Waiting for a girl like you - Foreigner

Foreigner used the then-unknown Thomas Dolby to perform synthesizer on their track 'Waiting for a girl like you'. It was one of the factors in making this a big hit. Written by Lou Gramm and Mick Jones, it was the second single from Foreigner's album '4' (1981).

The single reached number 8 in the UK singles chart and number 16 in the Dutch Top 40. It also achieved an odd chart distinction by spending a record-setting 10 weeks at number 2 in the US Billboard Hot 100 chart, without ever reaching the top. It was held off the top spot by Olivia Newton-John's single 'Physical' for the first nine of those weeks, and by Hall & Oates' 'I can't go for that (No can do)' for the remaining week.

My collection: 7" single no. 1468
Found: Parkpop, Den Haag, June 30, 1991
Cost: 2 guilders
Tracks: 'Waiting for a girl like you' / 'I'm gonna win'

Doe iets - Frank Boeijen Groep

The Frank Boeijen Groep released the second single from their third album '1001 hotel' in October 1983. It was 'Doe iets' ('Do something'). The lyric of the song, written as usual by band leader Frank Boeijen, was a cry for action between lovers.

After their first hit single 'Linda', this single again reached the Dutch Top 40, this time peaking at number 25.

My collection: 7" single no. 670
Found: Record fair, October 17, 1993
Cost: 2 guilders
Tracks: 'Doe iets' / 'Macho'

Another one bites the dust - Queen

The bass line of 'Another one bites the dust' was inspired by the song 'Good times' by Chic. Recording sesions in Munich involved John Deacon playing almost all the instruments: bass, piano, rhythm and lead guitars and handclap percussion. Roger Taylor added a drum loop and Brian May contributed some noises with his guitar and an Eventide Harmonizer. There are no synthesizers used in the song: all effects are created with pianos, guitars, and drums, with subsequent tape playback performed in reverse at various speeds. Brian May later recalled: 'Freddie sung until his throat bled on 'Another one bites the dust'. He was so into it. He wanted to make that song something special.'

The single reached number 14 in the Dutch Top 40, number 7 in the UK singles chart and number 1 in Argentina, Canada, Guatemala, Spain and the US Billboard Hot 100 chart.

My collection: 7" single no. 2107
Found: Record fair, June 4, 1994
Cost: 3 guilders
Tracks: 'Another one bites the dust' / 'Dragon attack'

101 - Sheena Easton

Prince used his pseudonym Joey Coco to write '101' for Sheena Easton. The track was recorded on her 1989 album 'The lover in me', with Prince producing. When it was released as the second single from the album, the sleeve included a beautiful photograph by Sheila Rock.

It was not a big success for Easton, as '101' only reached number 54 in the UK singles chart.

My collection: 7" single no. 875
Found: Free Record Shop, Den Haag, June 3, 1989
Cost: 6 guilders
Tracks: '101' / 'Cool love'

Private eyes - Daryl Hall and John Oates

According to Daryl Hall, 'Private eyes' is 'a real Janna Allen(co-writer and sister of Sara Allen) song. Janna, and I, and Warren Pash wrote that. Warren and Janna wrote most of the song, and I took it and changed it around-changed the chords. Sandy [Sara Allen] and I wrote the lyrics. It’s a real family song, the Allen sisters and me.'

The single carries a similar rhythm to the duo's number one hit from earlier that year, 'Kiss on my list', with the difference being a handclap chorus that has made the song an audience-participation favorite at live Hall and Oates shows. The single reached number 1 in the US Billboard Hot 100 chart and number 32 in the UK singles chart.

My collection: 7" single no. 2499
Found: House of Rhythm, London, October 30, 1995
Cost: 50p
Tracks: 'Private eyes' / 'Tell me what you want'

Twilight zone - Golden Earring

My earlier post about 'Long blond animal' by the Golden Earring caused some readers to write a comment. I wrote that if the group had quit like they planned, it would have saved us a lot of unnecessary music. 'What about 'Twilight zone'?', was the general complaint.

Well, indeed. I did like the song when it came out in 1982, and I even bought the single. At the same time, the song has been played so often on radio and television that I'm still very bored by it. So would the world have been a darker place without this single? I don't really think so. But it was a number 1 hit for the band, which should have been, again, reason enough for them to call it quits. Unfortunately, they didn't...

My collection: 7" single no. 149
Found: Studio Echo, Den Haag, 1982
Cost: 5,5 guilders
Tracks: 'Twilight zone' / 'King dark'

Church of your heart - Roxette

'Church of your heart' was the last single release from Roxette's 1991 album 'Joyride' in February 1992. It was the last top 40 hit for Roxette in the USA, peaking at number 36. In the UK, the single reached number 21.

