightful little EP.
'Ce soir-là' is in the chanson style popular in the early years of the Contest. Deguelt describes the first night he spent with his lover and explains to her that he realised then that 'Life would never have attraction for me / Far from you'. It appears from the lyrics, however, that his lover has left him since then, which has resulted in his perpetual waiting for her return in order to relive 'that night'.
At the close of voting, this song had received 15 points, placing third in a field of 13 competitors.
Also check out the swinging 'Linda' on this disc - it is very different and very enjoyable.
My collection: 7" single no. 5643 Found: eBay.co.uk, received September 2, 2014 Cost: 2 euro Tracks: 'Ce soir-là', 'Jean' / Linda', 'Sur la piste (plus loin)'
I don't have any Eurovision singles from Cyprus yet, so getting this single by Anna Vishy was a bit of a milestone. Anna represented Greece in 1980 and 2006, but represented Cyprus in the 1982 Eurovision song Contest with 'Mono i agapi' ('Only love'). At the close of voting, the song was placed fifth in a field of 18 competitors. It has remained Cyprus' best showing in the Contest to date.
The English-language version of the song was entitled 'Love is a lonely weekend' and was released internationally by CBS Records.
My collection: 7" single no. 5666 Found: Record fair, Utrecht, November 23, 2014 Cost: 2 euro Tracks: "Love is a lonely weekend' / 'I'm gonna be a fool for you'
'Et bonjour à toi l'artiste' ('And a good day to you, artist') was the French entry in the Eurovision Song Contest 1975, performed by Nicole Rieu.
The song was performed third on the night . At the close of voting, it had received 91 points, placing 4th in a field of 19 contestants.
The song is a subtle ballad, with Rieu greeting 'the great artist' and reminding him or her that it is time to get to work painting. The artist is also described as an author, an illusionist and an actor.
Rieu recorded the song in no less than six languages; French, English ('Live for love'), German, Spanish ('Dios te guarde buen artista'), Italian ('Buongiorno artista') and Japanese ('Soyokaze no okurimono').
My collection: 7" single no. 5665 Found: Record fair, Utrecht, November 23, 2014 Cost: 2 euro Tracks: 'Et bonjour à toi l'artiste' / 'La mandarine'
The Belgian band De Strangers have appeared on this blog a few times before, because I bought five of their singles all on one day. This is the last of that series: their 1989 cover version of Riva's 'Rock me baby', the song that won the Eurovision Song Contest that year.
'Vivan bomma' (who knows what that means? I sure don't) was not a hit for the Belgian group, and they never had any chart hits ever since either. They had their last concert on May 14, 2002, followed by a one-off reunion concert in 2006.
My collection: 7" single no. 5619 Found: Chelsea Records, Antwerpen, August 10, 2014 Cost: 1 euro Tracks: 'Vivan bomma' / 'Njoe-biet van Keskeschiet'
Being a Kate Bush fanatic has its drawbacks: old singles are hugely expensive and lots of illegal releases are too. Every now and again, you can't resist temptation when a cheap illegal item comes within your grasp, and this is how I got my hands on this picture disc.
Illegal as hell, this picture disc uses an interview by Martin Buchanan from 1985 on both sides. The interview was broadcast on the old satellite TV channel Music Box - the European answer to MTV - and gives the buyer two black and white pictures of Kate. Interview singles aren't the most interesting discs to play but at least this one looks attractive.
My collection: 7" single no. 5657 Found: Record fair, Utrecht, November 23, 2014 Cost: 3 euro Tracks: Interview [1985] (on both sides)
Being one of the biggest names in pop music, you would wish for the Beatles that if they got a musical tribute, it would be a worthy one. 'Beatles', written by Sven Olov Bagge and Claes Bure, was not that song. It was a calculated move by the Swedish band Forbes to use English phrases, motivated by the fact that the 1977 Eurovision Song Contest took place in the United Kingdom.
The audience cheered at the song, but the juries had another opinion. The song finished last, with only two points from West Germany.
At the Swedish singles chart, it peaked at number 3, amazingly.
My collection: 7" single no. 5636 Found: Fun Records, Berlin, received August 29, 2014 Cost: 2 euro Tracks: 'Beatles' / 'Sweet kiss of fire'
Sometimes I buy a single and I can't believe my luck. This EP from 1964 (!) in very good condition and a 'Factory sample - not for sale' sticker on the label appeared in my hands during the recent record fair in Utrecht. I think the dealer didn't know what he was selling, because this EP appears online for a tenner or more.
This 'A Song For Europe' EP was released on the occasion of Matt Monro's appearance in the TV programme of the same name, also known as the national final of the Eurovision Song Contest in the UK. The song that was chosen was 'I love the little things' (track 3 on side A), which ended second in a field of 16 competitors in the Contest that year.
My collection: 7" single no. 5656 Found: Record fair, Utrecht, November 23, 2014 Cost: 2 euro Tracks: 'Choose', 'It's funny how you know', 'I love the little things' / 'I've got the moon on my side', 'Ten out of ten', 'Beautiful, beautiful'
'Chanteur de charme' ('Crooner') was the French entry in the Eurovision Song Contest 1988, performed by Gérard Lenorman.