More important to me than the 7" single at the time was the double cd-single release from the UK. I spent ages trying to find it, until I finally did during a record fair in the summer of 1992. This single was much easier to get: I bought it as soon as it came out.

My collection: 7" single no. 1648
Found: Melody Maker, Den Haag, April 1992
Cost: 6 guilders
Tracks: 'Church of your heart' / 'I call your name'

Wanted dead or alive - Bon Jovi

'Wanted dead or alive' is the phrase Jon Bon Jovi used for this song to show how he identifies with wild west heroes as being hated (wanted dead or alive). The band Bon Jovi had originally planned to do a wild west-themed album in the Eighties, but scrapped the idea.

Released as the third single from Bon Jovi's 1986 album 'Slippery when wet'. It peaked at number 7 in the US Billboard Hot 100 chart, number 13 in the UK singles chart and number 24 in the Dutch Top 40.

My collection: 7" single no. 532
Found: Free Record Shop, Den Haag, 1987
Cost: 6 guilders
Tracks: 'Wanted dead or alive' / 'Shot through the heart'

Trödler und Co - Peter, Sue and Marc

One of four appearances at the Eurovision Song Contest by Peter, Sue & Marc, 'Trödler & Co' is certainly the most memorable one. Together with the unknown trio Pfuri, Gorps & Kniri, they performed a track that sounded a lot like slightly deranged gypsy music. 'Trödler' translates like 'dawdler', so presumably this is music by people who procrastinate a lot. (No, I don't know what that means either).

Representing Switzerland for the third time in the Eurovision Song Contest in 1979 with this song, they finished tenth in a field of 19 competitors.

My collection: 7" single no. 4457
Found: Fun Records, Berlin, received January 28, 2010
Cost: 3,5 euro
Tracks: 'Trödler & Co' / 'Groovy Musik'

Mai Tai - Body and soul

'Body and soul' was Mai Tai's second hit single in the UK, but there was a difference with the European version of 'Body and soul': it was released on the Virgin label, had a different sleeve and a different B-side. The B-side was 'What goes on', a hit single in the Netherlands in the previous summer.

Released in July 1985, Mai Tai scored their second top 10 hit in the UK, peaking at number 9.

My collection: 7" single no. 2385
Found: House of Rhythm, London, July 1, 1995
Cost: 50p
Tracks: 'Body & soul' / 'What goes on'

Isn't it midnight - Fleetwood Mac

'Isn't it midnight' was released as the sixth and final single from Fleetwood Mac's 1987 album 'Tango in the night'. The song was co-written and sung by Christine McVie.

In the UK singles chart, 'Isn't it midnight' reached number 60 in June 1988. In Ireland, the single reached number 23.

My collection: 7" single no. 3197
Found: Record fair, Amterdam, September 16, 2000
Cost: 2 guilders
Tracks: 'Isn't it midnight' / 'Mystified'

Mercy mery me/I want you - Robert Palmer

Robert Palmer recorded two of Marvin Gaye's songs, 'Mercy mercy me' and 'I want you' in a medley to form one hit single. I'm still not sure about this choice, as both songs come off a bit weird as lyrically they have very little in common. Still, it was a hit for Palmer, reaching number 9 in the UK singles chart and number 25 in the Dutch Top 40.

My reason for buying this single is actually the B-side, which was co-written by Colin Vearncombe, a.k.a. Black.

My collection: 7" single no. 2822
Found: February 1, 1997
Cost: 2 guilders
Tracks: 'Mercy mercy me/I want you' / 'Oh yeah'

Nights in white satin - The Moody Blues

The classic 'Nights in white satin' was first featured on the Moody Blues album 'Days of future passed'. Band member Justin Hayward wrote the song at age nineteen in Swindon, and titled the song after a friend gave him a gift of satin bedsheets. The song itself was a tale of a yearning love from afar, which leads many to assume it is a tale of unrequited love endured by Hayward. The track was originally over seven minutes long, but it was edited for the single version, omitting spoken poetry and orchestral passages.

The B-side of this 'Golden Oldies' single is the track 'I'm just a singer in a rock and roll band', a hit single from 1973. The track was written by bassist John Lodge. It is one of John Lodge's signature high-energy rock and roll songs, which lyrically is a rant by Lodge, who was frustrated that many of their fans looked up to them as spiritual leaders in a sense. He is basically disproving that fact, and proclaiming that he is 'just a singer in a rock and roll band.'

My collection: 7" single no. 256
Found: Leiden, 1984
Cost: 6 guilders
Tracks: 'Nights in white satin' / 'I'm just a singer in a rock and roll band'

Make it happen - Mariah Carey

'Make it happen' was written and produced by Mariah Carey with David Cole and Robert Clivillés of the C+C Music Factory, and recorded for Carey's second album, 'Emotions' (1991). The song is characterized best as a dance/gospel track with uplifting lyrics like 'If you believe in yourself enough and know what you want, you're going to make it happen.'

After Carey's first five U.S. singles had reached number 1 on the US Billboard Hot 100 chart, her sixth single 'Can't let go' had peaked at number 2. It was hoped that 'Make it happen' would be a number 1 again, but this time the single got to number 5. It did no better in the UK, where the single stalled at number 17.

My collection: 7" single no. 1623
Found: Disco Market, Den Haag, April 18, 1992
Cost: 3,5 guilders
Tracks: 'Make it happen' / 'Emotions (Special motion edit)'

Shake your body (down to the ground) - The Jacksons

'Shake your body (down to the ground)' was released as a single from the Jacksons' album 'Destiny' in December 1978. The single version was edited down to almost four minutes from the original eight minute album version. The single reached number 7 in the US Billboard Hot 100 chart, number 4 in the UK singles chart and number 3 in the Dutch Top 40.

Performed during the Michael Jackson 30th Anniversary concert at Madison Square Garden in September 2001, it would be the last song performed live by the Jacksons.

My collection: 7" single no. 1576
Found: Record fair, January 25, 1992
Cost: 5 guilders
Tracks: 'Shake your body (down to the ground)' / 'That's what you get (for being polite)'

Blue emotion - Fiat Lux

Fiat Lux is one of those great unknown synthpop bands from the first half of the Eighties. They had two singles in the lower regions of the UK singles chart, but that was about it for them. I featured their singles on this blog last year, but I'm glad to say that I also own the 12" versions of most of them too.

'Blue emotion' is a particularly good 12" single, as it features extended versions of both the A-side and the B-side. When you listen to 'Blue emotion', you could easily mistake the band for Ultravox, as it's got these creepy synth sounds that wouldn't sound out of place on the classic album 'Vienna'.

My collection: 12" single no. 246
Found: 1995
Cost: 2 guilders
Tracks: 'Blue emotion (extended version)' / 'Sleepless nightmare (extended version)'

Take me down - Clouseau

'Take me down' was written by Kris Wauters from the band Clouseau with Nick Barron. It was released as the second single from their second international album 'In every small town'.

Although I consider this album to be the band's best work, most people did not agree: the single flopped and the album was to be Clouseau's last work in the English language.

My collection: 7" single no. 2070
Found: February 19, 1994
Cost: 2 guilders
Tracks: 'Take me down' / 'Take me down (instrumental)'

Mama - Genesis

'Mama' was written and recorded by Genesis on their 1983 album 'Genesis'. Phil Collins commented at the time: 'Our manager, when he first heard it, thought it was about abortion, the kind of feeling of the foetus saying to the mother 'Please give me a chance, can't you feel my heart, don't take away my last chance'. All those lyrics are in the song but in fact what it is, is just about a young teenager that's got a mother fixation with a prostitute that he's just happened to have met in passing and he has such a strong feeling for her and doesn't understand why she isn't interested in him.'

Most people remember the song for Phil Collins' sinister laugh halfway through. Producer Hugh Padgham revealed that the inspiration for the laugh came from rap music pioneer Grandmaster Flash's song 'The Message'. The single reached number 4 in the UK singles chart and number 7 in the Dutch Top 40.

My collection: 7" single no. 213
Found: Wouters, Den Haag, 1983
Cost: 6 guilders
Tracks: 'Mama' / 'It's gonna get better'

1999 / Little red corvette - Prince

'1999' was recorded by Prince on his 1982 album of the same name. Prince shares lead vocals on the track with members of his band The Revolution, namely Dez Dickerson, Lisa Coleman and Jill Jones. Originally conceived to be a three-part harmony, it was later decided to separate out the voices that started each verse. It was released as a single in the same year, launching Prince to superstardom along the way.

On New Year's Eve 1999, Prince (his stage name at that time still being an unpronounceable symbol) held a concert entitled 'Rave un2 the year 2000' at his Paisley Park Studios Soundstage, and he later vowed never to play it again. However, in August 2007, as part of his Earth Tour, he reintroduced the song to his set after an absence of eight years.

My collection: 7" single no. 2908
Found: Record Exchange, London, October 31, 1997
Cost: 50p
Tracks: '1999' / 'Little red corvette'

How many lies - Spandau Ballet

'How many lies' was released in early 1987 as the third and final single from Spandau Ballet's 1986 album 'Through the barricades'. The single featured a live version of 'Communication', recorded at the NEC in Birmingham on the B-side.

The single reached number 34 in the UK singles chart and number 25 in the Dutch Top 40. While the band was traditionally also successful in Australia and Germany, 'How many lies' did not chart in these countries.

My collection: 7" single no. 2603
Found: Record fair, January 27, 1996
Cost: 1 guilder
Tracks: 'How many lies?' / 'Communication (live)'