The song was performed nineteenth on the night. At the close of voting, it had received 64 points, placing 10th in a field of 21 competitors.
As befits the title, the song is a ballad, with Lenorman singing about the subject matter that crooners traditionally sing about. That is to say, he sings about the subject matter itself, rather than singing the type of song usually associated with the style. Indeed, he likens the songs themselves to "these stories of three times nothing, which rhyme badly, which do good" and later adds that "Nothing has ever prevented us from setting to music, those endlessly repeated clichés, romantic feelings" and remarks that his heart "stupidly proposes on the first page of a paper".
My collection: 7" single no. 5648 Found: Discogs.com, received September 11, 2014 Cost: 2 euro Tracks: 'Chanteur de charme' / 'Heureux qui communique'
Although I already own the original version of Stool Pigeon and this remix version, the double pack pictured here looked like an even more attractive package. Regular readers will know that I'm a sucker for limited edition packages, and especially when they are cheap. Well this one was 'two singles for the price of one', and in the second hand market, even less than that.
However, the second single serves only as proof that Kid Creole and the Coconuts are not necessarily an attractive package as a live act. Perhaps the quality of these recordings are to blame, but I find these two tracks rather clunky. Oh well, you can't win them all.
My collection: 7" single no. 5429 Found: unknown Tracks: 'Stool pigeon (remixed version)' / 'In the jungle (remixed version)' // 'He's not such a bad guy (after all) (live version)' / 'There but for the grace of god go I (live version)'
The single Lass die Sonne in dein Herz has appeared on this blog as far back as March 2009, but this copy is quite different from that one. This one is the original German release, probably released right after their triumph in the national selection for the Eurovision Song Contest in 1987. It features the B-side 'Immer dabei' instead of the English version of the A-side song (like on that other copy).
Like I wrote back in 2009, the song was written and composed by longtime Contest contributors for Germany Ralph
Siegel and Bernd Meinunger. It is a reggae-oriented track with a
lyric full of positive platitudes.
My collection: 7" single no. 5604 Found: Chelsea Records, Antwerpen, August 10, 2014 Cost: 1 euro Tracks: 'Lass die Sonne in dein Herz' / 'Immer dabei'
The title track of Heaven 17's debut album 'Penthouse and pavement' was released as the band's fourth single in 1981. The band never played the songs live until more recent years. Martyn Ware commented about this in 2010: "We absolutely resisted touring. We decided not to tour at all, or
perform. Because Ian and I were members of The Human League, as you
know, we spent two and a half years touring everywhere in Europe and
Britain. And in those days - can you imagine this now? - the record
company were paying quite a lot for tour support to get on big tours. So
we toured twice with Siouxsie & The Banshees and with Pere Ubu,
Iggy Pop, Stranglers, blah, blah, blah. And whilst it got us loads of
coverage in NME and various style magazines, we weren't actually selling
that many albums. (...) By coincidence it was just the start of MTV when we started BEF, and we
thought that was an ideal mechanism for us to service a lot of markets
simultaneously, spending the same amount of money we would have spent on
tour support but instead spending it on videos, which is what we did."
My collection: 7" single no. 5450 Found: unknown Tracks: 'Penthouse and pavement' / 'Penthouse and pavement (instrumental)'
Classic albums come in many shapes and colours, but among them, The Beatles' 'Sgt. Pepper's Lonely Hearts Club Band' is especially loved by pop music historians. The album was full of experimentations that were quite innovative in their time.
This single was apparently released in 1987, probably in conjunction with the CD release of the album. (Back then, record companies still released singles to promote products, remember?) The A-side is a double whammy of the title track and 'With a little help from my friends', while the B-side presents arguably the best track from the album.
My collection: 7" single no. 5370
Found: unknown
Tracks: 'Sgt. Pepper's Lonely Hearts Club Band/With a little help from my friends' / 'A day in the life'
In 1977, Switzerland was represented in the Eurovision Song Contest by the Pepe Lienhard Band. It remains the only Swiss entry to have ever reached number 1 in the official Swiss singles chart. It has to be said, the song has aged well, and the B-side of this single isn't half bad either. Another remarkable fact: this single was actually made in Sweden.
The song is about a man from the mountains who plays the alphorn and considers this instrument his "Swiss Lady". The song was performed twelfth on the night. At the close of voting, it had received 71 points, placing 6th in a field of 18 competitors.
My collection: 7" single no. 5662 Found: Record fair, Utrecht, November 23, 2014 Cost: 2 euro Tracks: 'Swiss lady' / 'Shiny red balloon'
Long before Mia Martini participated in the Eurovision Song Contest with the beautifully depressing 'Rapsodia' (1992), she appeared in 1977 with 'Libera'. At the time, she was arguably Italy's most successful and celebrated female artist, having had a number of hits since 1971. At the close of voting, 'Libera' had received 33 points, placing it 13th in a field of 18 competitors.
Martini recorded five versions of the song; the original ballad version, the disco version, the Spanish 'Libre', the French 'Libre comme une femme' and the English 'Freedom is today', the latter three all with the up-tempo arrangement.
My collection: 7" single no. 5627 Found: Fun Records, Berlin, received August 29, 2014 Cost: 2 euro Tracks: 'Libera' / 'Sognare è vita'
